| "Wild Wind" | ||||
|---|---|---|---|---|
 | ||||
| Single by John Leyton | ||||
| B-side | "You Took My Love for Granted" | |||
| Released | 29 September 1961 [1] | |||
| Recorded | 1961 | |||
| Studio | RGM Sound, London | |||
| Genre | Pop | |||
| Length | 2:13 | |||
| Label | Top Rank | |||
| Songwriter(s) | Geoff Goddard | |||
| Producer(s) | Joe Meek | |||
| John Leyton singles chronology | ||||
| ||||
"Wild Wind" is a song by English singer John Leyton, released as a single in September 1961. It became his second top-ten hit and also earned him his second silver disc for sales of over 250,00 copies. [2]
Released as the follow up to his number-one hit "Johnny Remember Me", "Wild Wind" follows a similar formula. It was written by Geoff Goddard, produced by Joe Meek, and features the Outlaws on backing, all of whom had also done the same for "Johnny Remember Me". [3] There were significant advance orders of "Wild Wind", which according to the record company EMI (who owned Top Rank), would normally be expected for the established stars such as Cliff Richard and Elvis Presley. [4]
"Wild Wind" was released at the end of September 1961 whilst "Johnny Remember Me" was still in the charts. It quickly went to number two in the charts, spending two weeks there, unable to displace Helen Shapiro's "Walkin' Back to Happiness". [5]
| Chart (1961) | Peak position |
|---|---|
| Ireland ( Evening Herald ) [6] | 6 |
| UK Disc Top 20 [7] | 2 |
| UK Melody Maker Top 20 [8] | 2 |
| UK New Musical Express Top 30 [9] | 2 |
| UK Record Mirror Top 20 [10] | 2 |
| UK Record Retailer Top 50 [5] | 2 |
John Royce Mathis is an American singer of popular music. Starting his career with singles of standard music, Mathis became highly popular as an album artist, with several of his albums achieving gold or platinum status and 73 making the Billboard charts. Mathis has received the Grammy Lifetime Achievement Award and has been inducted into the Grammy Hall of Fame for three recordings.
John Dudley Leyton is an English actor and singer.
Twist and Shout is the first UK extended play by the English rock band the Beatles, released in the UK on EMI's Parlophone label on 12 July 1963. It contains four tracks produced by George Martin that were previously released on the band's debut album Please Please Me. Rush-released to meet public appetite, the record topped the UK EP chart for twenty-one weeks, the biggest-selling EP of all time in the UK to that point, and became so successful that it registered on the NME Singles Chart, peaking at number four. The EP's cover photograph, featuring the Beatles jumping in a London bombsite, has been described by The Telegraph as "one of the key images of the 1960s".
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"Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", is a song with words by Gerry Goffin and music composed by Carole King. It was recorded in 1960 by the Shirelles at Bell Sound Studios in New York City, and hit number one on the Billboard Hot 100 chart. The song was the first by an African-American all-girl group to reach number one in the United States. It has since been recorded by many other artists, including a version by co-writer King released on her 1971 album Tapestry.
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Geoffrey Goddard was an English songwriter, singer and instrumentalist. Working for Joe Meek in the early 1960s, he wrote songs for Heinz, Mike Berry, Gerry Temple, The Tornados, Kenny Hollywood, The Outlaws, Freddie Starr, Screaming Lord Sutch, The Ramblers and John Leyton. His song for Leyton, "Johnny Remember Me", reached number 1 in the UK Singles Chart.
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"Johnny Remember Me" is a song which became a 1961 UK Singles Chart #1 hit single for John Leyton, backed by The Outlaws. It was producer Joe Meek's first #1 production. Recounting the haunting – real or imagined – of a young man by his dead lover, the song is one of the most noted of the 'death ditties' that populated the pop charts, on both sides of the Atlantic, in the early to mid-1960s. It is distinguished in particular by its eerie, echoing sound and by the ghostly, foreboding female wails that form its backing vocal, by Lissa Gray. The recording was arranged by Charles Blackwell. Despite the line, "the girl I loved who died a year ago" being changed to the more vague "the girl I loved and lost a year ago", the song was banned by the BBC, along with many other 'death discs', which were popular at the time.
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