I Concentrate on You

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"I Concentrate on You" is a song written by Cole Porter for the 1940 film Broadway Melody of 1940 , where it was introduced by Douglas McPhail.

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"Too Darn Hot" is a song written by Cole Porter for his musical Kiss Me, Kate (1948).

"All of You" is a popular song written by Cole Porter and published in 1954.

<span class="mw-page-title-main">Night and Day (song)</span> 1932 song by Cole Porter

"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical Gay Divorce. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. NPR says "within three months of the show's opening, more than 30 artists had recorded the song."

<span class="mw-page-title-main">One for My Baby (and One More for the Road)</span> 1943 song written by Harold Arlen and Johnny Mercer

"One for My Baby (and One More for the Road)" is a song written by Harold Arlen and Johnny Mercer for the movie musical The Sky's the Limit (1943) and first performed in the film by Fred Astaire.

<span class="mw-page-title-main">Let's Do It, Let's Fall in Love</span> 1928 song by Cole Porter

"Let's Do It, Let's Fall in Love" is a popular song written in 1928 by Cole Porter. It was introduced in Porter's first Broadway success, the musical Paris (1928) by French chanteuse Irène Bordoni, for whom Porter had written the musical as a starring vehicle.

"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film Shall We Dance and gained huge success.

"My Heart Belongs to Daddy" is a song written by Cole Porter for the musical Leave It to Me! which premiered on November 9, 1938. It was originally performed by Mary Martin, who played Dolly Winslow, the young "protégée" of a rich newspaper publisher, her sugar daddy. In the musical, Dolly wears a fur coat while stranded at a Siberian railway station and surrounded by eager men. She performs a striptease and sings to them about how since she has her "daddy", she may still flirt with other men but won't "follow through".

"It's De-Lovely" is one of Cole Porter's hit songs, originally appearing in his 1936 musical, Red Hot and Blue. It was introduced by Ethel Merman and Bob Hope. The song was later used in the musical Anything Goes, first appearing in the 1956 film version ; in the 1962 revival where it was sung by Hal Linden and Barbara Lang, and in the 2004 biographical film De-Lovely, where it was performed by Robbie Williams.

<span class="mw-page-title-main">A Fine Romance (song)</span> 1936 song composed by Jerome Kern, lyrics by Dorothy Fields; from the 1936 film "Swing Time"

"A Fine Romance" is a popular song composed by Jerome Kern with lyrics by Dorothy Fields, published in 1936.

"Dancing in the Dark" is a popular American song, with music by Arthur Schwartz and lyrics by Howard Dietz, that was introduced by John Barker with Tilly Losch dancing in the 1931 revue The Band Wagon. The song was first recorded by Bing Crosby on August 19, 1931 with Studio Orchestra directed by Victor Young, staying on the pop charts for six weeks, peaking at #3, and helping to make it a lasting standard.

"Don't Fence Me In" is a popular American song written in 1934, with music by Cole Porter and lyrics by Robert Fletcher and Cole Porter. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.

"This Can't Be Love" is a show tune and a popular song from the 1938 Rodgers and Hart musical The Boys from Syracuse when it was sung by Eddie Albert and Marcy Westcott. The lyrics poke fun at the common depiction of love in popular songs as a host of malignant symptoms, saying, "This can't be love because I feel so well."

"Just One of Those Things" is a popular song written by Cole Porter for the 1935 musical Jubilee.

"I've Got a Crush on You" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It is unique among Gershwin compositions in that it was used for two different Broadway productions: Treasure Girl (1928), when it was introduced by Clifton Webb and Mary Hay, and Strike Up the Band (1930), when it was sung by Doris Carson and Gordon Smith. It was later included in the tribute musical Nice Work If You Can Get It (2012), in which it was sung by Jennifer Laura Thompson. When covered by Frank Sinatra he was a part of Columbia Records.

"Top Hat, White Tie and Tails" is a popular song written by Irving Berlin for the 1935 film Top Hat, where it was introduced by Fred Astaire.

"Isn't This a Lovely Day?" is a popular song written by Irving Berlin for the 1935 film Top Hat, where it was introduced by Fred Astaire in the scene where his and Ginger Rogers' characters are caught in a gazebo during a rainstorm. The lyric is an example of a song which turns a bad situation into a love song, a common style for Irving Berlin, as in "I've Got My Love to Keep Me Warm" and "Let's Have Another Cup of Coffee".

"I Let a Song Go Out of My Heart" is a 1938 composition by Duke Ellington, with lyrics added by Irving Mills, Henry Nemo and John Redmond. The song became a number one hit for Ellington in 1938. Other hit versions the same year were by Benny Goodman, Jimmy Dorsey, Connee Boswell, Hot Lips Page, and Mildred Bailey. It was performed as part of The Cotton Club Parade of 1938.

"I Wish I Were in Love Again" is a show tune from the 1937 Rodgers and Hart musical Babes in Arms. In the original show, Dolores, the Sheriff's daughter, talks to Gus, her former boyfriend, who tries to woo her unsuccessfully. They then sing about how they do not care that their relationship is over. The song was omitted from the 1939 film version.

"It's All Right with Me" is a popular song written by Cole Porter, for his 1953 musical Can-Can, where it was introduced by Peter Cookson as the character Judge Aristide Forestier.

"Dream Dancing" is a song written by Cole Porter for the 1941 film You'll Never Get Rich, where it was introduced as an instrumental. The first recording was made by Fred Astaire with Harry Sosnik and his Orchestra and The Delta Rhythm Boys in 1941 under the Decca label (#18188).

References

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