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Liza May Minnelli is an American actress, singer, dancer, and choreographer. Known for her commanding stage presence and powerful alto singing voice, Minnelli has received numerous accolades, and is one of the few performers awarded a non-competitive EGOT. Minnelli is a Knight of the French Legion of Honour and subject of the 2024 documentary, Liza: A Truly Terrific Absolutely True Story.
Lorna Luft is an American actress and singer. She is the daughter of Judy Garland and Sidney Luft, the sister of Joey Luft and the half-sister of Liza Minnelli.
"Blue Room" is a show tune from the 1926 Rodgers and Hart musical The Girl Friend, where it was introduced by Eva Puck and Sammy White. It is also a jazz standard.
"You Do Something to Me" is a song written by Cole Porter. It is notable in that it was the first number in Porter's first fully integrated-book musical Fifty Million Frenchmen (1929). In the original production, the song was performed by Genevieve Tobin and William Gaxton, performing the roles of Looloo Carroll and Peter Forbes, respectively.
"If I Were a Bell" is a song composed by Frank Loesser for his 1950 musical Guys and Dolls.
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy Ride 'Em Cowboy, being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia.
"This Can't Be Love" is a show tune and a popular song from the 1938 Rodgers and Hart musical The Boys from Syracuse when it was sung by Eddie Albert and Marcy Westcott. The lyrics poke fun at the common depiction of love in popular songs as a host of malignant symptoms, saying, "This can't be love because I feel so well."
"I Gotta Right to Sing the Blues" is a popular song with music by Harold Arlen and lyrics by Ted Koehler, published in 1932 for the Broadway show Earl Carroll's Vanities (1932). The song has become a jazz and blues standard. Popular recordings in 1933 and 1934 were those by Cab Calloway, Louis Armstrong and Benny Goodman.
"Rock-a-Bye Your Baby with a Dixie Melody" is a popular song written by Jean Schwartz, with lyrics by Sam M. Lewis and Joe Young. The song was introduced by Al Jolson in the Broadway musical Sinbad and published in 1918.
"Dinah" is a popular song published in 1925 and introduced by Ethel Waters at the Plantation Club on Broadway. It was integrated into the show Kid Boots. The music was written by Harry Akst and the lyrics by Sam M. Lewis and Joe Young. Hit versions in 1926 were by Ethel Waters, The Revelers, Cliff Edwards, and Fletcher Henderson.
"How About You?" is a popular song composed by Burton Lane, with lyrics by Ralph Freed. It was introduced in the 1941 film Babes on Broadway by Judy Garland and Mickey Rooney.
"Am I Blue?" is a 1929 song composed by Harry Akst (music) and Grant Clarke (lyrics), then featured in four films that year, most notably with Ethel Waters in the movie On with the Show. It has appeared in 42 movies, most recently Funny Lady, The Cotton Club and Downton Abbey: A New Era, and has become a standard covered by numerous artists. As a work from 1929 with its copyright renewed it will enter the public domain on January 1, 2025.
"Frenesí" is a musical piece originally composed by Alberto Domínguez Borrás for the marimba, and adapted as a jazz standard by Leonard Whitcup and others.
"I've Got a Crush on You" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It is unique among Gershwin compositions in that it was used for two different Broadway productions: Treasure Girl (1928), when it was introduced by Clifton Webb and Mary Hay, and Strike Up the Band (1930), when it was sung by Doris Carson and Gordon Smith. It was later included in the tribute musical Nice Work If You Can Get It (2012), in which it was sung by Jennifer Laura Thompson. When covered by Frank Sinatra he was a part of Columbia Records.
"Darn That Dream" is a popular song composed by Jimmy Van Heusen with lyrics by Eddie DeLange. It was published in 1939 and ranked No. 1 in 1940 when a recording was released by Benny Goodman in an arrangement by Eddie Sauter with Mildred Bailey singing the vocal. Other popular recordings in 1940 were by Blue Barron & His Orchestra and by Tommy Dorsey.
"Just in Time" is a popular song with the melody written by Jule Styne and the lyrics by Betty Comden and Adolph Green. It was introduced by Judy Holliday and Sydney Chaplin in the musical Bells Are Ringing in 1956. Judy Holliday and Dean Martin sang the song in the 1960 film of Bells Are Ringing. Martin then recorded it for his 1960 album, This Time I'm Swingin'!. Tony Bennett recorded the song in 1956 and continued performing it until his retirement, at Radio City Music Hall, in 2021 at the age of 95.
"Alone Together" is a song composed by Arthur Schwartz with lyrics by Howard Dietz. It was introduced in the Broadway musical Flying Colors in 1932 by Jean Sargent.
"Just You, Just Me" is a song from the 1929 musical film Marianne, composed by Jesse Greer with lyrics by Raymond Klages. It was introduced by Marion Davies and Lawrence Gray. The song has had many revisions after its first appearance and has become a jazz standard, having been recorded instrumentally by Red Norvo, Stan Tracey, Oscar Peterson and Lester Young, Buddy Rich, Artie Shaw, Les Paul, Benny Carter, Buddy Bregman, Tex Beneke, Coleman Hawkins, Harry James, Erroll Garner, Benny Goodman, Earl Hines, Joe Pass, Buddy Tate and Abdullah Ibrahim, Les Brown, Bill Evans, Bill Coleman and Duke Ellington.
"For Me and My Gal" is a 1917 popular standard song by George W. Meyer with lyrics by Edgar Leslie and E. Ray Goetz. Popular recordings of the song in 1917 were by Van and Schenck; Prince's Orchestra; Henry Burr and Albert Campbell; and by Billy Murray.
"I Love a Piano" is a popular song with words and music by Irving Berlin. It was copyrighted on December 9, 1920 and introduced in the Broadway musical revue Stop! Look! Listen! when it was performed by Harry Fox and the ensemble. The song was given a tremendous boost in the show as the set for it consisted of an enormous keyboard running completely across the stage. In front of this were six pianos with six pianists playing the tune. Irving Berlin always regarded the song as one of his best efforts.
References
- ↑ "Internet Broadway Database". ibdb.com. Retrieved January 6, 2019.
- ↑ "allmusic.com". allmusic.com. Retrieved January 6, 2019.
- ↑ "allmusic.com". allmusic.com. Retrieved January 6, 2019.
- ↑ "allmusic.com". allmusic.com. Retrieved January 6, 2019.
- ↑ "Internet Movie Database". imdb.com. Retrieved January 6, 2019.
