Ben Brantley

Last updated

Ben Brantley
Born (1954-10-26) October 26, 1954 (age 69)
Education Swarthmore College
Occupations
Years active1975–present

Benjamin D. Brantley (born October 26, 1954) is an American theater critic, journalist, editor, publisher, and writer. He served as the chief theater critic for The New York Times from 1996 to 2017, and as co-chief theater critic from 2017 to 2020.

Contents

Early life

Born in Durham, North Carolina on October 26, 1954, Brantley received a Bachelor of Arts in English from Swarthmore College in Pennsylvania, graduating in 1977, and is a member of the Phi Beta Kappa Society. [1] [2]

Career

Brantley began his journalism career as a summer intern at the Winston-Salem Sentinel and, in 1975, became an editorial assistant at The Village Voice . At Women's Wear Daily , he was a reporter and then editor from 1978 to 1983, and later became the European editor, publisher, and Paris bureau chief until June 1985. [1]

For the next 18 months, Brantley freelanced, writing regularly for Elle , Vanity Fair , and The New Yorker before joining The New York Times as a Drama Critic (August 1993). He was elevated to Chief Theater Critic three years later. [1]

Brantley is the editor of The New York Times Book of Broadway: On the Aisle for the Unforgettable Plays of the Last Century, a compilation of 125 reviews published by St. Martin's Press in 2001. He received the George Jean Nathan Award for Dramatic Criticism for 1996-1997. [1] He was the inspiration for the website DidHeLikeIt.com, which used a "Ben-Ometer" to translate New York Times reviews into ratings. [3] It expanded to become Did They Like It?, an aggregator for Broadway reviews from other major publications. [4]

Brantley has been dubbed a "celebrity underminer." [5] In an article in The New York Times, published on January 3, 2010, he expressed his ambivalence about the "unprecedented heights" of "star worship on Broadway during the past 10 years." [6]

After a review of a 2014 production of Of Mice and Men, lead actor James Franco posted a later-deleted screed on Instagram calling Brantley a "little bitch." [7] Alec Baldwin publicly criticized the critic the previous year after a negative review of his play Orphans, wherein he called Brantley an "odd, shriveled, bitter Dickensian clerk," and claimed the critic unduly dismissed Baldwin's work, comparing it to critic John Simon's infamous review of teenage actor Amanda Plummer performance in the play Artichoke as "Shirley Temple doing Boris Karloff." [8] [9]

In June 2017, Pulitzer Prize winning playwrights Lynn Nottage and Paula Vogel publicly criticized Brantley on Twitter following his lukewarm reviews of their respective Broadway debuts. [10] Vogel blamed Brantley and Times co-chief critic Jesse Green for the early closure of her play Indecent and for boosting plays by straight white male playwrights like Lucas Hnath and J.T. Rogers, who had received positive reviews from Brantley and later won the Tony Award for Best Play that year. [11] [12] Nottage reposted Vogel's tweet and wrote that Brantley and Green reflected "patriarchy flexing their muscles." [13]

In 2018, Brantley was criticized for his review of the musical Head Over Heels , which contained comments about the play's principal character, played by drag queen Peppermint, that were seen as transphobic. [14] [15] The Times subsequently edited the review and Brantley issued an apology, writing that he had tried to "reflect the light tone of the show", but his remarks instead came off as "more flippant than I would have ever intended". [16]

Brantley retired from his position as the paper's co-chief theatre critic in 2020, but continued to contribute columns afterward. [17]

Personal life

Brantley, who is gay, lives in New York City. [18] [19]

See also

Related Research Articles

<span class="mw-page-title-main">Paula Vogel</span> American playwright

Paula Vogel is an American playwright. She is known for her provocative explorations of complex social and political issues. Much of her work delves into themes of psychological trauma, abuse, and the complexities of human relationships. She has received the Pulitzer Prize as well as nominations for two Tony Awards. In 2013 she was inducted into the American Theatre Hall of Fame.

How I Learned to Drive is a play written by American playwright Paula Vogel. The play premiered on March 16, 1997, Off-Broadway at the Vineyard Theatre. Vogel received the 1998 Pulitzer Prize for Drama for the work. It was written and developed at the Perseverance Theatre in Juneau, Alaska, with Molly Smith as artistic director.

<span class="mw-page-title-main">Tonya Pinkins</span> American actress

Tonya Pinkins is an American actress and filmmaker. Her award-winning debut feature film Red Pill was an official selection at the 2021 Pan African Film Festival, won the Best Black Lives Matter Feature and Best First Feature at The Mykonos International Film Festival, Best First Feature at the Luléa Film Festival, and is nominated for awards in numerous festivals around the globe. Her web-series The Red Pilling of America can be heard on her podcast "You Can't Say That!" at BPN.fm/ycst

Walter Bobbie is an American theatre director, choreographer, and occasional actor and dancer. Bobbie has directed both musicals and plays on Broadway and Off-Broadway, and was the Artistic Director of the New York City Center Encores! concert series. He directed the long-running Broadway revival of the musical Chicago. His most well-known acting role was Nicely-Nicely Johnson in the 1992 Broadway revival of Guys and Dolls.

<span class="mw-page-title-main">Lynn Nottage</span> American playwright (born 1964)

Lynn Nottage is an American playwright whose work often focuses on the experience of working-class people, particularly working-class people who are Black. She has received the Pulitzer Prize for Drama twice: in 2009 for her play Ruined, and in 2017 for her play Sweat. She was the first woman to have won the Pulitzer Prize for Drama two times.

The Roundabout Theatre Company is a non-profit theatre company based in Midtown Manhattan, New York City, affiliated with the League of Resident Theatres.

<span class="mw-page-title-main">Soho Repertory Theatre</span> American Off-Broadway theater company

The Soho Repertory Theatre, known as Soho Rep, is an American Off-Broadway theater company based in New York City which is notable for producing avant-garde plays by contemporary writers. The company, described as a "cultural pillar", is currently located in a 65-seat theatre in the TriBeCa section of lower Manhattan. The company, and the projects it has produced, have won multiple prizes and earned critical acclaim, including numerous Obie Awards, Drama Desk Awards, Drama Critics' Circle Awards, and a Pulitzer Prize. A recent highlight was winning the Drama Desk Award for Sustained Achievement for "nearly four decades of artistic distinction, innovative production, and provocative play selection."

Christopher Shinn is an American playwright. His play Dying City (2006) was a finalist for the 2008 Pulitzer Prize for Drama, and Where Do We Live (2004) won the 2005 Obie Award, Playwriting.

<i>Prides Crossing</i>

Pride's Crossing is a play by Tina Howe. It received the New York Drama Critics Circle Award for Best American Play and was a finalist for the 1997 Pulitzer Prize for Drama.

<span class="mw-page-title-main">Kate Baldwin</span> American singer

Katherine Baldwin is an American singer and actress known for her work in musical theater. She received a Tony Award nomination for her work in the 2009 Broadway revival of Finian's Rainbow. She also co-starred opposite Bette Midler, David Hyde Pierce, and Gavin Creel in the Broadway revival of Hello, Dolly!, for which she received Tony, Drama Desk, and Outer Critics Circle award nominations for her work as the saucy millineress Irene Molloy. Baldwin continued with the production until it closed in August 2018.

Ruined (2008) is an American play by Lynn Nottage. The play premiered at the Goodman Theatre in Chicago, and won the 2009 Pulitzer Prize for Drama. The play explores the plight of women during the civil war in the Democratic Republic of Congo.

Jenny Jules is an English actress. She started her acting career as a member of the youth theatre programme at the Tricycle Theatre in Kilburn, London. Her career has been closely linked with the Tricycle Theatre where she has acted numerous times; her credits there include two plays by August Wilson, both directed by Paulette Randall: Two Trains Running and Gem of the Ocean, Walk Hard by Abram Hill, Wine in the Wilderness by Alice Childress, the dramatic reconstruction of the inquiry into the murder of Stephen Lawrence, The Colour of Justice, and Lynn Nottage's Fabulation, directed by Indhu Rubasingham. In 1992, she won a Time Out Award for her portrayal of Mediyah in Pecong at the Tricycle Theatre. That same year, she appeared with Helen Mirren on the second installment of Prime Suspect for Granada Television/ITV.

<i>Fun Home</i> (musical) Musical adapted by Lisa Kron and Jeanine Tesori

Fun Home is a musical theatre adaptation of Alison Bechdel's 2006 graphic memoir of the same name, with music by Jeanine Tesori, and book and lyrics by Lisa Kron. The story concerns Bechdel's discovery of her own lesbian sexuality, her relationship with her closeted gay father, and her attempts to unlock the mysteries surrounding his life. It is told in a series of non-linear vignettes connected by narration provided by the adult Alison character.

<span class="mw-page-title-main">Branden Jacobs-Jenkins</span> American playwright (born 1984)

Branden Jacobs-Jenkins is an American playwright. His plays Gloria and Everybody were finalists for the 2016 and 2018 Pulitzer Prize for Drama. His play Appropriate made his Broadway debut as a playwright in 2023 and earned him his first Tony Award. His additional plays include An Octoroon and The Comeuppance. He was named a MacArthur Fellow in 2016.

<span class="mw-page-title-main">William Jackson Harper</span> American actor (born 1980)

William Fitzgerald Harper, known professionally as William Jackson Harper, is an American actor and playwright. He gained acclaim for his role as Chidi Anagonye in the NBC comedy series The Good Place (2016–2020), for which he was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series.

Clare Barron is a playwright and actor from Wenatchee, Washington. She won the 2015 Obie Award for Playwriting for You Got Older. She was a finalist for the 2019 Pulitzer Prize for Drama for Dance Nation.

Sweat is a 2015 play by American playwright Lynn Nottage. It won the 2017 Pulitzer Prize for Drama. The play premiered at the Oregon Shakespeare Festival in 2015; it was produced Off-Broadway in 2016 and on Broadway in 2017. The play is centered on the working class of Reading, Pennsylvania.

James Ijames is an American playwright, actor, and professor originally from Bessemer City, North Carolina. He received his B.A. in Drama from Morehouse College in Atlanta, Georgia, and earned his MFA in Acting from Temple University in Philadelphia, where he is now based. Currently, he is an Associate Professor of Theatre at Villanova University and co-artistic director of the Wilma Theater in Philadelphia. Ijames is a founding member of Orbiter 3, Philadelphia's first playwright producing collective. His adaptation of Hamlet, titled Fat Ham, won the Pulitzer Prize for Drama in 2022. The production ran at The Public Theater during the summer of 2022, before opening on Broadway in April 2023. He is the recipient of the 2018 Whiting Award for drama and the F. Otto Haas Award for an Emerging Philadelphia Theatre Artist.

Jesse Green is the chief theatre critic for The New York Times, having started that role in 2017 as co-chief with Ben Brantley. Previously, he was the theatre critic at New York Magazine.

References

  1. 1 2 3 4 "BIOGRAPHY: Ben Brantley, Chief Theater Critic". The New York Times. February 20, 2004. Archived from the original on July 3, 2007. Retrieved July 1, 2007.
  2. "Ben Brantley :: Department of Theater". Swarthmore College. July 8, 2014. Retrieved May 6, 2020.
  3. Kassel, Matthew (April 12, 2013). "Ben Brantley Is Mad for Matilda". Observer . Retrieved November 26, 2023.
  4. "Did They Like It? - Official Site". DidTheyLikeIt.com. Retrieved November 26, 2023.
  5. "Ben Brantley: Celebrity Underminer". New York . December 14, 2009. Archived from the original on December 18, 2009. Retrieved January 24, 2010.
  6. Brantley, Ben (January 3, 2010). "Hot Ticket: Nicole, Denzel and, Oh, a Play". The New York Times. Archived from the original on January 21, 2010. Retrieved January 24, 2010.
  7. "James Franco, his 'Of Mice and Men' critic and an Instagram rant". Los Angeles Times. April 17, 2014. Retrieved July 5, 2024.
  8. Lyons, Margaret (May 7, 2013). "Alec Baldwin Sure Does Hate Ben Brantley". Vulture. Retrieved July 5, 2024.
  9. Shewey, Don (October 13, 1983). "Amanda Plummer Acts Differently". Rolling Stone. Retrieved July 5, 2024.
  10. "Pulitzer Prize Winners Tweet: Bad Reviews from the NY Times Doom Female-Written Plays". Observer. 2017-06-14. Retrieved 2024-07-05.
  11. "Pulitzer Prize Winners Tweet: Bad Reviews from the NY Times Doom Female-Written Plays". Observer. June 14, 2017. Retrieved July 5, 2024.
  12. Vogel, Paula (June 14, 2017). ""Brantley&Green 2-0. Nottage&Vogel 0-2. Lynn, they help close us down,&gifted str8 white guys run: ourplayswill last.B&G#footnotesinhistory."". Twitter [X]. Retrieved July 5, 2024.
  13. Nottage, Lynne (June 14, 2017). ""The patriarchy flexing their muscles to prove their power."". Twitter [X]. Retrieved July 5, 2024.
  14. McHenry, Jackson (July 27, 2018). "New York Times Critic Gets Dragged for Misgendering in Head Over Heels Review". Vulture. Retrieved July 28, 2018.
  15. Steiner, Chelsea (July 27, 2018). "Ben Brantley's New York Times Review of Head Over Heels Mocks Non-Binary and Trans Folks". The Mary Sue. Retrieved July 28, 2018.
  16. Huston, Caitlin (July 27, 2018). "Ben Brantley issues apology for 'Head Over Heels' review". Broadway News. Retrieved May 8, 2022.
  17. Cruz, Gilbert; Heller, Scott (September 10, 2020). "Ben Brantley, Take a Bow". The New York Times Company . Retrieved September 10, 2020.
  18. Weinert-Kendt, Rob (March 24, 2017). "Jesse Green is Looking for a Good Argument". AmericanTheatre.org.
  19. Bahr, David (January 22, 2002). "Bright light of Broadway". The Advocate . Retrieved July 1, 2007.