Paula Vogel

Last updated
Paula Vogel
PaulaVogel.jpg
Vogel in 2022
Born (1951-11-16) November 16, 1951 (age 72)
Washington, D.C., U.S.
Occupation Playwright, professor
Education Bryn Mawr College
Catholic University (BA)
Cornell University (MA, PhD)
Notable awards Pulitzer Prize for Drama (1998)
Spouse
​
​
(m. 2004)​

Paula Vogel (born November 16, 1951) is an American playwright. She is known for her provocative explorations of complex social and political issues. Much of her work, delves into themes of psychological trauma, abuse, and the complexities of human relationships. She has received the Pulitzer Prize as well as nominations for two Tony Awards. In 2013 she was inducted into the American Theatre Hall of Fame.

Contents

She started her career with the her off-Broadway play How I Learned to Drive which earned her the 1998 Pulitzer Prize for Drama. The play was revived in 2022 earning her a Tony Award for Best Revival of a Play nomination. She wrote the Off-Broadway plays The Baltimore Waltz (1992), Hot 'N Throbbing (1994), The Mineola Twins (1996), and The Long Christmas Ride Home (2003). She made her Broadway debut with Indecent in 2017 which earned her a nomination for the Tony Award for Best Play. She returned to Broadway with her latest play, Mother Play (2024).

A longtime teacher, Vogel spent the bulk of her academic career – from 1984 to 2008 – at Brown University, where she served as Adele Kellenberg Seaver Professor in Creative Writing, oversaw its playwriting program, and helped found the Brown/Trinity Rep Consortium. From 2008 to 2012, Vogel was Eugene O'Neill Professor of Playwriting and department chair at the Yale School of Drama, as well as playwright in residence at the Yale Repertory Theatre. [1]

Early life and education

Vogel was born in Washington, D.C., to Donald Stephen Vogel, an advertising executive, and Phyllis Rita (Bremerman), a secretary for the United States Postal Service Training and Development Center. [2] Her father was Jewish, whereas her mother was Roman Catholic. [3] She attended Bryn Mawr College from 1969 to 1970 and 1971 to 1972, and is a graduate of The Catholic University of America (BA, 1974) and Cornell University (MA, 1976; PhD, 2016).

Career

1992–2014: Early works and breakthrough

A productive playwright since the late 1970s, Vogel first came to national prominence with her AIDS-related seriocomedy The Baltimore Waltz , which won the Obie Award for Best Play in 1992. She is best known for her Pulitzer Prize-winning play How I Learned to Drive (1997), which examines the impact and echoes of child sexual abuse and incest. Other notable plays include Desdemona, A Play About A Handkerchief (1993), The Oldest Profession (1981), And Baby Makes Seven (1984), Hot 'N Throbbing (1994), and The Mineola Twins (1996).

Her play The Oldest Profession was first read in February 1981 at the Hudson Guild, New York City, directed by Gordon Edelstein. The play premiered in April 1988 at Theatre Network in Edmonton, Canada and 25th Street Theatre in Saskatoon, Canada, directed by Tom Bentley-Fisher. Subsequent productions include a reading at Brown University in April 1990 and a production by Company One in Hartford, Connecticut in October 1991. [4] The play premiered Off-Broadway in September 2004 in a Signature Theatre Company production. [5]

And Baby Makes Seven premiered Off-Broadway in April 1993, produced by the Circle Repertory Company at the Lucille Lortel Theatre. The cast featured Peter Frechette, Cherry Jones and Mary Mara. [6] [7] It was first produced by Theatre with Teeth, New York City, in January 1984, directed by Vogel. It was then produced at Theatre Rhinoceros, San Francisco, in February 1986, directed by Kris Gannon. [8] Desdemona was first produced by the Bay Street Theatre Festival, Sag Harbor, New York in July 1993 and then was produced Off-Broadway by the Circle Repertory Company in November 1993. The productions starred J. Smith-Cameron as Desdemona and Cherry Jones as Bianca. [9]

Second Stage Theatre produced How I Learned to Drive in February 2012, the first New York City production of the play in 15 years. [10] A Civil War Christmas was presented Off-Broadway at the New York Theatre Workshop, from November 13, 2012, to December 30, 2012. The play was directed by Tina Landau and featured Alice Ripley and Bob Stillman. The play was nominated for the 2013 Lucille Lortel Award, Outstanding Director (Landau) and Outstanding Costume Design, (Toni-Leslie James) and won the Lortel Award for Outstanding Lighting Design (Scott Zielinski). [11] Artists Repertory Theatre, located in Portland, Oregon, presented A Civil War Christmas: An American Musical Celebration, from November 22 to December 23, 2016.

2015–present: Broadway debut

Vogel's first play with music, Indecent , co-created and directed by Rebecca Taichman, premiered at Yale Repertory Theatre on October 2, 2015, and then ran at La Jolla Playhouse (San Diego) in November 2015. [12] [13] [14] Indecent was a finalist for the 2016 Edward M. Kennedy Prize for Drama. [15]

The play premiered Off-Broadway at the Vineyard Theatre, running from April 27, 2016 (previews), officially on May 17, 2016, and closing on June 19, 2016. The play was nominated for the 2016 Lucille Lortel Award, Outstanding Play. [16] Indecent premiered on Broadway at the Cort Theatre on April 4, 2017, in previews, and opened April 18. [17] [18] The Off-Broadway cast, featuring Adina Verson and Katrina Lenk, reprised their roles in the Broadway production, with additional cast including Ben Cherry, Andrea Goss, and Eleanor Reissa. The play has music composed by Lisa Gutkin and Aaron Halva. [19] The play is being produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre. This marks Vogel's Broadway debut. [20] The play "is inspired by the real-life controversy surrounding the 1923 Broadway production of Sholem Asch's 'God of Vengeance', the love story of two women." [21] Indecent was nominated for the 2017 Outer Critics Circle Awards: Outstanding New Broadway Play, Rebecca Taichman as Outstanding Director of a Play, Outstanding Lighting Design, Outstanding Projection Design (Tal Yarden), Outstanding Featured Actor In A Play (Richard Topol), and Outstanding Featured Actress In A Play (Katrina Lenk). [22] The play was nominated for the 2017 Drama Desk Award, Outstanding Play and Outstanding Lighting Design for a Play (Christopher Akerlind). [23]

Vogel will premiere a new work titled Mother Play on Broadway as part of Second Stage Theater's 2023-2024 season. [24]

Style and themes

Although no particular theme or topic dominates her work, she often examines traditionally controversial issues such as sexual abuse and prostitution. Asserting that she "writes the play backwards," moving from emotional circumstances and character to craft narrative structure, Vogel says, "My writing isn't actually guided by issues.... I only write about things that directly impact my life." Vogel adds, "If people get upset, it's because the play is working." These issues appear in Vogel's Desdemona (1994), where the narrative of a brothel is used to give female characters agency, or "give back to Desdemona power to accompany her activity." [25] Vogel's family, especially her late brother Carl Vogel, influences her writings. Vogel says, "In every play, there are a couple of places where I send a message to my late brother Carl. Just a little something in the atmosphere of every play to try and change the homophobia in our world." [26] Carl's likeness appears in such plays as The Long Christmas Ride Home (2003), And Baby Makes Seven, and The Baltimore Waltz.

"Vogel tends to select sensitive, difficult, fraught issues to theatricalize," theatre theorist Jill Dolan comments, "and to spin them with a dramaturgy that's at once creative, highly imaginative, and brutally honest." [27] Her work embraces theatrical devices from across several traditions, incorporating, in various works, direct address, bunraku puppetry, omniscient narration, and fantasy sequences. Critic David Finkel finds this breadth in Vogel's career to be reflective of a general tendency toward stylistic reinvention from work to work. "This playwright recoils at the notion of writing plays that are alike in their composition," Finkel writes. "She wants each play to be different in texture from those that have preceded it." [28]

Academic and teacher

Vogel, a renowned teacher of playwriting, counts among her former students Susan Smith Blackburn Prize-winner Bridget Carpenter, Obie Award-winner Adam Bock, MacArthur Fellow Sarah Ruhl, and Pulitzer Prize-winners Nilo Cruz, Lynn Nottage, and Quiara Alegría Hudes. [29] [30]

During her two decades leading the graduate playwriting program and new play festival at Brown University, Vogel helped develop a nationally recognized center for educational theatre, culminating in the creation of the Brown/Trinity Repertory Company Consortium with Oskar Eustis, then Trinity's artistic director, in 2002. [31] She left Brown in 2008 to assume her positions as adjunct professor and the Chair of the playwriting department at Yale School of Drama, which she held until 2012, [32] and the Playwright-in-Residence at Yale Repertory Theatre. [33] [34] She is currently the Eugene O'Neill Professor (adjunct) of Playwriting at Yale School of Drama and playwright-in-residence at the Yale Repertory Theatre, as well as an artistic associate at Long Wharf Theatre. [35] Vogel previously served as an instructor at Cornell University during her graduate work in the mid-1970s.

Personal life

Vogel had two brothers: Carl, who died of AIDS in 1988, and Mark. Carl is namesake for the Carl Vogel Center in Washington, D.C., founded by their father Don Vogel. The center is a service provider for people living with HIV. [2]

Vogel married Brown University professor and author Anne Fausto-Sterling in Truro, Massachusetts, on September 26, 2004. [2]

Theatrical works

As a Playwright

YearTitleVenueRef.
1984And Baby Makes SevenNew York City
1992 The Baltimore Waltz Yale Repertory Theatre
1993Desdemona, A Play about a HandkerchiefBay Street Theatre, Off-Broadway
1994 Hot 'N Throbbing American Repertory Theater
1996 The Mineola Twins Perseverance Theatre
1997
2022		 How I Learned to Drive Vineyard Theare, Off-Broadway
Samuel J. Friedman Theatre, Broadway
2003 The Long Christmas Ride Home Trinity Repertory Company
2008Civil War ChristmasLong Wharf Theatre, New Haven [36]
2014Don Juan Comes Home from Iraq Wilma Theater, Philadelphia [37]
2015
2017		 Indecent Yale Repertory Theatre
Cort Theatre, Broadway		 [38]
2024 Mother Play Helen Hayes Theater, Broadway [39]

Awards and honors

YearAssociationCategoryNominated workResultRef.
1998 Pulitzer Prize for Drama How I Learned to Drive Won [40]
2017 Drama Desk Award Outstanding Play Indecent Nominated
2017 Tony Award Best Play Nominated [41]
2022 Best Revival of a Play How I Learned to DriveNominated
2017 Obie Award Lifetime AchievementWon [42]

Subsequent to her Obie Award for Best Play (1992) and Pulitzer Prize in Drama (1998), Vogel received the Award for Literature from The American Academy of Arts and Letters in 2004. She won a Robert Chesley Award in 1997. She won the 1998 Susan Smith Blackburn Prize for How I Learned to Drive. [43] In 1999, Vogel received the PEN/Laura Pels International Foundation for Theater Award for a playwright in mid-career. [44]

In 2003, the Kennedy Center American College Theater Festival created an annual Paula Vogel Award in Playwriting for "the best student-written play that celebrates diversity and encourages tolerance while exploring issues of dis-empowered voices not traditionally considered mainstream." [45] In 2013, Vogel was inducted into the American Theater Hall of Fame. [46]

In 2016, Vogel successfully completed and defended her doctoral thesis at Cornell University, more than 40 years after she began her graduate work. She was awarded her Ph.D. in Theatre Arts in May. [47] Vogel received the 2017 Obie Award for Lifetime Achievement. [48] Vogel is featured in the book 50 Key Figures in Queer US Theatre (2022), with a profile written by theatre scholar Sara Warner. [49]

In 2015 Paula Vogel's literary archive was obtained by the Beinecke Rare Book and Manuscript Library at Yale University, and she became the first female playwright included in the library's Yale Collection of American Literature. [50]

Bibliography

Related Research Articles

<span class="mw-page-title-main">Donald Margulies</span> American playwright

Donald Margulies is an American playwright and academic. In 2000, he won the Pulitzer Prize for Drama for his play Dinner with Friends.

Will Eno is an American playwright based in Brooklyn, New York. His play, Thom Pain was a finalist for the Pulitzer Prize in Drama in 2005. His play The Realistic Joneses appeared on Broadway in 2014, where it received a Drama Desk Special Award and was named Best Play on Broadway by USA Today, and best American play of 2014 by The Guardian. His play The Open House was presented Off-Broadway at the Signature Theatre in 2014 and won the Obie Award for Playwriting as well as other awards, and was on both TIME Magazine and Time Out New York 's Top Ten Plays of 2014.

Amy Freed is an American playwright. Her play Freedomland was a finalist for the 1998 Pulitzer Prize for Drama.

<span class="mw-page-title-main">Sarah Ruhl</span> American writer

Sarah Ruhl is an American playwright, poet, professor, and essayist. Among her most popular plays are Eurydice (2003), The Clean House (2004), and In the Next Room (2009). She has been the recipient of a MacArthur Fellowship and the PEN/Laura Pels International Foundation for Theater Award for a distinguished American playwright in mid-career. Two of her plays have been finalists for the Pulitzer Prize for Drama and she received a nomination for Tony Award for Best Play. In 2020, she adapted her play Eurydice into the libretto for Matthew Aucoin's opera of the same name. Eurydice was nominated for Best Opera Recording at the 2023 Grammy Awards.

<span class="mw-page-title-main">Lynn Nottage</span> American playwright (born 1964)

Lynn Nottage is an American playwright whose work often focuses on the experience of working-class people, particularly working-class people who are Black. She has received the Pulitzer Prize for Drama twice: in 2009 for her play Ruined, and in 2017 for her play Sweat. She was the first woman to have won the Pulitzer Prize for Drama two times.

Gina Gionfriddo is an American playwright and television writer. Her plays Becky Shaw and Rapture, Blister, Burn were finalists for the 2009 and 2013 Pulitzer Prize for Drama, respectively. She has written for the television series Law & Order, Law & Order: Criminal Intent, FBI: Most Wanted, The Alienist, and House of Cards.

<span class="mw-page-title-main">Quiara Alegría Hudes</span> American playwright and composer (born 1977)

Quiara Alegría Hudes is an American playwright, producer, lyricist and essayist. She is best known for writing the book for the musical In the Heights (2007), and screenplay for its film adaptation. Hudes' first play in her Elliot Trilogy, Elliot, A Soldier's Fugue was a finalist for the 2007 Pulitzer Prize for Drama. She received the 2012 Pulitzer Prize for Drama for Water by the Spoonful, her second play in that trilogy.

<span class="mw-page-title-main">Annie Baker</span> American playwright and teacher

Annie Baker is an American playwright and teacher who won the 2014 Pulitzer Prize for her play The Flick. Among her works are the Shirley, Vermont plays, which take place in the fictional town of Shirley: Circle Mirror Transformation, Nocturama, Body Awareness, and The Aliens. She was named a MacArthur Fellow in 2017.

<span class="mw-page-title-main">Rajiv Joseph</span> American playwright

Rajiv Joseph is an American playwright. He was named a finalist for the 2010 Pulitzer Prize for Drama for his play Bengal Tiger at the Baghdad Zoo, and he won an Obie Award for Best New American Play for his play Describe the Night.

<span class="mw-page-title-main">Signature Theatre Company</span> American theatre in New York

Signature Theatre Company is an American theatre based in Manhattan, New York. It was founded in 1991 by James Houghton and is now led by Artistic Director Paige Evans. Signature is known for their season-long focus on one artist's work. It has been located in the Pershing Square Signature Center since 2012.

Stephen Karam is an American playwright, screenwriter and director. His plays Sons of the Prophet, a comedy-drama about a Lebanese-American family, and The Humans were finalists for the Pulitzer Prize for Drama in 2012 and 2016, respectively. The Humans won the 2016 Tony Award for Best Play, and Karam wrote and directed a film adaptation of the play, released in 2021.

Amy Herzog is an American playwright. She is known for her poignant and character-driven plays that explore themes of family dynamics, personal relationships, and the complexities of human experience. She has received a Drama Desk Award as well as a nomination for a Tony Award.

The Flick is a play by Annie Baker that received the 2014 Pulitzer Prize for Drama and won the 2013 Obie Award for Playwriting. The Flick premiered Off-Broadway at Playwrights Horizons in 2013.

<span class="mw-page-title-main">Branden Jacobs-Jenkins</span> American playwright (born 1984)

Branden Jacobs-Jenkins is an American playwright. He won the 2014 Obie Award for Best New American Play for his plays Appropriate and An Octoroon. His plays Gloria and Everybody were finalists for the 2016 and 2018 Pulitzer Prize for Drama, respectively. He was named a MacArthur Fellow for 2016.

<span class="mw-page-title-main">Lucas Hnath</span> American playwright

Lucas Hnath is an American playwright. He won the 2016 Obie Award for excellence in playwriting for his plays Red Speedo and The Christians. He also won a Whiting Award.

Clare Barron is a playwright and actor from Wenatchee, Washington. She won the 2015 Obie Award for Playwriting for You Got Older. She was a finalist for the 2019 Pulitzer Prize for Drama for Dance Nation.

<i>Indecent</i> (play) 2015 play by Paula Vogel

Indecent is a 2015 American play by Paula Vogel. It recounts the controversy surrounding the play God of Vengeance by Sholem Asch, which was produced on Broadway in 1923, and for which the producer and cast were arrested and convicted on the grounds of obscenity.

Rebecca Taichman is an American theatre director. In 2017, she received the Tony Award for Best Direction of a Play for Indecent.

<span class="mw-page-title-main">Martyna Majok</span> Polish-American playwright (born 1985)

Martyna Majok is a Polish-born American playwright who received the 2018 Pulitzer Prize for Drama for her play Cost of Living. She emigrated to the United States as a child and grew up in New Jersey. Majok studied playwriting at the Yale School of Drama and Juilliard School. Her plays are often politically engaged, feature dark humor, and experiment with structure and time.

<span class="mw-page-title-main">Heidi Schreck</span> American writer and actress

Heidi Schreck is an American playwright, screenwriter, and actress from Wenatchee, Washington. Her play What the Constitution Means to Me, which she also performs in, was a finalist for the 2019 Pulitzer Prize for Drama and Tony Awards for 2019 Best Play and Best Actress in a Play.

References

  1. ↑ "Playwright Vogel returns to campus for Ph.D. | Cornell Chronicle". news.cornell.edu. Retrieved 2018-07-26.
  2. 1 2 3 "Paula Vogel, Anne Fausto-Sterling". The New York Times . September 26, 2004. Retrieved December 25, 2008.
  3. ↑ Headapohl, Jackie (April 11, 2017). "Indecent". The Detroit Jewish News .
  4. ↑ Vogel, Paula. '"The Oldest Profession", The Baltimore Waltz and Other Plays, Theatre Communications Group, 1995, ISBN   1-55936-713-X, pp. 128-129
  5. ↑ "'The Oldest Profession' Off-Broadway" Archived 2015-10-07 at the Wayback Machine lortel.org, accessed October 4, 2015
  6. ↑ Gerard, Jeremy (May 11, 1993). "Review. 'And Baby Makes Seven'". Variety .
  7. ↑ "'And Baby Makes Seven' Off-Broadway Listing" Archived 2015-10-07 at the Wayback Machine lortel.org, accessed October 4, 2015
  8. ↑ Vogel, Paula. '"And Baby Makes Seven", The Baltimore Waltz and Other Plays, Theatre Communications Group, 1995, ISBN   1-55936-713-X, p. 60
  9. ↑ Vogel, Paula. Desdemona: A Play about a Handkerchief, Dramatists Play Service, Inc., 1994, ISBN   0822213915, p. 3
  10. ↑ Jones, Kenneth (February 22, 2012). "'How I Learned to Drive' Extended Off-Broadway". Playbill .
  11. ↑ A Civil War Christmas, lortel.org, accessed October 27, 2016
  12. ↑ Rothstein, Mervyn (September 20, 2015). "Paula Vogel On Her New Play 'Indecent', Historic Controversy and the 'Beautiful Love Story of Two Women'". Playbill .
  13. ↑ Gans, Andrew (October 2, 2015). "Paula Vogel and Rebecca Taichman's 'Indecent' Makes World Premiere Tonight". Playbill .
  14. ↑ "'Indecent' Listing" Archived 2016-03-05 at the Wayback Machine lajollaplayhouse.org, accessed January 28, 2016
  15. ↑ "Finalists Announced for 2016 Edward M. Kennedy Prize for Drama Inspired By American History" kennedyprize.columbia.edu, January 27, 2016, accessed January 28, 2016
  16. ↑ Hetrick, Adam (April 4, 2017). "'Hadestown' and 'Sweeney Todd' Lead Lucille Lortel Nominations". Playbill .
  17. ↑ Clement, Olivia (April 4, 2017). "'Indecent' Begins April 4 on Broadway". Playbill .
  18. ↑ Viagas, Robert (December 5, 2016). "Paula Vogel's 'Indecent' Sets First Broadway Preview and Ticket On-Sale Dates". Playbill .
  19. ↑ Gans, Andrew (February 7, 2017). "Complete Casting Announced for Broadway's 'Indecent'". Playbill .
  20. ↑ Viagas, Robert (October 26, 2016). "Paula Vogel's 'Indecent' Will Make the Jump to Broadway". Playbill .
  21. ↑ Clement, Olivia (April 18, 2017). "'Indecent' Opens on Broadway April 18". Playbill .
  22. ↑ Clement, Olivia (April 25, 2017). "'Anastasia' Leads 2017 Outer Critics Circle Award Nominations". Playbill .
  23. ↑ McPhee, Ryan (April 27, 2017). "'Hello, Dolly!', 'Come From Away', and 'Anastasia' Lead 2017 Drama Desk Award Nominations". Playbill .
  24. ↑
  25. ↑ Flaherty, Jennifer (2014). "How Desdemona Learned to Die: Failed Resistance in Paula Vogel's Desdemona". Gender Forum (49): 9. ProQuest   1611895318 – via ProQuest.
  26. ↑ Parker, Mary-Louise (Fall 1997). "Paula Vogel". BOMB Magazine . Retrieved July 19, 2011.
  27. ↑ Dolan, Jill (March 1998). "How I Learned to Drive (review)". Theatre Journal. Vol. 50, no. 1. p. 127.
  28. ↑ Finkle, David (5 November 2003). "Review: The Long Christmas Ride Home". TheaterMania. Retrieved 2008-12-25.
  29. ↑ Adam Bock (Fall 2007). "The Journey of The Receptionist". Manhattan Theatre Club (Interview: transcript). Interviewed by Annie MacRae. Archived from the original on July 31, 2009. Retrieved December 25, 2008.
  30. ↑ Raymond, Gerard (October 12, 2004). "Paula Vogel: The Signature Season". TheaterMania. Retrieved December 25, 2008.
  31. ↑ Mead, Rebecca (March 22, 2010). "Stage Left". The New Yorker . p. 25.
  32. ↑ Hetrick, Adam (August 16, 2011). "Paula Vogel to Exit Role at Yale School of Drama; New Projects On the Horizon". Playbill .
  33. ↑ Robertson, Campbell (18 January 2008). "Paula Vogel Goes to Yale". The New York Times . Retrieved December 25, 2008.
  34. ↑ Hetrick, Adam (May 15, 2008). "Yale Receives $2.85 Million Grant; Vogel Named Playwright-in-Residence". Playbill . Archived from the original on 9 July 2008. Retrieved December 25, 2008.
  35. ↑ "Vogel Bio". Yale Rep. Archived from the original on October 5, 2015. Retrieved October 4, 2015.
  36. ↑ Hetrick, Adam (November 26, 2008). "Vogel's A Civil War Christmas Premieres in New Haven Nov. 26". Playbill. Retrieved October 27, 2016.
  37. ↑ "'Don Juan Comes Home from Iraq', Wilma Theater" wilmatheater.org, accessed October 2, 2015
  38. ↑ Indecent 2017 Tony Awards nominations
  39. ↑
  40. ↑ "How I Learned to Drive". Pulitzer.org. Retrieved April 14, 2024.
  41. ↑ "Paula Vogel". Playbill. Retrieved April 14, 2024.
  42. ↑ "Paula Vogel Theatre". Abouttheartist. Retrieved April 14, 2024.
  43. ↑ Szatmary, Peter (February 24, 1998). "Vogel & Buffini Win 20th Annual Blackburn Prize". Playbill .
  44. ↑ "1999 Literary Award Winners" pen.org, accessed October 4, 2015
  45. ↑ "The Paula Vogel Award in Playwriting". The John F. Kennedy Center for the Performing Arts. 2007. Retrieved December 25, 2008.
  46. ↑ Gans, Andrew; Gioia, Michael (January 2013). "Betty Buckley, Sam Waterston, Trevor Nunn, Paula Vogel and More Inducted into Theatre Hall of Fame Jan. 28". Playbill .
  47. ↑ Warner, Sara. "Playwright Vogel returns to campus for Ph.D.", cornell.edu, March 29, 2016
  48. ↑ "Obie Awards 2017" obieawards.com, retrieved May 25, 2017
  49. ↑ Warner, Sara (2022). "Paula Vogel". In Noriega and Schildcrout (ed.). 50 Key Figures in Queer US Theatre. Routledge. pp. 228–232. ISBN   978-1032067964.
  50. ↑ Purcell, Carey (January 8, 2015). "Yale Library Obtains Archive of Paula Vogel, First Female Playwright Included in American Literature Collection". Playbill.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.