The Flick

Last updated

The Flick
Written by Annie Baker
Date premieredMarch 12, 2013
Place premiered Playwrights Horizons
New York City
Original languageEnglish

The Flick is a play by Annie Baker that received the 2014 Pulitzer Prize for Drama and won the 2013 Obie Award for Playwriting. [1] [2] The Flick premiered Off-Broadway at Playwrights Horizons in 2013.

Contents

Productions

The Flick debuted Off-Broadway at Playwrights Horizons on March 12, 2013, after previews from February 15, 2013. Sam Gold directed a cast featuring Alex Hanna (Skylar/The Dreaming Man), Louisa Krause (Rose), Matthew Maher (Sam), and Aaron Clifton Moten (Avery). Scenery and costumes were designed by David Zinn. Lighting was fashioned by Jane Cox; sound by Bray Poor. [3] Baker received a Harold and Mimi Steinberg Charitable Trust Commission, and the Steinberg Playwright Award. [4] The play closed on April 7, 2013. [5] [6]

It won the 2014 Pulitzer Prize for Drama.

The play opened at the Off-Broadway Barrow Street Theatre on May 18, 2015, with the original cast and creatives. [7] A new cast began on September 1, 2015, featuring Kyle Beltran (Avery), Danny Wolohan (Sam), Brian Miskell (Skylar/The Dreaming Man) and Nicole Rodenburg (Rose). [8] The play closed on January 10, 2016. [9]

The play premiered in Chicago at the Steppenwolf Theatre Company running from February 4, 2016, to May 8. [10]

It ran from March 1, 2016, to April 24, 2016, at the Signature Theatre in Arlington, Virginia with Evan Casey (Sam), Laura C Harris (Rose), Thaddeus McCants (Avery), and William Vaughan (Dreaming Man/Skylar), and directed by Joe Calarco. [11]

The play was presented in London at the National Theatre from April 13, 2016, until June 15, 2016. Directed by Sam Gold, the cast featured Jaygann Ayeh, Sam Heron, Louisa Krause and Matthew Maher. [12]

It opened on January 21, 2019, at the Drachengasse theatre in Vienna, Austria. Directed by Joanna Godwin-Seidl and starring Daniel Annoh (Avery), Jason Cloud (Sam), Denise Teipel (Rose) and Jack Midgley (Skylar/Dreaming Man). [13]

Overview

The Flick is set in a run down movie palace near Worcester, Massachusetts and follows three underpaid movie ushers, Avery, Sam and Rose (who also runs the film projector), who do the humdrum and tedious labor necessary for keeping it running, including toiling to clean spilled soda from the floors. The show is a comedy of the mundane delivered in bits of conversation that might be considered insignificant. [2] Sam Gold said Baker's comedic writing was cleverly and surprisingly understated. Gold added that rhythm, meter and pace of the dialogue were cardinal to the comedy. [14] Running three hours, [15] the show has received complaints regarding its length. [16] While recognizing the dissonance, Playwrights Horizons artistic director Tim Sanford sent a letter to some subscribers, acknowledging the concern, but finding it outweighed by the praise of others. He concluded there was no need to edit the play down. [17]

Critical response

StageGrade gives a median critics' rating for The Flick of B+ based on 22 reviews. Despite doubts about the play's length, the characters are said to be rich and the dialogue nuanced and entertaining. The lack of traditional theatricality is seen by some as a strength, and a weakness by others. [18]

Charles Isherwood, reviewing for The New York Times described Baker as one of the most impressive dramatists from the Off-Broadway scene of her generation and noted that she "writes with tenderness and keen insight". [19]

John Del Signore, reviewing the play in Gothamist , praised Baker "for capturing the halting, self-conscious vernacular of cerebral yet underachieving twenty-something suburbanites". [20] Although Del Signore noted that the significance of some of the elements of Baker's presentation were challenging to summarize, he noted that "[T]he three misfits blunder in and out of each other's isolated bubbles, making contact in any way they can to alleviate the oppressive drudgery of their tasks." [20]

Jesse Green acknowledged the need for brevity and clarity in his review for New York , and wrote:

No one does anything generally regarded as theatrical. ... So what does happen in The Flick? A lot of sweeping and mopping of the floor of a grotty old movie house near Worcester, Massachusetts. Also the tenderest drama—funny, heartbreaking, sly, and unblinking—now playing at a theater near you. ... It's uncanny; rarely has so much feeling been mined from so little content. Something's lost in the process, of course: brevity. [21]

In a Playbill article, Robert Simonson noted that despite its irksome lengthy, static actionlessness to some viewers the show was a splendid theatrical experience for serious theatregoers that wowed them with "existential minutiae" as presented by three performers who brought the themes to life. [16] Critics of The New York Times listed The Flick in 2018 as the third-greatest American play of the past 25 years. [22] The following year, writers for The Guardian ranked it fourth on a list of the best theatrical works since 2000. [23]

Awards and nominations

The play won the 2014 Pulitzer Prize for Drama; the Pulitzer committee stated that the play is a "thoughtful drama with well-crafted characters that focuses on three employees of a Massachusetts art-house movie theatre, rendering lives rarely seen on the stage." [2]

Baker was awarded the 2013 Susan Smith Blackburn Prize and the 2013 Obie Award for Playwriting for this play. [1] [24] The play received Drama Desk Award nominations for Outstanding Play, Outstanding Featured Actor in a Play (Aaron Clifton Moten) and Outstanding Set Design. [25] The play received 2013 Lortel Award nominations for Outstanding Play, Outstanding Director (Sam Gold), Outstanding Lighting Design (Jane Cox) and Outstanding Sound Design (Bray Poor). [26]

Original London production

YearAwardCategoryNomineeResult
2016 Critics’ Circle Theatre Award [27] Best New Play Annie Baker Won

Notes

  1. 1 2 Gans, Andrew (May 20, 2013). "'Detroit', 'Grimly Handsome', Eisa Davis, John Rando, Shuler Hensley and More Are Obie Winners". Playbill . Retrieved April 15, 2014.
  2. 1 2 3 Gans, Andrew (April 14, 2014). "Annie Baker's 'The Flick' Wins 2014 Pulitzer Prize for Drama". Playbill . Retrieved April 15, 2014.
  3. Jones, Kenneth (February 15, 2013). "Annie Baker's 'The Flick', a Tale of Movie-House Workers, Begins World-Premiere Run in NYC". Playbill . Retrieved April 15, 2014.
  4. Purcell, Carey (October 2, 2013). "Annie Baker and Rajiv Joseph Honored With Steinberg Playwright "Mimi" Awards". Playbill . Retrieved June 2, 2014.
  5. "'The Flick', 2013" Archived January 3, 2015, at the Wayback Machine lortel.org, accessed October 7, 2015
  6. "'The Flick' at Playwrights Horizons" playwrightshorizons.org, accessed October 7, 2015
  7. Clement, Olivia and Viagas, Robert. "Pulitzer Winner 'The Flick' Returns Off-Broadway Tonight With Original Cast", Playbill, May 5, 2015
  8. Viagas, Robert. "New Cast Announced for Off-Broadway Production of Pulitzer Winner The Flick" Playbill, August 25, 2015
  9. Clement, Olivia. "Pulitzer Winner 'The Flick' Closes Off-Broadway Today" playbill.com, January 10, 2016
  10. Clement, Olivia (March 4, 2016). "World Premiere by August: Osage County Author Slated for New Steppenwolf Season". Playbill . Retrieved March 25, 2016.
  11. The Flick sigtheater.org
  12. Simoes, Monica. "First Look at Annie Baker's 'The Flick' in London" Playbill, April 19, 2016
  13. "Theater Drachengasse". www.drachengasse.at. Retrieved January 29, 2019.
  14. Wallenberg, Christopher (February 20, 2014). "The sound of silence imbues 'The Flick'". The Boston Globe . Retrieved April 15, 2014.
  15. Rooney, David (April 14, 2014). "Annie Baker's 'The Flick' Wins 2014 Pulitzer Prize for Drama". The Hollywood Reporter . Retrieved May 22, 2014.
  16. 1 2 Simonson, Robert (December 21, 2013). "The Year's Best: Playbill Contributors Choose Unforgettable Theatre Experiences of 2013". Playbill. playbill.com. Archived from the original on January 4, 2014. Retrieved April 16, 2014.
  17. Jones, Kenneth (March 26, 2013). "Power of the Pause in Annie Baker's The Flick Inspires a Letter From Playwrights Horizons Artistic Director". Playbill . Retrieved April 16, 2014.
  18. "The Flick". StageGrade. Retrieved April 25, 2014.
  19. Isherwood, Charles (March 12, 2013). "Theater review. 'The Flick,' by Annie Baker, at Playwrights Horizons". The New York Times . Retrieved April 15, 2014.(subscription required)
  20. 1 2 Del Signore, John (March 31, 2013). "Theater Review: 'The Flick'". Gothamist . Archived from the original on June 29, 2014. Retrieved April 15, 2014.
  21. Green, Jesse (March 13, 2013). "Theater Review: 'The Flick' and 'The Lying Lesson'". Vulture . New York . Retrieved April 15, 2014.
  22. "The Great Work Continues: The 25 Best American Plays Since 'Angels in America'". The New York Times. May 31, 2018. ISSN   0362-4331 . Retrieved April 17, 2020.
  23. Billington, Michael; Soloski, Alexis; Love, Catherine; Fisher, Mark; Wiegand, Chris (September 17, 2019). "The 50 best theatre shows of the 21st century". The Guardian. ISSN   0261-3077 . Retrieved June 11, 2020.
  24. Gioia, Michael (March 18, 2013). "Annie Baker Wins 2013 Susan Smith Blackburn Prize". Playbill . Retrieved April 15, 2014.
  25. Gans, Andrew (April 29, 2013). "Nominations Announced for 58th Annual Drama Desk Awards; Giant and Hands on a Hardbody Lead the Pack". Playbill . Archived from the original on May 1, 2013. Retrieved April 15, 2014.
  26. Jones, Kenneth (April 3, 2013). "Lucille Lortel Nominees Include 'The Flick', 'Murder Ballad', Jake Gyllenhaal, Vanessa Redgrave". Playbill . Archived from the original on May 6, 2013. Retrieved April 15, 2014.
  27. "2016 Results | Critics' Circle Theatre Awards". January 31, 2017. Retrieved December 6, 2020.

Related Research Articles

<span class="mw-page-title-main">Paula Vogel</span> American playwright

Paula Vogel is an American playwright who received the 1998 Pulitzer Prize for Drama for her play How I Learned to Drive. A longtime teacher, Vogel spent the bulk of her academic career – from 1984 to 2008 – at Brown University, where she served as Adele Kellenberg Seaver Professor in Creative Writing, oversaw its playwriting program, and helped found the Brown/Trinity Rep Consortium. From 2008 to 2012, Vogel was Eugene O'Neill Professor of Playwriting and department chair at the Yale School of Drama, as well as playwright in residence at the Yale Repertory Theatre.

<span class="mw-page-title-main">Playwrights Horizons</span> Off-Broadway theater in Manhattan, New York

Playwrights Horizons is a not-for-profit Off-Broadway theater located in New York City dedicated to the support and development of contemporary American playwrights, composers, and lyricists, and to the production of their new work.

David Lindsay-Abaire is an American playwright, lyricist and screenwriter. He received the Pulitzer Prize for Drama in 2007 for his play Rabbit Hole, which also earned several Tony Award nominations.

<span class="mw-page-title-main">Lynn Nottage</span> American playwright

Lynn Nottage is an American playwright whose work often focuses on the experience of working-class people, particularly working-class people who are Black. She has received the Pulitzer Prize for Drama twice: in 2009 for her play Ruined, and in 2017 for her play Sweat. She was the first woman to have won the Pulitzer Prize for Drama two times.

The Lucille Lortel Awards recognize excellence in New York Off-Broadway theatre. The Awards are named for Lucille Lortel, an actress and theater producer, and have been awarded since 1986. They are produced by the League of Off-Broadway Theatres and Producers by special arrangement with the Lucille Lortel Foundation, with additional support from the Theatre Development Fund.

Christopher Shinn is an American playwright. His play Dying City (2006) was a finalist for the 2008 Pulitzer Prize for Drama, and Where Do We Live (2004) won the 2005 Obie Award, Playwriting.

<span class="mw-page-title-main">Bruce Norris (playwright)</span> American dramatist

Bruce Norris is an American character actor and playwright associated with the Steppenwolf Theatre Company of Chicago. His play Clybourne Park won the 2011 Pulitzer Prize for Drama.

<span class="mw-page-title-main">Quiara Alegría Hudes</span> American playwright and composer

Quiara Alegría Hudes is an American playwright, producer, lyricist and essayist. She is best known for writing the book for the musical In the Heights, and screenplay for its film adaptation. Hudes' play Elliot, A Soldier's Fugue was a finalist for the 2007 Pulitzer Prize for Drama; she received the 2012 Pulitzer Prize for Drama for her play Water by the Spoonful.

<span class="mw-page-title-main">Annie Baker</span> American playwright and teacher

Annie Baker is an American playwright and teacher who won the 2014 Pulitzer Prize for her play The Flick. Among her works are the Shirley, Vermont plays, which take place in the fictional town of Shirley: Circle Mirror Transformation, Nocturama, Body Awareness, and The Aliens. She was named a MacArthur Fellow in 2017.

Anne Kauffman is an American director known primarily for her work on new plays, mainly in the New York area. She is a founding member of the theater group the Civilians.

Amy Herzog is an American playwright. Her play 4000 Miles, which ran Off-Broadway in 2011, was a finalist for the 2013 Pulitzer Prize for Drama. Her play Mary Jane, which ran Off-Broadway in 2017, won the New York Drama Critics' Circle Award for Best Play. Herzog's plays have been produced Off-Broadway, and have received nominations for, among others: the Lucille Lortel Award for Outstanding Actor and Actress ; the Drama Desk Award nomination for Outstanding Featured Actor in a Play ; and Drama Desk Award nominations for Outstanding Play and Outstanding Actress in a Play (Belleville). She was a finalist for the 2012–2013 and 2016–2017 Susan Smith Blackburn Prize.

Circle Mirror Transformation is a play by Annie Baker, centered on drama classes at a community center in Vermont. The play opened Off-Broadway in 2009 and received the Obie Award for Best New American Play.

Jordan Harrison is a playwright. He grew up on Bainbridge Island, Washington. His play Marjorie Prime was a finalist for the 2015 Pulitzer Prize for Drama.

<span class="mw-page-title-main">Samuel D. Hunter</span> American dramatist

Samuel D. Hunter is an American playwright living in New York City.

<span class="mw-page-title-main">Branden Jacobs-Jenkins</span> American playwright (born 1984)

Branden Jacobs-Jenkins is an American playwright. He won the 2014 Obie Award for Best New American Play for his plays Appropriate and An Octoroon. His plays Gloria and Everybody were finalists for the 2016 and 2018 Pulitzer Prize for Drama respectively. He was named a MacArthur Fellow for 2016.

<span class="mw-page-title-main">Lucas Hnath</span> American playwright

Lucas Hnath is an American playwright. He won the 2016 Obie Award for excellence in playwriting for his plays Red Speedo and The Christians. He also won a Whiting Award.

Sam Gold is an American theater director and actor. He has directed both musicals and plays, on Broadway and Off-Broadway. He won the 2015 Tony Award for Best Direction of a Musical for Fun Home.

<span class="mw-page-title-main">Martyna Majok</span> Polish-American playwright

Martyna Majok is a Polish-born American playwright who received the 2018 Pulitzer Prize for Drama for her play Cost of Living. She emigrated to the United States as a child and grew up in New Jersey. Majok studied playwriting at the Yale School of Drama and Juilliard School. Her plays are often politically engaged, feature dark humor, and experiment with structure and time.

Cost of Living is a 2016 play by playwright Martyna Majok. It premiered in Williamstown, Massachusetts at the Williamstown Theatre Festival on June 29, 2016, and had an Off-Broadway engagement in 2017. The play won the 2018 Pulitzer Prize for Drama as well as two Lucille Lortel Awards, including Outstanding Play.

<span class="mw-page-title-main">Heidi Schreck</span> American writer and actress

Heidi Schreck is an American playwright, screenwriter, and actress from Wenatchee, Washington. Her play What the Constitution Means to Me, which she also performs in, was a finalist for the 2019 Pulitzer Prize for Drama and Tony Awards for 2019 Best Play and Best Actress in a Play.