A movie palace (or picture palace in the United Kingdom) is a large, elaborately decorated movie theater built from the 1910s to the 1940s. The late 1920s saw the peak of the movie palace, with hundreds opening every year between 1925 and 1930. With the advent of television, movie attendance dropped, while the rising popularity of large multiplex chains in the 1980s and 1990s signaled the obsolescence of single-screen theaters. Many movie palaces were razed or converted into multiple-screen venues or performing arts centers, though some have undergone restoration and reopened to the public as historic buildings.
There are three architectural design types of movie palaces: the classical-style movie palace, with opulent, luxurious architecture; the atmospheric theatre, which has an auditorium ceiling that resembles an open sky as a defining feature; and the Art Deco theaters that became popular in the 1930s.[ citation needed ]
Paid exhibition of motion pictures began on April 14, 1894, at Andrew M. Holland's phonograph store, located at 1155 Broadway in New York City, with the Kinetoscope. Dropping a nickel in a machine allowed a viewer to see a short motion picture, devoid of plot. The machines were installed in Kinetoscope parlors, hotels, department stores, bars and drugstores in large American cities. The machines were popular from 1894 to 1896, but by the turn of the century had almost disappeared as Americans rejected the solitary viewing experience and boring entertainment. [1]
Around 1900, motion pictures became a small part of vaudeville theatres. The competitive vaudeville theatre market caused owners to constantly look for new entertainment, and the motion picture helped create demand, although the new form of entertainment was not the main draw for patrons. It was often used as a "chaser"—shown as the end of the performance to chase the audience from the theatre. These theatres were designed much like legitimate theatres. The Beaux-Arts architecture of these theatres was formal and ornate. They were not designed for motion pictures, but rather live stage performances. [2]
In 1902, the storefront theatre was born at Thomas Lincoln Tally's Electric Theatre in Los Angeles. These soon spread throughout the country as empty storefronts were equipped with chairs, a Vitascope projector, a muslin sheet on which the motion picture was exhibited, darkened windows, and a box by the door to service as a ticket office (literally, the "box office".) Storefront theatres, supplied with motion pictures made in Chicago and New York, spread throughout America. These theatres exhibited a motion picture at a specific time during the day. [3]
Air domes also became popular in warm climates and in the summertime in northern climates. With no roof and only side walls or fences, the air domes allowed patrons to view motion pictures in a venue that was cooler than the stifling atmosphere of the storefront theatre. [4]
In 1905, the nickelodeon was born. Rather than exhibiting one program a night, the nickelodeon offered continuous motion picture entertainment for five cents. They were widely popular. By 1910, nickelodeons grossed $91 million in the United States. The nickelodeons were like simple storefront theatres, but differed in the continuous showings and the marketing to women and families. [5]
The movie house, in a building designed specifically for motion picture exhibition, was the last step before the movie palace. Comfort was paramount, with upholstered seating and climate controls. One of the first movie houses was Tally's Broadway Theater in Los Angeles. [6]
The movie palace was developed as the step beyond the small theaters of the 1900s and 1910s. As motion pictures developed as an art form, theatre infrastructure needed to change. Storefront theatres and nickelodeons catered to the busy work lives and limited budgets of the lower and middle classes. Motion pictures were generally only thought to be for the lower classes at that time as they were simple, short, and cost only five cents to attend. While the middle class regularly began to attend the nickelodeons by the early 1910s the upperclass continued to attend stage theater performances such as opera and big-time vaudeville. [7] However, as more sophisticated, complex, and longer films featuring prominent stage actors were developed, the upperclass desires to attend the movies began to increase and a demand for higher class theaters began to develop. [8] Nickelodeons could not meet this demand as the upperclass feared the moral repercussions of intermingling between women and children with immigrants. There were also real concerns over the physical safety of the nickelodeon theaters themselves as they were often cramped with little ventilation and the nitrate film stock used at the time was extremely flammable. [9]
The demand for an upscale film theater, suitable to exhibit films to the upperclass, was first met when the Regent Theater, designed by Thomas Lamb, was opened in February 1913, becoming the first ever movie palace. [7] However the theater's location in Harlem prompted many to suggest that the theater be moved to Broadway alongside the stage theaters. [8] These desires were satisfied when Lamb built the Strand Theatre on Broadway, which was opened in 1914 by Mitchel H. Mark at the cost of one million dollars. [7] This opening was the first example of a success in drawing the upper middle class to the movies and it spurred others to follow suit. As their name implies movie palaces were advertised to, "make the average citizen feel like royalty." [7] To accomplish this these theaters were outfitted with a plethora of amenities such as larger sitting areas, air conditioning, and even childcare services. [10]
Between 1914 and 1922 over 4,000 movie palaces were opened. Notable pioneers of movies palaces include the Chicago firm of Rapp and Rapp, which designed the Chicago, Uptown, and Oriental Theatres. S.L. "Roxy" Rothafel, originated the deluxe presentation of films with themed stage shows. Sid Grauman, built the first movie palace on the West Coast, Los Angeles' Million Dollar Theater, in 1918.
Following World War II movie ticket sales began to rapidly decline due to the widespread adoption of television and mass migration of the population from the cities, where all the movie palaces had been built, into the suburbs. [11] The closing of most movie palaces occurred after United States v. Paramount Pictures, Inc. in 1948, which ordered all of the major film studios to sell their theaters. Most of the newly independent theaters could not continue to operate on the low admissions sales of the time without the financial support of the major studios and were forced to close. [12] Many were able to stay in business by converting to operate as race or pornography theaters. [13]
The death knell for single-screen movie theaters (including movie palaces) arrived with the development of the multiplex in the 1980s and the megaplex in the 1990s. [14] Some movie palaces were able to stay in business only by getting out of the way, at least with respect to the highest-grossing first-run films for which they were no longer viable exhibition venues. [14] They became second-run theaters or specialized in showing art house films. [14]
By 2004, only about a quarter of U.S. movie theaters still had only one screen, and the average number of screens per theater was 6.1. [15]
Eberson specialized in the subgenre of "atmospheric" theatres. His first, of the 500 in his career, was the 1923 Majestic in Houston, Texas. The atmospherics usually conveyed the impression of sitting in an outdoor courtyard, surrounded by highly ornamented asymmetrical facades and exotic flora and fauna, underneath a dark blue canopy; when the lights went out, a specially designed projector, the Brenograph, was used to project clouds, and special celestial effects on the ceiling.
Lamb's style was initially based on the more traditional, "hardtop" form patterned on opera houses, but was no less ornate. His theaters evolved from relatively restrained neo-classic designs in the 1910s to those with elaborate baroque and Asian motifs in the late 1920s.
The movie palace's signature look was one of extravagant ornamentation. The theaters were often designed with an eclectic exoticism where a variety of referenced visual styles collided wildly with one another. French Baroque, High Gothic, Moroccan, Mediterranean, Spanish Gothic, Hindu, Babylonian, Aztec, Mayan, Orientalist, Italian Renaissance, and (after the discovery of King Tut's tomb in 1922) Egyptian Revival were all variously mixed and matched. This wealth of ornament was not merely for aesthetic effect. It was meant to create a fantasy environment to attract moviegoers and involved a type of social engineering, distraction, and traffic management, meant to work on human bodies and minds in a specific way. Today, most of the surviving movie palaces operate as regular theaters, showcasing concerts, plays and operas.
This is a list of selected movie palaces, with location and year of construction.
Movie Palaces | City | State/Country | Year Built/Opened | Other Names |
---|---|---|---|---|
Akron Civic Theatre | Akron | Ohio | 1929 | (formerly Loew's (Akron) Theatre) |
Alabama Theatre | Birmingham | Alabama | 1927 | |
Alameda Theatre | Alameda | California | 1932 | |
Albee Theater | Cincinnati | Ohio | 1927 | |
Alex Theatre | Glendale | California | 1925 | |
Arcada Theater | St. Charles | Illinois | 1926 | |
Arlington Theater | Santa Barbara | California | 1931 | |
Arvest Midland Theatre | Kansas City | Missouri | 1927 | |
Avalon Regal Theater | Chicago | Illinois | 1927 | |
Aztec Theatre | San Antonio | Texas | 1926 | |
Bama Theatre | Tuscaloosa | Alabama | 1938 | |
Biograph Theater | Chicago | Illinois | 1914 | |
Boyd Theatre | Philadelphia | Pennsylvania | 1928 | |
Brauntex Theatre | New Braunfels | Texas | 1942 | |
Broadway Theatre | Mount Pleasant | Michigan | 1920 | |
Byrd Theatre | Richmond | Virginia | 1928 | |
California Theatre | San Jose | California | 1927 | |
The Capitol | Melbourne | Australia | 1924 | |
Capitol Cinema (Ottawa) | Ottawa | Ontario | 1920 | |
Capitol Theatre (Rome) | Rome | New York | 1928 | |
Capitol Theatre (Porter Chester) | Port Chester | New York | 1926 | |
Capitol Theatre | Vancouver | British Columbia | 1921 | |
Carlton Cinema | London | England | 1930 | |
Carolina Theatre | Durham | North Carolina | 1926 | |
Carpenter Theater | Richmond | Virginia | 1928 | |
Castro Theatre | San Francisco | California | 1922 | |
Carthay Circle Theatre | Los Angeles | California | 1926 | demolished 1969 |
Commodore Picture House | Liverpool | England | 1930 | |
Chicago Theatre | Chicago | Illinois | 1921 | |
Circle Theatre | Indianapolis | Indiana | 1916 | |
Congress Theater | Chicago | Illinois | 1926 | |
Coolidge Corner Theatre | Brookline | Massachusetts | 1933 | |
Coronado Theatre | Rockford | Illinois | 1927 | |
Crest Theatre | Sacramento | California | 1912 | |
Del Mar Theatre | Santa Cruz | California | 1936 | [16] |
Dominion Cinema | Edinburgh | Scotland | 1938 | |
Duke of York's Picture House | Brighton | England | 1910 | One of the UK's oldest continuously-running cinemas. |
Egyptian Theatre (Boise) | Boise | Idaho | 1927 | |
Egyptian Theatre (DeKalb) | DeKalb | Illinois | 1929 | |
El Capitan Theatre | Los Angeles | California | 1926 | |
The Electric Cinema | London | England | 1910 | One of the UK's oldest continuously-running cinemas. |
Elgin and Winter Garden Theatres | Toronto | Ontario | 1913 | |
Embassy Theatre (Fort Wayne) | Fort Wayne | Indiana | 1928 | |
Empire Theater | Sellersburg | Indiana | 1920s | [17] |
Everyman Cinema, Muswell Hill | London | England | 1935 | |
Englert Theatre | Iowa City | Iowa | 1912 | |
Fargo Theatre | Fargo | North Dakota | 1926 | |
Florida Theatre | Jacksonville | Florida | 1927 | |
Fourth Avenue Theatre | Anchorage | Alaska | 1947 | |
Fox Theatre (Atlanta) | Atlanta | Georgia | 1929 | the only surviving movie palace in Atlanta |
Fox Theatre (Bakersfield) | Bakersfield | California | 1930 | |
Fox Theatre (Detroit) | Detroit | Michigan | 1928 | |
Fox Theatre (Salinas) | Salinas | California | 1921 | [18] [19] [20] |
Fox Theatre (San Diego) | San Diego | California | 1929 | now Jacobs Music Center |
Fox Theatre (San Francisco) | San Francisco | California | 1929 | |
Fox Theater (Spokane) | Spokane | Washington | 1931 | |
Fox Theatre (St. Louis) | St. Louis | Missouri | 1929 | |
Garde Arts Center | New London | Connecticut | 1926 | |
Garneau Theatre | Edmonton | Alberta | 1940 | |
Gateway Theatre | Chicago | Illinois | 1930 | |
Gaumont State | London | England | 1937 | |
Golden State Theatre | Monterey | California | 1926 | |
Granada Theatre | Sherbrooke | Quebec | 1929 | |
Granada, Tooting | London | England | 1931 | |
Grand Lake Theater | Oakland | California | 1926 | |
Grauman's Chinese Theatre | Los Angeles | California | 1927 | |
Grauman's Egyptian Theatre | Los Angeles | California | 1922 | |
Hammersmith Apollo | London | England | 1932 | |
Hawaii Theatre | Honolulu | Hawai | 1922 | |
Hayden Orpheum Picture Palace | Sydney | Australia | 1935 | |
Hollywood Pacific Theatre | Los Angeles | California | 1928 | |
Indiana Theatre (Indianapolis) | Indianapolis | Indiana | 1933 | |
Indiana Theatre (Terre Haute | Terre Haute | Indiana | 1922 | |
Imperial Theatre | Augusta | Georgia | 1918 | |
Ironwood Theatre | Ironwood | Michigan | 1928 | |
Jefferson Theatre | Beaumont | Texas | 1927 | |
Jefferson Theater | Charlottesville | Virginia | 1912 | |
The Kensington Cinema | London | England | 1926 | (now Odeon) |
Kentucky Theater | Lexington | Kentucky | 1922 | |
Lafayette Theatre | Suffern | New York | 1924 | |
Landmark Theatre | Richmond | Virginia | 1926 | |
Landmark Theatre | Syracuse | New York | 1928 | (formerly Loew's State Theatre) |
Lensic Theater | Santa Fe | New Mexico | 1931 | |
Loew's 175th Street Theater | New York City | New York | 1930 | |
Loew's Grand Theatre | Atlanta | Georgia | 1920s | |
Loew's Jersey Theatre | Jersey City | New Jersey | 1929 | |
Loew's Kings Theatre | Brooklyn | New York | 1929 | |
Loew's Paradise Theatre | The Bronx | New York | 1929 | |
Loew's Penn Theatre | Pittsburgh | Pennsylvania | 1927 | (now Heinz Hall) |
Loew's State Palace Theatre | New Orleans | Louisiana | 1926 | |
Loew's State Theatre | Providence | Rhode Island | 1928 | (now Providence Performing Arts Center) |
Loew's State Theatre | Norfolk | Virginia | 1929 | now TCC Jeanne & George Roper Performing Arts Center |
Loew's Tara Cinema | Atlanta | Georgia | 1968 | now a multiplex; renamed the Lefont Tara years later |
Loew's Valencia Theatre | Queens | New York | 1929 | |
Los Angeles Theatre | Los Angeles | California | 1931 | |
Lorenzo Theatre | San Lorenzo | California | 1947 | currently owned by the Lorenzo Theatre Foundation. [21] |
Lucas Theatre | Savannah | Georgia | 1921 | |
The Madison Theatre | Peoria | Illinois | 1920 | As of 2022, was in restoration by The Madison Preservation Association. |
Mainstreet Theater | Kansas City | Missouri | 1921 | (formerly the Empire and the RKO Missouri) |
Majestic Theatre | Dallas | Texas | 1921 | |
Majestic Theatre | San Antonio | Texas | 1929 | |
Manchester Apollo | Manchester | England | 1938 | |
Mark Strand Theatre | New York City | New York | 1914 | |
Martin's Cinerama | Atlanta | Georgia | 1962 | |
Michigan Theater | Ann Arbor | Michigan | 1928 | |
Michigan Theatre | Detroit | Michigan | 1926 | |
Michigan Theatre | Muskegon | Michigan | 1929 | (now Frauenthal Theater) |
Miller Theater | Augusta | Georgia | 1940 | |
Million Dollar Theater | Los Angeles | California | 1918 | |
Norwalk Theatre | Norwalk | Ohio | 1941 | |
North Park Theatre | Buffalo | New York | 1920 | |
Odeon Leicester Square | London | England | 1937 | |
Odeon Cinema | Manchester | England | 1930 | |
Odeon North End Cinema | Portsmouth | England | 1936 | |
Ohio Theatre | Columbus | Ohio | 1928 | |
Ohio Theatre | Cleveland | Ohio | 1921 | |
Olympia Theatre | Miami | Florida | 1926 | |
Oriental Theatre | Chicago | Illinois | 1926 | |
Oriental Theatre | Milwaukee | Wisconsin | 1927 | |
Orpheum Theatre | Sioux City | Iowa | 1927 | |
Orpheum Theatre | Memphis | Tennessee | 1928 | |
Orpheum Theatre | Vancouver | British Columbia | 1927 | |
Orpheum Theatre | Wichita | Kansas | 1922 | |
Ouimetoscope | Montreal | Canada | 1906 | (first Canadian theater dedicated to exclusively to showing movies) [22] |
Oxford Picture Hall | Whitstable | England | 1912 | |
Palace Theatre | Syracuse | New York | 1924 | |
Palace Theatre | Albany | New York | 1931 | |
Palace Theatre (Marion) | Marion | Ohio | 1928 | |
Palace Theatre | Cleveland | Ohio | 1922 | |
Palace Theatre (Canton) | Canton | Ohio | 1926 | |
Palace Theatre | Lorain | Ohio | 1928 | |
Palace Theatre | Louisville | Kentucky | 1928 | |
Palace Theatre | Columbus | Ohio | 1927 | |
Pantages Theatre (Los Angeles) | Los Angeles | California | 1930 | |
Pantages Theatre (Salt Lake City) | Salt Lake City | Utah | 1918 | |
Paramount Theatre, Abilene | Abilene | Texas | 1930 | |
Paramount Theatre | Aurora | Illinois | 1931 | |
Paramount Theatre (Mn) | Austin | Minnesota | 1929 | |
Paramount Theatre (Tx) | Austin | Texas | 1915 | |
Paramount Theatre (Cedar R) | Cedar Rapids | Iowa | 1928 | |
Paramount Theater (Denver) | Denver | Colorado | 1930 | |
Paramount Theatre | Kankakee | Illinois | 1931 | |
Paramount Theatre | Los Angeles | California | 1923 | demolished 1960 |
Paramount Theatre | Oakland | California | 1931 | |
Paramount Theatre | Portland | Oregon | 1928 | (now the Arlene Schnitzer Concert Hall, originally the Portland Publix Theatre) |
Paramount Theatre (Seattle) | Seattle | Washington | 1927 | |
Paramount Theater (Springfield) | Springfield | Massachusetts | 1926 | (formerly known as Julia Sanderson Theater and The Hippodrome) |
Peery's Egyptian Theatre | Ogden | Utah | 1924 | |
Pickwick Theatre | Park Ridge | Illinois | 1928 | |
Phoenix Cinema | East Finchley | England | 1912 | One of the UK's oldest continuously-running cinemas. |
Plaza Cinema | Port Talbot | Wales | 1940 | |
Plaza Theatre | El Paso | Texas | 1930 | |
Polk Theatre | Lakeland | Florida | 1928 | |
Fox Theater | Pomona | California | 1931 | |
Princess Theatre | Edmonton, Alberta | Canada | 1915 | |
Quo Vadis Entertainment Center | Westland | Michigan | 1966 | |
Radio City Music Hall | New York City | New York | 1932 | |
Rahway Theatre | Rahway | New Jersey | 1926 | (now the Union County Performing Arts Center) |
Redford Theatre | Detroit | Michigan | 1928 | |
Regent Theatre | Mudgee (New South Wales) | Australia | 1935 | |
The Rex | Berkhamsted | England | 1938 | |
Rialto Theatre | Montreal | Canada | 1924 | |
Rialto Square Theatre | Joliet | Illinois | 1926 | |
Ritz Theatre | Tiffin | Ohio | 1928 | |
Riviera Theater | Chicago | Illinois | 1918 | |
Riviera Theatre | North Tonawanda | New York | 1926 | |
Rockingham Theatre | Reidsville | North Carolina | 1929 | |
Roxie Theater | San Francisco | California | 1909 | |
Roxy Theatre | New York City | New York | 1927 | |
Roxy Theatre | Atlanta | Georgia | 1926 | renamed the Roxy in 1938 [23] |
Roxy Theatre | Saskatoon | Saskatchewan | 1930 | |
Saenger Theatre | Mobile | Alabama | 1927 | |
Saenger Theatre | New Orleans | Louisana | 1927 | |
Saenger Theatre | Pensacola | Florida | 1925 | |
Saenger Theatre | Hattiesburg | Mississippi | 1929 | |
Senator Theatre | Baltimore | Maryland | 1939 | |
Shea's Performing Arts Center | Buffalo | New York | 1926 | |
Snowdon Theatre | Montreal | Canada | 1937 | |
Stanford Theatre | Palo Alto | California | 1925 | restored 1989 |
Stanley Theater | Jersey City | New Jersey | 1928 | (now an Assembly Hall of Jehovah's Witnesses) |
Stanley Theater | Pittsburgh | Pennsylvania | 1928 | (now Benedum Center) |
Stanley Theatre | Utica | New York | 1928 | |
Stanley Theatre | Vancouver | British Columbia | 1930 | (now Stanley Industrial Alliance Stage) |
State Cinema (now Focal Point Cinema & Cafe) | Hastings | New Zealand | 1933 | |
State Theater | Cleveland | Ohio | 1921 | |
State Theatre | Kalamazoo | Michigan | 1927 | |
State Theatre | Woodland | California | 1936 | [24] |
State Theatre Center for the Arts | Uniontown | Pennsylvania | 1922 | |
The Strand Theatre | Marietta | Georgia | 1935 | |
St. George Theatre | Staten Island | New York | 1929 | |
Suffolk Theater | Riverhead | New York | 1933 | |
Sun Theatre | Melbourne (Victoria) | Australia | 1938 | |
Sunnyvale Theater | Sunnyvale | California | 1926 | formerly the New Strand Theater |
Tampa Theatre | Tampa | Florida | 1926 | |
Tennessee Theatre | Knoxville | Tennessee | 1928 | |
Tower Theatre | Sacramento | California | 1938 | |
Troxy | London | England | 1933 | |
United Artists Theatre | Los Angeles | California | 1927 | reopened in 2014 as part of the Ace Hotel |
Uptown Theater | Washington | D.C. | 1933 | |
Uptown Theatre | Chicago | Illinois | 1925 | |
Uptown Theater | Minneapolis | Minnesota | 1913 | |
Uptown Theatre | Toronto, Ontario | Canada | 1920 | |
Uptown Theatre | Utica | New York | 1927 | |
Varsity Theatre | Palo Alto | California | 1927 | |
Victory Theatre | Evansville | Indiana | 1921 | formerly the Loew's Victory |
Virginia Theatre | Champaign | Illinois | 1921 | |
Warner Grand Theatre | San Pedro/Los Angeles | California | 1931 | |
Warner Theatre | Erie | Pennsylvania | 1931 | |
Warner Theatre | Youngstown | Ohio | 1931 | (now Powers Auditorium) |
Warnors Theatre | Fresno | California | 1928 | |
Washoe Theater | Anaconda | Montana | 1931 | |
Weinberg Center | Frederick | Maryland | 1926 | (formerly the Tivoli Theatre) |
Wilshire Theater | Beverly Hills | California | 1930 | |
Wiltern Theatre | Los Angeles | California | 1930 |
See also
{{cite web}}
: CS1 maint: url-status (link)A movie theater or cinema, also known as a movie house, cinema hall, picture house, picture theater, the pictures, or simply theater, is a business that contains auditoriums for viewing films for public entertainment. Most are commercial operations catering to the general public, who attend by purchasing tickets.
The nickelodeon was the first type of indoor exhibition space dedicated to showing projected motion pictures in the United States and Canada. Usually set up in converted storefronts, these small, simple theaters charged five cents for admission and flourished from about 1905 to 1915. American cable station Nickelodeon was named after the theater.
The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations.
The Black Maria was Thomas Edison's film production studio in West Orange, New Jersey. It was the world's first film studio.
Marcus Loew was an American business magnate and a pioneer of the motion picture industry who formed Loew's Theatres and the Metro-Goldwyn-Mayer film studio (MGM).
The Chicago film industry is a central hub for motion picture production and exhibition that was established before Hollywood became the undisputed capital of film making. In the early 1900s, Chicago boasted the greatest number of production companies and filmmakers. Essanay Studios founded by George K. Spoor was one of the earliest successful studios to produce movies in Chicago, employing stars such as Charlie Chaplin and Gloria Swanson. Actor and co-founder of Essanay Studios, Broncho Billy Anderson gave birth to the western genre. Early film companies such as Essanay Studios produced multiple silent films every week and rented viewing equipment to showcase the latest cinematography to the public. This rental culture gave birth to the popularity of Nickelodeons up until the Great Depression. However, due to the high demand for motion pictures during this time, a black market for films and equipment developed. The Motion Picture Patents Company, established in 1909 as a conglomerate of the major studios, sought to eliminate all illegal use of patented film equipment. As a result, independent ventures entered the film scene. Independents drove the film industry to the west to avoid legal trouble with the trust of major film companies united under the Motion Picture Patents Company. The west offered fairer weather and scenery that better accommodated film making. Not until the 1980s and early 21st century has Chicago experienced a film production revival. Blockbusters, such as Blues Brothers, Sixteen Candles, and The Dark Knight, have rejuvenated the Chicago film scene.
The Somerville Theatre is an independent movie theater and concert venue in the Davis Square neighborhood of Somerville, Massachusetts, United States. Over one hundred years old, the Somerville Theatre started off as a vaudeville house and movie theater. The theater has since transitioned and now operates as a live music venue and first-run movie theater. As a music venue, the theater has played host to many historic concerts, including the first of the two Last Dispatch concerts, two shows by Bruce Springsteen in 2003, and a performance by U2 in 2009. Recent live performances have included Ryan Adams & the Cardinals, Cursive, Norah Jones, The Jonas Brothers, Joan Baez, and the John Butler Trio.
The United Palace is a theater at 4140 Broadway in the Washington Heights neighborhood of Manhattan in New York City. The theater, occupying a full city block bounded by Broadway, Wadsworth Avenue, and West 175th and 176th Streets, functions both as a spiritual center and as a nonprofit cultural and performing arts center. The architect, Thomas W. Lamb, designed the theater as a movie palace, which opened on February 22, 1930, as one of five Loew's Wonder Theatres in the New York City area. The theater's interior decor, incorporating elements of numerous architectural styles, was supervised by Lamb and Harold Rambusch.
The Landmark Theatre, originally known as Loew's State Theater, is a historic theater from the era of movie palaces, located on South Salina Street in Syracuse, New York, United States. Designed by Thomas W. Lamb, it is the city's only surviving example of the opulent theatrical venues of the 1920s. The Landmark is on the National Register of Historic Places.
The Copernicus Center is a 1,852-seat former movie palace that is now part of the Copernicus Center in the Jefferson Park community area of Chicago in Cook County, Illinois, United States. The Copernicus Center is located at 5216 W. Lawrence Avenue.
The Strand Theatre was an early movie palace located at 1579 Broadway, at the northwest corner of 47th Street and Broadway in Times Square, New York City. Opened in 1914, the theater was later known as the Mark Strand Theatre, the Warner Theatre, and the Cinerama Theatre. It closed as the RKO Warner Twin Theatre, and was demolished in 1987.
S. Charles Lee was an American architect recognized as one of the most prolific and distinguished motion picture theater designers on the West Coast.
Koster and Bial's Music Hall was an important vaudeville theatre in New York City, located at Broadway and Thirty-Fourth Street, where Macy's flagship store now stands. It had a seating capacity of 3,748, twice the size of many theaters. Ticket prices ranged from 25¢ for a seat in the gallery to $1.50 for one in the orchestra. The venue was founded by John Koster (1844-1895) and Albert Bial (1842-1897) in the late 19th century and closed in 1901.
The Palace Theater is a 1925 movie theater, now closed, located at 791 Broadway in Gary, Indiana, in the city's Emerson neighborhood. It was designed by the prominent movie palace architect John Eberson.
The Broadway Theater District in the Historic Core of Downtown Los Angeles is the first and largest historic theater district listed on the National Register of Historic Places (NRHP). With twelve movie palaces located along a six-block stretch of Broadway, it is the only large concentration of movie palaces left in the United States. The same six-block stretch of Broadway, and an adjacent section of Seventh Street, was also the city's retail hub for the first half of the twentieth century, lined with large and small department stores and specialty stores.
The Orpheum Theatre is a live performance and musical theater built in the 1920s as a movie palace in downtown Madison, Wisconsin, located one block from the Wisconsin State Capitol. In 2008 the Orpheum was added to the National Register of Historic Places as Madison's best surviving representative of the movie palace era.
The Music Box Theatre is a historic movie theater located in Chicago, Illinois. Built in 1929, it has been operating continuously as an art-house and repertory cinema since the early 1980s.
The Rialto Theatre was a movie palace in New York City located at 1481 Broadway, at the northwest corner of Seventh Avenue and 42nd Street, within the Theater District of Manhattan.
Loew's Theatre is a historic movie theater located on Main Street in the Downtown section of the city of New Rochelle in Westchester County, New York.
This article delineates the history of cinema in the United States