The Princess Theatre is a two-screen art-house cinema located at 10337 Whyte Avenue in Edmonton's historic Old Strathcona neighbourhood. The building was designed by prominent Edmonton architects Wilson and Herrald, a firm responsible for the design of many other Edmonton heritage sites.[2] It became Edmonton's oldest surviving theatre after the demolition of the Gem Theatre in 2006.[3] The building currently houses the main 400-seat theatre as well as the 100-seat Princess II, located in the basement.[4]
It was originally known as the McKernan Block, after John W. McKernan, the building's original financier, owner, and manager.[5]
The building and the theatre within has changed ownership several times, and its fortunes have largely depended on the state of the Canadian theatre industry at the time. It spent a dozen years as a retail space from 1958 to 1970,[6] and six years from 1970 to 1976 mainly exhibiting mainstream pornographic films.[7] The Princess was operated successfully as a repertory theatre from 1978 to late 1996,[7] after which it became a first run theatre.[8] Until 2016, the Princess was operated as a first run theatre by Edmonton's native Magic Lantern Theatres.[8] Since January 2016 the cinema has been operated by Plaza Entertainment.
Silent era
Early years under J.W. McKernan
Early days of operation
The Princess's first program benefited the war effort[9]
Good ventilation was an attraction
The theatre's first full feature starred Mary Pickford[10]
Six of the theatre's original ushers dressed up for opening night, 1915
The Princess Block, was designed by Edmonton architects Wilson and Herrald, who also designed Whyte Avenue's Douglas Block, the Strathcona Fire Hall, the Strathcona Public Library, and the University of Alberta's Rutherford House. From the beginning, the building was designed to combine commercial and residential space, and featured a full basement, small multi-use second floor apartments, and a full third floor in addition to the theatre space.[2]
The building was originally known as the McKernan Block, after John W. McKernan, the Princess's owner and manager until his death in 1919. The McKernans were a family of property developers in boomtown Strathcona; John's father developed and ran the historically important Dominion Hotel, also on Whyte Avenue.[5] For his part, J.W. McKernan is considered an important trailblazer in Edmonton entertainment. He was already a recognized theatre operator having previously run a succession of other south side theatres before the Princess: the Gem, the Alhambra, and the South Side Bijou / Bijou Strathcona.[11]
The Princess Theatre opened as a single-screen cinema on March 8, 1915 to rave reviews.[12] It had cost McKernan CDN$75,000 and had taken 10 months to build, longer than expected.[13] The theatre opened with 660 seats and the largest live performance stage in a cinema west of Winnipeg.[13] Its competitors, the Ross Hall theatre and the Strand Theatre also on Whyte Avenue,[14] soon succumbed to the economic recession that set in during WWI, and the Princess became the only cinema on Edmonton's southside, the Garneau Theatre not opening until 1940.[15] Opening night was a benefit concert for The Imperial Order of the Daughters of the Empire, associated with the 19th Alberta Dragoons, B Squad.[13] The program proudly included newsreels "featuring actual war scenes".[9] In audience were the Lieutenant-Governor G.H.V. Bulyea and Mayor W.T. Henry.[12] The house's first feature film, The Eagle's Mate starring Mary Pickford, was screened the following night.[10]
At the time, the Princess was considered a showpiece of elegance and modernity. It was the first building west of Winnipeg to be faced with marble.[13] The Edmonton Journal remarked on the quality of the "photoplay house's" finishings, remarking on the solid marble facade, frescoes, brass mirrors and the abundance of gold leaf decoration.[16] On the technical side, two modern projectors[17] were housed in their own fireproof machine room.[16] The Princess was serviced by a freight elevator, which was an unusual feature for a building of its size, and the theatre lighting was indirect and gentle on theatregoers' eyes.[16] The Journal was also impressed by three novel firsts for a movie theatre in Edmonton: an electric ticketing machine, an "electric time-projecting clock", and a refrigerated drinking fountain. Perhaps most importantly, the forced air ventilation system was capable of filtering, heating, and cooling air and featured dedicated intake and output fans making the Princess by far the most comfortable theatre in Edmonton.[16]
By 1916, the Princess had stopped booking live acts and was focusing exclusively on the more profitable cinema side of the business.[7] Revenues from the rental spaces in the basement and upper floors had also begun to flow in. Notably, Hugh Morrow, a beat cop, had leased apartment 205.[18] His granddaughter Susan Morrow would manage the Princess from 1981 to 1994.[19]
Wartime proved hard on the film business. On September 23, 1915, Famous Players informed McKernan that "On account of the boat Hesperian having been torpedoed by a German submarine, it will be necessary to skip two Weeklies (short films), these having come forward to ourselves from our London representative via this boat. Regretting this occurrence, and trusting you will appreciate our position on this...".[20] McKernan's supply of new films was decreased as the war dragged on,[17] and McKernan advertised less and less frequently.[21] Further complicating things, parts for the theatre's Edison and Simplex projectors were difficult to come by at the best of times, and the complex machines proved difficult to maintain.[17] McKernan did not live to see business pick up. He contracted Spanish Influenza and pneumonia in rapid succession, and died on February 18, 1919.[20][21]
Alexander Entwisle
The McKernan family leased the theatre to Alexander Entwisle sometime in 1919.[22] Entwisle managed a chain of Edmonton vaudeville houses and cinemas on Jasper Avenue including the Pantages, Empress and Dreamland Theatres.[23]
Around 1919 the basement was first leased to a pool hall, "Dad's Billiard Room".[24] While this business was not present in 1920, the basement would house a pool hall continuously from 1927[25] into the 1970s.
Arrival of the sound era
The Capitol showed the first talkie in Edmonton,[26] March 27, 1929.
The Princess's first talkie was Close Harmony, as advertised in the August 19, 1929 Edmonton Bulletin.[27]
The talkies were a big hit in 1929
In 1929, talkies arrived in Edmonton. Electronically indexed articles from the Edmonton Journal have exposed an error published in several local histories. They claim the first talkie screened in Edmonton was The Canary Murder Case, and that it was screened at the Princess.[7][20][29] In fact, the first talkie in Edmonton was Mother Knows Best, screened at the Capitol, a major Jasper Avenue competitor to the Princess.[26][28]
The talkies were very well received and hugely successful.[28] Other theatres were pressured to modernize their equipment or close.
Sound installation was completed at the Princess by August 16.[30] An entire page of the Edmonton Bulletin was devoted to the reopening,[31] including a congratulating ad from a local record store,[31] an ad for the electrical contractors who installed the wiring,[31] and a message congratulating the Princess placed by the managers of three other establishments already wired for sound: the Rialto, Empress and Capitol Theatres.[32] The physical renovations necessary to accommodate the new wiring were carried out by S. H. Muttart,[30] an important local builder[23] and namesake of the Muttart Conservatory in Edmonton's River Valley.
Theatre exterior, 1966Last ad placed before closing in 1958
The arrival of television was a disruptive force for Edmonton's cinemas.[22] The theatre was forced to close in 1958,[34] and the McKernan family sold the Princess Block soon after.[22] The Princess's last advertisement ran on July 19, 1958 advertising a double bill, Away All Boats and Day of Fury.[33] There were no showtimes, articles or editorials printed in the following days.[35]
The Princess Block disappeared from Henderson's Directory, a local city directory, in 1956, implying that its researchers thought it was completely vacant.[36] The building was re-included in 1960,[6] but the theatre's former address at 10337 Whyte Avenue remained vacant and unlisted for another six years. By 1966, the exterior doors had been removed entirely to create storefronts (see photo), and the theatre itself had been occupied by Quick Cash Exchange, a pawnshop. The third floor was split into several apartments, while the second floor was entirely occupied by Strathcona TV and Columbia Photo Studio. The basement was still a pool hall, Princess Billiards.[37]
Towne Cinema renovated the Princess in 1971. Their logo is still hidden in the scrollwork below the marquee
Towne Cinema Limited bought the Princess outright sometime in 1970.[7] The chain owned several theatres in Alberta, including the Towne Cinema on 118 Avenue.[38] The theatre reopened on Christmas Day 1971 as the Klondike Theatre after almost a year of renovations.[35] Towne Cinema restored the original function of the interior of the building, rebuilt sections of the exterior, and installed a new marquee at a cost of $270,000.[29] Its first film was Man in the Wilderness, a family friendly feature starring Richard Harris.[35]
But at some point in 1972, family friendly programming began being interspersed with (and was eventually replaced by) "blue movies",[7][39][40] such as Swedish Fly Girls.[35] The chain would come to be known for its generally risque material. In 1981, prints of both Caligula and Dracula Sucks were confiscated from multiple Towne locations, and the company was sued by the Government of Alberta under obscenity laws.[41][42]
The Klondike's choice of programming earned it a negative reputation,[39] and Towne Cinema was unable to run the Klondike profitably. The company sought buyers for the theatre as early as 1976, asking $600,000.[7] But, despite all of the theatre's problems under Towne Cinema, it is unlikely that it would have been returned to its original use without the money they poured into its renovation. Their efforts to restore the building are a significant reason why the Princess is a cinema today.
Old Strathcona Foundation
The Old Strathcona Foundation, at that time a publicly funded community development initiative, leased the struggling Klondike in 1977[43] and began searching for ways to use the space. A member of the general public, Frank Grisdale, answered the solicitation, writing a paper outlining how the building could be successfully operated as a repertory theatre under its original name. The foundation was apparently impressed by his proposal, and Grisdale was installed as the Princess Theatre's director upon completion of renovations in 1978.[44]
The Old Strathcona Foundation's offices were in the Strathcona Public Library until the mid-1990s
The theatre was profitable by its second year, and earned the Old Strathcona Foundation $1 million between 1979 and 1989.[7] This was in no small part due to Grisdale's vision of a repertory film house dedicated to championing the independent film genre. During his tenure, Grisdale also introduced live performances, including touring acts such as Sneezy Water's "Hank Williams - The Show He Never Gave". After firmly establishing the Princess as a significant alternative arts establishment in Edmonton, Frank Grisdale resigned and Susan Morrow became the manager in 1981. Morrow expanded the theatre's program to a glossy monthly magazine.[19] The theatre was offering Saturday morning cartoons,[39] student pricing, and yearly memberships which all contributed to its steadily increasing attendance.[7]
By 1982, the Old Strathcona Foundation was confident enough in the theatre's prospects to purchase the building outright from Towne Cinema. By this time, the asking price for the building had dropped to $425,000, which was estimated to be $8000 below its real market value.[45] The Foundation began to make major upgrades and repairs to the interior of the building. A fundraising drive in 1987 allowed 422 modern sized plush seats to be installed, lowering the theatre's original seating capacity by almost 240.[7] In 1989, a soundproofed cry room was installed with an independent sound system, allowing patrons with small children to come to films without worry.[39]
1992 was the theatre's high-water mark, with a record number of tickets and memberships sold. A state of the art video projection system was installed in June 1993,[46] but in that year revenue declined by $65,000, at least partly because of the growth of home video.[8] The Old Strathcona Foundation began to see the theatre as a liability,[7] and their confidence in the theatre was shaken when Susan Morrow quit her position as manager after having worked at the Princess for fifteen years.[19]
Theatre in crisis
Brian Paisley became the manager in early 1994.[47] Paisley had a history with the Princess; he operated the small, independent Chinook Theatre out of the basement from 1980 to 1983. This organization was the seed of Paisley's Fringe Theatre Event, which he founded while still working out of this space in 1982. This event was the original Edmonton International Fringe Festival, now the largest event of its kind in North America.[48]
Paisley quickly offered to buy the Princess, and reached an agreement with the Old Strathcona Foundation in October 1994 for an unspecified amount.[49] The banks, however, refused to finance Paisley's plan and the deal fell through in December.[50] The Old Strathcona Foundation quickly pivoted, and attempted in early 1995 to transfer control of the cinema to the Princess Theatre Society, "a small board made up of film experts and business people" including Paisley.[43]
Edmonton's City Hall: City Council did not renew the Old Strathcona Foundation's funding in 1996
The Princess Theatre Society, while promising, failed to convince the Old Strathcona Foundation that it was capable of profitably managing the theatre, and negotiations broke down in April 1996.[51] Paisley immediately resigned as director and ended his relationship with the theatre two months short of his contract expiring.[51] Malcolm Parker became the new manager.[51]
The Old Strathcona Foundation was running a major deficit by 1996, and in April Edmonton City Council declined to renew a $100,000 annual grant which the Foundation had received since 1985.[52] The Foundation needed cash, and quickly sold the theatre for $450,000 to Calgary's Brar family, owners of the Plaza Theatre in that city.[53] The decision was not popular, and even Old Strathcona Foundation member Judy Berghofer called the sale hasty.[54]
The entire theatre staff was laid off in December 1996 once it became clear that the Brars were seriously considering purchasing the theatre,[55] and the theatre's projectionists began what would be a six-month strike when it became clear the Brars would not respect a recently signed two-year contract with the Old Strathcona Foundation.[56]
Edmonton's native Magic Lantern Theatres unexpectedly tried to buy the Princess for $500,000 on Christmas Eve 1996. A condition in the Brar's contract stated that the sale could be voided if another party bid at least ten percent more for the building.[57] However, the Brars exercised an option to match any higher bids, and the sale went through in early January 1997.[55]
The theatre reputedly fell into disrepair under the Brars. In 1998, the Princess was called "an absolutely lousy advertisement for late 20th century privatization" by Magic Lantern Theatre's Rick Ostapchuk, who said that the current owners had allowed the theatre to sink "with the velocity, if not the sanitized H2O, of a waterslide".[8] By his count, 170 of the marquee's 330 lights were burnt out, and he did not believe the interior had been regularly washed or maintained.[8]
Magic Lantern Theatres
The Princess in 2009
The Brars handed over management of the theatre to Magic Lantern Theatres in June 1998, merely 18 months after purchasing it.[8] Rick Ostapchuk immediately took over double duty as the manager of the recently renovated Garneau Theatre, as well as the Princess.[8]
Ostapchuk vowed to return the Princess to the stature it held under Susan Morrow.[8] To that end, he hired a new film programmer, Leonard Schein of Vancouver's Fifth Avenue Cinemas. The first film exhibited under new management was Michael Moore's The Big One.[58] Ostapchuk began major renovations to the theatre, and in 1999 unveiled the Princess II in Chinook Theatre's old space.[4] The basement theatre featured 100 seats, its own concession and washrooms, and a new 35mm projector. The renovations cost $200,000.[4]
While under Magic Lantern management, the Princess Theatre became a notable destination for the local Queer community by featuring New Queer Cinema films,[59] including The Times of Harvey Milk as part of Pride Celebrations in 1985 [60] and Trouble in Mind starring Divine in early September 1986.[61]
Whyte Avenue multiplex debate
By 1999, Leonard Schein had become president of Alliance Atlantis, and had decided to build a six-screen art house cinema on Whyte Avenue.[62] Many Edmontonians supported the plan, including former Princess manager Malcolm Parker, FAVA Executive Director Helen Folkmann, and Mayor Bill Smith.[62]
Unsurprisingly, Ostapchuk was against Alliance Atlantis's plans for Whyte Avenue, believing that it would put both the Garneau and the Princess out of business.[63] The Old Strathcona Foundation sided with Magic Lantern, and fought the plans.[64] The argument went all the way to Edmonton City Council, which was asked to waive Old Strathcona's four-story height limit for the six-story multiplex. Council sided against Alliance Atlantis when Councillor Terry Cavanagh changed his vote at the last minute, defeating the motion 6-5.[65]
Queer history
The Princess Theatre has a history of being a welcoming space to the Edmonton queer community and has supported it through a variety of screenings and events over the years. During the 1985 Edmonton Pride Festival, the theatre held a screening of the Oscar winning documentary The Times of Harvey Milk.[66] In the 1990s, it "embraced experimental films showcasing emergent New Queer Cinema, ultimately making the Princess Theatre a hub for queer culture."[67] The lesbian community magazine Womonspace News frequently advertised film screenings held at the Princess.[68]
Present day
The theatre was operated by Magic Lantern Theatres as a first run cinema until January, 2016. At that point Plaza Entertainment, headed by Mike Brar, took it over again, ending Magic Lantern's tenancy. In 2006, after a lengthy dispute with a local developer, the City of Edmonton demolished the Gem Theatre (constructed 1913) on Jasper Avenue, making the Princess the city's oldest surviving cinema.[3]
Edmonton is the capital city of the Canadian province of Alberta. Edmonton is situated on the North Saskatchewan River and is the centre of the Edmonton Metropolitan Region, which is surrounded by Alberta's central region. The city anchors the northern end of what Statistics Canada defines as the "Calgary–Edmonton Corridor", a region spanning between Edmonton and the city of Calgary, Alberta's largest city, which includes the many smaller municipalities between the two.
Old Strathcona is a historic district in south-central Edmonton, Alberta, Canada. Once the commercial core of the separate city of Strathcona, the area is now home to many of Edmonton's arts and entertainment facilities, as well as a local shopping hub for residents and students at the nearby University of Alberta. The district centres on Whyte Avenue and has shops, restaurants, bars and buskers.
Sherwood Park Freeway is a 7.1-kilometre (4.4 mi) freeway that connects east Edmonton to Sherwood Park in Alberta, Canada. It begins in the Gainer Industrial area, where Argyll Road and 82 (Whyte) Avenue merge, before it intersects 50 Street. It then curves slightly northeast through industrial areas in southeastern Edmonton across 34 Street into Strathcona County, then across 17 Street, and the freeway ends at Anthony Henday Drive. It then continues into Sherwood Park as Wye Road (Highway 630). It is primarily a commuter route, with heavier weekday volume westbound in the morning and eastbound in the afternoon, as residents of Sherwood Park commute to Edmonton.
The Varscona Theatre is a live performance venue in the Old Strathcona neighborhood of Edmonton, Alberta, Canada. Since 1994, the Varscona has been operated by a consortium of small theatre companies, including Teatro la Quindicina and Shadow Theatre. The theatre is also the home of the nationally renowned live improvised soap opera Die-Nasty. In addition, the Varscona has hosted tapings of The Irrelevant Show, a national sketch comedy program aired on CBC Radio. The Varscona holds over 300 performances and has 30,000 audience members per year. It employs 100 local professional theatre artists.
Downtown Edmonton is the central business district of Edmonton, Alberta. Located at the geographical centre of the city, the downtown area is bounded by 109 Street to the west, 105 Avenue to the north, 97 Street to the east, 97 Avenue and Rossdale Road to the south, and the North Saskatchewan River to the southeast.
Strathcona was a city in Alberta, Canada on the south side of the North Saskatchewan River. Originally founded in 1891, it amalgamated with the City of Edmonton in 1912.
Garneau is one of the oldest neighbourhoods in the city of Edmonton, Canada. Prior to 1912, it was part of the City of Strathcona. It is named after one of its first inhabitants, Laurent Garneau, a former Manitoba Métis rebel and Hudson's Bay Company employee who with his wife and family settled there around 1874.
McKernan is a neighbourhood located in southwest Edmonton, Alberta, Canada. It is named for John McKernan, a prominent businessman in the City of Strathcona whose parents' farm was located there beginning in the late 1870s. "Jack" McKernan (1870-1918) was the force behind the Princess Theatre, which still stands on Whyte Avenue. The McKernan-Belgravia LRT station is located in the west portion of the neighbourhood at the northwest corner of 114 Street and 76 Avenue, adjacent to neighbouring Belgravia. The community is near to both the University of Alberta and Old Strathcona.
Lynnwood is a residential neighbourhood in west Edmonton, Alberta, Canada. It is near downtown, the University of Alberta, MacEwan College, and West Edmonton Mall. It became a part of Edmonton when the Town of Jasper Place amalgamated with Edmonton in 1964.
James McCrie Douglas was a politician in Alberta, Canada, a mayor of Edmonton, and a member of Parliament serving in the House of Commons of Canada from 1909 to 1921.
Ritchie is a residential neighbourhood in south east Edmonton, Alberta, Canada. It is named for Robert Ritchie, the original owner of the Ritchie Mill and former mayor of the City of Strathcona. The population of Ritchie enjoy good access to the nightlife of nearby Old Strathcona and the Mill Creek Ravine.
Thomas James Walsh was a politician in Alberta, Canada. He served as alderman on the Edmonton City Council from 1912 until 1913.
The Garneau Theatre is a historic movie theatre located on 109 Street in Edmonton, Alberta, Canada. The theatre originally operated independently until it joined with Famous Players in 1941. It closed in late 1990, and reopened in December 1991 under Magic Lantern Theatres who restored it in 1996. Magic Lantern operated the Garneau until June 2011 when it closed. The Garneau became Metro Cinema's new home in July 2011, and was officially reopened in September 2011.
109 Street is an arterial road in central Edmonton, Alberta, Canada. It takes travelers out of Downtown to the south to Old Strathcona, and to the north to the Kingsway area. It passes several Edmonton landmarks including the Garneau Theatre, Alberta Legislature Building, MacEwan University, RCMP "K" Division Headquarters, and Kingsway Mall. It is a one-way street, southbound, from 97 Avenue to Saskatchewan Drive, to cross the North Saskatchewan River on the narrow High Level Bridge. Before Edmonton's amalgamation with Strathcona in 1912, the Edmonton portion was known as 9th Street while the Strathcona portion was known as 5th Street W. 109 Street between Whyte Avenue and Kingsway is part of the original alignment of Highway 2 through Edmonton, the designation was moved to Whitemud Drive in the 1980s.
The Strathcona Public Building, Old Strathcona Post Office, South Side Post Office or South Edmonton Post Office is restored heritage building in Strathcona Square in the Old Strathcona heritage district of Edmonton. The restored building along with a Festival Market was opened to the public on the first weekend of September 1988 and the place came to be known as Strathcona Square.
The Strathcona Library, one of the oldest libraries in Alberta, completed in 1913, was the first library erected in the City of Edmonton. Nevertheless, the Strathcona Library does have a complex background as to its historical status within the Edmonton Public Library system. It is located on 104th Street, a block off of Whyte Avenue in the heart of Old Strathcona. Situated next to Wilbert McIntyre Park, the iconic Old Strathcona Gazebo, and the year-round Old Strathcona Farmer's Market, the Strathcona Library is often a central gathering area for much of the local community. During the annual Edmonton International Fringe Festival in the surrounding area, the Strathcona Library often hosts a large booksale to help shift aging and excess material from Edmonton Public Library's circulation.
Roxy Theatre, also known as The Roxy, is a live-action performance theatre located in Edmonton, Alberta, Canada. It was originally designated as a movie theatre, but was eventually converted into a live-action performance venue.
Calgary Trail and Gateway Boulevard are a pair of major arterial roadways in Edmonton, Alberta. Gateway Boulevard carries northbound traffic while Calgary Trail carries southbound traffic. From south of 31 Avenue, they form a two-way freeway separated by a median; for this portion, the roadway maintains the separate names for northbound and southbound traffic. Near 31 Avenue, Calgary Trail and Gateway Boulevard separate and become parallel one-way arterial roadways to Saskatchewan Drive, at the edge of the North Saskatchewan River valley. Designated as part of Highway 2 south of Whitemud Drive, it is Edmonton's main southern entrance and is both a major commuter route, connecting to the Edmonton International Airport and Leduc, as well as a regional connection to Red Deer and Calgary.
References
"A Theatre With a History". Edmonton Journal. November 13, 1994. p.B1.
Barrett, Tom (January 2, 1997). "Princess Theatre sale confirmed, staff await word". Edmonton Journal. p.B1.
Cernetig, Miro (August 6, 1991). "City Streets: A celebration of urban life Revolt paved way for rejuvenation". The Globe and Mail. p.A4.
Chattopadhyay, Piya (May 25, 1997). "Projectionists back at Princess". Edmonton Journal. p.B3.
Herzog, Lawrence (August 24, 2011). "Strathcona Firehall No. 1". Herzog on Heritage. Edmonton Heritage Council. Archived from the original on December 5, 2011. Retrieved March 18, 2012.
"Historic Theatres in Edmonton"(PDF). Building Heritage News. The Edmonton Historical Board. November 2007. p.2. Retrieved March 18, 2012.
Horton, Marc (October 13, 1994). "Director Brian Paisley buys historic Princess Theatre". Edmonton Journal. p.D1.
Horton, Marc (June 2, 1998). "Princess under spell of Magic". Edmonton Journal. p.C2.
Kellogg, Alan (May 28, 1994). "Former Lord Mayor Morrow leaving the city she loves". Edmonton Journal. p.D1.
Kellogg, Alan (June 6, 1998). "Ostapchuk determined to restore Princess to former lustre". The Edmonton Journal. p.C1 Front.
Marck, Paul (December 21, 1994). "It's curtains for bid to buy the Princess". Edmonton Journal. p.B1.
"Special Announcement: Mary Pickford in 'The Eagle's Mate'". Edmonton Journal. March 9, 1915. p.3.
"Talkies Are Approved At New Capitol". Edmonton Bulletin. March 28, 1929. p.13.
Tasker, Warren (November 19, 1989). "It has taken 70 years for the Princess to reach it's[sic] 'Golden Age'". Edmonton Journal. p.D2.
Tasker, Warren (November 19, 1989). "Strathcona's grande dame; The city's last ornate movie palace is finding long-elusive success". Edmonton Journal. p.D1.
Thomas, Don (April 24, 1996). "Strathcona Foundation loses city funds". Edmonton Journal. pp.B3.
Thomson, Graham (December 23, 1996). "Princess' sale too quick, says board member". Edmonton Journal. pp.B3.
Tingley, Ken (1999). The Best of the Strathcona Plaindealer. Edmonton, Alberta: Pioneer Press Ltd. pp.263–270. ISBN0-9694688-1-4.
"To Capitol Theatre Patrons". Edmonton Bulletin. January 5, 1929. p.7.
"Today in History". Edmonton Journal. October 9, 2001. p.E6.
"Underground cinema for Whyte Ave.; Princess constructs a second screen in basement of its Old Strathcona building; New Theatre". Edmonton Journal. February 27, 1999. p.C4.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
