A death knell is the ringing of a church bell to announce the death of a person. Historically,[ where? ][ when? ] it was the second of three bells rung around death, the first being the passing bell to warn of impending death, and the last was the lych bell or corpse bell, which survives today as the funeral toll.
In England, an ancient custom was the ringing of church bells at three specific times before and after the death of a Christian. Sometimes a passing bell was first rung when the person was still dying, [1] [2] then the death knell upon the death, [3] and finally the lych bell, which was rung at the funeral as the procession approached the church. The ringing of the lych bell is now called the funeral toll. [4] The canon law of the Church of England also permitted tolling after the funeral.
During the reign of Henry VIII and Elizabeth I, statutes regulated death knell, [5] [6] but the immediate ringing after death fell into disuse. It was customary in some places by the end of the 19th century to ring the death knell as soon as notice reached the clerk of the church (parish clerk) or sexton, unless the sun had set, in which case it was rung at an early hour the following morning. [7] [8] Elsewhere, it was customary to postpone the death knell and tellers to the evening preceding the funeral, or early in the morning on the day of the funeral to give warning of the ceremony. [9]
The use of the passing bell for sick persons is indicated in the advertisements of Queen Elizabeth in 1564: "[W]here any Christian bodie is in passing, that the bell be tolled, and that the curate be specially called for to comfort the sick person". [10]
The manner of ringing the knell varied in different parishes. Sometimes the age of the departed was signified by the number of chimes (or strokes) of the bell, but the use of "tellers" to denote the sex was almost universal. For instance in the greater number of churches in the counties of Kent and Surrey they used the customary number of tellers, viz., three times three strokes for a man, and three times two for a woman; with a varying usage for children. The word "tellers" became changed into "Tailors". [11] J. C. L. Stahlschmidt described of the practices at each church in Kent and Surrey in his two books about the bells of those counties. [12] [13] It also features in Dorothy L. Sayers' mystery novel The Nine Tailors .
A modern tradition at funerals where there are full circle ring of bells is to use "half-muffles" when sounding one bell as a tolled bell, or to ring all the bells half-muffled in change ringing. Half-muffling means a leather muffle is placed on one side only of the clapper of each bell so that there is a loud "open" strike followed by a muffled strike, which has a very sonorous and mournful echo effect. Fully muffled bell ringing is very rare as the loud and soft effect is lost.
An excellent example of this was demonstrated with the bells of Westminster Abbey at the Funeral of Diana, Princess of Wales in 1997.
The accompanying picture shows a half-muffled full-circle bell, with the bell in the inverted position (or the "up" position). The clapper is shown resting on the lower side of the bell's soundbow, and when it first rotates (to the right in the picture) the un-muffled side of the clapper will strike when the bell rises to the inverted position and the clapper is moving faster and crosses to the other side. On the return stroke the same happens but the strike will be muffled. Note that only bells swung through a large arc or full-circle can be half-muffled, as it requires considerable rotation of the bell to strike on both sides of the clapper. The tradition in the United Kingdom is that bells are only fully muffled for the death of a sovereign.
"For Whom the Bell Tolls" is a partial quotation of the phrase:
"...And therefore never send to know for whom the bell tolls; It tolls for thee."
John Donne's 1624 work Devotions upon Emergent Occasions.
There are many other references to this phrase in Art and Literature.
In Berlioz's Symphonie Fantastique , the funeral knell was used in the 6
8 section of the 5th movement (i.e. Dream of a Witches' Sabbath).
Change ringing is the art of ringing a set of tuned bells in a tightly controlled manner to produce precise variations in their successive striking sequences, known as "changes". This can be by method ringing in which the ringers commit to memory the rules for generating each change, or by call changes, where the ringers are instructed how to generate each change by instructions from a conductor. This creates a form of bell music which cannot be discerned as a conventional melody, but is a series of mathematical sequences. It can also be automated by machinery.
Campanology is the scientific and musical study of bells. It encompasses the technology of bells – how they are founded, tuned and rung – as well as the history, methods, and traditions of bellringing as an art.
The Sigismund Bell is the largest of the five bells hanging in the Sigismund Tower of the Wawel Cathedral in the Polish city of Kraków. It was cast in 1520 by Hans Behem and named after King Sigismund I of Poland, who commissioned it. The bell weighs almost 13 tonnes and requires 12 bell-ringers to swing it. It tolls on special occasions, mostly religious and national holidays, and is regarded as one of Poland's national symbols.
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell.
A church bell is a bell in a church building designed to be heard outside the building. It can be a single bell, or part of a set of bells. Their main function is to call worshippers to the church for a communal service, but are also rung on special occasions such as a wedding, or a funeral service. In some Christian traditions they signify to people outside that a particular part of the service has been reached.
A handbell is a bell designed to be rung by hand. To ring a handbell, a ringer grasps the bell by its slightly flexible handle – traditionally made of leather, but often now made of plastic – and moves the arm to make the hinged clapper strike the inside of the bell. An individual handbell can be used simply as a signal to catch people's attention or summon them together, but handbells are also often heard in tuned sets.
A lychgate or resurrection gate is a covered gateway found at the entrance to a traditional English or English-style churchyard. Examples also exist outside the British Isles in places such as Newfoundland, the Upland South and Texas in the United States, Australia, New Zealand, South Africa, Norway, and Sweden.
Russian Orthodox bell ringing has a history starting from the baptism of Rus in 988 and plays an important role in the traditions of the Russian Orthodox Church.
A "ring of bells" is the name bell ringers give to a set of bells hung for English full circle ringing. The term "peal of bells" is often used, though peal also refers to a change ringing performance of more than about 5,000 changes.
"Ring Out, Wild Bells" is a poem by Alfred, Lord Tennyson. Published in 1850, the year he was appointed Poet Laureate, it forms part of In Memoriam, Tennyson's elegy to Arthur Henry Hallam, his sister's fiancé who died at the age of 22.
The funeral tolling of a bell is the technique of sounding a single bell very slowly, with a significant gap between strikes. It is used to mark the death of a person at a funeral or burial service.
Blanche Heriot was a legendary heroine from Chertsey, Surrey, whose story was brought to a wider public in two works by the Chertsey-born early Victorian writer Albert Smith.
Richard Phelps (c.1670–1738) was born in Avebury, Wiltshire, England. Phelps was a bellfounder, or a maker of bells, primarily for churches. He was master of the Whitechapel Bell Foundry in London from 1701 to 1738, and is best known for his large bell, Great Tom, in the steeple of St Paul's Cathedral in London, England. The foundry, in operation since at least 1570, was listed by the Guinness Book of Records as the oldest manufacturing company in Great Britain.
Petersglocke, commonly referred to as Dicker Pitter, is the largest bell in Cologne Cathedral. It was cast in 1923 by Heinrich Ulrich in Apolda and hangs in the belfry of the south tower. With a weight of approximately 24,000 kilograms (53,000 lb), a clapper weighing about 700 kilograms (1,500 lb) and a diameter of 322 centimetres, it is the second largest freely swinging ringable bell in the world, after the bell of the People's Salvation Cathedral in Bucharest, Romania.
A bell-ringer is a person who rings a bell, usually a church bell, by means of a rope or other mechanism.
A dead bell or deid bell (Scots), also a 'death', 'mort', 'lych', 'passing bell' or 'skellet bell' was a form of hand bell used in Scotland and northern England in conjunction with deaths and funerals up until the 19th century.
Full circle ringing is a technique of ringing a tower bell such that it swings in a complete circle from mouth upwards to mouth upwards and then back again repetitively.
Albert John Pitman is regarded by change ringing campanologists as a remarkable and versatile composer of peals in bell ringing methods. Described as 'perhaps the greatest of all time' in the Central Council of Church Bell Ringers biography of him, An Unassuming Genius, he was an extraordinary talent in the field of peal composition.
A crotalus, also known as a crotalum or clapper, is a wooden liturgical rattle or clapper that replaces altar bells during the celebration of the Tridentine Paschal Triduum at the end of Lent in the Catholic Church. It is also occasionally used during the celebration of the Ordinary Form Roman Missal during the Paschal Triduum, but its popularity decreased following the liturgical reforms of the Second Vatican Council. The crotalus is also sometimes used in Episcopal Church parishes.
Campanology is the scientific and musical study of bells. It encompasses the technology of bells – how they are cast, tuned, and rung – as well as the history, methods, and traditions of bellringing as an art. Articles related to campanology include: