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Theatrical superstitions are superstitions particular to actors or the theatre.
| This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
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Theatrical superstitions are superstitions particular to actors or the theatre.
William Shakespeare's play Macbeth is said to be cursed, so actors avoid saying its name when in the theatre (the euphemism "The Scottish Play" is used instead). Actors also avoid even quoting the lines from Macbeth before performances, particularly the Witches' incantations. Outside a theatre and after a performance, the play can be spoken of openly. If an actor speaks the word "Macbeth", or quotes the play, in a theatre other than in performance, they must perform a ritual to remove the curse. The ritual may vary according to local custom: one is to leave the theatre building or at least the room occupied when the name was mentioned, spin around three times, spit, curse, and then knock to be allowed back in. This particular iteration of the ritual is documented in the play The Dresser and its film adaptations. [1]
One version of this legend claims that it was the actor who played Lady Macbeth who died during the play's first production run and that Shakespeare himself had to assume the role. There is no evidence that this legend is factual. [2]
In America, it is considered bad luck to wish someone "good luck" in a theatre. Prior to performances, it is traditional for the cast to gather together to avert the bad luck by wishing each other bad luck or cursing, the expression "break a leg" replaces the phrase "good luck". The exact origin of this expression is unknown, but some of the most popular theories are the Leg Line Theory (also known as the Curtain Theory), the Shakespearean Theory (also sometimes referred to as the Traditional Theory), and the Bowing Theory. [3]
In Australian theatrical circles saying "good luck" is also avoided, but the replacement is often "chookas!" This may be due to the belief among some dancers that saying "break a leg" may actually result in broken bones. According to one oral tradition, one of the company would check audience numbers. If there were not many in the seats, the performers would have bread to eat following the performance. If the theatre was full they could then have "chook" —Australian slang for chicken— for dinner. Therefore, if it was a full house, the performer would call out "Chook it is!", which became abbreviated to "Chookas!" It is now used by performers prior to a show regardless of the number of patrons; and may be a wish for a successful turnout. [4]
Professional dancers do not wish each other good luck by saying "break a leg"; instead they say " Merde!", the French word for "shit". [5] In turn, theater people have picked up this usage and may wish each other "merde", alone or in combination with "break a leg". In Spanish, the phrase is "mucha mierda", or "lots of shit". This term refers to the times when carriages would take the audience to the theatre. A quick look to the street in front of the venue would tell if the play was successful: a lot of horse dung would mean many carriages had stopped to leave spectators. [6]
Opera singers use " Toi toi toi ", an idiom used to ward off a spell or hex, often accompanied by knocking on wood. One explanation sees "toi toi toi" as the onomatopoeic rendition of spitting three times. Saliva traditionally was supposed to have demon-banishing powers and, in various cultural traditions, spitting three times over someone's head or shoulder is a gesture to ward off evil spirits. A similar-sounding expression for verbal spitting occurs in modern Hebrew as "Tfu, tfu" (here, only twice), which some say that Hebrew-speakers borrowed from Russian. [4]
An alternate operatic good luck charm, originating from Italy, is the phrase " in bocca al lupo! " ("In the mouth of the wolf") with the response "Crepi il lupo!" ("May the wolf die") (see Standard Dictionary of Folklore, Myth & Legend).
One should always leave a light burning in an empty theatre. [7]
Though it is a superstition, it does have practical value as well: the backstage area of a theatre tends to be cluttered with props and other objects, so someone who enters a completely darkened space is liable to be injured while hunting for a light switch. [8]
In 2005, Playbill ran an article about Broadway theatres that were believed to be haunted. [9] The following is a list of hauntings from that article:
Related to a similar rule for sailing ships, it is considered bad luck for an actor to whistle on or off stage. As original stage crews were hired from ships in port (theatrical rigging has its origins in sailing rigging), sailors, and by extension theatrical riggers, used coded whistles to cue scene changes. Actors who whistled could confuse them into changing the set or scenery at the wrong time and this could result in injury or death, especially if they were flying set or backdrops in or out. In today's theatres, the stage crew normally uses an intercom or cue light system. [11]
It is considered bad luck to place one's shoes on a table. [12]
The Tragedy of Macbeth, often shortened to Macbeth, is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, Macbeth most clearly reflects his relationship with King James, patron of Shakespeare's acting company. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.
The following outline is provided as an overview of and topical guide to theatre:
The Scottish Play and the Bard's play are euphemisms for William Shakespeare's Macbeth. The first is a reference to the play's Scottish setting, the second a reference to Shakespeare's popular nickname. According to a theatrical superstition, called the Scottish curse, speaking the name Macbeth inside a theatre, other than as called for in the script while rehearsing or performing, will cause disaster. On top of the aforementioned alternative titles, some people also refer to the classical tragedy as Mackers for this reason. Variations of the superstition may also forbid quoting lines from the play within a theatre except as part of an actual rehearsal or performance of the play.
Broadway theatre, or Broadway, is a theatre genre that consists of the theatrical performances presented in 41 professional theaters, each with 500 or more seats, in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world.
Knocking on wood is an apotropaic tradition of literally touching, tapping, or knocking on wood, or merely stating that one is doing or intending to do so, in order to avoid "tempting fate" after making a favorable prediction or boast, or a declaration concerning one's own death or another unfavorable situation.
The Producers is a musical comedy with music and lyrics by Mel Brooks, and a book by Brooks and Thomas Meehan. It is adapted from Brooks's 1967 film of the same name. The story concerns two theatrical producers who scheme to get rich by fraudulently overselling interests in a Broadway musical designed to fail. Complications arise when the show is a surprise hit. The humor of The Producers draws on exaggerated accents, caricatures of Jews, gay people and Nazis, and many show business in-jokes.
"Break a leg" is an English-language idiom used in the context of theatre or other performing arts to wish a performer "good luck". An ironic or non-literal saying of uncertain origin, "break a leg" is commonly said to actors and musicians before they go on stage to perform or before an audition. Though a similar term appears earlier in German, the possibly related English expression with the luck-related meaning is first attributed in the 1930s or possibly 1920s, originally documented without specifically theatrical associations.
The Belasco Theatre is a Broadway theater at 111 West 44th Street, between Seventh Avenue and Sixth Avenue, in the Theater District of Midtown Manhattan in New York City. Originally known as the Stuyvesant Theatre, it was built in 1907 and designed by architect George Keister for impresario David Belasco. The Belasco Theatre has 1,016 seats across three levels and has been operated by The Shubert Organization since 1948. Both the facade and interior of the theater are New York City landmarks.
Superstition in Russia covers the superstitions and folk rituals of the Russian community. Many of these traditions are staples of everyday life, and some are even considered common social etiquette despite being rooted in superstition. The influence of these traditions and superstitions varies, and their perceived importance depends on factors such as region and age.
A ghost light is an electric light that is left energised on the stage of a theatre when the theatre is unoccupied and would otherwise be completely dark. It typically consists of an exposed incandescent bulb, CFL lamp, or LED lamp mounted in a wire cage on a portable light stand. It is usually placed near centre stage. Ghost lights are also sometimes known as equity lights or equity lamps, possibly indicating their use was originally mandated by the Actors' Equity Association, or Equity.
Danny Burstein is an American actor and singer. Known for his work on the Broadway stage, he's received numerous accolades including a Tony Award, two Drama Desk Awards and nominations for three Grammy Awards.
A superstition is any belief or practice considered by non-practitioners to be irrational or supernatural, attributed to fate or magic, perceived supernatural influence, or fear of that which is unknown. It is commonly applied to beliefs and practices surrounding luck, amulets, astrology, fortune telling, spirits, and certain paranormal entities, particularly the belief that future events can be foretold by specific unrelated prior events.
David Cromer is an American theatre director, and stage, film, and TV actor. He has received recognition for his work on Broadway, Off-Broadway, and in his native Chicago. Cromer has won or been nominated for numerous awards, including winning the Lucille Lortel Award and Obie Award for his direction of Our Town. He was nominated for the Drama Desk Award and the Outer Critics Circle Award for his direction of The Adding Machine. In 2018, Cromer won the Tony Award for Best Direction of a Musical for The Band's Visit.
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Millie Cavendish, previously credited as Mrs Lawrence, was a British singer and actress, best remembered for performing You Naughty, Naughty Men in the role of Carline in the musical The Black Crook, which debuted in New York in September 1866. The song's music was by George Bickwell, with lyrics by Theodore Kennick. Though Cavendish's role in the piece was minor, and the song had no relation to the play's plot, her performance was a highlight. It was also an early example of sex exploitation, as music writer David Ewen has noted: "When Milly Cavendish stepped lightly in front of the footlights, wagged a provocative finger at the men in her audience, and sang in her high-pitched baby voice, 'You Naughty, Naughty Men' … the American musical theater and the American popular song both started their long and active careers in sex exploitation."
"Toi toi toi" is an expression used in the performing arts to wish an artist success in an imminent performance. It is similar to "break a leg" and reflects a superstition that wishing someone "good luck" is in fact bad luck.
In bocca al lupo is an Italian idiom originally used in opera and theatre to wish a performer good luck prior to a performance.
Darko Tresnjak is a director of plays, musicals, and opera, and winner of several awards, including the Tony Award. He was the artistic director of the Hartford Stage in Connecticut, United States.