Superstition in Korea, rooted in Korean shamanism, exists in many parts of Korean life. In Korean shamanic faith, folk beliefs have been passed down through generations. [1] During the Joseon Dynasty, Confucianism and shamanism flourished. [2] Although Confucianism has no god figure, there are supernatural phenomena within the belief system of Korean shamanism. [3]
Some Korean superstitions are similar to Chinese or Japanese superstitions. Many Korean superstitions are related to being afraid of uncertain situations or avoiding certain actions. [4] in
The following movies deal with Korean superstitions:
In modern society, relying on superstitions has declined as there is more of an emphasis on rationality. [24] As a result, many people are critical of acting on superstitious beliefs. [25] Blindly turning to superstition, however, can still comfort the mind. [26]
There is an ongoing debate on whether ancestral rites (Jesa) or jwibulnori, which are famous Korean traditional plays, are viewed as mere superstitions or as an important aspect of the country's culture. [27]
Feng shui, sometimes called Chinese geomancy, is a traditional form of geomancy that originated in Ancient China and claims to use energy forces to harmonize individuals with their surrounding environment. The term feng shui means, literally, "wind-water". From ancient times, landscapes and bodies of water were thought to direct the flow of the universal Qi – "cosmic current" or energy – through places and structures. More broadly, feng shui includes astronomical, astrological, architectural, cosmological, geographical, and topographical dimensions.
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In Korean shamanism, Gasin are a branch of deities believed to protect the various objects and rooms of the house, such as jangdok or the kitchen. The Gasin faith is the faith based on worshipping these deities. The worshipping of the Gasin form a central and integral part of the traditional Korean folk religion.
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Cho Taeil (1941–1999) was a Korean poet. He was one of the poets who actively engaged in social matters during the Yushin era, and led the Minjung group of poets in the 1970s along with Shin Kyeongrim and Kim Jiha. He launched a poetry magazine, Siin and played a leading role in establishing the Council of Writers for Freedom and Practice.
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