In organology, the study of musical instruments, many methods of classifying instruments exist. Most methods are specific to a particular cultural group and were developed to serve that culture's musical needs. Culture-based classification methods sometimes break down when applied outside that culture. For example, a classification based on instrument use may fail when applied to another culture that uses the same instrument differently.
An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes, and without the vibration of the instrument itself adding considerably to the sound.
The musical bow is a simple string instrument used by a number of African peoples as well as Indigenous peoples of the Americas. It consists of a flexible, usually wooden, stick 1.5 to 10 feet long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use.
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music.
Indigenous music of Australia comprises the music of the Aboriginal and Torres Strait Islander peoples of Australia, intersecting with their cultural and ceremonial observances, through the millennia of their individual and collective histories to the present day. The traditional forms include many aspects of performance and musical instrumentation that are unique to particular regions or Aboriginal Australian groups; and some elements of musical tradition are common or widespread through much of the Australian continent, and even beyond. The music of the Torres Strait Islanders is related to that of adjacent parts of New Guinea. Music is a vital part of Indigenous Australians' cultural maintenance.
Traditional Māori music, or pūoro Māori, is composed or performed by Māori, the indigenous people of New Zealand, and includes a wide variety of folk music styles, often integrated with poetry and dance.
Prehistoric music is a term in the history of music for all music produced in preliterate cultures (prehistory), beginning somewhere in very late geological history. Prehistoric music is followed by ancient music in different parts of the world, but still exists in isolated areas. However, it is more common to refer to the "prehistoric" music which still survives as folk, indigenous or traditional music. Prehistoric music is studied alongside other periods within music archaeology.
The lion's roar is a membranophone instrument that has a drum head and a cord or horsehair passing through it. It gets its name from the sound it produces, which closely resembles a lion's roar. The home-made lion's roar is a drum that sits on the floor. The cord then makes friction with the drum head as it is moved back and forth.
A whirligig is an object that spins or whirls, or has at least one part that spins or whirls. It can also be a pinwheel, spinning top, buzzer, comic weathervane, gee-haw, spinner, whirlygig, whirlijig, whirlyjig, whirlybird, or simply a whirly. They are most commonly powered by the wind but can be hand-, friction- or motor-powered. They can be used as kinetic garden ornaments, and can be designed to transmit sound and vibration into the ground to repel burrowing rodents.
A friction drum is a musical instrument found in various forms in Africa, Asia, Europe and South America. In Europe it emerged in the 16th century and was associated with specific religious and ceremonial occasions.
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments.
Rakahanga-Manihiki is a Tahitic language belonging to the Polynesian language family, spoken by about 2500 people on Rakahanga and Manihiki Islands and another 2500 in other countries, mostly New Zealand and Australia. Wurm and Hattori consider Rakahanga-Manihiki as a distinct language with "limited intelligibility with Rarotongan". According to the New Zealand Maori anthropologist Te Rangi Hīroa who spent a few days on Rakahanga in the years 1920, "the language is a pleasing dialect and has closer affinities with [New Zealand] Maori than with the dialects of Tongareva, Tahiti, and the Cook Islands"
The nagara or naghara is a drum used in India. There are several types of naghara, which is considered to be the lead instrument in mandir ceremonies and weddings. These are typically two drums, one treble and one bass and are played with sticks.
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies.
The whirly tube, corrugaphone, or bloogle resonator, also sold as Free-Ka in the 1960s-1970s, is an experimental musical instrument which consists of a corrugated (ribbed) plastic tube or hose, open at both ends and possibly wider at one end (bell), the thinner of which is rotated in a circle to play. It may be a few feet long and about a few inches wide. The faster the toy is swung, the higher the pitch of the note it produces, and it produces discrete notes roughly belonging to the harmonic series, like a valveless brass instrument generates different modes of vibration. However, the first and the second modes, corresponding to the fundamental and the second harmonics, are reported as being difficult to excite. To be played in concert the length of the tube must be trimmed to tune it.
'Kwakwaka'wakw music is a sacred and ancient art of the Kwakwaka'wakw peoples that has been practiced for thousands of years. The Kwakwaka'wakw are a collective of twenty-five nations of the Wakashan language family who altogether form part of a larger identity comprising the Indigenous Peoples of the Pacific Northwest Coast, located in what is known today as British Columbia, Canada.
Taonga pūoro are the traditional musical instruments of the Māori people of New Zealand.
A rhoptron was a buzzing drum used in Parthian music. According to Plutarch, the Parthian Empire used it made a frightening sound—resembling a mix of animal noises and lightning—to scare their opponents in battle, instead of the more typical Greek battlefield instruments like the salpinx.
Hittite music is the music of the Hittites of the 17th–12th century BC and of the Syro-Hittite successor states of the 12th–7th century BC.
