Heckelphone-clarinet

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A musician playing a heckelphone-clarinet. Hpcl.jpg
A musician playing a heckelphone-clarinet.

The heckelphone-clarinet (or Heckelphon-Klarinette) is a rare woodwind instrument, invented in 1907 by Wilhelm Heckel in Wiesbaden-Biebrich, Germany. Despite its name, it is essentially a wooden saxophone with wide conical bore, built of red-stained maple wood, overblowing the octave, and with clarinet-like fingerings. It has a single-reed mouthpiece attached to a short metal neck, similar to an alto clarinet. [1] The heckelphone-clarinet is a transposing instrument in B with sounding range of D3 (middle line of bass staff) to C6 (two ledger lines above the treble staff), written a whole tone higher. [2] The instrument is not to be confused with the heckel-clarina, also a very rare conical bore single reed woodwind by Heckel but higher in pitch and made of metal, nor with the heckelphone, a double reed instrument lower in pitch.

Woodwind instrument family of musical wind instruments

Woodwind instruments are a family of musical instruments within the more general category of wind instruments. There are two main types of woodwind instruments: flutes and reed instruments. What differentiates these instruments from other wind instruments is the way in which they produce their sound. All woodwinds produce sound by splitting an exhaled air stream on a sharp edge, such as a reed or a fipple. A woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. Occasionally woodwinds are made out of earthen materials, especially ocarinas. Common examples include flute, oboe, clarinet, bassoon, and saxophone.

Germany Federal parliamentary republic in central-western Europe

Germany, officially the Federal Republic of Germany, is a country in Central and Western Europe, lying between the Baltic and North Seas to the north, and the Alps to the south. It borders Denmark to the north, Poland and the Czech Republic to the east, Austria and Switzerland to the south, France to the southwest, and Luxembourg, Belgium and the Netherlands to the west.

Saxophone type of musical instrument of the woodwind family

The saxophone is a family of woodwind instruments. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. Although most saxophones are made from brass, they are categorized as woodwind instruments, because sound is produced by an oscillating wooden reed rather than lips vibrating in a mouthpiece cup as with the brass instrument family. When the player presses a key, a pad either covers a hole or lifts off a hole, lowering or raising the pitch, respectively.

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Timbre

The instrument sounds somewhat like a saxophone, but with a much softer tone. In his 1931 catalogue, Heckel asserts that "the clarinet-like tone of the instrument is excellent, extraordinarily harmonious, and powerful; nor is it sharp or metallic like that of the alto saxophone". [3] It was apparently intended for military use, but never became popular, and only between twelve and fifteen were manufactured.

Related Research Articles

Bassoon musical instrument

The bassoon is a woodwind instrument in the double reed family that plays music written in the bass and tenor clefs, and occasionally the treble. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature. It is known for its distinctive tone colour, wide range, variety of character, and agility. One who plays the bassoon is called a bassoonist.

Clarinet type of woodwind instrument

The clarinet is a family of woodwind instruments. It has a single-reed mouthpiece, a straight, cylindrical tube with an almost cylindrical bore, and a flared bell. A person who plays a clarinet is called a clarinetist.

Oboe musical instrument of the woodwind family

Oboes belong to the classification of double reed woodwind instruments. Oboes are usually made of wood, but there are also oboes made of synthetic materials. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly 65 cm long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word oboe is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais, or oboe d'amore

Sarrusophone metal double-reed wind instrument with a conical bore

The sarrusophones are a family of transposing woodwind musical instruments patented and placed into production by Pierre-Louis Gautrot in 1856. Originally designed as double-reed instruments, single-reed mouthpieces were later developed, at least for some of the larger sizes. It was named after the French bandmaster Pierre-Auguste Sarrus (1813–1876) who is credited with the concept of the instrument, though it is not clear whether Sarrus benefited financially from this association. The instrument was intended to serve as a replacement in wind bands for the oboe and bassoon which, at that time, lacked the carrying power required for outdoor band music.

The heckelphone is a musical instrument invented by Wilhelm Heckel and his sons. The idea to create the instrument was initiated by Richard Wagner, who suggested at the occasion of a visit of Wilhelm Heckel in 1879. Introduced in 1904, it is similar to the oboe but pitched an octave lower.

The piccolo heckelphone is a very rare woodwind instrument invented in 1904 by the firm of Wilhelm Heckel in Wiesbaden-Biebrich, Germany. A variant of the heckelphone, the piccolo heckelphone was intended to add power to the very highest woodwind register of the late Romantic orchestra, providing a full and rich oboe-like sound well into the sopranino range. A transposing instrument pitched in F, a perfect fourth above the oboe, its range as described in contemporary fingering charts is from B to G, though it can reach tones as much as a third above this.

Overblowing is a technique used while playing a wind instrument which, primarily through manipulation of the supplied air, causes the sounded pitch to jump to a higher one. Depending on the instrument, overblowing may involve a change in air pressure, in the point at which the air is directed, or in the resonance characteristics of the chamber formed by the mouth and throat of the player. In some instruments, overblowing may also involve the direct manipulation of the vibrating reed(s), and/or the pushing of a register key while otherwise leaving fingering unaltered. With the exception of harmonica overblowing, the pitch jump is from one vibratory mode of the reed or air column, e.g., its fundamental, to an overtone. Overblowing can be done deliberately in order to get a higher pitch, or inadvertently, resulting in the production of a note other than that intended.

Contrabass clarinet largest member of the clarinet family of musical instruments

The contrabass clarinet and contra-alto clarinet are the two largest members of the clarinet family that are in common usage. Modern contrabass clarinets are pitched in BB, sounding two octaves lower than the common B soprano clarinet and one octave lower than the B bass clarinet. Some contrabass clarinet models have a range extending down to low (written) E, while others can play down to low D or further to low C. This range, C(3) – E(6), sounds B(0) – D(4). Some early instruments were pitched in C; Arnold Schoenberg's Fünf Orchesterstücke specifies a contrabass clarinet in A, but there is no evidence of such an instrument ever having existed.

Tenor saxophone type of saxophone

The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the Alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".

The bass oboe or baritone oboe is a double reed instrument in the woodwind family. It is about twice the size of a regular (soprano) oboe and sounds an octave lower; it has a deep, full tone somewhat akin to that of its higher-pitched cousin, the English horn. The bass oboe is notated in the treble clef, sounding one octave lower than written. Its lowest note is B2 (in scientific pitch notation), one octave and a semitone below middle C, although an extension may be inserted between the lower joint and bell of the instrument in order to produce a low B2. The instrument's bocal or crook first curves away from and then toward the player (unlike the bocal/crook of the English horn and oboe d'amore), looking rather like a flattened metal question mark; another crook design resembles the shape of a bass clarinet neckpiece. The bass oboe uses its own double reed, similar to but larger than that of the English horn.

The alto clarinet is a woodwind instrument of the clarinet family. It is a transposing instrument pitched in the key of E, though instruments in F have been made. In Europe it is sometimes called a tenor clarinet. In size it lies between the soprano clarinet and the bass clarinet, to which it bears a greater resemblance in that it typically has a straight body, but a curved neck and bell made of metal. All-metal alto clarinets also exist. In appearance it strongly resembles the basset horn, but usually differs in three respects: it is pitched a tone lower, it lacks an extended lower range, and it has a wider bore than many basset horns.

Single-reed instrument class of musical instruments

A single-reed instrument is a woodwind instrument that uses only one reed to produce sound. The very earliest single-reed instruments were documented in ancient Egypt, as well as the Middle East, Greece, and the Roman Empire. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in a double reed instrument, there is no mouthpiece; the two parts of the reed vibrate against one another. Reeds are traditionally made of cane and produce sound when air is blown across or through them.

Bore (wind instruments) interior chamber of a wind instrument

In music, the bore of a wind instrument is its interior chamber. This defines a flow path through which air travels, which is set into vibration to produce sounds. The shape of the bore has a strong influence on the instrument's timbre.

Heckel-clarina

The heckel-clarina, also known as clarina or patent clarina, is a very rare woodwind instrument, invented and manufactured by Wilhelm Heckel in Wiesbaden-Biebrich, Germany. Heckel received a patent for the instrument on 8 December 1889. It was apparently intended to be used for the shepherd’s pipe solo in Act III of Wagner's Tristan und Isolde. It was used beginning in 1891 at the Festspielhaus, Bayreuth as a substitute for Wagner's Holztrompete. The clarina was found more practical and more effective in producing the desired tone-colour.

Wilhelm Heckel GmbH

Wilhelm Heckel GmbH is a manufacturer of woodwind instruments based in Wiesbaden, Germany. It is best known for its bassoons, which are considered some of the finest available.

Reed aerophones is one of the categories of musical instruments found in the Hornbostel-Sachs system of musical instrument classification. In order to produce sound with these Aerophones the player's breath is directed against a lamella or pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion.

References

  1. Dullat, Günter (2001). Klarinetten: Grundzüge ihrer Entwicklung. Frankfurt am Main: Bochinsky.
  2. Marcuse, Sibyl (1975). Musical Instruments: A Comprehensive Dictionary. New York: Norton.
  3. Heckel, Wilhelm (1931). Über 100 Jahre Weltruf. Wiesbaden-Biebrich: Heckel.