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Indigenous or Aboriginal rock is a style of music which mixes rock music with the instrumentation and singing styles of Indigenous peoples. Two countries with prominent Aboriginal rock scenes are Australia and Canada.
In Australia, Aboriginal rock mixes rock styles and instruments (e.g. electric (guitar, bass and drums) with Indigenous Australian instruments such as the didgeridoo and clapsticks. Aboriginal rock is mostly performed by Indigenous bands, although some bands include non-Aboriginal members.
Bands include Yothu Yindi, Us Mob and No Fixed Address. Yothu Yindi, with vocalist Mandawuy Yunupingu has politicised lyrics, such as 1991's "Treaty". Other songs relate more generally to Aboriginal culture. Another major band is the Warumpi Band, which toured with Midnight Oil. The Warumpi Band focuses more on the Aboriginal aspects of the music, rather than the rock sound of Yothu Yindi. In the 2000s, Aboriginal bands such as NoKTuRNL have adopted a rap metal or nu metal sound. Formal training institutions include the Government sponsored Aboriginal Centre for the Performing Arts.
Famous songs include "Treaty", "My Island Home", and "Blackfella/Whitefella".
Indigenous peoples in Canada include First Nations, Métis and Inuit. Some examples of Canadian Indigenous rock bands or artists include Road Engine Dreams (AKA: R.E.D.), A Tribe Called Red, Edward Gamblin, George Leach, Derek Miller, Breach of Trust, Kashtin, Bruthers of Different Muthers, Digging Roots and Burnt Project 1.
Several mestizo-bands in Ecuador made use of indigenous musical elements in rock music since the 1990s. Rocola Bacalao integrated Andean rhythms and made in their song-texts references to emblematic indigenous towns, such as Pujilí in Cotopaxi. Sal y Mileto and Casería de Lagartos coined the genre of new Ecuadorian Rock. Nevertheless, in the 1980s and the early 1990s the rhythm of the social as expressed in Ecuadorian rock was characterized by hopelessness and resistance or even resignation against repression. With the emergence of a powerful indigenous movement the rhythm changed. The most emblematic references towards the political impact of the indigenous movement are made by the metalband Aztra and the hardcore band CURARE at the beginning of the 2000s, during the heyday of indigenous social protest against neoliberalism and for (ethnic) democratization. [1]
Yothu Yindi are an Australian musical group with Aboriginal and balanda (non-Aboriginal) members, formed in 1986 as a merger of two bands formed in 1985 – a white rock group called the Swamp Jockeys, and an unnamed Aboriginal folk group consisting of Mandawuy Yunupingu, Witiyana Marika, and Milkayngu Mununggur. The Aboriginal members came from Yolngu homelands near Yirrkala on the Gove Peninsula in Northern Territory's Arnhem Land. Founding members included Stuart Kellaway on bass guitar, Cal Williams on lead guitar, Andrew Belletty on drums, Witiyana Marika on manikay, bilma and dance, Milkayngu Mununggurr on yidaki, Geoffrey Gurrumul Yunupingu on keyboards, guitar, and percussion, past lead singer Mandawuy Yunupingu and present Yirrnga Yunupingu on vocals and guitar.
Tribal Voice is the second studio album by Yothu Yindi, released in September 1991 on the Mushroom Records label. The album peaked at number 4 on the ARIA Charts and was certified 2× Platinum.
The music of Ecuador is a diverse aspect of Ecuadorian culture. Ecuadorian music ranges from indigenous styles such as pasillo to Afro-Ecuadorian styles like bomba to modern indie rock like "Cambio de Tonalidad" by Da Pawn.
Mandawuy Djarrtjuntjun Yunupingu, formerly Tom Djambayang Bakamana Yunupingu; skin name Gudjuk; also known as Dr Yunupingu was an Australian musician and educator.
Indigenous music of Australia comprises the music of the Aboriginal and Torres Strait Islander peoples of Australia, intersecting with their cultural and ceremonial observances, through the millennia of their individual and collective histories to the present day. The traditional forms include many aspects of performance and musical instrumentation that are unique to particular regions or Aboriginal Australian groups; and some elements of musical tradition are common or widespread through much of the Australian continent, and even beyond. The music of the Torres Strait Islanders is related to that of adjacent parts of New Guinea. Music is a vital part of Indigenous Australians' cultural maintenance.
Galarrwuy Yunupingu, also known as James Galarrwuy Yunupingu and Dr Yunupingu, was an Indigenous leader in the Australian community, and certainly in his homelands. He was involved in Indigenous land rights throughout his career. He was a Yolngu man of the Gumatj clan, from Arnhem Land in the Northern Territory. He was the 1978 Australian of the Year.
Warumpi Band were an Australian country and Aboriginal rock group which formed in the outback settlement of Papunya, Northern Territory, in 1980. The original line-up was George Burarrwanga on vocals and didgeridoo, Gordon Butcher Tjapanangka on drums, his brother Sammy Butcher Tjapanangka on guitar and bass guitar, and Neil Murray on rhythm guitar and backing vocals. Their songs are in English, Luritja and Gumatj. Their key singles are "Blackfella/Whitefella" (1985), "Sit Down Money" (1986), "My Island Home" (1987) and "No Fear" (1987). The group released three albums, Big Name, No Blankets (1985), Go Bush! (1987) and Too Much Humbug (1996). From late 1987 to mid-1995 the group rarely performed as Murray focused on his solo career. In early 1995, Christine Anu, issued a cover version of "My Island Home". Warumpi Band regrouped before disbanding in 2000. Burarrwanga died on 10 June 2007 of lung cancer. Gordon butcher died in early 2020 of unreleased causes
Blekbala Mujik are an Australian rock, reggae group formed in Barunga, Northern Territory in 1986. They fused rock and reggae with a pop, dance sound and have support base for their live shows and recordings. They are cited in the World Music: The Rough Guide as next best known to Yothu Yindi. The band sings in English and in Kriol. At the ARIA Music Awards of 1996 their album, Blekbala Mujik, was nominated for Best Indigenous Release.
Bart Willoughby is an Aboriginal Australian musician, noted for his pioneering fusion of reggae with Indigenous Australian musical influences, and for his contribution to growth of Indigenous music in Australia.
Mixed Relations were an Australian band formed by Bart Willoughby. They played a mixture of reggae, pop, rock and jazz. Mixed Relations toured Aboriginal communities, Australian cities, Pacific Islands, New Zealand, United States, Europe, Canada and Hong Kong. The group were chosen as the closing act for the 1989 inaugural Invasion Day Concerts at La Perouse, Sydney, and then every Invasion Day concert until its final date at La Perouse in 1994. Their track, "Aboriginal Woman", was listed at No. 89 on the Triple J Hottest 100, 1993.
Shellie Morris is an Indigenous Australian singer/songwriter who plays a mix of contemporary folk music and contemporary acoustic ballads.
Ecuadorian rock encompasses a broad and diverse independent music scene. The genre involves different styles including hardcore punk, metalcore, gothic metal, heavy metal, alternative rock, punk, ska, blues, and grunge.
"Treaty" is a protest song by Australian musical group Yothu Yindi, which is made up of Aboriginal and balanda (non-Aboriginal) members. Released in June 1991, "Treaty" was the first song by a predominantly Aboriginal band to chart in Australia and was the first song partly in any Aboriginal Australian language to gain extensive international recognition, peaking at No. 6 on the Billboard Hot Dance Club Play singles charts. The song contains lyrics in Gumatj, one of the Yolngu Matha dialects and a language of the Yolngu people of Arnhem Land in northern Australia.
East Journey are a rock/reggae band from North East Arnhem Land, Northern Territory. They combined modern and traditional music and sing in both English and Yolŋu.
Our Home, Our Land is a compilation album released in Australia by CAAMA in 1995. It was released to celebrate the victory in the Mabo case. It focused on the importance of land to the Aboriginal and Torres Strait Islander beliefs. It was nominated for a 1996 ARIA Award for Best Indigenous Release.
Healing Stone (The Best of Yothu Yindi) is the first greatest hits album by Australian band, Yothu Yindi. It was released in November 2012 to coincide with the band's ARIA Hall of Fame induction, and it peaked at number 88 on the ARIA Charts.
The National Indigenous Music Awards 2017 were the 14th annual National Indigenous Music Awards.
Witiyana Marika is an Aboriginal Australian musician, filmmaker, and elder, known for being a founding member of the band Yothu Yindi and producer of the film High Ground.
Gavin Campbell is an Australian club DJ and remixer based in Melbourne, Victoria. He created the dance music production outfit known as Filthy Lucre, which is known for its 1991 remix of Yothu Yindi's single, "Treaty", known as "Treaty ".
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