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This is a list of Indigenous Australian performing artists.
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This is a list of Indigenous Australian performing artists.
Bangarra Dance Theatre is an Aboriginal and Torres Strait Islander dance company focused on contemporary dance. It was founded by African American dancer and choreographer Carole Y. Johnson, Gumbaynggirr man Rob Bryant, and South African-born Cheryl Stone. Stephen Page was artistic director from 1991 to 2021, with Frances Rings taking over in 2022.
Larissa Yasmin Behrendt is an Australian legal academic, writer, filmmaker and Indigenous rights advocate. As of 2022 she is a professor of law and director of research and academic programs at the Jumbunna Institute for Indigenous Education and Research at the University of Technology Sydney, and holds the inaugural Chair in Indigenous Research at UTS.
Frances Rings is an Aboriginal Australian dancer, choreographer and former television presenter. She was born in Adelaide, South Australia, and is a Kokatha woman. She became artistic director for Bangarra Dance Theatre in 2023.
Richard Barry Walley OAM is a Nyungar man, one of Australia's leading Aboriginal performers, musicians and writers, who has been a campaigner for the Indigenous cause. Walley is also a visual artist.
Ceremonial dancing has a very important place in the Indigenous cultures of Australia. They vary from place to place, but most ceremonies combine dance, song, rituals and often elaborate body decorations and costumes. The different body paintings indicate the type of ceremony being performed. They play an important role in marriage ceremonies, in the education of Indigenous children, as well as storytelling and oral history. The term corroboree is commonly used to refer to Australian Aboriginal dances, although this term has its origins among the people of the Sydney region. In some places, Aboriginal people perform corroborees for tourists. In the latter part of the 20th century the influence of Indigenous Australian dance traditions has been seen with the development of concert dance, with the Aboriginal Centre for the Performing Arts (ACPA) providing training in contemporary dance.
The Arts in Australia refers to the visual arts, literature, performing arts and music in the area of, on the subject of, or by the people of the Commonwealth of Australia and its preceding Indigenous and colonial societies. Indigenous Australian art, music and story telling attaches to a 40–60,000-year heritage and continues to affect the broader arts and culture of Australia. During its early western history, Australia was a collection of British colonies, therefore, its literary, visual and theatrical traditions began with strong links to the broader traditions of English and Irish literature, British art and English and Celtic music. However, the works of Australian artists – including Indigenous as well as Anglo-Celtic and multicultural migrant Australians – has, since 1788, introduced the character of a new continent to the global arts scene – exploring such themes as Aboriginality, Australian landscape, migrant and national identity, distance from other Western nations and proximity to Asia, the complexities of urban living and the "beauty and the terror" of life in the Australian bush.
Theatre of Australia refers to the history of the performing arts in Australia, or produced by Australians. There are theatrical and dramatic aspects to a number of Indigenous Australian ceremonies such as the corroboree. During its colonial period, Australian theatrical arts were generally linked to the broader traditions of English literature and to British and Irish theatre. Australian literature and theatrical artists have over the last two centuries introduced the culture of Australia and the character of a new continent to the world stage.
The NAISDA Dance College is a performing arts training college based in Kariong, New South Wales for Aboriginal and Torres Strait Islander people in Australia. It was established as the Aboriginal Islander Skills Development Scheme (AISDS) in 1975, which became the National Aboriginal and Islander Skills Development Association (NAISDA) in 1988. The date of establishment of the college is usually cited as 1976, although some sources report it as 1975.
Performing arts education in Australia refers to the teaching of different styles of creative activity that are performed publicly. The performing arts in Australia encompasses many disciplines including music, dance, theatre, musical theatre, circus arts and more. Performing arts education in Australia occurs both formally and informally at all levels of education, including in schools, tertiary institutions and other specialist institutions. There is also a growing body of evidence, from the Australian Council for the Arts and the Parliament of Australia, showing that First Nation's participation in the arts and culture has significant economic, social and cultural benefits to Australia and further supports the outcomes of the Australian governments ‘Closing the Gap’ campaign. There has been an increasing number of scholarships opening up in educational institutions for Indigenous Australians aimed at encouraging this participation in the arts.
The National Black Theatre (NBT) was a theatre company run by a small group of Aboriginal people based in the Sydney suburb of Redfern which operated from 1972 to 1977. The original concept for the theatre grew out of political struggles, especially the land rights demonstrations, which at the time were being organised by the Black Moratorium Committee. The centre held workshops in modern dancing, tribal dancing, writing for theatre, karate and photography, and provided a venue for new Aboriginal drama. It also ran drama classes under Brian Syron, whose students included Jack Davis, Freddie Reynolds, Maureen Watson, Lillian Crombie, and Hyllus Maris.
Brian Gregory Syron was an actor, teacher, Aboriginal rights activist, stage director and Australia's first Indigenous feature film director, who has also been recognised as the first First Nations feature film director. After studying in New York City under Stella Adler, he returned to Australia and was a co-founder of the Australian National Playwrights Conference, the Eora Centre, the National Black Playwrights Conference, and the Aboriginal National Theatre Trust. He worked on several television productions and was appointed head of the ABC's new Aboriginal unit in 1988.
Robert Lewis Maza, known as Bob Maza, was an Aboriginal Australian actor, playwright and activist.
Rachael Zoa Maza is an Indigenous Australian television and film actress and stage director.
Aboriginal Islander Dance Theatre (AIDT) was the first dance company used to train Aboriginal and Torres Strait Islander students on their dancing career, and grew into a performance group. Originating in the National Aboriginal and Islander Skills Development Association, it was based in Sydney, New South Wales, and operated from 1976 to 1998.
Kelton Pell is an Aboriginal Australian (Noongar) stage, TV and film actor, best known for his role as the court liaison officer, Sam Wallan, in the SBS legal drama The Circuit set in north-western Australia. Pell is from Western Australia.
Karla Hart is a writer, film-maker, dancer, actress and director and has been the event co-ordinator for Wardarnji Festival 2011- 2015, is currently the Drive time presenter for Noongar Radio which broadcasts in Perth, Western Australia.
Trisha Morton-Thomas, also known as Patricia Morton-Thomas, is an Anmatyerr woman born in the Northern Territory of Australia. She is a writer, producer, director and actor who has worked in the Australian film industry since 1998 when she appeared in Radiance, the first feature film by director Rachel Perkins.
Robert James Merritt, known as Bob Merritt or Bobby Merritt and credited as Robert J. Merritt, was an Aboriginal Australian writer and activist. He is especially known for his play The Cake Man, and for founding the Eora Centre for the Visual and Performing Arts.
Carole Yvonne Johnson is an African American contemporary dancer and choreographer, known for her role in the establishment of the National Aboriginal Islander Skills Development Association (NAISDA), and as co-founder of Bangarra Dance Theatre in Australia. Early in her career she became a lead dancer in the Eleo Pomare Dance Company, and Pomare had a profound influence on her dancing style.