Aboriginal Islander Dance Theatre

Last updated

Aboriginal Islander Dance Theatre (AIDT) was the first dance company used to train Aboriginal and Torres Strait Islander students on their dancing career, and grew into a performance group. Originating in the National Aboriginal and Islander Skills Development Association (predecessor to NAISDA), it was based in Sydney, New South Wales, and operated from 1976 to 1998.

Contents

History

The group has its origins in "Careers in Dance", a full-time dance training course established in 1975 for Aboriginal and Islander students by the Aboriginal Arts Board [1] and headed by African American dancer Carole Johnson, who had links to the Black Power movement in the United States. She set up classes in St James Church Hall in the Sydney suburb of Glebe, where the training included traditional as well as contemporary styles of dance. [2] The group of student dancers established in 1976 grew to include teachers as well as advanced and graduate students of the NAISDA (National Aboriginal and Islander Skills Development Association) Dance College, and in 1988 became a professional performing group. [1]

In 1977 AIDT embarked on its first international tour, with Wayne Nicol, Michael Leslie, Richard Talonga, Lillian Crombie and Roslyn Watson (as guest artist) performing at the Second African and Black World Festival of Arts and Culture (FESTAC 77 [3] ) in Nigeria. After undergoing its transformation into a large professional dance troupe in 1988, AIDT performed in Finland and Germany, and later toured throughout Australia, as well as in Asia, Europe and the Americas. [1] The company became known as the most toured dance company in Australia. [4]

In 1989 Johnson resigned, believing at that time that the school and the company were too closely connected, and their aims sometimes conflicted. There were multiple government grants from various sources, demanding different criteria and creating a large administrative burden. John Alderman was appointed to the role of leading the company in 1987, but the Aboriginal Arts Board soon afterwards directed that senior roles needed to be occupied by Aboriginal people, or it would withdraw its funding. [2]

In 1991 Raymond D. Blanco, who also danced with the company, became artistic director, [1] the first Indigenous Australian to lead a dance company. [2]

The company wound up in 1998. [5] [1]

People

Notable dancers in the 1970s included Wayne Nicol, Michael Leslie, Richard Talonga, and Lillian Crombie. [3]

Malcolm Cole (1949-1995), was an Aboriginal and South Sea Islander man from Far North Queensland, who later also taught at the college. He is especially remembered for his participation in the 1988 Sydney Mardi Gras, in which, in collaboration with artist Panos Couros, he enacted the story of the First Fleet, with himself as Captain Cook – the first ever Aboriginal float entry in the parade. [6]

Notable dancers in the 1980s included Monica Stevens and Sylvia Blanco. [1] Stevens is featured in "NAISDA with Monica Stevens", an episode in the 2013 documentary television series Desperate Measures . [7] It is available on SBS on Demand. [8]

Dance tutors included Janet Munyarryun, Larry Gurruwiwi. [1]

Notable works

Notable students

See also

Related Research Articles

<span class="mw-page-title-main">Bangarra Dance Theatre</span> Indigenous Australian dance company

Bangarra Dance Theatre is an Aboriginal and Torres Strait Islander dance company focused on contemporary dance. It was founded by African American dancer and choreographer Carole Y. Johnson, Gumbaynggirr man Rob Bryant, and South African-born Cheryl Stone. Stephen Page was artistic director from 1991 to 2021, with Frances Rings taking over in 2022.

TAFE NSW is an Australian vocational education and training provider. Annually, the network trains over 500,000 students in campus, workplace, online, or distance education methods of education. It was established as an independent statutory body under the TAFE Commission Act 1990. The Minister for Regional Development, Skills and Small Business is responsible for TAFE NSW.

Stephen George Page is an Australian choreographer, film director and former dancer. He is the former artistic director of the Bangarra Dance Theatre, an Indigenous Australian dance company. Page is descended from the Nunukul people and the Munaldjali of the Yugambeh people from southeast Queensland, Australia.

Frances Rings is an Aboriginal Australian dancer, choreographer and former television presenter. She was born in Adelaide, South Australia, and is a Wirangu and Mirning woman. She became artistic director for Bangarra Dance Theatre in 2023.

Ceremonial dancing has a very important place in the Indigenous cultures of Australia. They vary from place to place, but most ceremonies combine dance, song, rituals and often elaborate body decorations and costumes. The different body paintings indicate the type of ceremony being performed. They play an important role in marriage ceremonies, in the education of Indigenous children, as well as storytelling and oral history. The term corroboree is commonly used to refer to Australian Aboriginal dances, although this term has its origins among the people of the Sydney region. In some places, Aboriginal people perform corroborees for tourists. In the latter part of the 20th century the influence of Indigenous Australian dance traditions has been seen with the development of concert dance, with the Aboriginal Centre for the Performing Arts (ACPA) providing training in contemporary dance.

The NAISDA Dance College is a performing arts training college based in Kariong, New South Wales for Aboriginal and Torres Strait Islander people in Australia. It was established as the Aboriginal Islander Skills Development Scheme (AISDS) in 1975, which became the National Aboriginal and Islander Skills Development Association (NAISDA) in 1988. The date of establishment of the college is usually cited as 1976, although some sources report it as 1975.

Performing arts education in Australia refers to the teaching of different styles of creative activity that are performed publicly. The performing arts in Australia encompasses many disciplines including music, dance, theatre, musical theatre, circus arts and more. Performing arts education in Australia occurs both formally and informally at all levels of education, including in schools, tertiary institutions and other specialist institutions. There is also a growing body of evidence, from the Australian Council for the Arts and the Parliament of Australia, showing that First Nation's participation in the arts and culture has significant economic, social and cultural benefits to Australia and further supports the outcomes of the Australian governments ‘Closing the Gap’ campaign. There has been an increasing number of scholarships opening up in educational institutions for Indigenous Australians aimed at encouraging this participation in the arts.

The National Black Theatre (NBT) was a theatre company run by a small group of Aboriginal people based in the Sydney suburb of Redfern which operated from 1972 to 1977. The original concept for the theatre grew out of political struggles, especially the land rights demonstrations, which at the time were being organised by the Black Moratorium Committee. The centre held workshops in modern dancing, tribal dancing, writing for theatre, karate and photography, and provided a venue for new Aboriginal drama. It also ran drama classes under Brian Syron, whose students included Jack Davis, Freddie Reynolds, Maureen Watson, Lillian Crombie, and Hyllus Maris.

Eleo Pomare was a Colombian-American modern dance choreographer. Known for his politically-charged productions depicting the Black experience, his work had a major influence on contemporary dance, especially Black dance. After a tour to Australia in 1972, and the subsequent return of his then lead dancer, Carole Johnson, his style of dancing continues to influence Aboriginal and Torres Strait Islander modern dancers.

<i>Bran Nue Dae</i> 1990 Australian stage musical

Bran Nue Dae is a 1990 musical set in Broome, Western Australia, that tells stories and of issues relating to Indigenous Australians. It was written by Jimmy Chi and his band Kuckles and friends, and was the first Aboriginal Australian musical. The name is a phonetic representation of "Brand New Day".

Rachael Zoa Maza is an Indigenous Australian television and film actress and stage director.

Jindalee Lady is a 1992 Australian film about an Aboriginal Australian woman who is a successful fashion designer. Directed by Brian Syron, it is the first feature film directed by an Aboriginal person in Australia. It is also notable for featuring dancers from the Bangarra Dance Theatre.

Guypunura "Janet" Munyarryun is an Aboriginal dancer, choreographer and tutor. She was a founding member of the Bangarra Dance Theatre.

Elma Gada Kris is an Australian dancer, choreographer and NAIDOC award winner. She is a Torres Strait Islander woman of the Wagadagam, Kaurareg, Sipingur, Gebbara and Kai Dangal Buai peoples, and a member of the Bangarra Dance Theatre.

Michael Leslie is an Indigenous Australian dancer and choreographer.

Elaine Crombie is an Aboriginal Australian actress, known for her work on stage and television. She is also a singer, songwriter, comedian, writer and producer.

<span class="mw-page-title-main">Lillian Crombie</span> Indigenous Australian actress (1958–2024)

Lillian Crombie, also known as "Aunty Lillian", was an Aboriginal Australian actress and dancer, known for her work on stage, film and television.

Gail Mabo is an Australian visual artist who has had her work exhibited across Australia. She is the daughter of land rights campaigner Eddie Mabo and educator and activist Bonita Mabo. She was formerly a dancer and choreographer.

Carole Yvonne Johnson is an African American contemporary dancer and choreographer, known for her role in the establishment of the National Aboriginal Islander Skills Development Association (NAISDA), and as co-founder of Bangarra Dance Theatre in Australia. Early in her career she became a lead dancer in the Eleo Pomare Dance Company, and Pomare had a profound influence on her dancing style.

References

  1. 1 2 3 4 5 6 7 "Aboriginal Islander Dance Theatre [catalogue entry]". National Library of Australia . Retrieved 7 December 2021.
  2. 1 2 3 Pollock, Zoe (2008). "Aboriginal and Islander Dance Theatre (sic)". Dictionary of Sydney . Retrieved 7 December 2021.
  3. 1 2 Leslie, Michael (December 2016). 2.5: A Journey towards Adolescence and an Aboriginal Dance Method (Master of Fine Arts). University of New South Wales.
  4. 1 2 3 Blanco, Raymond (30 October 2005). "Creating Pathways keynote speech by Raymond Blanco". Ausdance . Retrieved 31 August 2022.
  5. "Aboriginal Islander Dance Theatre (1976 - 1998)". Australia Dancing. 29 September 2011. Archived from the original on 22 July 2008. Retrieved 20 October 2011.{{cite web}}: CS1 maint: unfit URL (link)
  6. "Malcolm Cole". Blak History Month. 24 July 2021.
  7. "NAISDA with Monica Stevens (2013) - The Screen Guide". Screen Australia . 16 March 2018. Retrieved 9 February 2023.
  8. Desperate Measures
  9. "Gail Mabo". Indigenous Law Centre . University of New South Wales . Retrieved 10 December 2021.
  10. Maley, Jacqueline (24 December 2020). "Bangarra's Stephen Page on pain, politics and pushing boundaries". The Sydney Morning Herald .