Taboo on the dead

Last updated

The taboo on the dead includes the taboo against touching of the dead, those surrounding them and anything associated with the dead.

Contents

Taboo against naming the dead

A taboo against naming the dead is a kind of word taboo whereby the name of a recently deceased person, and any other words similar to it in sound, may not be uttered. It is observed by peoples in many parts of the world, including northern Australia, [1] Siberia, Southern India, the Sahara, Subsaharan Africa, and the Americas. [2]

First Nations of Australia

As part of funerary ritual, certain Aboriginal cultures in Central Australia, Arnhem Land and Cape York Peninsula prohibit anyone from speaking a person's name during the mourning period after their death. The mourning period varies according to the age and status of the deceased, from a couple of months in the case of a baby up to four years in the case of a prominent leader or lawman. [3] During the mourning period the person can be referred to in a roundabout way (e.g., "that old lady"), by a generic skin name, by a substitute name such as Kuminjay, or by their family name only. [1]

In some cultures, the taboo extends to the use of the deceased's given name in any context, even when referring to other people, places, objects and concepts with a similar name. [4] This can have a long-term impact on the language, as words similar to those of the deceased are progressively replaced with synonyms or loanwords. [5] Linguist Bob Dixon considered that this would have resulted in such significant vocabulary replacement over time as to hinder application of the comparative method in linguistics [4] – though this is disputed. [6] [7] [8]

Ethnologist Philip Jones says that adherents to this taboo believe that the spirit of the deceased is "potentially dangerous, toxic, wicked and mischievous" and must be encouraged to return to its source in the spirit-land. To speak the deceased's name is to risk calling the spirit back to the real world, where it may cause destruction. Over the past century, these beliefs have – for some communities at least – changed to include text, photographs and film as well as speech. [3] [5]

In media

While many government agencies and other organisations try to respect these traditions, it can be complicated in cases where the person's death is newsworthy. It can also be difficult to determine whether the name of a given Aboriginal person is subject to the taboo. For example, when famous Yolŋu musician Gurrumul Yunupingu died in July 2017, initial news reports used his first name before being changed to refer to him simply as "Yunupingu". [3]

Some Australian television stations and websites use a blanket disclaimer warning Aboriginals and Torres Strait Islanders about material that may contain images and voices of such people who have died, although this ignores the limited application of the taboo among Aboriginal communities and time limits on the mourning period. [3] [9]

In clinical practice

McGrath and Phillips argue that "cultural sensitivity and respect, coupled with knowledge of the traditions and practices in respect of the death and dying, are of utmost importance in communicating with Aboriginal peoples" in a clinical context. While they reported that naming taboos were widespread among Northern Territory Aboriginal people, there was considerable variation in how they were applied by families. [10]

Taboo on contact with the dead

In Judaism, contact with a corpse causes a person to become ritually impure, and thus unable to enter the Temple until purified using the ashes of the red heifer. [11] This defilement can be caused not only by physical contact with the dead, but also by indirect contact (e.g. contact with one who touched a body) or by entering a building or room containing a corpse. As the red heifer does not currently exist, all Jews are considered by Halakha to be ritually impure regarding the Temple Mount. Kohanim (Jewish priests) are further restricted, being forbidden from intentionally coming into contact with the dead or from walking too closely to a grave. Exceptions are made for a Kohen's seven closest relatives that have died (father, mother, brother, unmarried sister, son, daughter, or wife). [12]

Origins and causes

Sigmund Freud explains that the fundamental reason for the existence of such taboos is the fear of the presence or of the return of the dead person's ghost. It is exactly this fear that leads to a great number of ceremonies aimed at keeping the ghost at a distance or driving it off. [13] In many cases the taboo remains intact until the body of the dead has completely decayed. [14]

Psychologist Wilhelm Wundt associates the taboo with a fear that the dead man's soul has become a demon. [15] Moreover, many cases show a hostility toward the dead and their representation as malevolent figures. [16] Edward Westermarck notes that "Death is commonly regarded as the gravest of all misfortunes; hence the dead are believed to be exceedingly dissatisfied with their fate [...] such a death naturally tends to make the soul revengeful and ill-tempered. It is envious of the living and is longing for the company of its old friend." [17]

See also

Notes

  1. 1 2 McGrath, Pam; Phillips, Emma (2008). "Australian findings on Aboriginal cultural practices associated with clothing, hair, possessions and use of name of deceased persons". International Journal of Nursing Practice. 14 (1): 57–66. doi:10.1111/j.1440-172X.2007.00667.x. PMID   18190485.
  2. Frazer (1922, 3).
  3. 1 2 3 4 Stewart, Cameron (13 July 2013). "Naming taboo often ignored in breaking news". The Weekend Australian . p. 16.
  4. 1 2 Dixon (2002, 27).
  5. 1 2 Flood, Josephine (2006). The original Australians : story of the Aboriginal people. Crows Nest, N.S.W.: Allen & Unwin. pp. 155–157. ISBN   1-74114-872-3. OCLC   71089055.
  6. Alpher & Nash (1991)
  7. Evans (June 2005, 258–261).
  8. McGregor (2004, 34).
  9. "ABC Indigenous Content". ABC Editorial Policies. Australian Broadcasting Corporation. 8 October 2015.
  10. McGrath & Phillips 2008.
  11. Numbers 19:11, 19:16
  12. Sefer ha-Chinuch ("Book of Education"), section # 263, Jerusalem: Eshkol Publishers; Leviticus 21:1–3
  13. Freud (1950, 57).
  14. Freud (1990, 372).
  15. Freud (1950, 58), quoting Wundt (1906, 49).
  16. Freud (1950, 58).
  17. Freud (1950, 59), quoting Westermarck (1906–8, 2, 534f.).

Related Research Articles

<span class="mw-page-title-main">Australian Aboriginal religion and mythology</span> Ritual and traditional history of the Indigenous peoples of Australia

Australian Aboriginal religion and mythology is the sacred spirituality represented in the stories performed by Aboriginal Australians within each of the language groups across Australia in their ceremonies. Aboriginal spirituality includes the Dreamtime, songlines, and Aboriginal oral literature.

Tapu is a Polynesian traditional concept denoting something holy or sacred, with "spiritual restriction" or "implied prohibition"; it involves rules and prohibitions. The English word taboo derives from this later meaning and dates from Captain James Cook's visit to Tonga in 1777.

<span class="mw-page-title-main">Dyirbal language</span> Australian Aboriginal language

Dyirbal is an Australian Aboriginal language spoken in northeast Queensland by the Dyirbal people. In 2016, the Australian Bureau of Statistics reported that there were 8 speakers of the language. It is a member of the small Dyirbalic branch of the Pama–Nyungan family. It possesses many outstanding features that have made it well known among linguists.

<span class="mw-page-title-main">Mandawuy Yunupingu</span> Australian musician (1956–2013)

Mandawuy Djarrtjuntjun Yunupingu, formerly Tom Djambayang Bakamana Yunupingu; skin name Gudjuk; also known as Dr Yunupingu was an Australian musician and educator.

<span class="mw-page-title-main">Ritual washing in Judaism</span> Overview of ritual washing in Judaism

In Judaism, ritual washing, or ablution, takes two main forms. Tevilah (טְבִילָה) is a full body immersion in a mikveh, and netilat yadayim is the washing of the hands with a cup.

<span class="mw-page-title-main">Yolŋu</span> Aggregation of Indigenous Australian people in northeastern Arnhem Land

The Yolngu or Yolŋu are an aggregation of Aboriginal Australian people inhabiting north-eastern Arnhem Land in the Northern Territory of Australia. Yolngu means "person" in the Yolŋu languages. The terms Murngin, Wulamba, Yalnumata, Murrgin and Yulangor were formerly used by some anthropologists for the Yolngu.

Avoidance speech is a group of sociolinguistic phenomena in which a special restricted speech style must be used in the presence of or in reference to certain relatives. Avoidance speech is found in many Australian Aboriginal languages and Austronesian languages as well as some North American languages, Highland East Cushitic languages and Southern Bantu languages. Chinese naming taboo prohibits speaking and writing syllables or characters that appear in the names of esteemed people, such as emperors, parents, and ancestors.

Many Australian Aboriginal cultures have or traditionally had a manually coded language, a signed counterpart of their oral language. This appears to be connected with various speech taboos between certain kin or at particular times, such as during a mourning period for women or during initiation ceremonies for men, as was also the case with Caucasian Sign Language but not Plains Indian Sign Language, which did not involve speech taboo, or deaf sign languages, which are not encodings of oral language. There is some similarity between neighboring groups and some contact pidgin similar to Plains Indian Sign Language in the American Great Plains.

Ngan'gi, formerly known as Ngan'gityemerri, and also known as Ngan'gikurunggurr, Moil/Moyle, Tyemeri/Tyemerri, Marityemeri, and Nordaniman, is an Australian Aboriginal language spoken in the Daly River region of Australiaʼs Northern Territory. There are three mutually intelligible dialects, with the two sister dialects known as Ngen'giwumirri and Ngan'gimerri.

<span class="mw-page-title-main">Yolŋu languages</span> Family of Australian Aboriginal languages

Yolŋu Matha, meaning the 'Yolŋu tongue', is a linguistic family that includes the languages of the Yolngu, the indigenous people of northeast Arnhem Land in northern Australia. The ŋ in Yolŋu is pronounced as the ng in singing.

In Jewish law, ṭumah and ṭaharah are the state of being ritually "impure" and "pure", respectively. The Hebrew noun ṭum'ah, meaning "impurity", describes a state of ritual impurity. A person or object which contracts ṭumah is said to be ṭamé, and thereby unsuited for certain holy activities and uses until undergoing predefined purification actions that usually include the elapse of a specified time-period.

Aboriginal avoidance practices refers to those relationships in traditional Aboriginal society where certain people were required to avoid others in their family or clan. These customs are still active in many parts of Australia, to a lesser extent, as a mark of respect. There are also protocols for averting eye contact and not speaking the names of the dead.

Australian Aboriginal culture includes a number of practices and ceremonies centered on a belief in the Dreamtime and other mythology. Reverence and respect for the land and oral traditions are emphasised. Over 300 languages and other groupings have developed a wide range of individual cultures. Due the colonization of Australia under terra nullius concept these cultures were treated as one monoculture. Australian Aboriginal art has existed for thousands of years and ranges from ancient rock art to modern watercolour landscapes. Aboriginal music has developed a number of unique instruments. Contemporary Australian Aboriginal music spans many genres. Aboriginal peoples did not develop a system of writing before colonisation, but there was a huge variety of languages, including sign languages.

<span class="mw-page-title-main">Geoffrey Gurrumul Yunupingu</span> Indigenous Australian musician

Geoffrey Gurrumul Yunupingu, commonly known as Gurrumul and also referred to since his death as Dr G. Yunupingu, was an Aboriginal Australian musician of the Yolŋu peoples. A multi-instrumentalist, he played drums, keyboards, guitar and didgeridoo, but it was the clarity of his singing voice that attracted rave reviews. He sang stories of his land both in Yolŋu languages such as Gaalpu, Gumatj or Djambarrpuynu, a dialect related to Gumatj, and in English. Although his solo career brought him wider acclaim, he was also formerly a member of Yothu Yindi and later of Saltwater Band. He was the most commercially successful Aboriginal Australian musician at the time of his death. As of 2020, it is estimated that Yunupingu has sold half a million records globally.

The Yir-Yoront, also known as the Yir Yiront, are an Indigenous Australian people of the Cape York Peninsula now living mostly in Kowanyama but also in Lirrqar/Pormpuraaw, both towns outside their traditional lands.

Gunbarlang, or Kunbarlang, is an Australian Aboriginal language in northern Australia with multiple dialects. Other names are Gungalang and Warlang. Speakers are multilingual in Kunwinjku and Mawng. Most of the Gunbarlang people now speak Kunwinjku.

Warlmanpa Sign Language is a highly developed Australian Aboriginal sign language used by the Warlmanpa people of northern Australia

The Ajabakan were an indigenous Australian people of the Cape York Peninsula of Queensland.

Proto-Pama–Nyungan is the hypothetical common ancestor of the Pama–Nyungan languages. It may have been spoken as recently as about 5,000 years ago, much more recently than the 40,000 to 60,000 years Australian Aborigines are believed to have been inhabiting Australia.

<span class="mw-page-title-main">Memorial pole</span> Hollow log coffin, now created as artworks, from northern Australia

A memorial pole, also known as hollow log coffin, burial pole, lorrkkon, ḻarrakitj, or ḏupun, is a hollow tree trunk decorated with elaborate designs, made by the Yolngu and Bininj peoples of Arnhem Land in the Northern Territory of Australia. Originally used to hold the bones of deceased people or for burial ceremonies, they are now made as works of art. The permanent exhibit at the National Gallery of Australia, Aboriginal Memorial, consists of 200 hollow log coffins, created by 43 artists.

References