Other names | Martin's Trumpet, Schalmei |
---|---|
Classification | Aerophone |
Hornbostel–Sachs classification | 412.132 |
Inventor(s) | Max B. Martin |
Developed | 1880 |
Related instruments | |
Harmonica, Accordion |
The Martinshorn (also known as the Martin's trumpet and Schalmei) is a German free reed aerophone created in 1880 by Max Bernhardt Martin, who was also the main manufacturer of the instruments. [1] The Martinshorn contains several reeds, each of which having its own horn. [2] The instrument was created in imitation of the saxhorn. [3] The horn can be confused with the shawm, as they are both referred to by the name "Schalmei"; the origins of the similar naming is unknown.
After being created, the prototype of the instrument was presented to Wilhelm II, who allegedly did not understand the instrument as a musical instrument, instead using it as a vehicle horn when driving his automobile. [4]
The schalmei was popularised as an instrument in the 1920s by the German Communist Party, inspired by the Wanderbewegung , movement played in bands consisting of 20-30 members. [5] This was particularly effective in the Saarland, where bands were often formed by groups of unemployed coal miners. [6] During the Second World War, many Martinshorns were destroyed by the Nazi Party, under the impression that the instruments were a symbol of Marxism. [4] However, in some parts of Germany, they were used extensively by the Hitler Youth, who, due to their ease of playing and loudness, used them to rally crowds to spread propaganda. [7]
The instrument underwent a period of revitalisation under the GDR, and the tradition of the instrument still prevails in some East German towns. The Martinshorn is usually accompanied by percussion and fifes. [8]
Martinshorns typically have three valves, although they do not function as in brass instruments, altering the instrument's tube length, instead redirecting the airflow into different bells. Each bell contains a metal reed, playing one note per bell. Most instruments only have 8 bells, so can only play within a diatonic scale, within the range of an octave. Some instruments have a fourth valve, which directs airflow to a modified horn, allowing for chromatic scales. The instrument is only able to be played at one volume, which tends to be rather loud.
Due to being a free reed, the instrument does not require any form of embouchure, tonguing or intonation, only blowing; this greatly improves the instrument's ease of playing. [9]
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'.
The clarinet is a single-reed musical instrument in the woodwind family, with a nearly cylindrical bore and a flared bell.
The cornet is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B♭. There is also a soprano cornet in E♭ and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett.
The euphonium is a medium-sized, 3 or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, meaning "well-sounding" or "sweet-voiced". The euphonium is a valved instrument. Nearly all current models have piston valves, though some models with rotary valves do exist.
The French horn is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B♭ is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist.
The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth to direct air into or out of one holes along a mouthpiece. Behind each hole is a chamber containing at least one reed. The most common is the diatonic Richter-tuned with ten air passages and twenty reeds, often called the blues harp. A harmonica reed is a flat, elongated spring typically made of brass, stainless steel, or bronze, which is secured at one end over a slot that serves as an airway. When the free end is made to vibrate by the player's air, it alternately blocks and unblocks the airway to produce sound.
The trombone is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide.
The sousaphone is a brass musical instrument in the tuba family. Created around 1893 by J. W. Pepper at the direction of American bandleader John Philip Sousa, it was designed to be easier to play than the concert tuba while standing or marching, as well as to carry the sound of the instrument above the heads of the band. Like the tuba, sound is produced by moving air past the lips, causing them to vibrate or "buzz" into a large cupped mouthpiece. Unlike the tuba, the instrument is bent in a circle to fit around the body of the musician; it ends in a large, flaring bell that is pointed forward, projecting the sound ahead of the player. Because of the ease of carrying and the direction of sound, it is widely employed in marching bands, as well as various other musical genres. Sousaphones were originally made of brass. Beginning in the mid-20th century, some sousaphones have also been made of lighter materials such as fiberglass & plastic.
An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes, and without the vibration of the instrument itself adding considerably to the sound.
The mellophone is a brass instrument used in marching bands and drum and bugle corps in place of French horns. It is a middle-voiced instrument, typically pitched in the key of F, though models in E♭, D, C, and G have also historically existed. It has a conical bore, like that of the euphonium and flugelhorn. It can also be used to play French horn parts in concert bands and orchestras.
The shawm is a conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades. Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the ancient Greek, and later Byzantine aulos, the closely related sorna and zurna, and the Armenian duduk.
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term double reeds can also refer collectively to the class of instruments which use double reeds.
The axial flow valve, or Thayer valve, is a brass instrument valve design patented in 1978 by Orla Ed Thayer. Designed with assistance from Zigmant Kanstul, it was originally intended to replace the traditional rotary valve on the French horn, but instead revolutionized the design of trombone valve attachments. Combined with open-wrap tubing, it eliminates the impedance caused by tight tubing bends, improving the airflow through the instrument and the open "feel" perceived by the player.
The octavin is a 19th century woodwind instrument with a conical bore and a single reed.
Heinrich David Stölzel was a German horn player who developed some of the first valves for brass instruments. He developed the first valve for a brass musical instrument, the Stölzel valve, in 1818, and went on to develop various other designs, some jointly with other inventor musicians.
A wind instrument is a musical instrument that contains some type of resonator in which a column of air is set into vibration by the player blowing into a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound.
Brass instrument valves are valves used to change the length of tubing of a brass instrument allowing the player to reach the notes of various harmonic series. Each valve pressed diverts the air stream through additional tubing, individually or in conjunction with other valves. This lengthens the vibrating air column thus lowering the fundamental tone and associated harmonic series produced by the instrument. Valves in brass instruments require regular maintenance and lubrication to ensure fast and reliable movement.
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts.
The German horn is a brass instrument made of tubing wrapped into a coil with a flared bell, and in bands and orchestras is the most widely used of three types of horn, the other two being the French horn and the Vienna horn. Its use among professional players has become so universal that it is only in France and Vienna that any other kind of horn is used today. A musician who plays the German horn is called a horn player. The word "German" is used only to distinguish this instrument from the now-rare French and Viennese instruments. Although the expression "French horn" is still used colloquially in English for any orchestral horn, since the 1930s professional musicians and scholars have generally avoided this term in favour of just "horn". Vienna horns today are played only in Vienna, and are made only by Austrian firms. German horns, by contrast, are not all made by German manufacturers, nor are all French-style instruments made in France.
Mechanical music technology is the use of any device, mechanism, machine or tool by a musician or composer to make or perform music; to compose, notate, play back or record songs or pieces; or to analyze or edit music. The earliest known applications of technology to music was prehistoric peoples' use of a tool to hand-drill holes in bones to make simple flutes. Ancient Egyptians developed stringed instruments, such as harps, lyres and lutes, which required making thin strings and some type of peg system for adjusting the pitch of the strings. Ancient Egyptians also used wind instruments such as double clarinets and percussion instruments such as cymbals. In Ancient Greece, instruments included the double-reed aulos and the lyre. Numerous instruments are referred to in the Bible, including the horn, pipe, lyre, harp, and bagpipe. During Biblical times, the cornet, flute, horn, organ, pipe, and trumpet were also used. During the Middle Ages, hand-written music notation was developed to write down the notes of religious Plainchant melodies; this notation enabled the Catholic church to disseminate the same chant melodies across its entire empire.