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A waistcoat, or vest, is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three-piece male suit. Any given waistcoat can be simple or ornate, or for leisure or luxury. Historically, the waistcoat can be worn either in the place of, or underneath, a larger coat, dependent upon the weather, wearer, and setting.
A kurta is a loose collarless shirt or tunic worn in many regions of South Asia, and now also worn around the world. Tracing its roots to Central Asian nomadic tunics, or upper body garments, of the late-ancient- or early-medieval era, the kurta has evolved stylistically over the centuries, especially in South Asia, as a garment for everyday wear as well as for formal occasions.
A tunic is a garment for the body, usually simple in style, reaching from the shoulders to a length somewhere between the hips and the knees. The name derives from the Latin tunica, the basic garment worn by both men and women in Ancient Rome, which in turn was based on earlier Greek garments that covered wearers' waists.
Sherwani is a long-sleeved outer coat worn by men in South Asia. Like the Western frock coat it is fitted, with some waist suppression; it falls to below the knees and is buttoned down the front. It can be collarless, have a shirt-style collar, or a stand-up collar in the style of the Mandarin collar. It evolved in the Indian subcontinent in the 19th-century as a result of the outer garment of the late Mughal period, the angarkha—itself evolved from the Persian cape, balaba—being given a western style with a button-down front.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
1880s fashion in the in Western and Western-influenced countries is characterized by the return of the bustle. The long, lean line of the late 1870s was replaced by a full, curvy silhouette with gradually widening shoulders. Fashionable waists were low and tiny below a full, low bust supported by a corset. The Rational Dress Society was founded in 1881 in reaction to the extremes of fashionable corsetry.
The robe à la polonaise or polonaise is a woman's garment of the later 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national costume, consisting of a gown with a cutaway, draped and swagged overskirt, worn over an underskirt or petticoat. From the late 19th century, the term polonaise also described a fitted overdress which extended into long panels over the underskirt, but was not necessarily draped or swagged.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
A justacorps or justaucorps is a knee-length coat worn by men in the latter half of the 17th century and throughout the 18th century. The garment is of French origin, and was introduced in England as a component of a three-piece ensemble, which also included breeches and a long vest or waistcoat. This ensemble served as the prototype of the frock coat, which in turn evolved into the modern-day three-piece suit.
Twelfth century European fashion was simple and differed only in details from the clothing of the preceding centuries. Men wore knee-length tunics for most activities, and men of the upper classes wore long tunics, with hose and mantle or cloaks. Women wore long tunics or gowns. A close fit to the body, full skirts, and long flaring sleeves were characteristic of upper-class fashion for both men and women.
Daura-Suruwal is one of the national outfit of Nepalese men. The Daura is a variant of the Kurta and is the upper garment, the Suruwal is the trouser. The coat was added to the costume by Jang Bahadur Rana, a prime minister of Nepal in the 19th century. The outfit is also popular in Darjeeling in neighbouring India amongst people of Indian Gorkha origin.
Shalwar kameez is a traditional combination dress worn by women, and in some regions by men, in South Asia, and Central Asia.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.
Salwar or Shalwar is cloth worn from the waist to the ankles, covering both legs separately. It is the lower-garment of the Shalwar kameez suit which is widely-worn in South Asia. It is known for its lively hues, rich fabrics, and embroidery. It is also the national dress of Pakistan, and since the later 1960s with the salwar being used in government offices in Pakistan. The outfit has been a part of Punjabi tradition for centuries. Salwar can be distinguished to the Punjabi suthan which is shorter than the salwar. Salwar originated in Central Asia and its use spread to South Asia.
Punjabi Kurta and Tamba are traditional costume for men of Punjab.
In the ancient Punjab region, people wore cotton clothing. Both men and women wore knee-length tops. A scarf was worn over the tops which would be draped over the left shoulder and under the right. A large sheet would be further draped over one shoulder which would hang loose towards the knees. Both male and female wore a dhoti around the waist. Modern Punjabi dress has retained this outfit but over its long history has added other forms of dress.
History of clothing in the Indian subcontinent can be traced to the Indus Valley civilization or earlier. Indians have mainly worn clothing made up of locally grown cotton. India was one of the first places where cotton was cultivated and used even as early as 2500 BCE during the Harappan era. The remnants of the ancient Indian clothing can be found in the figurines discovered from the sites near the Indus Valley civilisation, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. These scriptures view the figures of human wearing clothes which can be wrapped around the body. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.
The term jama refers to a long coat which was popular in South Asia during the Mughal period.
Kurti top is an upper garment worn in the Indian subcontinent encompassing waistcoats, jackets and blouses.
Clothing in Myanmar varies depending on the ethnicity, geography, climate and cultural traditions of the people of each region of Myanmar (Burma). The most widely recognized Burmese national costume is the longyi, which is worn by both males and females nationwide. Burmese clothing also features great diversity in terms of textiles, weaves, fibers, colours and materials, including velvet, silk, lace, muslin, and cotton.
References
- ↑ ''A noble Lucknow lady was shown wearing a shaluka (waist coat), draped over with a dopatta having aklai (including zari ...'' Pakistan Quarterly - Volumes 10-11 - Page 58books.google.co.in › books 1960
- ↑ ''The adjectival term Oriental has been used by the West to mean cultures, peoples, countries, Asian rugs, and goods from the Orient. "Oriental" means generally "eastern". It is a traditional designation (especially when capitalized) for anything belonging to the Orient or "East" (for Asia), and especially of its Eastern culture. It indicated the eastern direction in historical astronomy, often abbreviated "Ori"'' Hooke, Robert. 1666. Drawing of Saturn in Philosophical Transactions (Royal Society publication) Volume 1
- ↑ Kumar, Ritu (2006). Costumes and Textiles of Royal India. Antique Collectors' Club. p. 331. ISBN 978-1-85149-509-2.
- ↑ Omoniyi, Tope (2016-03-16). The Cultures of Economic Migration: International Perspectives. Routledge. ISBN 978-1-317-03654-8.
- ↑ ''In Lucknow a shaluka , a waistcoat up to the neck , was worn in place of the bodice , with buttons in front . Buttons had just been introduced to India from Europe . Special styles were displayed in these waistcoats . People of taste wore tight ...'' The Lucknow Omnibusbooks.google.co.in › books Abdul Halim Sharar, Rosie Llewellyn-Jones, Veena Talwar Oldenburg · 2001
- ↑ BAHL, VINAY (2005). "Shifting Boundaries of "Nativity" and "Modernity" in South Asian Women's Clothes". Dialectical Anthropology. 29 (1): 85–121. doi:10.1007/s10624-005-4173-z. ISSN 0304-4092. JSTOR 29790729. S2CID 144250957.
- ↑ Goswamy, B. N. (2002). Indian Costumes in the Collection of the Calico Museum of Textiles. D.S. Mehta. p. 42.
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