Muzium Tamadun Asia 亚洲文明博物馆 ஆசிய நாகரீகங்களின் அருங்காட்சியகம் | |
Established | 22 April 1997 |
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Location | 1 Empress Place Empress Place Building Singapore |
Coordinates | 1°17′15″N103°51′05″E / 1.28750°N 103.85139°E |
Type | Southeast Asian, South Asian, West Asian and East Asian Heritage |
Public transit access | EW14 NS26 Raffles Place EW13 NS25 City Hall CC3 Esplanade |
Website | Asian Civilisations Museum |
The Asian Civilisations Museum (ACM) is an institution which forms a part of the four museums in Singapore, the other three being the Peranakan Museum, the National Museum of Singapore and the Singapore Art Museum.
It is one of the pioneering museums in the region to specialise in pan-Asian cultures and civilisations. The museum specialises in the material history of China, Southeast Asia, South Asia and West Asia, from which the diverse ethnic groups of Singapore trace their ancestry.
The museum first opened at the Old Tao Nan School building on 22 April 1997 [1] at Armenian Street, with exhibits largely centred on Chinese civilisation. With the restoration of the Empress Place Building, the museum established its new flagship museum there on 2 March 2003, rapidly expanding the collection to other areas of Asia. The Armenian Street branch closed for renovations on 1 January 2006 and reopened on 25 April 2008 as the Peranakan Museum, specialising in Peranakan culture.
On 16 September 2006, the Museum officially launched its new logo with a new slogan The Asian Civilisations Museum – Where Asian Cultures Come Alive!. The logo shows the museum's location by the Singapore River. The reflected image highlights the Museum as a place for reflection while the orange represents activity and energy. [2]
In late 2013, after undergoing a rebranding exercise, the Museum launched its new logo with a new slogan Singapore's Museum of Asia. [3]
On 16 September 2014, the Museum was named the top museum in Singapore and ranked ninth in Asia by TripAdvisor’s Travellers’ Choice awards. The Museum was the only Singapore museum ranked among Asia's top 10 museums. [4]
On 15 November 2015, the Museum unveiled its new spaces after it started its revamp in 2014. The revamp is carried out in phases: Phase 1 was unveiled on 14 November 2015. Phase 2 was completed in April 2016, with further enhancements to follow. [5]
On 1 September 2016, Kennie Ting took over the position of director of the Museum. [6]
The Chinese collection is represented by fine Dehua porcelain figures, Taoist and Buddhistic statuary, export porcelain, calligraphy and other examples of decorative art.
The South Asian Galleries feature statuary from a range of periods, including Chola bronzes such as a sculpture of Uma, the consort of Shiva and of Somaskanda. [7] The early Buddhist art of India is also represented by works hailing from the Mathura and Gandhara schools, including a rare sandstone Mathura Buddha dating to the Kanishka era, [8] and the head of a Gandharan Bodhisattva. [9] Other areas of note include South Indian woodwork, Nepali-Tibetan bronzes, textiles, late medieval miniatures and colonial prints.
The Southeast Asian collections are broad in scope and are rich in ethnological material. Representing the aristocratic art of ancient Southeast Asia are Khmer sculptures, Javanese temple sculpture (some on loan from Leiden), later Buddhist art from Burma/Thailand and the Sinicised temple art of Vietnam. Peranakan gold, textiles, tribal ornament and theatrical masks are other strengths of the collection.
The Khoo Teck Puat Gallery is the permanent home for the cargo recovered from the Tang Shipwreck, a sunken 9th century trading ship bound for Iran and Iraq, discovered in 1998 off Belitung Island in the Java Sea. The recovered cargo comprises more than 60,000 well-preserved ceramics produced in China during the Tang dynasty (618–907), as well as objects of gold and silver.
Certain gallery rooms are also used for temporary exhibitions. A recent exhibition included the display of Bronze Age masks from Sanxingdui, Sichuan Province, China.
On June 25, 2021, the museum launched an exhibition titled #SGFASHIONNOW. The exhibition, which is a collaboration between Lasalle College of the Arts’ School of Fashion and the Textile and Fashion Federation (TaFF), is the first by the museum to showcase contemporary Singapore fashion. [10]
The museum has a restaurant, Empress, featuring traditional Chinese dishes in a contemporary setting, and a café, Privé ACM, offering all day dining. There are ballrooms and halls available for functions. The museum shop has souvenirs and a wide range of books on Asian art.
Tourism in Singapore is a major industry and contributor to the Singaporean economy. In 2019, 19,114,002 tourists visited the country, which was the highest recorded number of arrivals since independence in 1965. As of 2023, as tourist arrivals recovers from the impact of the COVID-19 pandemic, there were a total of 13,610,404 international tourists that have visited Singapore, which was more than twice the country's total population.
Batik is a dyeing technique using wax resist. The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process. This creates a patterned negative when the wax is removed from the dyed cloth. Artisans may create intricate coloured patterns with multiple cycles of wax application and dyeing. Patterns and motifs vary widely even within countries. Some pattern hold symbolic significance and are used only in certain occasions, while others were created to satisfy market demand and fashion trends.
Lasalle College of the Arts, simply known as Lasalle, is a publicly-funded post-secondary arts institution in Singapore, and a constituent college of the University of the Arts Singapore (UAS) from 2024.
The Guimet Museum is an art museum located at 6, place d'Iéna in the 16th arrondissement of Paris, France. Literally translated into English, its full name is the National Museum of Asian Arts-Guimet, or Guimet National Museum of Asian Arts.
The Singapore Art Museum is an art museum with multiple venues across Singapore. It is the first fully dedicated contemporary visual arts museum in Singapore with one of the world’s most important public collections by local, Southeast and East Asian artists. It collaborates with international art museums to co-curate contemporary art exhibitions.
The Old Tao Nan School is a historic building in Singapore, located along Armenian Street in the Museum Planning Area, within the Central Area. The building was originally built for the Tao Nan School to serve the local Hokkien community, but the school has since been relocated to its current location in Marine Parade. The building was then used as a wing of the Asian Civilisations Museum, and now houses the Peranakan Museum. It was gazetted as a national monument on 27 February 1998.
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE.
The Singapore Biennale is a large-scale biennial contemporary art exhibition in Singapore, serving as the country’s major platform for international dialogue in contemporary art. It seeks to present and reflect the vigour of artistic practices in Singapore and Southeast Asia within a global context, fostering collaboration and engagement between artists, arts organisations, and the international arts community.
The National Heritage Board (NHB) is a statutory board under the Ministry of Culture, Community and Youth (MCCY) of the Government of Singapore. It was formed on 1 August 1993.
The National Gallery Singapore, often known exonymously as the National Gallery, is a public institution and national museum dedicated to art and culture located in the Civic District of Singapore. It oversees the world's largest public collection of Singaporean and regional art of the Eastern world, specifically of Southeast Asia, with a collection of more than 9,000 items.
The Islamic Arts Museum Malaysia is a museum in Kuala Lumpur, Malaysia. It was officially opened on 12 December 1998. The museum is the largest museum of Islamic arts in Southeast Asia with more than seven thousands artifacts from the Islamic world.
The Peranakan Museum is a museum and gallery in the Museum district of Singapore that specialises in the country's Peranakan culture. It is the sister museum of the Asian Civilisations Museum.
Baba House is a museum in Singapore, showcasing Peranakan history, architecture and heritage. It is a traditional Peranakan pre-war terrace-house which was formerly owned by the family of a 19th-century shipping tycoon Wee Bin who settled in Singapore, after arriving from the southern Chinese province of Fujian. The Baba House is also an outpost of the National University of Singapore (NUS) Museum and co-managed by the NUS Centre for the Arts.
Priscilla Tsu-JyenShunmugam is a womenswear designer. She is the founder and designer of the womenswear label Ong Shunmugam. Her company is named after the surnames of her Chinese mother and Indian father.
The NUS Museum is the oldest university museum in Singapore. It is located within the main campus of the National University of Singapore in southwest Singapore at Kent Ridge. The collections include Chinese, Indian and Southeast Asian materials, consisting of traditional sculptures and paintings, bronzes, jades, ceramics, textiles, and modern and contemporary art. Since 2006, Ahmad Mashadi has been the head of the museum.
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
Kushan art, the art of the Kushan Empire in northern India, flourished between the 1st and the 4th century CE. It blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. Kushan art follows the Hellenistic art of the Greco-Bactrian Kingdom as well as Indo-Greek art which had been flourishing between the 3rd century BCE and 1st century CE in Bactria and northwestern India, and the succeeding Indo-Scythian art. Before invading northern and central India and establishing themselves as a full-fledged empire, the Kushans had migrated from northwestern China and occupied for more than a century these Central Asian lands, where they are thought to have assimilated remnants of Greek populations, Greek culture, and Greek art, as well as the languages and scripts which they used in their coins and inscriptions: Greek and Bactrian, which they used together with the Indian Brahmi script.
The Kimbell seated Bodhisattva is a statue of a "bodhisattva" from the art of Mathura, now in the Kimbell Art Museum in Fort Worth, Texas. The statue is dated to 131 CE, by an inscription recording its dedication in "Year 4 of the Great King Kanishka", since the date of the beginning of Kanishka's reign is thought to be 127 CE. The Kimbell seated Bodhisattva belongs to the category of the "Seated Buddha triads", which can be seen contemporaneously in the Greco-Buddhist art of Gandhara and in the art of Mathura in the early Kushan period.
Eng Tow is a Singaporean contemporary artist best known for her use of cloth as medium in her art, creating textile paintings or methodically constructed "cloth reliefs". Tow’s practice further spans a range of media, including cast and collaged paperworks, abstract paintings, and sculpture. Her works often take from her environments and a deep connection with nature to express notions of metaphysical beauty. Coming into prominence in 1980s Singapore, Tow has exhibited both locally and overseas.
The visual art of Singapore, or Singaporean art, refers to all forms of visual art in or associated with Singapore throughout its history and towards the present-day. The history of Singaporean art includes the indigenous artistic traditions of the Malay Archipelago and the diverse visual practices of itinerant artists and migrants from China, the Indian subcontinent, and Europe.