Dutch garden refers firstly to gardens in the Netherlands, but also, mainly in the English-speaking countries, to various types of gardens traditionally considered to be in a Dutch style, a presumption that has been much disputed by garden historians in recent decades. Historically gardens in the Netherlands have generally followed trends from neighbouring countries, but from the Early Modern period, Dutch gardens were distinctive for the wider range of plants available over the rest of Europe north of the Alps, and an emphasis on individual specimen plants, often sparsely planted in a bed. In the 17th century and into the 18th, the Dutch dominated the publishing of botanical books, and established the very strong position in the breeding and growing of garden plants, which they still retain. [1] They were perhaps also distinguished by their efficient use of space, and in large examples, the use of topiary (sculptured bushes and trees) and small "canals", long thin, rectangular artificial stretches of water. [2] When a distinctively "Dutch" style is claimed, it generally relates to formal styles in large gardens in the latter part of the 17th century, stretching on for a few decades.
Because the Netherlands is one of the most densely populated countries, gardens are generally small and because houses are placed right next to each other, there is not very much light available. From the 19th century onwards, Dutch gardens adapted to wider trends, mostly from England and France. Dutch gardens are relatively small, and tend to be "self-contained and introspective", with less linkage to the wider landscape around. [3] From the late 18th century onwards, many or most large gardens in the Netherlands adopted the continental version of the English Landscape garden style, at least for the areas beyond the immediate vicinity of the house. There are also many woodland gardens from the late 19th and early 20th centuries.
The history of "Dutch-style" gardens abroad perhaps begins in the 17th century. On the one hand these have a concentration on the display of specimen plants, initially often imported from the Netherlands. In larger gardens, canals and topiary are often found. However, both of these features may well have been imported to the Netherlands from France, and their appearance in England may have been from either or both countries. Evergreen hedges, rather than those of deciduous species such as hornbeam, have also been seen as a characteristic Dutch style since the 17th century. [4] David Jacques, in a paper from 2002 called "Who Knows What a Dutch Garden Is?", concludes that the description was never accurate and "It is time that historians of English garden style eschewed labels such as "Dutch". [5]
Rectangular flower gardens, often slightly sunk in tiers, and now heavily planted, were seen as "Dutch". Any garden with large numbers of tulips is also easily labelled as a Dutch garden.
The gardens of Het Loo Palace, laid out by a pupil of Le Notre under William III, were the largest Dutch version of the French formal garden, in the style of the Gardens of Versailles; in recent decades they have partly been returned to this style, with elaborately-patterned parterres. But these could not be said to be typical of the Dutch style. [6]
Even the grandest Dutch 17th century gardens are small in comparison to their French and English equivalents, but often combine the same set of elements "into happily crowded enclosures, with trellises and hedges and curling parterres mirroring the grills of the popular ironwork gates". [7] Land values were high, and the Dutch felt they suffered from strong winds, as well as too much water, dictating a style with ponds, canals and hedges. [8]
Small modern Dutch gardens tend to use many bulbs, and often dwarf conifers in the German style.
In England, Dutch influence became strong for a period after the Dutch King William III of England reached the throne in 1689 through his wife; both were interested in gardening. [9] Westbury Court Garden, now carefully restored to its design around 1700 is perhaps the best example in England of a more native Dutch style for a large house.
The restoration at Westbury Court prompted some discussion among English garden historians as to what, if anything, constituted a historical "Dutch garden", and how Dutch the typical features ascribed to them actually were. Christopher Hussey associated the Dutch style not so much with topiary, regarded as diagnostic by many earlier writers, as with canals, giving Westbury Court as the prime example, observes David Jacques, [10] Similarly Miles Hadfield considered that "an essential of Dutch versions of the grand manner was that the ground be tolerably level, with an abundance of water". [11] Later, Hadfield found "not the slightest hint" of a Dutch connection at Westbury Court. [12] To some extent calling formal gardens in England "Dutch" avoided the accusation that they were actually in a style that was essentially French, at a time of wars between England and France.
Even in England, Dutch artists completely dominated the newly popular genre of paintings and prints of country houses and their gardens from about 1660 to the 1730s. [13]
The Dutch garden was the description given to a particular type of rectangular flower garden space, often enclosed within hedges or walls, even if part of a larger garden or parkland. The Dutch version of the French formal garden, this space would be laid out in a highly cultivated and geometrical, often symmetrical, fashion, shaped by plantings of highly coloured flowers, originally very well-spaced by modern standards, and edged with box or other dense and clipped shrubs, or low walls (sometimes in geometrical patterns), and sometimes, also, with areas of artificial water, with fountains and water butts, which were also laid out in symmetrical arrangements.
A particular Dutch feature is the koepel or pavilion, generally built of brick and raised up to give a view of the garden. Westbury Court and Hampton Court have two-storey examples, the latter the Banqueting House designed by William Talman for William III, overlooking on one side a row of three rectangular garden rooms for flowers, and on the other the river Thames. [14]
Later, in England the term was used for flower gardens that are heavily planted within a geometric frame. The flower beds and areas of water would be intersected by geometrical path patterns, to make it possible to walk around the garden without damaging any of its features. An example, not now planted in an authentic style, is to be found adjacent to Kensington Palace, due south of the orangery. The Privy Garden at Hampton Court Palace has been restored in recent decades in a more authentic version of the style around 1700, when it was planted under William III. Unlike Louis XIV's much larger Gardens of Versailles, this was only accessible to a small group of courtiers. [15] Another example, less ambitious, is at Clandon Park in Surrey. The Dutch garden, with its geometry and formality, was in opposition to the cottage garden, which in its modern form is characterised by grass, winding and asymmetrical paths (if any) and a blurring of the lines between flowers and grass by allowing shrubs to grow over flower bed boundaries.
As the English landscape garden style took hold in the mid-18th century, the label began to be applied in a "derogatory" sense to formal gardens in general, in the "distortions of polemicists". Francis Coventry, a clergyman and writer, in his 1753 magazine piece on "Strictures on the Absurd Novelties introduced in Gardening" said William Kent had rescued English gardens from "Dutch absurdity". In 1755 Richard Owen Cambridge wrote that the "Dutch" style had "for more than half a century deformed the face of nature in this country". [16] In 1806, Humphry Repton, the leading garden designer of the day, said the "Dutch style" lasted from the accession of William III in 1689 for half a century, to be replaced by the "English style" of Capability Brown "to restore the ground to its original shape". [17]
The small, fenced, Garden of Holland, defended by the Dutch Maiden and the Batavian Lion was, and to some extent still is, a popular patriotic metaphor for the independence of the Netherlands, first seen in the late 16th century. It draws from the medieval Hortus Conclusus. Many prints and forms of the decorative arts depict it, a few of which have interest from the garden history angle. Where there is a single tree in the garden, it represents the House of Orange, which often needs re-planting.
Common flowers in the Dutch garden are:
Some noteworthy public Dutch gardens are:
A garden is a planned space, usually outdoors, set aside for the cultivation, display, and enjoyment of plants and other forms of nature. The single feature identifying even the wildest wild garden is control. The garden can incorporate both natural and artificial materials.
Topiary is the horticultural practice of training perennial plants by clipping the foliage and twigs of trees, shrubs and subshrubs to develop and maintain clearly defined shapes, whether geometric or fanciful. The term also refers to plants which have been shaped in this way. As an art form it is a type of living sculpture. The word derives from the Latin word for an ornamental landscape gardener, topiarius, a creator of topia or "places", a Greek word that Romans also applied to fictive indoor landscapes executed in fresco.
A parterre is a part of a formal garden constructed on a level substrate, consisting of symmetrical patterns, made up by plant beds, plats, low hedges or coloured gravels, which are separated and connected by paths. Typically it was the part of the garden nearest the house, perhaps after a terrace. The view of a parterre from inside the house, especially from the upper floors, was a major consideration in its design. The word "parterre" was and is used both for the whole part of the garden containing parterres and for each individual section between the "alleys".
Garden design is the art and process of designing and creating plans for layout and planting of gardens and landscapes. Garden design may be done by the garden owner themselves, or by professionals of varying levels of experience and expertise. Most professional garden designers have some training in horticulture and the principles of design. Some are also landscape architects, a more formal level of training that usually requires an advanced degree and often a state license. Amateur gardeners may also attain a high level of experience from extensive hours working in their own gardens, through casual study, serious study in Master gardener programs, or by joining gardening clubs.
Charles Bridgeman (1690–1738) was an English garden designer who helped pioneer the naturalistic landscape style. Although he was a key figure in the transition of English garden design from the Anglo-Dutch formality of patterned parterres and avenues to a freer style that incorporated formal, structural and wilderness elements, Bridgeman's innovations in English landscape architecture have been somewhat eclipsed by the work of his more famous successors, William Kent and Lancelot "Capability" Brown.
The cottage garden is a distinct style that uses informal design, traditional materials, dense plantings, and a mixture of ornamental and edible plants. English in origin, it depends on grace and charm rather than grandeur and formal structure. Homely and functional gardens connected to cottages go back centuries, but their stylized reinvention occurred in 1870s England, as a reaction to the more structured, rigorously maintained estate gardens with their formal designs and mass plantings of greenhouse annuals.
The English landscape garden, also called English landscape park or simply the English garden, is a style of "landscape" garden which emerged in England in the early 18th century, and spread across Europe, replacing the more formal, symmetrical French formal garden which had emerged in the 17th century as the principal gardening style of Europe. The English garden presented an idealized view of nature. Created and pioneered by William Kent and others, the "informal" garden style originated as a revolt against the architectural garden and drew inspiration from paintings of landscapes by Salvator Rosa, Claude Lorrain, and Nicolas Poussin.
The traditional kitchen garden, vegetable garden, also known as a potager or in Scotland a kailyaird, is a space separate from the rest of the residential garden – the ornamental plants and lawn areas. It is used for growing edible plants and often some medicinal plants, especially historically. The plants are grown for domestic use; though some seasonal surpluses are given away or sold, a commercial operation growing a variety of vegetables is more commonly termed a market garden. The kitchen garden is different not only in its history, but also its functional design. It differs from an allotment in that a kitchen garden is on private land attached or very close to the dwelling. It is regarded as essential that the kitchen garden could be quickly accessed by the cook.
Westbury Court Garden is a Dutch water garden in Westbury-on-Severn, Gloucestershire, England, 9 miles (14 km) southwest of Gloucester. It is a rare survival of seventeenth century garden design and was initially laid out by the owner of Westbury Court, Maynard Colchester I, in 1696–1705. The garden has been under the guardianship of the National Trust since 1967.
Stephen Switzer (1682–1745) was an English gardener, garden designer and writer on garden subjects, often credited as an early exponent of the English landscape garden. He is most notable for his views of the transition between the large garden, still very formal in his writings, and the surrounding countryside, especially woodland.
In gardening, a garden room is a secluded and partly enclosed space within a garden that creates a room-like effect. Such spaces have been part of garden design for centuries. Generally they are regarded as different from terraces and patios just outside a building, although in practice these are often the parts of a garden that are most used as a room, with tables and chairs. Walls and hedges may form part of the boundaries of a garden room, but plants, usually at least a few feet tall, will do as well. Apart from the entrances to the room, these should normally enclose the space. There may be furniture, especially for sitting down, but this is not essential.
The French formal garden, also called the jardin à la française, is a style of "landscape" garden based on symmetry and the principle of imposing order on nature. Its epitome is generally considered to be the Gardens of Versailles designed during the 17th century by the landscape architect André Le Nôtre for Louis XIV and widely copied by other European courts.
Garden roses are predominantly hybrid roses that are grown as ornamental plants in private or public gardens. They are one of the most popular and widely cultivated groups of flowering plants, especially in temperate climates. An enormous number of garden cultivars have been produced, especially over the last two centuries, though roses have been known in the garden for millennia beforehand. While most garden roses are grown for their flowers, often in dedicated rose gardens, some are also valued for other reasons, such as having ornamental fruit, providing ground cover, or for hedging.
The Baroque garden was a style of garden based upon symmetry and the principle of imposing order on nature. The style originated in the late-16th century in Italy, in the gardens of the Vatican and the Villa Borghese gardens in Rome and in the gardens of the Villa d'Este in Tivoli, and then spread to France, where it became known as the jardin à la française or French formal garden. The grandest example is found in the Gardens of Versailles designed during the 17th century by the landscape architect André Le Nôtre for Louis XIV. In the 18th century, in imitation of Versailles, very ornate Baroque gardens were built in other parts of Europe, including Germany, Austria, Spain, and in Saint-Petersburg, Russia. In the mid-18th century the style was replaced by the less geometric and more natural English landscape garden.
A formal garden is a garden with a clear structure, geometric shapes and in most cases a symmetrical layout. Its origin goes back to the gardens which are located in the desert areas of Western Asia and are protected by walls. The style of a formal garden is reflected in the Persian gardens of Iran, and the monastic gardens from the Late Middle Ages. It has found its continuation in the Italian Renaissance gardens and has culminated in the French formal gardens from the Baroque period. Through its design, the garden conveys a sense of established order and transparency to the observer.
Rosa 'Bonica 82',, is a shrub rose cultivar, bred by Marie-Louise Meilland in France in 1982. The cultivar was named an All-America Rose Selections winner in 1987.
Writing about gardens takes a variety of literary forms, ranging from instructional manuals on horticulture and garden design, to essays on gardening, to novels. Garden writing has been published in English since at least the 16th century.
In the Western history of gardening, from the 16th to early 19th centuries, a wilderness was a highly artificial and formalized type of woodland, forming a section of a large garden. Though examples varied greatly, a typical English style was a number of geometrically-arranged compartments closed round by hedges, each compartment planted inside with relatively small trees. Between the compartments there were wide walkways or "alleys", usually of grass, sometimes of gravel. The wilderness provided shade in hot weather, and relative privacy. Though often said by garden writers at the time to be intended for meditation and reading, the wilderness was much used for walking, and often flirtation. There were few if any flowers, but there might be statues, and some seating, especially in garden rooms or salle vertes, clearings left empty. Some had other features, such as a garden maze.
In the history of gardening and landscaping, a canal is a relatively large piece of water that has a very regular shape, usually long, thin and rectangular. The peak period for garden canals was the 17th and 18th centuries, by the end of which less formal water features were in favour, in the style of the English landscape garden. It is distinguished from a garden pond or lake by its shape, and typically falls somewhere between the two in area. It might be wholly artificial, created by diverting and damming a stream, or based around a natural water feature which is landscaped. Usually it appears to be enclosed, though in fact water passes in and out by channels below the surface. The edges are often walled, and the water relatively shallow.
A woodland garden is a garden or section of a garden that includes large trees and is laid out so as to appear as more or less natural woodland, though it is often actually an artificial creation. Typically it includes plantings of flowering shrubs and other garden plants, especially near the paths through it.