In the history of gardening and landscaping, a canal is a relatively large piece of water that has a very regular shape, usually long, thin and rectangular. [2] The peak period for garden canals was the 17th and 18th centuries, by the end of which less formal water features were in favour, in the style of the English landscape garden. It is distinguished from a garden pond or lake by its shape, and typically falls somewhere between the two in area. It might be wholly artificial, created by diverting and damming a stream, or based around a natural water feature which is landscaped. Usually it appears to be enclosed, though in fact water passes in and out by channels below the surface. The edges are often walled, and the water relatively shallow. [3]
Traditionally, in England the canal has been associated with the Dutch garden style of the later 17th century, especially from about 1690 to 1720, though this has been challenged in recent years. There was also a tradition of canals in the French formal garden style, culminating in the huge four-armed Grand Canal that dominates the bottom of the Gardens of Versailles, made in 1662–68, the main branch 1585 metres long and 122 wide. [4]
A detailed study of canals in Suffolk found evidence of 56 in the county, some previously thought to be fragments of a moat or "mere ponds"; "Amazingly, in view of the received wisdom about the scarcity of surviving canals nationally, a high proportion of these are still recognisable and water-filled". [5] Analysis of the proportions of these showed that nearly half were between 5 and 10 times as long as they were wide, with the next largest groups (10 or 11 each) those with ratios of 1 to 5, and then 10 to 15. [6] Most were between 50 and 100 metres long, but two were 460 and 300 metres. A few use a tapering shape to give (from one end) an impression of being longer than they actually are. Some had or have islands, others cascades into them. [7]
Apart from being a highly prestigious, because expensive, ornament to a garden, and a pleasant place to walk, canals had some practical uses. A large stock of water near the house may have been useful for watering the garden and other household purposes; some houses had special "dipping pools" for the gardeners and servants to take water from. Many canals were stocked with fish, and they attracted edible waterfowl, who could nest safely if there was an island. Boats of an appropriate size could be taken out, and the Earl of Bristol nearly drowned at Ickworth House in 1717, when he was in "imminent danger from being some time under water in my new-made canal here, with the boate (out of which I fell topsy-turvy) driven by the wind over my head". He may have been fishing with a rod, by now a popular leisure activity. [8] Louis XIV famously staged mock naval battles on the Grand Canal at Versailles. Canals were made during the Little Ice Age, and allowed ice skating during the winter, as well as swimming in summer.
Connections to the very long history of long and thin formal water features in gardens elsewhere have not been clearly demonstrated. Setting ancient gardens aside, these have been a strong feature of the Persian garden and Islamic gardens generally, with some found in Islamic Spain. The very small example in the Generalife, part of the Alhambra, Granada, Spain, is famous. In France, there were examples at Fleury-en-Bière, not far from Paris, in the 16th century, and at the nearby Palace of Fontainebleau by 1609. Numerous others can be seen in the prints of great houses in France by Jacques I Androuet du Cerceau (d. 1584). The medieval garden in England, as elsewhere in Europe, had a long tradition of moats, fishponds, and "decorative meres". [9]
A "canal-like feature" was created for Baptist Hicks, 1st Viscount Campden at Chipping Campden before 1629, but the English history of the garden canal really begins with the English Restoration of 1660, when Charles II and his loyal courtiers returned from an exile mostly spent in the Netherlands, or in France. [10] Although not especially interested in gardens, Charles asked Louis XIV to allow him to borrow his chief gardener and landscaper, André Le Nôtre, apparently to advise on Hampton Court Palace and the planned palace at Greenwich in particular. Permission was given, but Le Nôtre never made the journey, and André Mollet and his brother Claude came instead. [11] André Mollet had worked for both of Charles' parents, and had paid visits to England since the 1620s.
The Mollets were responsible for a canal in what is now St James's Park in Westminster, and the large "Long Canal" (now usually "Long Water") at Hampton Court; the "first long canals to be built in England". [12] Of these, the very long and thin canal (775-metre by 38-metre, or 850 by 42-yards) in St James's was later expanded and remodelled into the current lake, with some filled in to allow for an expansion of Horse Guard's Parade. This was mostly done by John Nash in the 1820s for the Prince Regent. The Hampton Court one remains intact, with a narrow semi-circle added at the palace end by William III in 1699. William III was interested in gardening, and is usually credited with adding to the influence of Dutch gardens on England. [13]
Others soon followed the royal lead, for example at Wrest Park in Bedfordshire, where the "Long Water", "Broad Water" and "Ladies Lake" have managed to survive a makeover by Capability Brown in the 18th century. Wrest Park was done by George London and his partner Henry Wise, the leading English designers of the day, for Henry Grey, 1st Duke of Kent in the 1700s. [14]
The Dutch engravers Jan Kip's and Leonard Knijff's aerial perspective views in various prints and books culminating in Britannia Illustrata, or Views of Several of the Queens Palaces also of the Principal Seats of the Nobility and Gentry of Great Britain, published in London in 1709 and later in an expanded French edition, shows many leading houses and their gardens at a point near the peak of the trend, which really "took hold" in the 1690s. [15] They must sometimes be treated with a certain caution, as showing what was planned rather than what had actually been constructed. [16] King George I, while still only Elector of Hanover, had excavated a long thin canal running around the edge of the Herrenhausen Gardens outside Hanover on the three sides away from the palace, which remains. Generally, leaders in taste began moving away from very formal garden designs in the 1720s. [17] The Serpentine in Hyde Park in London, a royal project of the 1730s, was one of the earliest artificial lakes designed to appear natural, with an irregular curving shape. [18]
A number of more regular serpentine canals were dug "from the late 1720s", following a fashion established for garden paths and walks some years before. One at Longleat House was so adapted in 1736-37. [19]
By 1771, Horace Walpole, a vocal enthusiast for the new English landscape garden style, thought the Wrest Park gardens "very ugly in the old-fashioned manner with high hedges and canals", [20] and few new canals were being constructed (one excavated in 1759 is mentioned as exceptionally late). [21] Many were converted to more natural-seeming shapes; for example the canal at Culford Park in Suffolk was described as "new" in 1698, but in 1795 was filled in to create a larger lake, crossing it at right angles. [22]
In the next century there was a revival in more formal gardens, with the influential garden designer and writer John Claudius Loudon a significant figure. Shorter and fatter canals began to be built, often featuring the many varieties of water-lilies that were available by then. They tended to be placed as the centre of a thickly-planted flower garden, rather than being flanked by regular avenues of trees, as the larger original ones often were. [23] The "Canal Gardens" at Roundhay Park in Leeds are an early example of this, constructed in 1833 when the park was still a large private garden. The canal is still long, at 350 feet (107 m) by 34 feet (10 m). The "Jellicoe Canal" at the RHS Garden Wisley, with a large collection of water-lilies, dates to the 1970s. [24]
The classic placement of a canal was at right-angles to the centre of the garden front (normally the rear), allowing uninterrupted views to and from the house. This was followed at Versailles, Hampton Court, Wrest Park and most other houses. Some canals were at right angles to the facade, but offset to one side, and others parallel to the facade. This cut off the house from the garden beyond the canal unless there were bridges, which were rare. At Longleat, with a sloping site, the "first big commission" of London and Wise, the effect of a canal was achieved by a series of connected pieces of water of different sizes and shapes running parallel to the main garden facade (in fact at the side) quite near the house. These ran under several bridges of different sizes, and down cascades, so that a walk in the garden is little impeded. Various other arrangements are found, some dictated by the site, or the reuse of a pre-existing feature such as a moat. Some houses had more than one canal, typically parallel, as at Stonyhurst, but not always. [25]
Most canals were strictly rectangles, though of greatly varying proportions, but there were some deviations, though very few shapes as complicated as at Versailles. At Chevening the far end had a curving bulge at one side only, and at Westbury Court there is a T-shaped canal. [26] At Hampton Court Charles II's Long Canal was expanded by William III, at the palace end, with much narrower curved branches, with bridges, running round the outside of the semi-circle of parterres of his new "Great Fountain Garden", and then parallel to the palace facade. [27]
At Studley Royal in Yorkshire, where John Aislabie, Chancellor of the Exchequer during the South Sea Bubble, retreated in disgrace (after a period in the Tower), [28] the extensive water gardens do not include a canal on a strict definition, as the small River Skell was used as it passed through the grounds, including "canalizing" it in two straightened sections. There is no attempt to create an axis relative to the house, or indeed among the elements of water. [29] The Upper Lodge Water Gardens in Bushy Park, opposite Hampton Court Palace, was another scheme using the Longford River, created for the palace's canals, made in 1709-15, and recently partly restored. [30]
Ice skating on metal skates seems to have arrived in England at the same time as the garden canal, with the English Restoration in 1660. In London St James's Park was the main centre until the 19th century. Both Samuel Pepys and John Evelyn, the two leading diarists of the day, saw it on the "new canal" there on 1 December 1662, the first time Pepys had ever seen it ("a very pretty art"). Then it was "performed before their Majesties and others, by diverse gentlemen and others, with scheets after the manner of the Hollanders". Two weeks later, on 15 December 1662, Pepys accompanied the Duke of York, later King James II, on a skating outing: "To the Duke, and followed him in the Park, when, though the ice was broken, he would go slide upon his skates, which I did not like; but he slides very well." In 1711 Jonathan Swift still thinks the sport might be unfamiliar to his "Stella": "Delicate walking weather; and the Canal and Rosamund's Pond full of the rabble and with skates, if you know what that is. [31]
The Grand Canal at Versailles remained exceptional in its size, and as a metaphor for Louis XIV's power. As part of this, a flotilla of naval and pleasure craft was planned for it from the time of construction. These came to include 14 gondolas, some built on site and others presented (with gondoliers) by the Republic of Venice, small rowing boats, and reduced-sized warships, both oar-powered galleys and sailing ships. Various of these took part in staged mock-battles. By the 1670s buildings had been built to house the 260 men working on the flotilla, who at times included enslaved "Moors". [32]
Hampton Court Palace is a Grade I listed royal palace in the London Borough of Richmond upon Thames, 12 miles southwest and upstream of central London on the River Thames.
In English architecture, mainly from the Tudor period onwards, a banqueting house is a separate pavilion-like building reached through the gardens from the main residence, whose use is purely for entertaining, especially eating. Or it may be built on the roof of a main house, as in many 16th-century prodigy houses. It may be raised for additional air or a vista, with a simple kitchen below, as at Hampton Court Palace and Wrest Park, and it may be richly decorated, but it normally contains no bedrooms, and typically a single grand room apart from any service spaces. The design is often ornamental, if not downright fanciful, and some are also follies, as in Paxton's Tower. There are usually plenty of windows, as appreciating the view was a large part of their purpose. Often they are built on a slope, so that from the front, only the door to the main room can be seen; the door to the servants' spaces underneath was hidden at the back. The Banqueting House, Gibside is an example.
St James's Park is a 23-hectare (57-acre) urban park in the City of Westminster, central London. A Royal Park, it is at the southernmost end of the St James's area, which was named after a once isolated medieval hospital dedicated to St James the Less, now the site of St James's Palace. The area was initially enclosed for a deer park near the Palace of Whitehall for King Henry VIII in the 1530's. It is the most easterly of a near-continuous chain of public parks that includes Green Park, Hyde Park, and Kensington Gardens.
Bushy Park in the London Borough of Richmond upon Thames is the second largest of London's Royal Parks, at 445 hectares in area, after Richmond Park. The park, most of which is open to the public, is immediately north of Hampton Court Palace and Hampton Court Park and is a few minutes' walk from the west side of Kingston Bridge. It is surrounded by Teddington, Hampton, Hampton Hill and Hampton Wick and is mainly within the post towns of Hampton and Teddington, those of East Molesey and Kingston upon Thames taking the remainder.
A parterre is a part of a formal garden constructed on a level substrate, consisting of symmetrical patterns, made up by plant beds, plats, low hedges or coloured gravels, which are separated and connected by paths. Typically it was the part of the garden nearest the house, perhaps after a terrace. The view of a parterre from inside the house, especially from the upper floors, was a major consideration in its design. The word "parterre" was and is used both for the whole part of the garden containing parterres and for each individual section between the "alleys".
Hampton Court Maze is a hedge maze at Hampton Court Palace and the oldest surviving hedge maze in Britain.
An orangery or orangerie was a room or a dedicated building on the grounds of fashionable residences of Northern Europe from the 17th to the 19th centuries where orange and other fruit trees were protected during the winter, as a very large form of greenhouse or conservatory.
Hampton Court Park, also known as Home Park, is a walled royal park managed by the Historic Royal Palaces. The park lies between the gardens of Hampton Court Palace and Kingston upon Thames and Surbiton in south west London, England, mostly within the post town of East Molesey, but with its eastern extremity within the post town of Kingston. In 2014, part of the park was designated a biological Site of Special Scientific Interest. It takes up most of the final (lowest) meander of the non-tidal reaches of the River Thames and is mainly divided between a golf course, meadows interspersed with trees used for deer, seasonal horse grazing and wildlife. A corner of the park is used annually for the Hampton Court Flower Show and the part nearest to the palace has the Long Water — an early set of hydro-engineered ponds or lakes, fed by water from the distant River Colne, as are the bodies of water in the neighbouring park, Bushy Park.
The English landscape garden, also called English landscape park or simply the English garden, is a style of "landscape" garden which emerged in England in the early 18th century, and spread across Europe, replacing the more formal, symmetrical French formal garden which had emerged in the 17th century as the principal gardening style of Europe. The English garden presented an idealized view of nature. Created and pioneered by William Kent and others, the “informal” garden style originated as a revolt against the architectural garden and drew inspiration from paintings of landscapes by Salvator Rosa, Claude Lorrain, and Nicolas Poussin.
The Longford River is an artificial waterway, a distributary designed to embellish a park, that diverts water 12 miles (19 km) from the River Colne at Longford near Colnbrook in England, to Bushy Park and Hampton Court Palace. Its main outlet is to the reach above Molesey Lock with lesser pond outlet channels to that above Teddington Lock. The waterway was built for King Charles I in 1638/39 as a water supply for Hampton Court. Water features in Bushy Park were added in 1710. North of the A30, its course has been diverted more than once as London Heathrow Airport has grown. Its cascades, grassed banks and fountains in Bushy Park were restored and reopened to the public in 2009 to close to their original state.
Dutch garden refers firstly to gardens in the Netherlands, but also, mainly in the English-speaking countries, to various types of gardens traditionally considered to be in a Dutch style, a presumption that has been much disputed by garden historians in recent decades. Historically gardens in the Netherlands have generally followed trends from neighbouring countries, but from the Early Modern period, Dutch gardens were distinctive for the wider range of plants available over the rest of Europe north of the Alps, and an emphasis on individual specimen plants, often sparsely planted in a bed. In the 17th century and into the 18th, the Dutch dominated the publishing of botanical books, and established the very strong position in the breeding and growing of garden plants, which they still retain. They were perhaps also distinguished by their efficient use of space, and in large examples, the use of topiary and small "canals", long thin, rectangular artificial stretches of water. When a distinctively "Dutch" style is claimed, it generally relates to formal styles in large gardens in the latter part of the 17th century, stretching on for a few decades.
André Le Nôtre, originally rendered as André Le Nostre, was a French landscape architect and the principal gardener of King Louis XIV of France. He was the landscape architect who designed the gardens of the Palace of Versailles; his work represents the height of the French formal garden style, or jardin à la française.
The Gardens of Versailles occupy part of what was once the Domaine royal de Versailles, the royal demesne of the château of Versailles. Situated to the west of the palace, the gardens cover some 800 hectares of land, much of which is landscaped in the classic French formal garden style perfected here by André Le Nôtre. Beyond the surrounding belt of woodland, the gardens are bordered by the urban areas of Versailles to the east and Le Chesnay to the north-east, by the National Arboretum de Chèvreloup to the north, the Versailles plain to the west, and by the Satory Forest to the south.
Stephen Switzer (1682–1745) was an English gardener, garden designer and writer on garden subjects, often credited as an early exponent of the English landscape garden. He is most notable for his views of the transition between the large garden, still very formal in his writings, and the surrounding countryside, especially woodland.
The French formal garden, also called the jardin à la française, is a style of garden based on symmetry and the principle of imposing order on nature. Its epitome is generally considered to be the Gardens of Versailles designed during the 17th century by the landscape architect André Le Nôtre for Louis XIV and widely copied by other European courts.
The Baroque garden was a style of garden based upon symmetry and the principle of imposing order on nature. The style originated in the late-16th century in Italy, in the gardens of the Vatican and the Villa Borghese gardens in Rome and in the gardens of the Villa d'Este in Tivoli, and then spread to France, where it became known as the jardin à la française or French formal garden. The grandest example is found in the Gardens of Versailles designed during the 17th century by the landscape architect André Le Nôtre for Louis XIV. In the 18th century, in imitation of Versailles, very ornate Baroque gardens were built in other parts of Europe, including Germany, Austria, Spain, and in Saint-Petersburg, Russia. In the mid-18th century the style was replaced by the less geometric and more natural English landscape garden.
The Nymphenburg Palace Park ranks among the finest and most important examples of garden design in Germany. In combination with the palace buildings, the Grand circle entrance structures and the expansive park landscape form the ensemble of the Nymphenburg Summer Residence of Bavarian dukes and kings, located in the modern Munich Neuhausen-Nymphenburg borough. The site is a Listed Monument, a Protected Landscape and to a great extent a Natura2000 area.
Writing about gardens takes a variety of literary forms, ranging from instructional manuals on horticulture and garden design, to essays on gardening, to novels. Garden writing has been published in English since at least the 16th century.
In the Western history of gardening, from the 16th to early 19th centuries, a wilderness was a highly artificial and formalized type of woodland, forming a section of a large garden. Though examples varied greatly, a typical English style was a number of geometrically-arranged compartments closed round by hedges, each compartment planted inside with relatively small trees. Between the compartments there were wide walkways or "alleys", usually of grass, sometimes of gravel. The wilderness provided shade in hot weather, and relative privacy. Though often said by garden writers at the time to be intended for meditation and reading, the wilderness was much used for walking, and often flirtation. There were few if any flowers, but there might be statues, and some seating, especially in garden rooms or salle vertes, clearings left empty. Some had other features, such as a garden maze.
A woodland garden is a garden or section of a garden that includes large trees and is laid out so as to appear as more or less natural woodland, though it is often actually an artificial creation. Typically it includes plantings of flowering shrubs and other garden plants, especially near the paths through it.