Hendrick Danckerts (c.1625 - 1680) was a Dutch Golden Age painter and engraver, mostly of houses in their landscape settings. [1] After some years in Italy, he spent most of his career in London, working for Charles II and his brother.
Danckerts was born in The Hague, where he learned his trade and remained until 1653. [2] He visited England for the first time in 1650. [2] In 1653 he went to Italy, where he stayed for five years. [2] He then moved to England where he entered the service of Charles II and the Duke of York (later James II & VII.) He painted Italianate landscapes, especially views of harbours and royal residences. [2] He also produced portraits and devotional pictures and made engravings after the Italian old masters in the Royal Collection. He left England in 1679 [2] due to the public hostility towards Roman Catholics after the Popish Plot controversy. He died soon after in Amsterdam, and was buried on 2 November 1680. [2]
He was also known as the "Master with the two Anchors" and was the younger brother of the painter Johan Danckerts. [2] Danckerts has twenty paintings in public ownership in the United Kingdom. [3]
Claude Lorrain was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest significant artists, aside from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes often transitioned into the more prestigious genre of history paintings by addition of a few small figures, typically representing a scene from the Bible or classical mythology.
Jacob de Heusch, was a Dutch painter. He was Willem de Heusch's nephew, signing like his uncle, with an initial monogram combining J, D, and H (substituting an initial J for the initial G of his uncle's Guglielmo.
Melchior d'Hondecoeter, Dutch animalier painter, was born in Utrecht and died in Amsterdam. After the start of his career, he painted virtually exclusively bird subjects, usually exotic or game, in park-like landscapes. Hondecoeter's paintings featured geese, fieldfares, partridges, pigeons, ducks, northern cardinal, magpies and peacocks, but also African grey crowned cranes, Asian sarus cranes, Indonesian yellow-crested cockatoos, an Indonesian purple-naped lory and grey-headed lovebirds from Madagascar.
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.
Hendrik Herregouts was a Flemish history and portrait painter and draughtsman with an international career spanning Italy, Germany and his native Flanders.
Pieter Jansz Post was a Dutch Golden Age architect, painter and printmaker.
Sir Peter Lely was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to the court. He became a naturalised British subject and was knighted in 1679.
Events from the year 1625 in art.
Events from the year 1634 in art.
Events from the year 1680 in art.
Philips Vingboons was a Dutch architect. He was part of the school of Jacob van Campen, that is, Dutch Classicism. Vingboons was especially highly regarded in his native city of Amsterdam.
Gerrit van Uylenburgh, or Gerrit Uylenburgh, was a Dutch Golden Age painter and art-dealer. He was the eldest son of Hendrick van Uylenburgh and took over the family art-dealing business after Hendrick's death and burial in the Westerkerk church in 1661. This business, then in a house on Lauriergracht, formerly owned by Govaert Flinck, played a key role in the art world of the Dutch Golden Age.
Simon van der Does was a Dutch Golden Age landscape painter.
Johan Danckerts was a Dutch etcher and painter.
Cornelis Danckerts de Ry (1561–1634) was a Dutch Golden Age architect and sculptor.
Simon Du Bois or Dubois ), was a portrait painter, of Flemish or Dutch origin, active in England from 1685 until his death.
Hendrick ten Oever, was a Dutch Golden Age painter.
Willem Hendrickszoon de Keyser was a Dutch Golden Age architect and sculptor primarily active in Amsterdam and London.
Architectural painting is a form of genre painting where the predominant focus lies on architecture, including both outdoor and interior views. While architecture was present in many of the earliest paintings and illuminations, it was mainly used as background or to provide rhythm to a painting. In the Renaissance, architecture was used to emphasize the perspective and create a sense of depth, like in Masaccio's Holy Trinity from the 1420s.