Batalha Monastery

Last updated
Batalha Monastery
Native name
Portuguese: Mosteiro da Batalha
Batalha September 2021-2.jpg
Batalha Monastery is one of the most important Gothic sites in Portugal.
Location Batalha, Portugal
Coordinates 39°39′33″N8°49′34″W / 39.65917°N 8.82611°W / 39.65917; -8.82611
Official nameMonastery of Batalha
TypeCultural
Criteriai, ii
Designated1983 (7th session)
Reference no. 264
Region Europe and North America
TypeNon-movable
CriteriaNational Monument
Designated10 January 1907
Reference no.IPA.00004061

The Monastery of Batalha (Portuguese : Mosteiro da Batalha) is a Dominican convent in the municipality of Batalha, in the district of Leiria, in the Central Region of Portugal. Originally, and officially, known as the Monastery of Saint Mary of the Victory (Portuguese : Mosteiro de Santa Maria da Vitória), it was erected in commemoration of the 1385 Battle of Aljubarrota and would serve as the burial church of the 15th-century Aviz dynasty of Portuguese royalty. It is one of the best and original examples of Late Flamboyant Gothic architecture in Portugal, intermingled with the Manueline style. The monastery is a historic and cultural monument and was listed as a UNESCO World Heritage site in 1983.

Contents

History

Monastery of Santa Maria da Vitoria Batalha monastery.jpg
Monastery of Santa Maria da Vitória

The monastery was built to thank the Virgin Mary for the Portuguese victory over the Castilians in the Battle of Aljubarrota in 1385, fulfilling a promise of King John I of Portugal. The battle put an end to the 1383–85 Crisis.

It took over a century to build, starting in 1386 and ending circa 1517, spanning the reign of seven kings. It took the efforts of fifteen architects (Mestre das Obras da Batalha), although for seven of them the title was merely honorary. The construction required an enormous effort, using extraordinary resources of men and material. New techniques and artistic styles, hitherto unknown in Portugal, were deployed.

View of the cloister of D. Joao I Batalha September 2021-47.jpg
View of the cloister of D. João I

Work began in 1386 by the Portuguese architect Afonso Domingues, who continued until 1402. He drew up the plan, and many of the structures in the church and the cloister are his doing. His style was essentially Rayonnant Gothic; however, there are influences from the English Perpendicular Period. There are similarities with the façade of York Minster and with the nave and transept of Canterbury Cathedral.

He was succeeded by Huguet from 1402 to 1438. This architect, who was probably of Catalan descent, introduced the Flamboyant Gothic style. This is manifest in the main façade, the dome of the square chapter house, the Founder's Chapel, the basic structure of the Imperfect Chapels and the north and east naves of the main cloister. He raised the height of the nave to 32.46 m. By altering the proportions he made the interior of the church seem even narrower. He also completed the transept, but he died before he could finish the Imperfect Chapels.

Lateral view of the monastery and statue of Nuno Alvares Pereira Batalha, Portugal.jpg
Lateral view of the monastery and statue of Nuno Álvares Pereira

During the reign of Afonso V of Portugal, the Portuguese architect Fernão de Évora continued the construction between 1448 and 1477. He added the Cloister of Afonso V. He was succeeded by the architect Mateus Fernandes the Elder in the period 1480–1515. This master of the Manueline style worked on the portal of the Capelas Imperfeitas. Together with the famous Diogo Boitac he realized the tracery of the arcades in the Claustro Real. Work on the convent continued into the reign of John III of Portugal with the addition of the fine Renaissance tribune (1532) by João de Castilho. The construction came to a halt when the king decided to put all his efforts in the construction of the Jerónimos Monastery in Lisbon.

The earthquake of 1755 did some damage, but much greater damage was inflicted by the Napoleonic troops of Marshal Masséna, who sacked and burned the complex in 1810 and 1811. When the Dominicans were expelled from the complex in 1834, the church and convent were abandoned and left to fall into ruin.

In 1840, king Ferdinand II of Portugal started a restoration program of the abandoned and ruined convent, saving this jewel of Gothic architecture. The restoration would last till the early years of the 20th century. One of the last architects was master stonemason Jose Patrocinio de Sousa, responsible for rebuilding the monastery. It was declared a National Monument in 1907. In 1980 the monastery was turned into a museum.

The Batalha convent was added in 1983 by UNESCO to its list of World Heritage sites.

Architecture

Main portal Batalha September 2021-15.jpg
Main portal

The convent stands apart from the town.

The western façade, facing the large square with its equestrian statue of general Nuno Álvares Pereira, is divided in three by buttresses and huge pilasters: the Founder's Chapel (Capelo do Fundador), the side wall of an aisle and the projecting portal. On the right side of this façade are the Unfinished Chapels (Capelas Imperfeitas), a separate octagonal structure added to the complex.

Off the east side, next to the church choir is the Chapterhouse (Sala do Capítulo). The Cloister of King João I borders on the church and this chapterhouse. The structure continues into the cloister of King Afonso V (Claustro de D. Afonso V). On the northern side of the complex lies the Tomb of the Unknown Soldier from the First World War.

The portal shows in the archivolt a profusion of 78 statues, divided over six rows, of Old Testament kings, angels, prophets and saints, each under a baldachin. The splays on both sides display (inferior copies of) statues of the apostles, with one standing on a chained devil. The tympanum shows Christ enthroned, sitting under a baldachin and flanked by the four Evangelists, each with his own attribute.

Interior

Main nave Batalha September 2021-10a.jpg
Main nave

The church is vast and narrow (22 m) in proportion to its height (32.4 m). The nave was raised to its present height by the second architect, Huguet, altering the proportions of the church and giving it its present aspect. Its interior gives a sober and bare impression by its lack of ornaments and statues in the nave. The ribbed vaults, supported by compound piers, are closed by ornamented keystones. Light enters the church through ten stained-glass windows of the clerestory and the tall, traceried windows in the side walls and the transept and through the two rows of lanciform windows in the choir. The choir extends into two-bay transepts and consists of five apsidal chapels, with the central one projecting.

Batalha probably had the first workshop for stained-glass windows in Portugal. The art was introduced to Portugal by German artists from the regions of Franconia and Nuremberg. The oldest windows date back to the end of the 1430s. But the Manueline, ogival stained-glass windows in the choir date from the 1520s and 1530s and were produced by Portuguese masters, among them Francisco Henriques. They represent scenes from the lives of Jesus and Mary: the Visitation, the Epiphany, the Flight into Egypt and the Resurrection of Christ.

The architect Mateus Fernandes and his wife are buried under a marble tomb-slab close to the portal. The tomb of the knight Martim Gonçalves de Maçada, who saved the king's life during the battle at Aljubarrota, can be found close to the Capela do Fundador.

Founder's Chapel

Tomb of John I and Philippa Mosteiro da Batalha - Tumulo do Joao I e Philippa de Lancastre.jpg
Tomb of John I and Philippa

The square Founder's Chapel (Portuguese : Capela do Fundador) was built between 1426 and 1434 by the architect Huguet on orders of King John I to become the first royal pantheon in Portugal. It gives a perfect synthesis between Flamboyant Gothic and the English Perpendicular style, as Philippa of Lancaster had brought along a few English architects. The chapel consists of three notional bays and a central octagon buttressed by eight piers, adorned with crockets, supporting deeply stilted arches.

The joint tomb of King John I of Portugal (d. 1433) and his wife Philippa of Lancaster (d. 1415) stands under the star vault of the octagon. Their statues lie in full regalia, with clasped hands (expressing the good relations between Portugal and England) and heads resting on a pillow, under elaborately ornamented baldachins. The coats of arms of the houses of Aviz and Lancaster are on top of these baldachins, together with the insignia of the Order of the Garter. On the cover plate of the tomb are inscribed in repetition the mottos of the king Por bem ("for the better") and of the queen Yl me plet ("I am pleased").

Tombs of the four princes (from left to right): Ferdinand, John, Henry, Peter Tumulos de los Infantes (Monasterio de Batalha).jpg
Tombs of the four princes (from left to right): Ferdinand, John, Henry, Peter

This octagon is surrounded by an ambulatory with complex vaulting. At the south wall stand a row of recessed arches with the tombs of the four younger sons of John I, together with their spouses. From left to right: Ferdinand the Holy Prince (a bachelor, he died a prisoner in Fez in 1443; his bodily remains were later recovered and moved here in 1473); John of Reguengos, the Constable of Portugal (d. 1442), with his wife Isabella of Barcelos (d. 1466); Henry the Navigator (under a baldachin, d. 1460, a bachelor); and Peter of Coimbra (regent for Afonso V, 1438–1448, who was killed at the Battle of Alfarrobeira in 1449; his remains were moved here in 1456) with his wife Isabella of Urgell (d. 1459).

The three tombs on the west wall are copies of the original tombs of King Afonso V (r. 1438–1481), John II (r. 1481–1495) (empty because Masséna's soldiers threw away the bones) and his son and heir, Prince Afonso (who died in an accident at the age of seventeen, predeceasing his father).

Unfinished Chapels

As Capelas Imperfeitas ("The Unfinished Chapels") are a reminder that the monastery was never actually finished. They form a separate octagonal structure tacked on the choir of the church (via a retrochoir) and only accessible from the outside. It was commissioned in 1437 by King Edward of Portugal ("Dom Duarte", d. 1438) as a second royal mausoleum for himself and his descendants. But he and his queen Eleanor of Aragon are the only ones buried here (Eleanor died in exile in Toledo in 1445; her remains were moved here in 1456).

Interior of the Unfinished Chapels Monastery of Batalha 20 (43543447202).jpg
Interior of the Unfinished Chapels

The original design, begun by Huguet, was altered by successive architects, especially Mateus Fernandes (who is buried inside the church). The octagonal rotunda has seven radiating hexagonal chapels. In the corners of the chapels stand the massive unfinished buttresses that were intended to support the vault. These pillars, designed by Diogo Boitac, are decorated with Manueline motives carved in stone.

The portal rises to a monumental fifteen metres. It was originally built in Gothic style, but was transformed beyond recognition by Mateus Fernandes into a masterpiece of Manueline style (completed in 1509). It is completely decorated into a lacework of sumptuous and stylized Manueline motives: armillary spheres, winged angels, ropes, circles, tree stumps, clover-shaped arches and florid projections. This homage of King Manuel I to his predecessor King Edward mentions his motto Leauté faray tam yaserei ("I will always be loyal"). This motto is then repeated more than two hundred times in the arches, vaults and pillars of the chapels.

The Renaissance loggia, added at about 1533, was probably meant for musicians. It is ascribed to the architect João de Castilho.

Chapterhouse

The Chapterhouse (Portuguese : Sala do Capitulo) reminds visitors of the military reason for the monastery's foundation: a military honor guard of two sentinels stands watch over the tombs of two unknown soldiers killed in World War I.

This square room is especially notable for its star vault lacking a central support and spanning a square space of 19 meters on the side. This was such a daring idea at the time that condemned prisoners were used to perform the task. It was completed after two failed attempts. When the last scaffolds were removed, it is said that Huguet spent the night under the vault to silence his critics.

The stained-glass Renaissance window in the east wall dates from 1508. It depicts scenes of the Passion and is attributed to the Portuguese painters Master João and Francisco Henriques.

Royal Cloister

King John I Cloisters of Batalha Monastery Mosteiro da Batalha DSC09383 (36955234332).jpg
King John I Cloisters of Batalha Monastery

The Royal Cloister (Portuguese : Claustro Real) was not part of the original project. It was built under the architect Fernão de Évora between 1448 and 1477. Its sober outward appearance is in stark contrast with the Flamboyant Gothic style of the church. The carved tracery decoration in Gothic style (including quatrefoils, fleurs-de-lis and rosettes) by Huguet in the ambulatory forms a successful combination with the Manueline style in the arcade screens, added later by Mateus Fernandes. Two different patterns alternate, one with the cross of the Order of Christ, the other with armillaries.

The colonettes, supporting these intricate arcade screens, are decorated with spiral motives, armillaries, lotus blossoms, briar branches, pearls and shells and exotic vegetation.

Lavabo

Situated in the northwestern corner of the Claustro Real, this work of Mateus Fernandes consists of a fountain and two smaller basins above, illuminated by light seeping through the intricate tracery of the arches around it.

Cloister of King Afonso

This sober cloister next to the Claustro Real was built in conventional Gothic style with double pointed arches. It was constructed in the second half of the 15th century by the architect Fernão de Évora. It stands in contrast with the Manueline flamboyance of the somewhat larger Claustro Real. The keystones in the vault carry the coat-of-arms of D. Duarte I and Afonso V.

See also

Related Research Articles

<span class="mw-page-title-main">Alcobaça, Portugal</span> Municipality in Centro, Portugal

Alcobaça is a Portuguese city and municipality in the Oeste region, in the historical province of Estremadura, and in the Leiria District. The city grew along the valleys of the rivers Alcoa and Baça, from which it derives its name. The municipality population in 2011 was 56,693, in an area of 408.14 square kilometres (157.58 sq mi). The city proper has a population of 15,800 inhabitants.

<span class="mw-page-title-main">Manueline</span> 16th century Portuguese architectural style

The Manueline, occasionally known as Portuguese late Gothic, is the sumptuous, composite Portuguese architectural style originating in the 16th century, during the Portuguese Renaissance and Age of Discoveries. Manueline architecture incorporates maritime elements and representations of the discoveries brought from the voyages of Vasco da Gama and Pedro Álvares Cabral. This innovative style synthesizes aspects of Late Gothic Flamboyant architecture with original motifs and influences of the Plateresque, Mudéjar, Italian, and Flemish architecture. It marks the transition from Late Gothic to Renaissance. The construction of churches and monasteries in Manueline was largely financed by proceeds of the lucrative spice trade with Africa and India.

<span class="mw-page-title-main">Jerónimos Monastery</span> Building in Santa Maria de Belém, Lisbon District, Portugal

The Jerónimos Monastery or Hieronymites Monastery is a former monastery of the Order of Saint Jerome near the Tagus river in the parish of Belém, in the Lisbon Municipality, Portugal. It became the necropolis of the Portuguese royal dynasty of Aviz in the 16th century but was secularized on 28 December 1833 by state decree and its ownership transferred to the charitable institution, Real Casa Pia de Lisboa.

<span class="mw-page-title-main">Convent of Christ (Tomar)</span> Former Catholic convent in Tomar, Portugal

The Convent of Christ is a former Catholic convent in Tomar, Portugal. Originally a 12th-century Templar stronghold, when the order was dissolved in the 14th century the Portuguese branch was turned into the Knights of the Order of Christ, that later supported Portugal's maritime discoveries of the 15th century. The convent and castle complex are a historic and cultural monument and was listed as a UNESCO World Heritage site in 1983.

<span class="mw-page-title-main">Monastery of the Holy Cross (Coimbra)</span>

The Monastery of the Holy Cross, also known as the Church of the Holy Cross, is a National Monument in Coimbra, Portugal. Because the first two kings of Portugal are buried in the church it was granted the status of National Pantheon. Founded in 1131 outside the protecting walls of Coimbra, the Monastery of the Holy Cross was the most important monastic house during the early days of the Portuguese monarchy. Saint Theotonius founded this community of Canons Regular of the Holy Cross of Coimbra and served as their first prior. The monastery and church were erected between 1132 and 1223. The monastery was granted numerous papal privileges and royal grants, which allowed the accumulation of considerable wealth, at the same time as it consolidated its position on the politico-institutional and cultural scene. Its school, with its vast library, was highly respected in medieval times and was a meeting point for the intellectual and power elites. Its scriptorium was used for the consolidation of royal power by King Afonso Henriques, thus it was not considered strange that he decided to be buried there.

<span class="mw-page-title-main">Flamboyant</span> Florid style of late Gothic architecture

Flamboyant is a form of late Gothic architecture that developed in Europe in the Late Middle Ages and Renaissance, from around 1375 to the mid-16th century. In the French timetable of styles, as defined by French scholars, it is the fourth phase of Gothic style, preceded by Primary Gothic, Classic Gothic and Rayonnant Gothic.

<span class="mw-page-title-main">Cathedral of Évora</span> Roman Catholic church in Évora, Portugal

The Cathedral of Évora is a Roman Catholic church in the city of Évora, Portugal. It is one of the oldest and most important local monuments, lying on the highest spot of the city. It is part of the historical city centre, and the seat of the Archdiocese of Evora.

<span class="mw-page-title-main">Braga Cathedral</span>

The Cathedral of Braga is a Roman Catholic church in the northern city of Braga, Portugal. Due to its long history and artistic significance, it is also one of the most important buildings in the country. It is the seat of the Archdiocese of Braga and of the Primate Archbishop of Portugal and Spain.

<span class="mw-page-title-main">Alcobaça Monastery</span> Historic site in Alcobaça, Portugal

The Alcobaça Monastery or Alcobasa Monastery is a Catholic monastic complex located in the town of Alcobaça, in central Portugal, 120 km (75 mi) north of Lisbon and 110 km (68 mi) south of Coimbra.

<span class="mw-page-title-main">Monastery of Jesus of Setúbal</span> Church in Lisbon, Portugal

The Monastery of Jesus is a historical religious building in Setúbal, Portugal, which served a monastery of Poor Clare nuns. It is one of the first buildings in the Manueline style, the Portuguese version of late Gothic. The cloisters of the complex houses a museum of the monastery. In 2013, pan-European heritage organization Europa Nostra declared the monastery to be one of the 7 most endangered monuments in Europe.

<span class="mw-page-title-main">Nicolas Chantereine</span> French sculptor and architect

Nicolau Chantereine was a French sculptor and architect who worked mainly in Portugal and Spain.

<span class="mw-page-title-main">Diogo de Boitaca</span>

Diogo de Boitaca was an influential architect and engineer of some of the most important Portuguese buildings, working in Portugal in the first half of the 16th century.

<span class="mw-page-title-main">Huguet</span>

Huguet, also written as Houet or Ouguete, was a possibly Catalan architect living in the early 15th century and active in Portugal, who introduced the Flamboyant Gothic style to Portugal. He played an important role in the evolution of Gothic architecture in Portugal throughout the 15th and the early 16th centuries.

<span class="mw-page-title-main">Portuguese architecture</span> Overview of the architecture of Portugal

Portuguese architecture refers to both the architecture of Portugal's modern-day territory in Continental Portugal, the Azores and Madeira, as well as the architectural heritage/patrimony of Portuguese architects and styles throughout the world, particularly in countries formerly part of the Portuguese Empire.

<span class="mw-page-title-main">Mateus Fernandes (architect)</span> Portuguese architect

Mateus Fernandes was a Portuguese architect born in Covilhã. He was noted for his works in the Manueline style at the Monastery of Batalha, Portugal.

<span class="mw-page-title-main">Portuguese Gothic architecture</span>

Portuguese Gothic architecture is the architectural style prevalent in Portugal in the Late Middle Ages. As in other parts of Europe, Gothic style slowly replaced Romanesque architecture in the period between the late 12th and the 13th century. Between the late 15th and early 16th century, Gothic was replaced by Renaissance architecture through an intermediate style called Manueline.

<span class="mw-page-title-main">Monastery of Santa Clara-a-Nova</span>

The Monastery of Santa Clara-a-Nova is a monastery in Coimbra, Portugal. It was built to replace the mediaeval Monastery of Santa Clara-a-Velha, located nearby, which at the time was prone to frequent flooding by the waters of the Mondego river. The monastery was built in the 17th and 18th centuries and is classified as a National Monument. It is located in the Santa Clara parish.

<span class="mw-page-title-main">Monastery of São Dinis de Odivelas</span> Building in Lisbon District, Portugal

The Monastery of Saint Denis is located in the city of Odivelas, near Lisbon, in Portugal. The feminine Cistercian convent was founded by King Dinis I and was built during the 14th century in Gothic style. It is the burial place of the king. From 1900 to 2015, it housed the Instituto de Odivelas, an internal college for girls.

<span class="mw-page-title-main">João de Castilho</span>

João de Castilho (1470–1552), also known as Juan de Castillo, was a Castilian and a notable Iberian architect born in Castillo Siete Villas, actually Arnuero (Cantabria). He is recognisably one of the premier architects in Portuguese history, responsible for several World Heritage buildings. He was a Spanish-Portuguese master builder and architect originally from Cantabria, who developed his mature career in Portugal, where he settled in c.1508. He is considered the greatest Portuguese architect of the 16th century and one of the greatest in Renaissance Europe.

<span class="mw-page-title-main">Portuguese Romanesque architecture</span>

The Romanesque style of architecture was introduced in Portugal between the end of the 11th and the beginning of the 12th century. In general, Portuguese cathedrals have a heavy, fortress-like appearance, with crenellations and few decorative elements apart from portals and windows. Portuguese Romanesque cathedrals were later extensively modified, among others the Old Cathedral of Coimbra, although it only had some minor changes.

References