Chapter house

Last updated
The Chapterhouse at Lincoln Cathedral with flying buttresses surrounding the building Lincoln cathedral chapterhouse.JPG
The Chapterhouse at Lincoln Cathedral with flying buttresses surrounding the building
The chapter house of Wells Cathedral, built c. 1300 Chapter House, Wells Cathedral 8 (9320440414).jpg
The chapter house of Wells Cathedral, built c.1300
The chapter house of Canterbury cathedral Canterbury - Glasfenster im Kapitelsaal der Kathedrale von Canterbury.jpg
The chapter house of Canterbury cathedral
Late Renaissance grandeur at Toledo Cathedral, with wooden coffered ceiling Toledo,Catedral de Santa Maria-E 0264.jpg
Late Renaissance grandeur at Toledo Cathedral, with wooden coffered ceiling

A chapter house or chapterhouse is a building or room that is part of a cathedral, monastery or collegiate church in which meetings are held. When attached to a cathedral, the cathedral chapter meets there. In monasteries, the whole community often met there daily for readings and to hear the abbot or senior monks talk. When attached to a collegiate church, the dean, prebendaries and canons of the college meet there. The rooms may also be used for other meetings of various sorts; in medieval times monarchs on tour in their territory would often take them over for their meetings and audiences. Synods, ecclesiastical courts and similar meetings often took place in chapter houses.

Contents

Design

The chapter house from the 1750s in the old town of Porvoo, Finland Porvoon tuomiokapitulin talo2.jpg
The chapter house from the 1750s in the old town of Porvoo, Finland

When part of a monastery, the chapter house is generally located on the eastern wing of the cloister, which is next to the church. Since many cathedrals in England were originally monastic foundations, this is a common arrangement there also. Elsewhere it may be a separate building. The chapter house comprises a large space, in order to hold all the monks of the monastery, and is often highly ornamented. Typically there is seating around, often built into, all the walls of the room, often in stone, with the central space left open. The seats for the senior members are often larger than the others, and may be raised on a dais. Usually there is only one doorway, and though the room is well-lit where the location allows, the windows are often too high to allow a view in from outside (or eavesdropping). Many larger chapter houses are designed with vestibules for attendants and those waiting to be called, where opening onto a cloister does not provide such a space. There is often a fireplace, and altars are found in some examples, sometimes added later.

Many medieval rooms use stone vaulting supported by columns in the centre of the space, as used for other more utilitarian large rooms in monasteries with a generous budget. Others have much higher roofs. The shape of the room is usually designed to allow good audibility for speakers from all parts of the room. It may be rectangular, tending towards the square, but octagonal and other near-circular plans are an English speciality, with that at Worcester Cathedral probably the earliest. Most, like those at Wells Cathedral, Lichfield Cathedral, Westminster Abbey and Lacock Abbey, have a single central column from which the high roof vaulting spreads. York Minster has a wooden roof and no central column. Many have elaborate benched arcades round the wall, with crocketed frames for the seats. English chapter houses tend to be more elaborate and highly decorated than Continental ones, and the octagonal shape allowed for spectacular displays of stained glass, now mostly lost, though not at York. Except at Westminster Abbey any paintings have been lost, but English designs, with their emphasis on carved arcades and windows, did not leave the large wall spaces found in most Continental chapter houses.

At Westminster the chapter house, opposite the Palace of Westminster, was used from the erection of the present building for royal meetings, including many of the royal council, and was the usual location for meetings of the House of Commons until the reign of Henry VIII. It was converted into the first home of what is now the Public Record Office (the national archives) soon after the English Reformation, and the late Gothic paintings added behind the seats (see gallery) were preserved hidden behind bookshelves until the 19th century.

In some Romanesque or Gothic monasteries, the entrance to the chapter house has an elaborate façade with a door surrounded by highly decorated archivolts, especially when it is a separate building. Many chapterhouses feature elaborate carving or frescos, which include some masterpieces of religious art, but were also sometimes secular. The paintings from Arlanza, now spread across museums in Spain and the United States, originally decorated the monastery of San Pedro de Arlanza, and contain huge bold mythical beasts that are some of the finest survivals of Romanesque palace decoration. In modern settings, the chapterhouse may simply be (or use) an ordinary office boardroom or meeting room. When it is a separate building, this often consists of just the single main room.

History and uses

The community of monks would meet in the chapter house with the abbot to "hold chapter"; that is, "for the reading of the 'Martyrology' and the 'Necrology', for the correction of faults, the assigning of the tasks for the day, and for the exhortation of the superior, and again for the evening Collation or reading before Complin". [1] The first meeting took place in the morning, after the church services of Prime or Terce. The monks might sit along the length of the walls in strict age-order, apart from the office-holders.

The Carolingian Plan of St Gall (c. 820) is the plan for an ideal 9th century monastery, with a great variety of buildings and rooms, but none that really can be assigned the function of chapterhouse; nor is such a room mentioned by Saint Benedict. But the chapter house is mentioned in the proceedings of the Council of Aachen in 816. The church or cloister may have been used for all meetings in earlier monasteries, or there was usually a refectory (hall for eating). But by at least 1000 such a room had become normal in large monastic establishments. The east side of the cloister on which the chapter house was often located was usually the first to be constructed; it would have been begun shortly after the church walls were built.

Examples

Chapter House of Bornem Abbey, with the Throne of the Abbot. Abbatia CIST Sbernadiensis 36.JPG
Chapter House of Bornem Abbey, with the Throne of the Abbot.
The Chapterhouse at Southwell Minster, Nottinghamshire Southwell Chapter House2.jpg
The Chapterhouse at Southwell Minster, Nottinghamshire

Important examples of chapter houses from an architectural or artistic point of view can be seen at:

Non-religious use of the circular chapter house style of plan:

Related Research Articles

<span class="mw-page-title-main">Abbey</span> Monastery under an abbot or an abbess

An abbey is a type of monastery used by members of a religious order under the governance of an abbot or abbess. Abbeys provide a complex of buildings and land for religious activities, work, and housing of Christian monks and nuns.

<span class="mw-page-title-main">Westminster Abbey</span> Church in London, England

Westminster Abbey, formally titled the Collegiate Church of Saint Peter at Westminster, is an Anglican church in the City of Westminster, London, England. Since 1066, it has been the location of the coronations of 40 English and British monarchs and a burial site for 18 English, Scottish, and British monarchs. At least 16 royal weddings have taken place at the abbey since 1100.

<span class="mw-page-title-main">Romanesque architecture</span> Architectural style of Medieval Europe

Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.

<span class="mw-page-title-main">Gothic architecture</span> Architectural style of Medieval Europe

Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.

<span class="mw-page-title-main">Architecture of cathedrals and great churches</span>

Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.

<span class="mw-page-title-main">Norman architecture</span> Styles of Romanesque architecture developed by the Normans

The term Norman architecture is used to categorise styles of Romanesque architecture developed by the Normans in the various lands under their dominion or influence in the 11th and 12th centuries. In particular the term is traditionally used for English Romanesque architecture. The Normans introduced large numbers of castles and fortifications including Norman keeps, and at the same time monasteries, abbeys, churches and cathedrals, in a style characterised by the usual Romanesque rounded arches and especially massive proportions compared to other regional variations of the style.

<span class="mw-page-title-main">Santes Creus</span> Former Cistercian monastery in Catalonia, Spain

The Monastery of Santa Maria de Santes Creus, is a former Cistercian monastery in the municipality of Aiguamúrcia, Catalonia, Spain. The abbey was erected in the 12th century, in today's municipality of Aiguamúrcia, in the village of Santes Creus, in the province of Tarragona (Catalonia). However, it was in the thirteenth century when Peter III of Aragon expressed his desire to be buried in the monastery and a royal crypt was built for himself and his son, King James II that many of the local nobility established the custom to choose this place for burial. This led the monastery to increase in splendor and greatness thanks to the numerous donations received.

<span class="mw-page-title-main">Steingaden Abbey</span> Premonstratensian monastery in Bavaria, Germany

Steingaden Abbey was a Premonstratensian monastery in Steingaden in Bavaria, Germany.

<span class="mw-page-title-main">English Gothic architecture</span> Architectural style in Britain

English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows. Important examples include Westminster Abbey, Canterbury Cathedral and Salisbury Cathedral. The Gothic style endured in England much longer than in Continental Europe.

<span class="mw-page-title-main">Portuguese Gothic architecture</span>

Portuguese Gothic architecture is the architectural style prevalent in Portugal in the Late Middle Ages. As in other parts of Europe, Gothic style slowly replaced Romanesque architecture in the period between the late 12th and the 13th century. Between the late 15th and early 16th century, Gothic was replaced by Renaissance architecture through an intermediate style called Manueline.

<span class="mw-page-title-main">Architecture of the medieval cathedrals of England</span>

The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region and houses the throne of a bishop. Each cathedral also serves as a regional centre and a focus of regional pride and affection.

<span class="mw-page-title-main">Chiaravalle Abbey</span> Cistercian monastic complex in Milan, Italy

The Abbey of Santa Maria di Rovegnano is a Cistercian monastic complex in the comune of Milan, Lombardy, northern Italy. The borgo that has developed round the abbey was once an independent commune called Chiaravalle Milanese, now included in Milan and referred to as the Chiaravalle district.

<span class="mw-page-title-main">Royal Monastery of Santa María de Sigena</span> Convent in Aragon, Spain

Royal Monastery of Santa María de Sigena is a convent in Villanueva de Sigena, region of Aragon, Spain. Built between 1183 and 1208, the Romanesque church was founded by Queen Sancha of Castile, wife of Alfonso II of Aragon.

<span class="mw-page-title-main">Monastery of Santa María de Huerta</span> Cistercian monastery in Spain

The Monastery of Santa María de Huerta is a Cistercian monastery located in Santa María de Huerta, a town of the Spanish Province of Soria, within the autonomous community of Castile and León. The first stone of the building was laid by Alfonso VII of León and Castile in 1179.

<span class="mw-page-title-main">Spanish Romanesque</span>

Spanish Romanesque designates the Romanesque art developed in the Hispanic-Christian kingdoms of the Iberian Peninsula in the 11th and 12th centuries. Its stylistic features are essentially common to the European Romanesque although it developed particular characteristics in the different regions of the peninsula. There is no Romanesque art in the southern half of the peninsula because it remained under Muslim rule (Al-Andalus). The examples of Romanesque buildings in the central area of the peninsula are sparse and of the latest period, with virtually no presence south of the Ebro and the Tagus. Most Romanesque buildings can be found in the northern third of the peninsula. Romanesque art was introduced into the peninsula from east to west, so scholars have usually defined regional characteristics accordingly: the "eastern kingdoms" comprising the Pyrenean areas, Catalan Romanesque, Aragonese Romanesque and Navarrese Romanesque, and the "western kingdoms" comprising Castilian-Leonese Romanesque, Asturian Romanesque, Galician Romanesque and Portuguese Romanesque.

<span class="mw-page-title-main">Portuguese Romanesque architecture</span>

The Romanesque style of architecture was introduced in Portugal between the end of the 11th and the beginning of the 12th century. In general, Portuguese cathedrals have a heavy, fortress-like appearance, with crenellations and few decorative elements apart from portals and windows. Portuguese Romanesque cathedrals were later extensively modified, among others the Old Cathedral of Coimbra, although it only had some minor changes.

<span class="mw-page-title-main">French Romanesque architecture</span> Medieval architectural style

Romanesque architecture appeared in France at the end of the 10th century, with the development of feudal society and the rise and spread of monastic orders, particularly the Benedictines, which built many important abbeys and monasteries in the style. It continued to dominate religious architecture until the appearance of French Gothic architecture in the Île-de-France between about 1140 and 1150.

<span class="mw-page-title-main">Gothic cathedrals and churches</span> Overview of building classification

Gothic cathedrals and churches are religious buildings created in Europe between the mid-12th century and the beginning of the 16th century. The cathedrals are notable particularly for their great height and their extensive use of stained glass to fill the interiors with light. They were the tallest and largest buildings of their time and the most prominent examples of Gothic architecture. The appearance of the Gothic cathedral was not only a revolution in architecture; it also introduced new forms in decoration, sculpture, and art.

<span class="mw-page-title-main">Perpendicular Gothic</span> Third historical division of English Gothic architecture

Perpendicular Gothic architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British-Irish Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.

References

  1. Herbermann, Charles, ed. (1913). "Chapter House"  . Catholic Encyclopedia . New York: Robert Appleton Company. The Necrology was a list of death anniversaries for the community and persons of interest to it.