Martand Sun Temple | |
---|---|
Religion | |
Affiliation | Hinduism |
District | Anantnag district |
Deity | Surya ( Martand ) |
Location | |
Location | Anantnag |
State | Jammu and Kashmir |
Country | India |
Geographic coordinates | 33°44′44″N75°13′13″E / 33.74556°N 75.22028°E |
Architecture | |
Type | Ancient Indian |
Creator | Lalitaditya Muktapida |
Completed | 8th century CE |
Demolished | 15th century CE |
Martand Sun Temple is a Hindu temple located near the city of Anantnag in the Kashmir Valley of Jammu and Kashmir (union territory), India. It dates back to the eighth century CE and was dedicated to Surya, the chief solar deity in Hinduism; Surya is also known by the Sanskrit-language synonym Martand (मार्तण्ड, Mārtaṇḍa). The temple was destroyed by Sikandar Shah Miri.
According to Kalhana, the Martand Sun Temple was commissioned by Lalitaditya Muktapida in the eighth century CE.
According to Jonaraja (fl. 1430) as well as Hasan Ali, the temple was destroyed by Sikandar Shah Miri (1389-1413) in a zeal to Islamise the society under the advice of Sufi preacher Mir Muhammad Hamadani; [lower-alpha 1] Jonaraja pinned the blame on his chief-counsel Suhabhatta, a Brahman neo-convert who was held to have manifested a reign of intense persecution for the local Hindus whereas Ali particularly affirmed Sikandar's own convictions in these aspects. [1] [2] [3]
Scholars caution against accepting these sources at face value — Jonaraja was appointed by Sikandar's son, who sought to bring back the Brahminical elite into the royal fold while later Muslim chroniclers had their motives to fit the past into an idealist tale of orthodox Islamic morality. According to Chitralekha Zutshi and Richard G. Salomon, Sikandar's policies were guided by realpolitik [4] and, like with the previous Hindu rulers, an attempt to secure political legitimacy by asserting state power over Brahmans and gaining access to wealth controlled by Brahminical institutions. [5] J. L. Bhan notes a stone sculpture—a four-armed Brahma, sculpted by son of a Buddhist Sanghapati and dedicated to Sikandar—to challenge simplistic notions of religious persecution. [6] Slaje disagrees about an absence of religious motivations but notes the aversion of Brahmin chroniclers to be, largely, the result of resistance to the gradual disintegration of caste-hierarchy under Muslim influence. [7]
The ruins and the remnants of structure were further ruined by several earthquakes. [8]
The Martand temple was built on top of a plateau from where one can view whole of the Kashmir Valley. From the ruins and related archaeological findings, it can be said it was an excellent specimen of Kashmiri architecture, which had blended the Gandharan, Gupta and Chinese forms of architecture. [9] [10]
The temple has a colonnaded courtyard, with its primary shrine in its center and surrounded by 84 smaller shrines, stretching to be 220 feet long and 142 feet broad total and incorporating a smaller temple that was previously built. [11] The temple turns out to be the largest example of a peristyle in Kashmir, and is complex due to its various chambers that are proportional in size and aligned with the overall perimeter of the temple. In accordance with Hindu temple architecture, the primary entrance to the temple is situated in the western side of the quadrangle and is the same width as the temple itself, creating grandeur. The entrance is highly reflective of the temple as a whole due to its elaborate decoration and allusion to the deities worshiped inside. The primary shrine is located in a centralised structure (the temple proper) that is thought to have had a pyramidal top - a common feature of the temples in Kashmir. Various wall carvings in the antechamber of the temple proper depict other gods, such as Vishnu, and river goddesses, such as Ganga and Yamuna, in addition to the sun-god Surya. [12]
The Archaeological Survey of India has declared the Martand Sun Temple as a site of national importance in Jammu and Kashmir. [13] The temple appears in the list of centrally protected monuments as Kartanda (Sun Temple). [14]
In March 2024, the Jammu and Kashmir government initiated efforts to restore the temple. [15]
Srinagar is a city in Indian-administered Jammu and Kashmir in the disputed Kashmir region. It is the largest city and summer capital of Jammu and Kashmir, which is an Indian-administered union territory. It lies in the Kashmir Valley along the banks of the Jhelum River, and the shores of Dal Lake and Anchar Lakes, between the Hari Parbat and Shankaracharya hills. The city is known for its natural environment, various gardens, waterfronts and houseboats. It is also known for traditional Kashmiri handicrafts like the Kashmir shawl, papier-mâché, wood carving, carpet weaving, and jewel making, as well as for dried fruits. It is the second-largest metropolitan area in the Himalayas.
The Kashmiri Pandits are a group of Kashmiri Hindus and a part of the larger Saraswat Brahmin community of India. They belong to the Pancha Gauda Brahmin group from the Kashmir Valley, located within the Indian union territory of Jammu and Kashmir. Kashmiri Pandits are Hindu Kashmiris native to the Kashmir Valley, and the only remaining Hindu Kashmiris after the large-scale of conversion of the Valley's population to Islam during the medieval times. Prompted by the growth of Islamic militancy in the valley, large numbers left in the exodus of the 1990s. Even so, small numbers remain.
Jonaraja was a Kashmiri historian and Sanskrit poet. His Dvitīyā Rājataraṅginī is a continuation of Kalhana's Rājataraṅginī and brings the chronicle of the kings of Kashmir down to the time of the author's patron Zain-ul-Abidin. Jonaraja, however, could not complete the history of the patron as he died in the 35th regnal year. His pupil, Śrīvara continued the history and his work, the Tritīyā Rājataraṅginī, covers the period 1459–1486.
Shrivara [Śrīvara] wrote a work on the history of Kashmir that adds to the previous works of Kalhana and Jonaraja, thereby providing an update of the history of Kashmir till 1486 CE. Śrīvara served at the courts of the four Šāhmīrī Sulṭāns Zayn al-ʿĀbidīn, Ḥaydar Šāh, Ḥasan Šāh and Maḥmūd Šāh until 1486, when Fatḥ Šāh took power for the first time. Holding this office since 1459, Śrīvara concentrated on writing the history he had personally witnessed. Unlike his predecessors Kalhaṇa and Jonarāja, who had completed the history of Kashmir in retrospect and continued it up to their respective times, Śrīvara, as a contemporary historian, was left with only occasional retrospective additions going back to 1451. His accounts, the Jaina- and Rājataraṅgiṇīs, written as an eyewitness, are characterised by a remarkably detailed density that hardly leaves out any aspect of his coeval horizon of observation and reflection on everyday Kashmiri culture, court life, politics, religion and society. The consolidation of the religious and political influence of a group of Sayyids, who had migrated from Baihaq in Iran under earlier Šāhmīrī Sulṭāns such as Sikandar, and the dynamics triggered by their attempts under Ḥasan Šāh and Maḥmūd Šāh to participate in the reign, culminated in a devastating civil war between factions of indigenous Kashmiris (kāśmīrika) and the immigrants from abroad. These events are of particular research interest for tracing the historical ramifications of the Islamisation process in Kashmir. In terms of richness of detail of everyday culture also in its material aspects, Śrīvara’s work is by far the most abundant source on Indo-Persian rule in early modern India and the living conditions under omnipresent threats of famines, natural disasters and warfare. Śrīvara’s work breaks off with Maḥmūd Šāh’s (first) dethronement followed by Fatḥ Šāh’s ascension to the throne. The abrupt end of his account was however not caused by Śrīvara’s death. Nineteen years later we hear from him again in the prelude to his Sanskrit translation of Jāmi’s (1414–1492) Persian Yusof o Zoleykhā, entitled the Kathākautuka. Śrīvara dated his prologue April 18, 1505. The sudden interruption of Śrīvara’s Rājataraṅgiṇī, coinciding with the transition of power in 1486, should therefore be sought in his removal from the position of court biographer. Śrīvara had completed his Sanskrit rendering of Jāmi’s Persian composition (1483) only twenty-two years after its publication in Herat.
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: CS1 maint: location missing publisher (link)a)A History of Kashmir by Pandit Prithvi Nath Kaul Bamzai, pp. 140