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The religious festivals of the Kashmiri Pandits have Rigvedic roots. Some festivals of Kashmiri Pandits are unique to Kashmir. Some Kashmiri Pandit festivals are Herath (Shivaratri), Navreh, Zyeath-Atham (Jyeshtha Ashtami), Huri-Atham (Har Ashtami), Zarmae-Satam (Janmashtami), Dussehra, Diwali, Pan (Roth Puza / Vinayaka Tsoram / Ganesha Chaturthi), Gaad Batt, Khetsimavas (Yakshamavasya), Kava Punim, Mitra Punim, Tiky Tsoram, Gengah Atham, Tila Atham, Vyetha Truvah, and Anta Tsodah.
An interesting fact about Kashmiri Pandit festivals, needing investigation, is that some of these are celebrated a day ahead of their celebration by Hindus in other parts of the country. Shivaratri, regarded as the most important festival of the community, for instance, is celebrated by them on trayodashi or the thirteenth of the dark half of the month of Phalguna (February–March) and not on chaturdashi or the fourteenth as in the rest of the country. The reason for it is that this long drawn festival that is celebrated for one full fortnight as an elaborate ritual is associated with the appearance of Bhairava (Shiva) as a jwala-linga or a linga of flame. Called 'Herath' in Kashmiri, a word derived from the Sanskrit 'Hararatri' the 'Night of Hara' (another name of Shiva), it has been described as Bhairavotsava in Tantric texts as on this occasion Bhairava and Bhairavi, His Shakti or cosmic energy, are propitiated through Tantric worship. According to the legend associated with the origin of the worship, the linga appeared at pradoshakala or the dusk of early night as a blazing column of fire and dazzled Vatuka Bhairava and Rama (or Ramana) Bhairava, Mahadevi's mind-born sons, who approached it to discover its beginning or end but miserably failed. Exasperated and terrified they began to sing its praises and went to Mahadevi, who herself merged with the awe-inspiring jwala-linga. The Goddess blessed both Vatuka and Ramana that they would be worshipped by human beings and would receive their share of sacrificial offerings on that day and those who would worship them would have all their wishes fulfilled. As Vatuka Bhairava emerged from a pitcher full of water after Mahadevi cast a glance into it, fully armed with all his weapons (and so did Rama), he is represented by a pitcher full of water in which walnuts are kept for soaking and worshipped along with Shiva, Parvati, Kumara, Ganesha, their ganas or attendant deities, yoginis and kshetrapalas (guardians of the quarters) - all represented by clay images. The soaked walnuts are later distributed as naivedya. The ceremony is called 'vatuk barun' in Kashmiri, which means filling the pitcher of water representing the Vatuka Bhairava with walnuts and worshipping it. [1]
The Poice dishes, mainly of meat and fish but also vegetarian as an option, are cooked as sacrificial food and partaken of by the worshipper and his family after being symbolically offered to the whole host of deities and attendant deities associated with Shivaratri. This is essential for everyone, the related texts emphasize. Those who do so are supposed to achieve progress and prosperity in life and have all their wishes fulfilled. But those who do not partake of the sacrificial food and do not break their fast after the Puja are bound to go to hell or take rebirth as lowly animals besides facing all kinds of disappointments in life, as related texts like the Shiva Samhita say:
"yo yagotsavam ulanghya tishthet nirashano vrato, jivan sa pashutameti mrito niryamapnuyat"
The symbolism of the aniconic earthen images, vagur, sonipotul and others representing Shiva, Ganesha, Parvati, yoginis and kshetrapalas, is not clear, as no available text has cared to have thrown any light on it. The vagur, specially worshipped on the dvadashi night itself, is perhaps a vestige of the rites of the Kaula cult as the manual on Shivaratri Puja suggests. It further indicates that these rites are related to Bhairava Puja: "atha dvadashyam pujanam Bhairavam namami", without elaborating. This has resulted in ridiculous etymologies of the names of the anicons being claimed by some people. The clay images are, nonetheless, essential to the performance of the ritual activity. As they are not made on the potter's wheel, their worship may have originated in an early period.
However, it is clear from what we have said above that there is difference in the way Shivaratri is celebrated by the Kashmiri Pandits and by Hindus elsewhere in the country. The Pandits not only celebrate it as Bhairavotsava one day earlier but also perform quite different rituals. Further, the tradition among Hindus in general is to strictly observe a fast on the Shiva Chaturdashi day. Even taking fruit or betel leaf is considered as violation of the fast.
"Shivayaga chaturdashyam ma vrate phala bhojanam", says the Padma Purana. The Markandeya Purana going a step ahead adds: "tambulam api na dadyat vrata bhanga bhayam priye". It is not that the Kashmiri Pandits do not celebrate on the chaturdshi day, but it is a day of feasting for them. The Nilamata Purana, it may be noted, clearly says that Shivaratri is celebrated on the chaturdashi of the dark fortnight of Phalguna.
There are several other festivals and Puja rites peculiar to Kashmiri Pandits, some of them dating back to hoary antiquity. One such distinctly Kashmiri festival is Khetsimavas or Yakshamavasya which is celebrated on the amavasya or the last day of the dark fortnight of Pausha (December–January). Commemorative of the coming together and co-mingling of various races and ethnic groups in prehistoric Kashmir, khichari is offered on this day as sacrificial food to Kubera indicating that the cult of Yaksha existed there from very early times. Khetsimavas appears to be a folk-religious festival - a pestle, or any stone in case that is not available, is washed and anointed with sandalwood paste and vermilion on this evening and worshipped taking it to be an image of Kubera. Khichari is offered to him with naivedya mantras and a portion of it is kept on the outer wall of his house by the worshipper in the belief that Yaksha will come to eat it.
Kashmiri Pandits celebrate their New Year's Day on the first day of the bright half of the month of Chaitra (Mar–Apr) and call it Navreh- the word derived from the Sanskrit nava varsha, literary meaning 'new year'. The Kashmiri Pandit families that migrated to the plains before 1900 also celebrate Navreh. On the eve of Navreh, a platter of unhusked rice with a bread, a cup of curd, a little salt, a little sugar candy, a few walnuts or almonds, a silver coin, a pen, a mirror, some flowers (rose, marigold, crocus, or jasmine) and the new panchanga or almanac is kept and seen as the first thing on waking up in the morning. This ritual is more or less the same as the Iranian Haft-Seen and Zoroastrian Nowruz. The Bhringisha Samhita says that the platter should be of bronze (kansyapatraka). The same ritual is observed on Sonth or the Kashmiri spring festival.
The Saptarshi Era of the Kashmiri Hindu calendar is believed to have started on this very day, some 5079 years ago. According to the legend, the celebrated Sapta Rishis assembled on the Sharika Parvata (Hari Parbat), the abode of the goddess Sharika, at the auspicious moment when the first ray of the sun fell on the Chakreshvara on this day and paid tribute to her. Astrologers made this moment as the basis of their calculations of the nava varsha pratipada, marking the beginning of the Saptarshi Era. Before their exodus Kashmiri Pandits would flock to Hari Parbat in thousands to celebrate Navreh.
On Zyeth Atham (Jyeshtha Ashtami in Sanskrit) or the eighth day of the bright half of Jyeshtha (May–June) a grand festival is held at Tulmul to celebrate the pradurbhava of the Goddess Ragya (Kshir Bhavani). Another festival is held at the shrine on Ashadha Ashtami with equal devotional fervour, the sacred spring of the shrine that miraculously changes its colour having been discovered on the saptami of that month. The devotees offer their worship, individually or in groups, waving lamp (Deep) and burning incense (dhupa) while reciting hymns to the Goddess and singing devotional songs. They make offerings of khir to her and of milk, loaf-sugar and flowers, which they offer into the spring. Ritually no specific procedure is prescribed for the Puja at Kshir Bhavani. The Bhringish Samhita simply says that the Devi, whose mantra is of fifteen syllables, accepts offerings of milk, sugar candy and ghee only - "sa kshira-kharuladi bhojanam".
Tripura Sundari, literally meaning "she who is lovely in the three worlds", is one of the most important goddesses worshipped in the Tantric tradition in Kashmir. Her cult is particularly popular among the Tiku clan of Kashmiri Pandits who celebrate her festival on Tiky chorum(4th.maag one day before Vasant Panchami) . The surname 'Tiku' is derived from "trika", according to popular etymology. Her devotees believe that she combines in her form all three Goddesses, Mahalakshmi, Maha-sarswati and Mahakali, and all three of her cosmic functions. However, she is also worshipped by the entire Brahmin community in Kashmir and from very early times.
Pann (literally meaning thread) is a festival originally associated with the spinning of newly produced cotton and worshipping the twin agricultural goddesses, obviously local, Vibha and Garbha to whom roths or sweet bread cakes were offered. Though Kashmir is not said to have a climate suitable for growing cotton, there is a strong tradition suggesting that it actually did grow there. The festival falls on the Ganesh Chaturthi (Vinayaka Tsoram) day and the worship of Lakshmi on this occasion seems to have been inducted later. Not that the worship dedicated to the local goddesses was appropriated wilfully by followers of the cult of Lakshmi, but there appears to have been a mix-up at some point of time. The twin goddesses themselves seem to have merged into one another assuming the identity of the folk deity Beeb Garabh Maj, whose very name- obviously a distortion - points to such a possibility. Beeb Garabh Maj is represented by a lota or a water pot which is placed in the centre of the place where the Puja is to be performed, a cotton thread (Pann) being tied to its neck and handful of dramun or runner grass kept inside it, pointing again to its agricultural origin. A story is told at the Pann Puja which is quite similar to the Satyanaryana Katha, showing some sort of confusion between two different Pujas. Preparation of the roths and their distribution for ushering in prosperity and auspiciousness has, however, become an important part of Kashmiri Pandit religious life.
Gaad Baat (literally meaning 'Fish and Rice') is another festival for Kashmiri Pandits which focusses on the dependence of Kashmiri Pandit festivals on the sacrificial offerings. This ritual is basically for the Guardian of the House, locally called as Gar Divta, for which the sacrificial offering of fish is offered. According to Kashmiri Pandits, Gar Divta has been perceived by many acts. Some people were even said to have communicated with Him. Gaad Batt is celebrated by having the fish sacrifice worshipped and offering the served rice-and-fish to Gar Divta, keeping it at a place that could be kept inaccessible for a night. He is known to keep our house away from evil spirits and protect us.
Ksheer Bhawani also known as Kheer Bhawani is a temple shrine in Kashmir dedicated to Goddess Bhawani (Durga). The temple is constructed over a sacred spring; legend has it the water in the spring kept on changing when there's some danger in the valley [2] Kashmiri Pandits has a keen belief in the Kheer Bhawani Temple. The temple is also linked with the great Indian epic Ramayana. It is believed that it was Lord Hanumana who brought Goddess Kheer Bhawani in Kashmir along with the Nagas. The temple is situated in the Tulmul village of Kashmir. Every year a grand fair is organised and pilgrims usually Kashmiri Pandits come to pay their obeisance to Goddess Bhawani. Also, a grand temple is built in Jammu in the Janipur area in accordance with the Kheer Bhawani temple of Kashmir. A grand fest is also organised in Jammu as well.
Till the 11th century AD, the Kashmiri Pandits celebrated Mitra (Mithra) Punim, on the fourteenth (full moon) night of the bright fortnight (shukla paksha) of the Hindu autumn month of Ashvin or Ashwayuja. [3] On this night, they remembered Mitra (Mithra), the patron divinity of honesty, friendship, contracts and meetings, by lighting a diya for him. [4] The next morning was called Mitra Prabhat (Bamdad-e-Mithra), or the Morning of Mitra. Lotuses, rose petals and marigolds, washed in the water of the rivers Vitasta (now called Vyeth or Jhelum), along with walnuts, fruits and milk or milk-based sweets, were kept on a decorated platter in the honor of Mithra. Children were bathed in the same Vitasta(Vyeth) river and dressed in bright red, orange, or yellow silk robes, representing the radiance of Mithra's glory. [4] Games were organized for children so that they were encouraged to forge new friendships. Clothes and quilts were donated to the needy and the fruits, nuts, and milk-sweets placed on the Mithra platter were shared with them. Nadir (lotus stem) was cooked on this day. In the Vedas, mitra also refers to the morning sun. [4]
Saraswati, also spelled as Sarasvati, is the Hindu goddess of knowledge, music, flowing water, abundance and wealth, art, speech, wisdom, and learning. She is one of the Tridevi, along with the goddesses Lakshmi and Parvati. She is a pan-Indian deity, also revered in Jainism and Buddhism.
Bhairava, or Kala Bhairava, is a Shaivite and Vajrayāna deity worshipped by Hindus and Buddhists. In Shaivism, he is a powerful manifestation, or avatar, of Shiva, associated with annihilation. In the tradition of Kashmir Shaivism, Bhairava represents the Supreme Reality, synonymous to Para Brahman. Generally in Hinduism, Bhairava is also called Dandapani, as he holds a rod or danda to punish sinners, and Svaśva, meaning, "he whose vehicle is a dog". In Vajrayana Buddhism, he is considered a fierce emanation of boddhisatva Mañjuśrī, and also called Heruka, Vajrabhairava, and Yamantaka.
Maha Shivaratri is a Hindu festival celebrated annually in honour of the deity Shiva, between February and March. According to the Hindu calendar, the festival is observed on the fourteenth day of the first half of the lunar month of Phalguna. The festival commemorates the wedding of Shiva and Parvati, and the occasion that Shiva performs his divine dance, called the Tandava.
Durga Puja, also known as Durgotsava or Sharodotsav, is an annual festival originating in the Indian subcontinent which reveres and pays homage to the Hindu goddess Durga, and is also celebrated because of Durga's victory over Mahishasura. It is particularly celebrated in the Eastern Indian states of Bengal, Assam ,Odisha and by Hindus in Bangladesh. The festival is observed in the Indian calendar in the month of Ashvin, which corresponds to September–October in the Gregorian calendar. Durga Puja is a ten-day festival, of which the last five are of the most significance. The puja is performed in homes and public, the latter featuring a temporary stage and structural decorations. The festival is also marked by scripture recitations, performance arts, revelry, gift-giving, family visits, feasting, and public processions called a melā. Durga Puja is an important festival in the Shaktism tradition of Hinduism. Durga Puja in Kolkata has been inscribed on the intangible cultural heritage list of UNESCO in December 2021.
Sharad Purnima is a religious festival celebrated on the full moon day of the Hindu lunar month of Ashvin, marking the end of the monsoon season. The full moon night is celebrated in different ways in various cultural regions across Indian subcontinent.
Somarama is one of the five Pancharama Kshetras that are sacred to the Hindu god Shiva. The temple is located in Bhimavaram of West Godavari district in the Indian state of Andhra Pradesh. It is one of the centrally protected monuments of national importance.
Kheer Bhawani,Ksheer Bhawani or the Ragnya Devi temple is a Hindu temple situated at a distance of 25 kilometres (16 mi) north-east of Srinagar, Jammu and Kashmir, India, in the village of Tulmul in Ganderbal. It is dedicated to the Hindu goddess Kheer Bhavani constructed over a sacred spring. As is the custom with Hindu deities, the goddess has many names including Ragnya or Rajna, along with variations in honorifics such as Devi, Mata or Bhagavati. The term kheer refers to a milk and rice pudding that is offered to propitiate the goddess. Kheer Bhawani is sometimes translated as 'Milk Goddess'. The worship of Kheer Bhawani is universal among the Hindus of Kashmir, most of them who worship her as their protective patron deity Kuladevi.
Sharada Peeth is a ruined Hindu temple and ancient centre of learning located in the Neelum Valley of Pakistan-administered Azad Kashmir in the disputed Kashmir region. Between the 6th and 12th centuries CE, it was among the most prominent temple universities in the Indian subcontinent. Known in particular for its library, stories recount scholars travelling long distances to access its texts. It played a key role in the development and popularisation of the Sharada script in North India, causing the script to be named after it, and Kashmir to acquire the moniker "Sharada Desh", meaning "country of Sharada".
This article lists the traditional festivals and other cultural events in the Odisha region of India. Odisha celebrates 13 festivals in 12 months as the saying goes Bāra Māsare Tera Parba.
Jammu and Kashmir is home to several valleys such as the Kashmir Valley, Chenab Valley, Sindh Valley and Lidder Valley. Some major tourist attractions in Jammu and Kashmir are Srinagar, with its renowned Dal Lake and Mughal Gardens, Gulmarg, Pahalgam, Bhaderwah, Patnitop and Jammu. Every year, thousands of Hindu pilgrims visit holy shrines of Vaishno Devi and Amarnath which has had a significant impact on the state's economy.
Manraja is a village development committee (VDC) in the Saptari District, province No. 2, of south-eastern Nepal. It has a total area of 3.9 km2 (1.5 sq mi) and sits at an elevation of 89 m (292 ft). It is known for its landmark Shree Raja Ji Than Temple.
Navaratri is an annual Hindu festival observed in honor of the goddess Durga, an aspect of Adi Parashakti, the supreme goddess. It spans over nine nights, first in the month of Chaitra, and again in the month of Ashvin (September–October). It is observed for different reasons and celebrated differently in various parts of the Hindu Indian cultural sphere. Theoretically, there are four seasonal Navaratri. However, in practice, it is the post-monsoon autumn festival called Sharada Navaratri. There are 2 Gupta Navaratris or "Secret Navaratris" as well, one starting on the Shukla Paksha Pratipada of the Magha Month and another starting in the Shukla Paksha Pratipada of Jyestha Month.
Ashtami is the eighth day (Tithi) of Hindu lunar calendar.
The Mahabaleshwar Temple, Gokarna is a 4th-century CE Hindu temple located in Gokarna, Uttara Kannada district, Karnataka state, India which is built in the classical Dravidian architectural style. It is a site of religious pilgrimage. The temple faces the Gokarna beach on the Arabian Sea. The temple deifies the Pranalinga also called Atmalinga or Shiva Linga In legend, it is said that the deity of the temple will bestow immense blessings to devotees, even to those who only glimpse it. Currently the administrative charge of the temple is with an Overseeing Committee under the Chairmanship of Justice BN Srikrishna, a Retired Justice of the Hon'ble Supreme Court of India. It is one of the 275 paadal petra sthalams expounded in the Tevaram, a sacred Tamil Shaivite text written during the 6th and 7th centuries by 63 saints called Nayanars.
The Vimala Temple or Bimala Temple is a Hindu temple dedicated to goddess Vimala or Bimala (ବିମଳା), located within the Jagannath Temple complex in Puri in the Indian state of Odisha. It is generally regarded as a Shakti Pitha, among the holiest temples dedicated to the Hindu Goddess.
Here is a list of glossary of Culture of India in alphabetical order:
Bhairava Ashtami, also known as Bhairavashtami, Bhairava Jayanti, Kala-Bhairava Ashtami and Kala-Bhairava Jayanti is a Hindu holy day commemorating the manifestation of the deity Bhairava, a fearsome and wrathful manifestation of the god Shiva. It falls on the eighth lunar day (ashtami) in the fortnight of the waning moon in the Hindu month of Kartika or Margashirsha. By both schemes, Bhairava Ashtami falls on the same day in November–December-January. The name Kalashtami is sometimes used to refer to this day, but might also refer to any ashtami in Krishna paksha, all of which are days sacred to Bhairava.
Durga Ashtami or Maha Ashtami is the eighth day of the Navaratri festival celebrated by Hindus in veneration of the goddess Durga. In Eastern India, Durga Ashatmi is also one of the most auspicious days of the five days-long Durga Puja festival. Traditionally, the festival is observed for 10 days in Hindu households, but the actual puja that takes place in the pandals is held over a period of 5 days. In India, fasting is undertaken by Hindus on this holy occasion. People also get together on this day to perform the folk dance garba and wear colourful clothes. This day is also known for Astra Puja ; on this day, the weapons of Durga are worshipped. The occasion is also rendered Vira Ashtami to mark the usage of arms or martial arts on this day.
Navreh or Kashmiri New Year is the celebration of the first day of the Kashmiri new year by Kashmiri Hindus, with the largest Kashmiri Hindu community being the Kashmiri Pandits. Kashmiri Pandits dedicate Navreh festival to their Goddess Sharika, a form of Goddess Durga or Shakti, and pay homage to her during the festival. It takes place on the first day of the bright half on the month of Chaitra (March–April) of the Kashmiri Hindu calendar