The Baroque is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well.
Rococo, less commonly Roccoco, also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement.
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be 'tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns.
In classical antiquity, the cornucopia, also called the horn of plenty, was a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, or nuts.
A parterre is a part of a formal garden constructed on a level substrate, consisting of symmetrical patterns, made up by plant beds, plats, low hedges or coloured gravels, which are separated and connected by paths. Typically it was the part of the garden nearest the house, perhaps after a terrace. The view of a parterre from inside the house, especially from the upper floors, was a major consideration in its design. The word "parterre" was and is used both for the whole part of the garden containing parterres and for each individual section between the "alleys".
The Catherine Palace is a Rococo palace in Tsarskoye Selo (Pushkin), located 30 kilometres (19 mi) south of St. Petersburg, Russia. It was the summer residence of the Russian tsars. The palace is part of the World Heritage Site Saint Petersburg and Related Groups of Monuments.
The Nymphenburg Palace is a Baroque palace situated in Munich's western district Neuhausen-Nymphenburg, in Bavaria, southern Germany. The Nymphenburg served as the main summer residence for the former rulers of Bavaria of the House of Wittelsbach. Combined with the adjacent Nymphenburg Palace Park it constitutes one of the premier royal palaces of Europe. Its frontal width of 632 m (2,073 ft) even surpasses Versailles.
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery, or sculpture in multiple colors.
Wilanów Palace is a former royal palace located in the Wilanów district of Warsaw, Poland. It was built between 1677–1696 for king of Poland John III Sobieski according to a design by architect Augustyn Wincenty Locci. Wilanów Palace survived Poland's partitions and both World Wars, and so serves as one of the most remarkable examples of Baroque architecture in the country.
Bucranium was a form of carved decoration commonly used in Classical architecture. The name is generally considered to originate with the practice of displaying garlanded, sacrificial oxen, whose heads were displayed on the walls of temples, a practice dating back to the sophisticated Neolithic site of Çatalhöyük in eastern Anatolia, where cattle skulls were overlaid with white plaster.
A festoon is a wreath or garland hanging from two points, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.
Ottoman architecture is an architectural style or tradition that developed under the Ottoman Empire over a long period, undergoing some significant changes during its history. It first emerged in northwestern Anatolia in the late 13th century and developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East. Early Ottoman architecture experimented with multiple building types over the course of the 13th to 15th centuries, progressively evolving into the classical Ottoman style of the 16th and 17th centuries. This style was a mixture of native Turkish tradition and influences from the Hagia Sophia, resulting in monumental mosque buildings focused around a high central dome with a varying number of semi-domes. The most important architect of the classical period is Mimar Sinan, whose major works include the Şehzade Mosque, Süleymaniye Mosque, and Selimiye Mosque. The second half of the 16th century also saw the apogee of certain decorative arts, most notably in the use of Iznik tiles.
The acanthus is one of the most common plant forms to make foliage ornament and decoration in the architectural tradition emanating from Greece and Rome.
Sanssouci is a historical building in Potsdam, near Berlin. Built by Prussian King Frederick the Great as his summer palace, it is often counted among the German rivals of Versailles. While Sanssouci is in the more intimate Rococo style and is far smaller than its French Baroque counterpart, it, too, is notable for the numerous temples and follies in the surrounding park. The palace was designed and built by Georg Wenzeslaus von Knobelsdorff between 1745 and 1747 to meet Frederick's need for a private residence where he could escape the pomp and ceremony of the royal court. The palace's name is a French phrase meaning "without worries" or "carefree", emphasising that the palace was meant as a place of relaxation rather than a seat of power.
The New Michael Palace was the third Saint Petersburg palace designed by Andrei Stackenschneider for Nicholas I's children. It was built between 1857 and 1862 on the Palace Embankment, between the Hermitage Museum buildings and the Marble Palace.
The Palace of Queluz is an 18th-century palace located at Queluz, a city of the Sintra Municipality, in the Lisbon District, on the Portuguese Riviera. One of the last great Rococo buildings to be designed in Europe, the palace was conceived as a summer retreat for King Joseph I's brother, Peter of Braganza, later to become husband and king jure uxoris to his own niece, Queen Maria I. It eventually served as a discreet place of incarceration for Maria I, when she became afflicted by severe mental illness in the years following Peter III's death in 1786. Following the destruction of the Palace of Ajuda by fire in 1794, Queluz Palace became the official residence of the Portuguese Prince Regent John, and his family, and remained so until the royal family fled to the Portuguese colony of Brazil, following the French invasion of Portugal (1807).
A cartouche is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian cartuccia. Such cartouches are characteristically stretched, pierced and scrolling.
In architecture and the decorative arts, a mascaron ornament is a face, usually human, sometimes frightening or chimeric, whose alleged function was originally to frighten away evil spirits so that they would not enter the building. The concept was subsequently adapted to become a purely decorative element. The most recent architectural styles to extensively employ mascarons were Beaux Arts and Art Nouveau. In addition to architecture, mascarons are used in the other applied arts.
The Nymphenburg Palace Park ranks among the finest and most important examples of garden design in Germany. In combination with the palace buildings, the Grand circle entrance structures and the expansive park landscape form the ensemble of the Nymphenburg Summer Residence of Bavarian dukes and kings, located in the modern Munich Neuhausen-Nymphenburg borough. The site is a Listed Monument, a Protected Landscape and to a great extent a Natura2000 area.
Porcelain services that were produced during the Rococo period, roughly aligning with the reign of Louis XV of France from 1715 to 1774, included a variety of shapes or molds of dishes for use during savory and sweetmeat courses. These included plates, platters, tureens, sauce cups, cake stands, epergnes, wine coolers, and ice cream coolers, as well as porcelain molds not designed for food services such as etagere vases, flower vases, potpourri vases, toilet set bowls, and plaques inlaid into furniture. Two of the most famous manufacturers of rococo porcelain services in Europe were the Manufacture Nationale de Sevres in France and Meissen Porcelain in Germany. While Sevres worked almost exclusively in soft paste porcelain during the rococo period, which was composed of a translucent mixture of clay, glass, and minerals such as feldspar and quartz, Meissen was the first European porcelain manufactory to produce hard paste wares, which were modeled after earlier Asian imported porcelain which contained clay, minerals, and kaolin, which allowed the clay to survive much higher firing temperatures in the kiln, producing more opaque and stronger completed dishes than were previously available domestically.
