A hedge maze is an outdoor garden maze or labyrinth in which the "walls" or dividers between passages are made of vertical hedges.
A hedge maze is an outdoor garden maze or labyrinth in which the "walls" or dividers between passages are made of vertical hedges.
Hedge mazes evolved from the knot gardens of Renaissance Europe, and were first constructed during the mid-16th century. [1] These early mazes were very low, initially planted with evergreen herbs, but, over time, dwarf box became a more popular option due to its robustness. Italian architects had been sketching conceptual garden labyrinths as early as 1460, and hundreds of mazes were constructed in Europe between the 16th and 18th centuries. [2]
Initially, the hedge maze was not intended to confuse, but to provide a unicursal walking path. Puzzle-like hedge mazes featuring dead ends and tall hedges arrived in England during the reign of King William III of England. They were now part of the bosquet or wilderness part of the garden, and extended area of highly artificial formal woodland, with groups of trees enclosed by hedges. It was possible to get lost in the much-admired labyrinth of Versailles, built for Louis XIV of France in 1677 and destroyed in 1778. This maze was adorned with thirty-nine hydraulic sculpture groups depicting Aesop's fables. The oldest surviving puzzle hedge maze, at Hampton Court Palace in Surrey, England, was built for King William in the late 17th century. Its distinctive trapezoidal shape is due to pre-existing paths running alongside the maze.
In modern times, hedge mazes have increased in complexity. A hedge maze at Longleat House in Wiltshire, England, designed in 1978, features a three-dimensional maze that uses bridges and a grid-less layout to confuse visitors.
In Greek mythology, the Labyrinth was an elaborate, confusing structure designed and built by the legendary artificer Daedalus for King Minos of Crete at the Knossos. Its function was to hold the Minotaur, the monster eventually killed by the hero Theseus. Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it.
A maze is a path or collection of paths, typically from an entrance to a goal. The word is used to refer both to branching tour puzzles through which the solver must find a route, and to simpler non-branching ("unicursal") patterns that lead unambiguously through a convoluted layout to a goal. The term "labyrinth" is generally synonymous with "maze", but can also connote specifically a unicursal pattern. The pathways and walls in a maze are typically fixed, but puzzles in which the walls and paths can change during the game are also categorised as mazes or tour puzzles.
Hampton Court Palace is a Grade I listed royal palace in the London Borough of Richmond upon Thames, 12 miles southwest and upstream of central London on the River Thames. Opened to the public, the palace is managed by Historic Royal Palaces, a charity set up to preserve several unoccupied royal properties.
Rosamund Clifford, often called "The Fair Rosamund" or "Rose of the World", was a medieval English noblewoman and mistress of Henry II, King of England, who became famous in English folklore.
Blenheim Palace is a country house in Woodstock, Oxfordshire, England. It is the seat of the Dukes of Marlborough and the only non-royal, non-episcopal country house in England to hold the title of palace. The palace, one of England's largest houses, was built between 1705 and 1722, and designated a UNESCO World Heritage Site in 1987.
Topiary is the horticultural practice of training perennial plants by clipping the foliage and twigs of trees, shrubs and subshrubs to develop and maintain clearly defined shapes, whether geometric or fanciful. The term also refers to plants which have been shaped in this way. As an art form it is a type of living sculpture. The word derives from the Latin word for an ornamental landscape gardener, topiarius, a creator of topia or "places", a Greek word that Romans also applied to fictive indoor landscapes executed in fresco.
Hampton Court Maze is a hedge maze at Hampton Court Palace and the oldest surviving hedge maze in Britain.
Longleat is a stately home about 4 miles (7 km) west of Warminster in Wiltshire, England. A leading and early example of the Elizabethan prodigy house, it is a Grade I listed building and the seat of the Marquesses of Bath.
An orangery or orangerie is a room or dedicated building, historically where orange and other fruit trees are protected during the winter, as a large form of greenhouse or conservatory. In the modern day an orangery could refer to either a conservatory or greenhouse built to house fruit trees, or a conservatory or greenhouse meant for another purpose.
A caerdroia is a Welsh turf maze, usually in the sevenfold Cretan labyrinth design. They were created by shepherds on hilltops and were apparently the setting for ritual dances, the nature of which has been lost. At the centre of each caerdroia was a small hillock—in Welsh, twmpath. A gathering for folk dancing in Wales is still called a twmpath dawns. It is a typical labyrinth of Welsh but there is a specimen in Italy to Petrella Tifernina discovered by the historian Mario Ziccardi. This specimen is the only one in the Mediterranean area for now.
Adrian Fisher is a British pioneer, inventor, designer and creator of mazes, puzzles, public art, tessellations, tilings, patterns and networks of many kinds. He is responsible for more than 700 mazes in 42 countries since 1979.
Historically, a turf maze is a labyrinth made by cutting a convoluted path into a level area of short grass, turf or lawn. Some had names such as Mizmaze, Troy Town, The Walls of Troy, Julian's Bower, or Shepherd's Race. This is the type of maze referred to by William Shakespeare in A Midsummer Night's Dream when Titania says:
Many turf mazes in England were named Troy Town, Troy-town or variations on that theme presumably because, in popular legend, the walls of the city of Troy were constructed in such a confusing and complex way that any enemy who entered them would be unable to find his way out. Welsh hilltop turf mazes were called "Caerdroia", which can be translated as "City of Troy".
Gilbert Randoll Coate was a British diplomat, maze designer and "labyrinthologist".
Dutch garden refers firstly to gardens in the Netherlands, but also, mainly in the English-speaking countries, to various types of gardens traditionally considered to be in a Dutch style, a presumption that has been much disputed by garden historians in recent decades. Historically gardens in the Netherlands have generally followed trends from neighbouring countries, but from the Early Modern period, Dutch gardens were distinctive for the wider range of plants available over the rest of Europe north of the Alps, and an emphasis on individual specimen plants, often sparsely planted in a bed. In the 17th century and into the 18th, the Dutch dominated the publishing of botanical books, and established the very strong position in the breeding and growing of garden plants, which they still retain. They were perhaps also distinguished by their efficient use of space, and in large examples, the use of topiary and small "canals", long thin, rectangular artificial stretches of water. When a distinctively "Dutch" style is claimed, it generally relates to formal styles in large gardens in the latter part of the 17th century, stretching on for a few decades.
The labyrinth of Versailles was a hedge maze in the Gardens of Versailles with groups of fountains and sculptures depicting Aesop's fables. André Le Nôtre initially planned a maze of unadorned paths in 1665, but in 1669, Charles Perrault advised Louis XIV to include thirty-nine fountains, each representing one of the fables of Aesop. The work was carried out between 1672 and 1677. Water jets spurting from the animals mouths were conceived to give the impression of speech between the creatures. There was a plaque with a caption and a quatrain written by the poet Isaac de Benserade next to each fountain. A detailed description of the labyrinth, its fables and sculptures is given in Perrault's Labyrinte de Versailles, illustrated with engravings by Sébastien Leclerc.
Bridge End Gardens is a group of linked ornamental gardens in Saffron Walden, Essex, England. The gardens are listed Grade II* on the Register of Parks and Gardens. They are located off Castle Street, close to the Fry Art Gallery. Features include a maze.
A formal garden is a garden with a clear structure, geometric shapes and in most cases a symmetrical layout. Its origin goes back to the gardens which are located in the desert areas of Western Asia and are protected by walls. The style of a formal garden is reflected in the Persian gardens of Iran, and the monastic gardens from the Late Middle Ages. It has found its continuation in the Italian Renaissance gardens and has culminated in the French formal gardens from the Baroque period. Through its design, the garden conveys a sense of established order and transparency to the observer.
In the Western history of gardening, from the 16th to early 19th centuries, a wilderness was a highly artificial and formalized type of woodland, forming a section of a large garden. Though examples varied greatly, a typical English style was a number of geometrically-arranged compartments closed round by hedges, each compartment planted inside with relatively small trees. Between the compartments there were wide walkways or "alleys", usually of grass, sometimes of gravel. The wilderness provided shade in hot weather, and relative privacy. Though often said by garden writers at the time to be intended for meditation and reading, the wilderness was much used for walking, and often flirtation. There were few if any flowers, but there might be statues, and some seating, especially in garden rooms or salle vertes, clearings left empty. Some had other features, such as a garden maze.
In the history of gardening and landscaping, a canal is a relatively large piece of water that has a very regular shape, usually long, thin and rectangular. The peak period for garden canals was the 17th and 18th centuries, by the end of which less formal water features were in favour, in the style of the English landscape garden. It is distinguished from a garden pond or lake by its shape, and typically falls somewhere between the two in area. It might be wholly artificial, created by diverting and damming a stream, or based around a natural water feature which is landscaped. Usually it appears to be enclosed, though in fact water passes in and out by channels below the surface. The edges are often walled, and the water relatively shallow.
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