Aachen Cathedral is a Catholic church in Aachen, Germany and the seat of the Diocese of Aachen.
The Palatine Chapel in Aachen is an early medieval chapel and remaining component of Charlemagne's Palace of Aachen in what is now Germany. Although the palace itself no longer exists, the chapel was preserved and now forms the central part of Aachen Cathedral. It is Aachen's major landmark and a central monument of the Carolingian Renaissance. The chapel held the remains of Charlemagne. Later it was appropriated by the Ottonians and coronations were held there from 936 to 1531.
Reichenau Island is an island in Lake Constance in Southern Germany. It lies almost due west of the city of Konstanz, between the Gnadensee and the Untersee, two parts of Lake Constance. With a total land surface of 4.3 km2 (1.7 sq mi) and a circumference of 11 km (6.8 mi), the island is 4.5 km (2.8 mi) long and 1.5 km (0.93 mi) wide at its greatest extent. The highest point, the Hochwart, stands some 43 m (141 ft) above the lake surface and 438.7 m (1,439 ft) above mean sea level.
A westwork, forepart, avant-corps or avancorpo is the monumental, west-facing entrance section of a Carolingian, Ottonian, or Romanesque church. The exterior consists of multiple stories between two towers. The interior includes an entrance vestibule, a chapel, and a series of galleries overlooking the nave. A westwork is usually broader than the width of the nave and aisles. It is sometimes used synonymously with narthex. The structural purpose of the massive westwork is to resolve the horizontal thrust of the east-to-west arcades of the nave.
Lorsch Abbey, otherwise the Imperial Abbey of Lorsch, is a former Imperial abbey in Lorsch, Germany, about 10 km (6.2 mi) east of Worms. It was one of the most important monasteries of the Carolingian Empire. Even in its ruined state, its remains are among the most important pre-Romanesque–Carolingian style buildings in Germany.
The Princely Abbey of Corvey is a former Benedictine abbey and ecclesiastical principality now in North Rhine-Westphalia, Germany. It was one of the half-dozen self-ruling princely abbeys of the Holy Roman Empire from the Late Middle Ages until 1792 when Corvey was elevated to a prince-bishopric. Corvey, whose territory extended over a vast area, was in turn secularized in 1803 in the course of the German mediatisation and absorbed into the newly created Principality of Nassau-Orange-Fulda. Originally built in 822 and 885 and remodeled in the Baroque period, the abbey is an exceptional example of Carolingian architecture, the oldest surviving example of a westwork, and the oldest standing medieval structure in Westphalia. The original architecture of the abbey, with its vaulted hall and galleries encircling the main room, heavily influenced later western Romanesque and Gothic architecture. The inside of the westwork contains the only known wall paintings of ancient mythology with Christian interpretation in Carolingian times. The former abbey church was listed as a UNESCO World Heritage Site in 2014.
Pre-Romanesque art and architecture is the period in European art from either the emergence of the Merovingian kingdom in about 500 AD or from the Carolingian Renaissance in the late 8th century, to the beginning of the 11th century Romanesque period. The term is generally used in English only for architecture and monumental sculpture, but here all the arts of the period are briefly described.
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres.
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and Northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance. However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own. In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, and important monasteries, as well as the court circles of the emperor and his leading vassals.
Mosan art is a regional style of art from the valley of the Meuse in present-day Belgium, the Netherlands, and Germany. Although in a broader sense the term applies to art from this region from all periods, it generally refers to Romanesque art, with Mosan Romanesque architecture, stone carving, metalwork, enamelling and manuscript illumination reaching a high level of development during the 11th, 12th and 13th centuries.
Ottonian architecture is an architectural style which evolved during the reign of Emperor Otto the Great. The style was found in Germany and lasted from the mid 10th century until the mid 11th century.
The Ottonian Renaissance was a renaissance of Byzantine and Late Antique art in Central and Southern Europe that accompanied the reigns of the first three Holy Roman Emperors of the Ottonian dynasty: Otto I (936–973), Otto II (973–983), and Otto III (983–1002), and which in large part depended upon their patronage. The leading figures in this movement were Pope Sylvester II and Abbo of Fleury. Renewed contact between the Ottonian court and Byzantine Constantinople spurred the hybridisation of Eastern-Byzantine and Western-Latin cultures, particularly in arts, architecture and metalwork, while the Ottonians revitalised the cathedral school network which promoted learning based on the seven liberal arts. Ottonian intellectual activity was largely a continuation of Carolingian works, but circulated mainly in the cathedral schools and the courts of bishops, rather than the royal court.
The Basilica of Saint Servatius is a Roman Catholic church dedicated to Saint Servatius, in the city of Maastricht, the Netherlands. The architecturally hybrid but mainly Romanesque church is situated next to the Gothic church of Saint John, backing onto the town's main square, Vrijthof.
The Palace of Aachen was a group of buildings with residential, political, and religious purposes chosen by Charlemagne to be the center of power of the Carolingian Empire. The palace was located north of the current city of Aachen, today in the German Land of North Rhine-Westphalia. Most of the Carolingian palace was built in the 790s but the works went on until Charlemagne's death in 814. The plans, drawn by Odo of Metz, were part of the program of renovation of the kingdom decided by the ruler. Today much of the palace is ruined, but the Palatine Chapel has been preserved and is considered a masterpiece of Carolingian architecture and a characteristic example of architecture from the Carolingian Renaissance.
Imperial cathedral is the designation for a cathedral linked to the Imperial rule of the Holy Roman Empire.
St. Alban's Abbey, Mainz originated as a Benedictine abbey, founded in 787 or 796 by Archbishop Richulf (787–813) in honour of Saint Alban of Mainz, located to the south of Mainz on the hill later called the Albansberg. It was turned into a collegiate foundation (Herrenstift) in 1442. The buildings were entirely destroyed in 1552, although the foundation retained a legal existence until its formal dissolution in 1802.
Eudesof Metz was an architect of Armenian origin who lived during Charlemagne's reign in the Carolingian Empire. He is the earliest known architect born north of the Alps. He could have been of armenian origin based on an alleged latin inscription found in the dome of the Palatine Chapel which indicated Eudes came from the land of Noah's ark, but no evidence of the inscription has been found yet.
The Ingelheim Imperial Palace was an important imperial palace erected in the second half of the 8th century in Germany. It served kings of Francia and later Holy Roman Emperors and Kings as a residenz and place for governance until the 11th century.
The Carolingian Church encompasses the practices and institutions of Christianity in the Frankish kingdoms under the rule of the Carolingian dynasty (751-888). In the eighth and ninth centuries, Western Europe witnessed decisive developments in the structure and organisation of the church, relations between secular and religious authorities, monastic life, theology, and artistic endeavours. Christianity was the principal religion of the Carolingian Empire. Through military conquests and missionary activity, Latin Christendom expanded into new areas, such as Saxony and Bohemia. These developments owed much to the leadership of Carolingian rulers themselves, especially Charlemagne and Louis the Pious, whose courts encouraged successive waves of religious reform and viewed Christianity as a unifying force in their empire.
