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Arnold Belkin was a Canadian-Mexican painter credited for continuing the Mexican muralism tradition at a time when many Mexican painters were shifting away from it. Born and raised in western Canada, he trained as an artist there but was not drawn to traditional Canadian art. Instead he was inspired by images of Diego Rivera's work in a magazine to move to Mexico when he was only eighteen. He studied further in Mexico, focusing his education and his career mostly on murals, creating a type of work he called a "portable mural" as a way to adapt it to new architectural style. He also had a successful career creating canvas works as well with several notable series of paintings. He spent most of his life and career in Mexico except for a stay in New York City in the late 1960s to mid-1970s. His best known works are the murals he created for the University Autónoma Metropolitana in the Iztapalapa borough of Mexico City.
The Museo de Arte Moderno is located in Chapultepec park, Mexico City, Mexico.
Rafael Coronel was a painter from Mexico. He was the son-in-law of Diego Rivera. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze. There are some paintings of his own in Mexico and in other countries. In what was the convent of San Francisco De Almoloyan y De Asis, located in Zacatecas, there is a museum named after him; in this museum, his vast mask collection is shown.
Latin American art is the combined artistic expression of South America, Central America, the Caribbean, and Mexico, as well as Latin Americans living in other regions.
The Museo de la Secretaría de Hacienda y Crédito Público is an art museum located in the historic center of Mexico City. It is housed in what was the Palacio del Arzobispado, built in 1530 under Friar Juan de Zumárraga on the base of the destroyed pyramid dedicated to the Aztec god Tezcatlipoca. It remained the archbishphoric until 1867 when the Finance Ministry Accountancy Department was established there. The modern museum houses an exhibit dedicated to this god as well as a large art collection.
The José Luis Cuevas Museum is located just off the Zócalo within the Historic center of Mexico City, in Mexico City, Mexico. The museum and Church of Santa Inés were built as parts of the Convent of Santa Inés complex. The museum is in the convent's colonial era residential hall.
Francisco Dosamantes was a Mexican artist and educator who is best known for is educational illustrations and graphic work against fascism. He was a founding member of the Taller de Gráfica Popular and the Salón de la Plástica Mexicana.
Generación de la Ruptura is the name given by art critic Teresa del Conde to the generation of Mexican artists against the established Mexican School of Painting, more commonly called Mexican muralism post World War II. It began with the criticisms of José Luis Cuevas in the early 1950s, followed by others who thought the established art had become dogmatic, formulaic and nationalistic and the artists too deferential to the government. This new generation of artists was not bound by a particular artistic style but was more interested in personal rather than social issues and influenced by a number of international trends in art such as Abstract expressionism. Early reaction to them was strong and negative but by the end of the 1950s, they had succeeded in having their art shown in the major venues of Mexico. The Generación de la Ruptura had influence on other arts in Mexico, such as literature but it did not end the production of murals in Mexico with social and nationalist purposes.
José García Narezo was a Mexican painter and a founding member of the Salón de la Plástica Mexicana.
Francisco Moreno Capdevila was a Mexican artist of Spanish origin, best noted for his engraving and other graphic work. He came to Mexico as a political refugee after the fall of the Republicans in 1939. Unlike other Spanish artists of his generation, he was young when he arrived and did not begin studying or working in art until he was in Mexico. His work generally had cultural and political themes, but also included a portable mural about the fall of Tenochtitlan. This work was at the Museo de la Ciudad de México for thirty years, but today it is at the law school of the Universidad Nacional Autónoma de México. His work was recognized by membership in various honor societies, including the Salón de la Plástica Mexicana and the Academia de Artes.
Francisco Icaza was a Mexican artist best known for his drawings about his travels and his oil paintings. He spent much of his life living in and visiting various countries around the world. He began painting as a child while living as a refugee in the Mexican embassy in Germany. Icaza exhibited his work both in Mexico and abroad in Europe, South America, the Middle East, Asia and India, most notably at his three major solo exhibitions at the Museo de Arte Moderno in Mexico City. He also painted a mural dedicated to Bertolt Brecht, La Farándula, at the Casino de la Selva in Cuernavaca, a focus of controversy when the work was moved and restored in the early 2000s. He painted additional murals for the Mexican Pavilion at the HemisFair in Texas ; for the Mexican Pavilion at Expo 67 in Montreal, Canada ; and for the Mexican Pavilion in Osaka at Expo '70. This last mural is held at the Museo de Arte Abstracto Manuel Felguérez in Zacatecas City. He was an active member of the Salón de la Plástica Mexicana and also a member and founder of several important Mexican artistic movements including Los Interioristas, El Salón Independiente, and La Confrontación 66.
Benito Messeguer was a Mexican artist born in Spain best known for his murals, which continued much of the work of the Mexican muralism movement. His work was recognized with a tribute at the Palacio de Bellas Artes shortly before his death and membership in the Salón de la Plástica Mexicana.
Ezechiel Saad is a writer, painter and graphic designer, lecturer and cultural entertainer naturalized French in 1990. He specialized in the interpretation of the I Ching or "Book of Changes" and has published four books since 1989.
Mario Reyes Castillo is a Mexican printmaker, painter and sculptor best known for his work with the Taller Libre de Grabado Mario Reyes, which he founded in 1965. This workshop has collaborated with and done work for a number of notable Mexican artists. Much of his artwork is dominated with depictions of the female form, with the artist stating he can see it in many places and objects. His work has been recognized with tributes and retrospectives in places such as the Museo Nacional de Estampa and the Palacio de Bellas Artes. He is also a member of the Salón de la Plástica Mexicana.
Aurea Aguilar is a Mexican multimedia visual artist whose work has been recognized with membership in Mexico's Salón de la Plástica Mexicana.
Fran Herndon is an American artist associated with the central poets of the San Francisco Renaissance. Trained at the California School of Fine Arts in print-making and painting, Herndon is known for her lithographs and collages, many of which were produced in tandem with Jack Spicer's poetry, and intended for joint viewing and reading. More recently, Herndon has branched out to work in drawing and pastels.
Mixografia is a publisher of fine art prints and a contemporary art gallery located in the Central-Alameda neighborhood southeast of Downtown Los Angeles. Mixografia also refers to the workshop's printing process of the same name, which involves the production of handmade paper editions that make use of three-dimensional relief and surface texture.
Nueva Figuración was an artistic movement in Latin America, specifically Argentina, Mexico, and Venezuela, that embraced a new form of figurative art in response to both abstraction and traditional forms of representation. Artists advocated a return to the human figure and everyday reality. They also rejected the aestheticized forms of traditional art, employing informal techniques, expressionism, and collage.
Nueva Presencia was a Jewish newspaper in Buenos Aires, Argentina. It was published weekly from 1977 until 1987 with Herman Schiller as the founding editor-in-chief, and continued to be published after Schiller left until its last issue in 1993. It was the first publication that advocated for human rights during the Dirty War and National Reorganization Process, and it regularly criticized the government.
References
- ↑ Barnitz, Jacqueline. Twentieth Century Art of Latin America. Austin, TX: University of Texas Press, 2001.
- ↑ Buffington, Robert (2004). Mexico: An Encyclopedia of Contemporary Culture and History. ABC-CLIO. pp. 29–30. ISBN 978-1576071328.
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