Romanticism was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution.
German Romanticism was the dominant intellectual movement of German-speaking countries in the late 18th and early 19th centuries, influencing philosophy, aesthetics, literature, and criticism. Compared to English Romanticism, the German variety developed relatively early, and, in the opening years, coincided with Weimar Classicism (1772–1805).
In literature, Romanticism found recurrent themes in the evocation or criticism of the past, the cult of "sensibility" with its emphasis on women and children, the isolation of the artist or narrator, and respect for nature. Furthermore, several romantic authors, such as Edgar Allan Poe, Charles Maturin and Nathaniel Hawthorne, based their writings on the supernatural/occult and human psychology. Romanticism tended to regard satire as something unworthy of serious attention, a view still influential today. The Romantic movement in literature was preceded by the Enlightenment and succeeded by Realism.
The Völkisch movement was a German ethnic nationalist movement active from the late 19th century through the dissolution of the German Reich in 1945, with remnants in the Federal Republic of Germany afterwards. Erected on the idea of "blood and soil", inspired by the one-body-metaphor, and by the idea of naturally grown communities in unity, it was characterized by organicism, racialism, populism, agrarianism, romantic nationalism and – as a consequence of a growing exclusive and ethnic connotation – by antisemitism from the 1900s onward. Völkisch nationalists generally considered the Jews to be an "alien people" who belonged to a different Volk from the Germans.
A national epic is an epic poem or a literary work of epic scope which seeks to or is believed to capture and express the essence or spirit of a particular nation—not necessarily a nation state, but at least an ethnic or linguistic group with aspirations to independence or autonomy. National epics frequently recount the origin of a nation, a part of its history, or a crucial event in the development of national identity such as other national symbols.
Norwegian romantic nationalism was a movement in Norway between 1840 and 1867 in art, literature, and popular culture that emphasized the aesthetics of Norwegian nature and the uniqueness of the Norwegian national identity. A subject of much study and debate in Norway, it was characterized by nostalgia.
The Conservative Revolution, also known as the German neoconservative movement, or new nationalism, was a German national conservative movement prominent during the Weimar Republic and Austria, in the years 1918–1933.
Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century. It involved a reaction against prevailing Enlightenment ideas of the 18th century, and lasted approximately from 1800 to 1850. Romantic poets rebelled against the style of poetry from the eighteenth century which was based around epics, odes, satires, elegies, epistles and songs.
German nationalism is an ideological notion that promotes the unity of Germans and of the Germanosphere into one unified nation-state. German nationalism also emphasizes and takes pride in the patriotism and national identity of Germans as one nation and one people. The earliest origins of German nationalism began with the birth of romantic nationalism during the Napoleonic Wars when Pan-Germanism started to rise. Advocacy of a German nation-state began to become an important political force in response to the invasion of German territories by France under Napoleon Bonaparte.
There were many resistance movements in partitioned Poland between 1795 and 1918. Although some of the szlachta was reconciled to the end of the Polish–Lithuanian Commonwealth in 1795, the possibility of Polish independence was kept alive by events within and without Poland throughout the 19th century. Poland's location on the North European Plain became especially significant in a period when its neighbours, the Kingdom of Prussia and Russia were intensely involved in European rivalries and alliances and modern nation states took form over the entire continent.
Elements of the supernatural and the fantastic were an element of literature from its beginning, though the idea of a distinct genre, in the modern sense, is less than two centuries old.
The rise of nationalism in Europe was stimulated by the French Revolution and the Napoleonic Wars. American political science professor Leon Baradat has argued that “nationalism calls on people to identify with the interests of their national group and to support the creation of a state – a nation-state – to support those interests.” Nationalism was the ideological impetus that, in a few decades, transformed Europe. Rule by monarchies and foreign control of territory was replaced by self-determination and newly formed national governments. Some countries, such as Germany and Italy were formed by uniting various regional states with a common "national identity". Others, such as Greece, Serbia, Bulgaria, and Poland were formed by uprisings against the Ottoman or Russian Empires. Romania is a special case, formed by the unification of the principalities of Moldavia and Wallachia in 1859 and later gaining independence from the Ottoman Empire in 1878.
The Estonian Age of Awakening is a period in history where Estonians came to acknowledge themselves as a nation deserving the right to govern themselves. This period is considered to begin in the 1850s with greater rights being granted to commoners and to end with the declaration of the Republic of Estonia in 1918. The term is sometimes also applied to the period around 1987 and 1988.
Among scholars of nationalism, a number of types of nationalism have been presented. Nationalism may manifest itself as part of official state ideology or as a popular non-state movement and may be expressed along civic, ethnic, language, religious or ideological lines. These self-definitions of the nation are used to classify types of nationalism, but such categories are not mutually exclusive and many nationalist movements combine some or all of these elements to varying degrees. Nationalist movements can also be classified by other criteria, such as scale and location.
The German noun Volk translates to people, both uncountable in the sense of people as in a crowd, and countable in the sense of a people as in an ethnic group or nation.
Prof. Miroslav Hroch is a Czech historian and political theorist and a professor at the Charles University in Prague.
Romanticism in Scotland was an artistic, literary and intellectual movement that developed between the late eighteenth and the early nineteenth centuries. It was part of the wider European Romantic movement, which was partly a reaction against the Age of Enlightenment, emphasising individual, national and emotional responses, moving beyond Renaissance and Classicist models, particularly into nostalgia for the Middle Ages. The concept of a separate national Scottish Romanticism was first articulated by the critics Ian Duncan and Murray Pittock in the Scottish Romanticism in World Literatures Conference held at UC Berkeley in 2006 and in the latter's Scottish and Irish Romanticism (2008), which argued for a national Romanticism based on the concepts of a distinct national public sphere and differentiated inflection of literary genres; the use of Scots language; the creation of a heroic national history through an Ossianic or Scottian 'taxonomy of glory' and the performance of a distinct national self in diaspora.
Joseph Theodoor "Joep" Leerssen is a Dutch comparatist and cultural historian. He is professor of European studies at the University of Amsterdam, where he also holds a Royal Netherlands Academy Research Professorship. He was awarded the Spinozapremie in 2008.
Starting from Karl Marx and Friedrich Engels, socialist writers have discussed romanticism and its relationship to the political economy.
