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Norwegian romantic nationalism (Norwegian : Nasjonalromantikken) was a movement in Norway between 1840 and 1867 in art, literature, and popular culture that emphasized the aesthetics of Norwegian nature and the uniqueness of the Norwegian national identity. A subject of much study and debate in Norway, it was characterized by nostalgia. [1]
The context and impact of Norwegian romantic nationalism derived from recent history and the political situation. Following the Black Plague, Norway became dependent on Denmark and Copenhagen was made capital of both countries in a personal union. Subsequently, there was a brain drain of talented people from Norway to Denmark, who studied in Copenhagen and became intellectuals and cultural icons in Denmark, most famously Ludvig Holberg. After more than 400 years as a dependent lesser part in the Denmark-Norway union treated as a cultural backwater by the absentee government in Copenhagen, the only uniquely Norwegian culture was found among the farmers and peasants in rural districts in Norway; Norway had in 1814 gained a partial independence in a personal union with the Kingdom of Sweden. [2]
For Norwegians, having reasserted their political aspirations in 1814, the question of a distinct Norwegian identity became important. As urban culture gained prominence also in the rural districts, the rich cultural heritage of the Norwegian countryside came under threat. As a result, a number of individuals set out to collect the artifacts of the distinctly Norwegian culture, hoping thereby to preserve and promote a sense of Norwegian identity.[ citation needed ]
The best-known such collectors in the 1840s and 1850s were: [3]
These achievements had an enduring impact on Norwegian culture and identity, an impact that can be witnessed in the influence on visual arts, classical music and literature, represented by e.g.: [4]
In the waning days of the national romantic movement, efforts were renewed to collect rural buildings, handcrafts and arts. Arthur Hazelius, the founder of Nordiska Museet in Stockholm gathered (and arguably rescued) large collections and sent them to Sweden.
The last king of union between Sweden and Norway, Oscar II, was a supporter of this new wave of collecting, starting one of the oldest outdoor museums, the origins of Norsk Folkemuseum. He supported the manager of the Royal domains at Bygdøy, Christian Holst in his efforts to gather old buildings from the rural districts. Among the buildings that are still at the museum, the Gol stave church, moved here in the beginning of the 1880s, is the most prominent. Soon after other pioneers started equal efforts to rescue important pieces of traditional Norwegian architecture and handicraft. Anders Sandvig started the museum Maihaugen at Lillehammer. Hulda Garborg started the collecting of traditional folk costumes (bunad) and dances.
This effort is still underway, but became more systematic as other cultural movements took the center stage in Norway in the late 19th and early 20th century. Romantic nationalism has had an enormous impact on the Norwegian national identity. The Askeladden character from the fairy tales is considered being an integral part of the Norwegian way. On the Norwegian Constitution Day even in cities like Oslo and Bergen, a great proportion of people dress up in bunad for the parade, unthinkable 100 years ago. [6]
Ivo Caprino was a Norwegian film director and writer, best known for his puppet films. His most noted film, Flåklypa Grand Prix, was made in 1975.
Hole is a municipality in Buskerud county, Norway. It is part of the traditional region of Ringerike. The administrative centre of the municipality is the village of Vik. Hole is located around lake Tyrifjorden and extends to the woodland around Oslo. The soil is fertile and suited to growing fruit, berries and other agricultural products.
Krødsherad is a municipality in Buskerud county, Norway. The administrative centre of the municipality is the village of Noresund. The municipality of Krødsherad was established when it was separated from the municipality of Sigdal on 1 January 1901.
Bunad is a Norwegian umbrella term. In a broader sense, the term encompasses household, householding equipment, and livestock as well as both traditional rural clothes and modern 20th-century folk costumes. In its narrowest sense, the word bunad refers only to clothes designed in the early 20th century that are loosely based on traditional costumes.
Jørgen Engebretsen Moe was a Norwegian folklorist, bishop, poet, and author. He is best known for the Norske Folkeeventyr, a collection of Norwegian folk tales which he edited in collaboration with Peter Christen Asbjørnsen. He also served as the Bishop of the Diocese of Kristianssand from 1874 until his death in 1882.
Peter Christen Asbjørnsen was a Norwegian writer and scholar. He and Jørgen Engebretsen Moe were collectors of Norwegian folklore. They were so closely united in their lives' work that their folk tale collections are commonly mentioned only as "Asbjørnsen and Moe".
The culture of Norway is closely linked to the country's history and geography. The unique Norwegian farm culture, sustained to this day, has resulted not only from scarce resources and a harsh climate but also from ancient property laws. In the 19th century, it brought about a strong romantic nationalistic movement, which is still visible in the Norwegian language and media. In the 19th century, Norwegian culture blossomed as efforts continued to achieve an independent identity in the areas of literature, art and music. This continues today in the performing arts and as a result of government support for exhibitions, cultural projects and artwork.
Ashlad is a main character in a number of tales collected in Asbjørnsen and Moe's Norwegian Folktales.
Norwegian Folktales is a collection of Norwegian folktales and legends by Peter Christen Asbjørnsen and Jørgen Moe. It is also known as Asbjørnsen and Moe, after the collectors.
Olea Crøger was a Norwegian music teacher who was a pioneer in the collection of folk music and folklore. She is considered to have been one of the first to systematically collect folk songs and melodies in Telemark.
Adolph Tidemand was a noted Norwegian romantic nationalism painter. Among his best known paintings are Haugianerne and Brudeferd i Hardanger, painted in collaboration with Hans Gude.
"About Ash Lad, Who Stole the Troll's Silver Ducks, Coverlet, and Golden Harp" is a Norwegian folktale collected by Peter Christen Asbjørnsen and Jørgen Moe in Norwegian Folktales, translated as "Boots and the Troll" by George Webbe Dasent in 1859.
Gertrude's Bird (Gjertrudsfuglen) is a Norwegian fairy tale collected by Peter Christen Asbjørnsen and Jørgen Moe in their Norske Folkeeventyr. The adventure is part of Asbjørnsen and Moe's collection of Norwegian Folk Tales, which was first published in the period 1841-1844. Of a total of 22 known legends in Norway Gjertrudsfuglen is the most prevalent. The adventure should be known in 39 variants.
Ludvig Mathias Lindeman was a Norwegian composer and organist. He is most noted for compiling Norwegian folk music in his work Ældre og nyere norske Fjeldmelodier.
St. John's Eve, is a play written by Henrik Ibsen and first performed in 1853. The play is considered apocryphal, because it never entered Ibsen's collected works. It was poorly received at its premiere at Den Nationale Scene in Bergen in 1853.
Gerhard August Schneider was a Norwegian artist and illustrator of folk tales.
Moltke Moe was a Norwegian folklorist.
Christen Henriksen Pram was a Norwegian/Danish economist, civil servant, poet, novelist, playwright, diarist and magazine editor. He is held as the first Norwegian novelist, although his writing was carried out in the Danish language.
Norsk folkeminnelag (NFL) [= Norwegian Folklore Society] founded in 1920, is a voluntary, non-profit cultural organization communicating and disseminating traditional folk poetry and customs. Society protects collected materials through book releases, guides collectors, and own research in the field of folklore. From 1922 to 2012, the company has published 166 book titles, as well as a reprint of Magnus Brostrup Landstads Norske Folkeviser from 1852, besides cassettes and CDs with original recorded Folk Songs.
The battleships Asbjørnsen and Moe were two fictitious ships that raised concern in the Swedish intelligence services at the time of the dissolution of the union between Norway and Sweden in 1905.
Media related to Norwegian nationalism at Wikimedia Commons
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