For much of its history Norwegian art is usually considered as part of the wider Nordic art of Scandinavia. It has, especially since about 1100 AD, been strongly influenced by wider trends in European art. After World War II, the influence of the United States strengthened substantially. Due to generous art subsidies, contemporary Norwegian art has a high production per capita.[citation needed]
Though usually not especially a major centre for art production or exporter of art, Norway has been relatively successful in keeping its art; in particular, the relatively mild nature of the Norwegian Reformation, and the lack of subsequent extensive rebuilding and redecoration of churches, has meant that with other Scandinavian countries, Norway has unusually rich survivals of medieval church paintings and fittings. One period when Nordic art exerted a strong influence over the rest of northern Europe was in Viking art, and there are many survivals, both in stone monuments left untouched around the countryside, and objects excavated in modern times.[citation needed]
The Reformation and the loss of a permanent royal court after the Kalmar Union of 1397 greatly disrupted Norwegian artistic traditions, and left the existing body of painters and sculptors without large markets. The requirements of the small aristocratic class were mainly for portraits, usually by imported artists, and it was not until the 19th century that significant numbers of Norwegians were trained in contemporary styles.[citation needed]
Norwegian art came into its own in the 19th century, especially with the early landscape painters. Until that time, the art scene in Norway had been dominated by imports from Germany and Holland and by the influence of Danish art. Initially with landscape painting, later with Impressionism and Realism.[1] Though for the rest of the world Edvard Munch (1863–1944) is certainly Norway's great artistic figure, there have been many other significant figures.
Johan Christian Dahl (1788–1857) is often said to be the "father of Norwegian landscape painting". After a period in Copenhagen, he joined the Dresden school to which he made an important contribution. He eventually returned to paint the landscapes of western Norway, defining Norwegian painting for the first time.[2]
Another important early contributor was Johannes Flintoe (1787–1870), a Danish-Norwegian painter, known for his Norwegian landscapes and paintings of folk costumes. He taught at the School of Drawing (Tegneskolen) in Christiania from 1819 to 1851 where his students included budding romanticists such as Hans Gude and Johan F. Eckersberg.[2]
Adolph Tidemand (1814–1876) studied in Copenhagen, in Italy and finally in Düsseldorf where he settled. He often returned to Norway where he painted the old Norwegian farm culture. His best known painting is The bridal procession in Hardanger (together with Hans Gude, 1848) and Haugianerne (Haugeans) painted in 1852.
Norway’s new-found independence from Denmark encouraged painters to develop their Norwegian identity, especially with landscape painting by artists such as Kitty Kielland, 1843–1914, an early female painter who studied under Gude and Harriet Backer, 1845–1932, another pioneer among female artists, influenced by impressionism.
Frits Thaulow, 1847–1906, an impressionist, was initially a student of Hans Gude. He was later influenced by the art scene in Paris where he developed impressionist talents. Returning to Norway in 1880, he became one of the leading figures on the Norwegian art scene, together with Christian Krohg and Erik Werenskiold.
Christian Krohg, 1852–1925, a realist painter, was also influenced by the Paris scene. He is remembered for his paintings of prostitutes which caused something of a scandal.[3]
Jacob Gløersen (1854-1912) He studied with Olaf Isaachsen in Kristiansand in 1872, at Knud Bergslien's painting school from 1872 to 1875, and with Otto Seitz in Munich in 1880. His realism reflected an unsentimental image of the Norwegian peasants daily life, over seasons change, natural environment and light, and weather conditions.
Nikolai Astrup (1880–1928) grew up in Jølster in the west of Norway. After studying art in Oslo and spending some time in Paris and in Germany, he returned to Jølster where he specialised in painting expressionist landscapes with clear, strong colors. He is considered to be one of the greatest Norwegian artists from the early 20th century.[4]
Lars Hertervig (1830–1902) from Tysvær in south-western Norway painted semi-fantastical works inspired by the coastal landscape in Ryfylke. Hertervig completed a number of works on paper using aquarelles and often making the paper base himself from scrapes of discarded pieces of paper. The art museum under the main museum, Stavanger Museum, in Stavanger, Rogaland (previously Rogaland Museum of Fine Art) has the most significant collection of works by Hertervig in Norway.
Harald Sohlberg, (1869–1935), a neo-romanticist, is remembered for his paintings of Røros, and the Norwegian "national painting" Winter's Night in Rondane.
Edvard Munch
Norway's most famous artist is certainly Edvard Munch (1863–1944), a symbolist/expressionist who became world-famous for The Scream, one of the most recognizable paintings in all art. It has been widely interpreted as representing the universal anxiety of modern man.[5]
Other names
Gunnar Berg's From Vaterfjord, between 1886 and 1893. Being one of "the young dead", Berg is considered one of the finest painters of northern Norwegian nature.
Christian Krohg was a Norwegian naturalist painter, illustrator, author and journalist. Krohg was inspired by the realism art movement and often chose motifs from everyday life. He was the director and served as the first professor at the Norwegian Academy of Arts from 1909 to 1925.
The culture of Norway is closely linked to the country's history and geography. The unique Norwegian farm culture, sustained to this day, has resulted not only from scarce resources and a harsh climate but also from ancient property laws. In the 19th century, it brought about a strong romantic nationalistic movement, which is still visible in the Norwegian language and media. In the 19th century, Norwegian culture blossomed as efforts continued to achieve an independent identity in the areas of literature, art and music. This continues today in the performing arts and as a result of government support for exhibitions, cultural projects and artwork.
Hans Dahl was a Norwegian painter. He was best known for his paintings of Norwegian fjords and surrounding landscapes.
Harald Oskar Sohlberg was a Norwegian Neo-romantic painter.
Hans Fredrik Gude was a Norwegian romanticist painter and is considered along with Johan Christian Dahl to be one of Norway's foremost landscape painters. He has been called a mainstay of Norwegian National Romanticism. He is associated with the Düsseldorf school of painting.
Frits Thaulow was a Norwegian Impressionist painter, best known for his naturalistic depictions of landscape.
Oda Krohg was a Norwegian painter, and the wife of her teacher and colleague Christian Krohg.
Nikolai Astrup was a Norwegian modernist painter. Astrup was a distinctive, innovative artist noted principally for his intense use of color depicting the lush landscapes of Vestlandet featuring the traditional way of life in the region.
Nødhavn Ved Norskekysten is a painting by Norwegian romanticist painter Hans Gude completed in 1873.
Sandviksfjorden is a painting by Norwegian romanticist painter Hans Gude completed in 1879.
The National College of Art and Design was established in 1818.
Knud Larsen Bergslien was a Norwegian painter, art teacher and master artist. In his art, he frequently portrayed the lives of the Norwegian people, their history and heroes of the past. Bergslien is most associated with his historical paintings, especially Skiing Birchlegs Crossing the Mountain with the Royal Child.
Hjalmar Eilif Emanuel Peterssen was a Norwegian painter. He is most commonly associated with his landscapes and portraits. He gained early recognition for the history painting Christian II signing the Death Warrant of Torben Oxe and established himself as one of Norway's foremost portrait painters, with portraits of, among others, Henrik Ibsen and Edvard Grieg. He also became known for his landscape paintings, and became part of the artist circle known as the Skagen Painters. He also became known for his design in 1905 of Norway's national coat of arms with the Norwegian lion, which was used by the government and the royal house. The design is still used in the royal coat of arms and the royal flag.
The Skagen Painters were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century. Skagen was a summer destination whose scenic nature, local milieu and social community attracted northern artists to paint en plein air, emulating the French Impressionists—though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school. They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris. Among the group were Anna and Michael Ancher, Peder Severin Krøyer, Holger Drachmann, Karl Madsen, Laurits Tuxen, Marie Krøyer, Carl Locher, Viggo Johansen and Thorvald Niss from Denmark, Oscar Björck and Johan Krouthén from Sweden, and Christian Krohg and Eilif Peterssen from Norway. The group gathered together regularly at the Brøndums Hotel.
The National Gallery is a gallery in Oslo, Norway. Since 2003 it is administratively a part of the National Museum of Art, Architecture and Design.
Hans Ødegaard was a Norwegian painter.
Hans Olaf Halvor Heyerdahl was a Norwegian Realist painter. His work was characterized by naturalism and focused largely on portraits and landscape paintings.
Karl Edvard Diriks was a Norwegian painter.
Andreas Edvard Disen was a Norwegian painter; primarily known for mountain landscapes from Jotunheimen and Hardangervidda.
↑ Selection of painters in section "Other names" are based on Tommy Sørbø Norske malerier, 2005. ISBN978-82-516-2221-9. The selection of sculptors are not based in any source.
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