 | This article relies largely or entirely on a single source .(November 2011) |
Portuguese art includes many different styles from many different eras.
| | This article relies largely or entirely on a single source .(November 2011) |
Portuguese art includes many different styles from many different eras.
Portuguese sculptures can be best analysed by studying the many tombs of the 12th and 14th centuries that are found throughout Portugal. In the late 1700s, the colony of Brazil was the main influence in Portuguese sculpture. This can be seen by the increase in Baroque wooden sculpture during this time. Joaquim Machado de Castro, a famous Portuguese artist who lived around thjais responsible for a lot of these works. [1]
The Classical and Romantic styles of painting, brought to Portugal from Italy and France, had an influence on Portuguese artist Machado de Castro in the late 18th century and António Soares dos Reis in the 19th century. A school for amateur painters, led by Nuno Gonçalves, was popular in the 15th century. As a result, Flemish artists added to the native style by decorating palaces and convents using their own techniques. The result gave Portugal a rich heritage of religious art. The Romantic period in the 19th century sparked a rebirth of national art. This was followed by an era of naturalist realism, which in turn was followed by experimentation the 20th century. [1]
Many Portuguese contemporary artists have made their mark on the world stage. Maria Helena Vieira de Silva was a famous Portuguese abstract painter and Carlos Botelho was known for his street scenes of Lisbon. Paula Rego is known for her "storytelling" in painting. She became famous for her works "Dog Woman" (1990's), and "Abortion", a reaction to the referendum in Portugal which made abortion a crime (late 1990s). Her art has been shown in museums such as Tate Modern in London and Casa das Histórias Paula Rego, in Cascais (dedicated solely to her art). [1]
The Portuguese glazed tiles (azulejos) are one of Portugal's best decorative arts. Many 16th and 17th century buildings are lined with tiles, and the rooms and halls of palaces and mansions have tilted panels following a colour motif. Some prime examples of this style of art are the Pátio da Carranca (courtyard of Carranca) of the Paço de Sintra (Palace of Sintra), the São Roque church in Lisbon and the Quinta da Bacalhoa at Vila Fresca de Azeitão near Setúbal. [1]
Sintra is a town and municipality in the Greater Lisbon region of Portugal, located on the Portuguese Riviera. The population of the municipality in 2021 was 385,654, in an area of 319.23 square kilometres (123.26 sq mi). Sintra is one of the most urbanized and densely populated municipalities of Portugal. A major tourist destination famed for its picturesqueness, the municipality has several historic palaces, castles, scenic beaches, parks and gardens.
Dame Maria Paula Figueiroa Rego was a Portuguese-British visual artist, widely considered the pre-eminent woman artist of the late 20th and early 21st century, known particularly for her paintings and prints based on storybooks. Rego's style evolved from abstract towards representational, and she favoured pastels over oils for much of her career. Her work often reflects feminism, coloured by folk-themes from her native Portugal.
Cascais is a town and municipality in the Lisbon District of Portugal, located on the Portuguese Riviera. The municipality has a total of 214,158 inhabitants in an area of 97.40 km2. Cascais is an important tourist destination. Its marina hosts events such as the America's Cup and the town of Estoril, part of the Cascais municipality, hosts conferences such as the Horasis Global Meeting.
The Belém Palace, formally the National Palace of Belém,, is the current official residence of the president of the Portuguese Republic, the head of state of Portugal. Located in the Belém District of Lisbon, the palace's main façade fronts the Praça Afonso de Albuquerque, facing the Tagus River. A former residence of the Portuguese royal family, the Belém Palace complex is made up of various buildings, wings, courtyards, and gardens, built variously from the 18th to 21st centuries.
Azulejo is a form of Portuguese and Spanish painted tin-glazed ceramic tilework. Azulejos are found on the interior and exterior of churches, palaces, ordinary houses, schools, and nowadays, restaurants, bars and even railways or subway stations. They are an ornamental art form, but also had a specific functional capacity like temperature control in homes.
The Palace of Ajuda is a neoclassical monument in the civil parish of Ajuda in the city of Lisbon, central Portugal. Built on the site of a temporary wooden building constructed to house the royal family after the 1755 earthquake and tsunami, it was originally begun by architect Manuel Caetano de Sousa, who planned a late Baroque-Rococo building. Later, it was entrusted to José da Costa e Silva and Francisco Xavier Fabri, who planned a magnificent building in the modern neoclassical style.
Luigi Pietro Manini, Count of Fagagna was an Italian set designer, architect, painter. He arrived in Lisbon, Portugal in 1879, where he lived until he returned to Italy in 1913. Manini was responsible for some of the most striking architectural designs in Portugal; some of his most famous works include:
Soares dos Reis National Museum is a museum, currently housed in the Carrancas Palace situated in the civil parish of Cedofeita, Santo Ildefonso, Sé, Miragaia, São Nicolau e Vitória, in the northern Portuguese city of Porto.
The Palace of Sintra, also called Town Palace, is located in the town of Sintra, in the Lisbon District of Portugal. It is a present-day historic house museum.
The Monserrate Palace is a palatial villa located near Sintra, the traditional summer resort of the Portuguese court in the foothills overlooking the Atlantic Ocean north of the capital, Lisbon.
Portuguese architecture refers to both the architecture of Portugal's modern-day territory in Continental Portugal, the Azores and Madeira, as well as the architectural heritage/patrimony of Portuguese architects and styles throughout the world, particularly in countries formerly part of the Portuguese Empire.
José Rodrigues de Carvalho was a Portuguese painter.
Menez or Maria Inês Ribeiro da Fonseca, GOSE was a Portuguese painter. Her major body of work consists of paintings and drawings but she also produced ceramics, engravings, silk-screen prints and tapestries.
The Palace of the Carrancas is a former-residence in the civil parish of Cedofeita, Santo Ildefonso, Sé, Miragaia, São Nicolau e Vitória, in the northern Portuguese city of Porto. It houses the Soares dos Reis National Museum.
Portuguese contemporary art is all the art produced in Portugal after the Carnation Revolution; however, even before then, there were already some artists that could be characterized as contemporary.
The Convent of the Friars Minor Capuchin, popularly known as the Convent of the Capuchos, but officially the Convento da Santa Cruz da Serra de Sintra, is a historical convent consisting of small quarters and public spaces located in the civil parish of São Pedro de Penaferrim, in Sintra Municipality, Portugal. Its creation was associated with the Portuguese Viceroy of India, D. João de Castro, and his family, but became a pious community of reclusive clergy that continued to occupy cramped humble spaces in the complex until the religious orders were abolished in Portugal.
The Portuguese Riviera is a term used in the tourist industry for the affluent coastal region to the west of Lisbon, Portugal, centered on the coastal municipalities of Cascais, Oeiras and Sintra. It is coterminous with the Estoril Coast and occasionally known as the Costa do Sol. Portuguese themselves do not use this expression.
The Casa das Histórias Paula Rego is a museum in Cascais, Lisbon District, on the Portuguese Riviera, designed by the architect Eduardo Souto de Moura to house some of the works of the artist Paula Rego.
Maria Luísa de Sousa Holstein, 3rd Duchess of Palmela was a member of the Portuguese nobility who became known for her sculptures, which were exhibited at the Paris Salon, as well as for her charitable work, which included the establishment of soup kitchens for the poor of Lisbon.
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