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Estonian art is art that comes from Estonia, from Estonian artists or art pieces relating to Estonia. Starting from prehistoric art, there are no caves with paintings in Estonia. About 1700 registered cup stones have been found from the Bronze Age and archaeological finds from the neolithic period. Nearest two caves with Paleolithic paintings are in Southern Ural mountains in Bashkortostan and Russia. In Finland have founded over 100 rock paintings sites in vertical walls of granite rocks... but no caves. Neolithic rock carvings have been preserved in granite rocks on the Eastern coast of Lake Onega, also in the White Sea region, on Kola peninsula, Northern Norway and Southern Sweden etc..
Cave paintings were the first pieces of art, they were found in caves and tunnels. Ancestral farmers and gatherers would use blood, bone marrow and crushed up animal hair to add pigmentation to the illustrations. For example, they used blood to make prey look different from the hunters. Eventually they started incorporating wood into their tools and started making more accurate illustrations and paintings by making brushes from wood and animal hair.
Gothic art in Estonia was mostly found in churches and cathedrals, these churches and cathedrals had paintings and sculptures of religious figures in them. Most of them had Christian symbolism in paintings (most of which were over 8 feet tall); these painting would show Jesus and his disciples in a very artistic and symmetrical way. The Gothic Age in Estonia started around 1200 and ended around 1600, the art paintings from the start of this era were paintings about gods and their disciples (mostly portraying Jesus). The Church of the Holy Spirit, one of more famous churches found in Estonia, has a Gothic interior and exterior. The art on the sides of the loft (above the pews) is about Jesus and his journey to enlighten people. The paintings do not have a known artist but it is known that the artist painted them in the first half of the 1300s.
Most of the Estonian art in the medieval period (mid-1500s to the 1700s) was inspired by Swedish art. The medieval art style would show the concepts of death and battle. Most pieces of art from this era would be flat and would not resemble reality. The art pieces would have skeletons and walking corpses, these would symbolize the death of people from the wars they had with the Swedish forces.
1917-1918 existed organization called Noorte Kujurite Ühing "Vikerla" ('Young Sculptors Union "Vikerla"'). Members were Oskar Kallis, Balder Tomasberg, Välko Tuul, Aleksander Mülber, Aleksander Krims-Radava ja Roman Haavamägi and Paul Liivak. This organization was so short-lived because some members died during Estonian War of Independence. [1]
During the Soviet rule (from 1940 to 1991), the art movement of socialist realism emerged. Socialist realism would show the struggles of the people that were affected by Soviet rule; it would show the struggles of the middle to lower class households in workplace scenarios or as a family in a home. This period of art was not as popular when compared to other art periods.
The most notable work is the Bronze Soldier (made by Enn Roos and Supervising architect Arnold Alas) it was unveiled on the 22 September 1947 on the second anniversary of the Soviet Red Army re-entering Tallinn in September 1944. It was originally a war memorial for the people lost in the Second World War, and was moved between several war graves, but subsequently was put at the Tallinn military cemetery where it still resides.
Estonia started surreal art from early 1900 and is quite renowned in comparison to other countries in the region. This era of art is one of the hardest to plot in skill due to the vast variety each art piece conveys but this then led to the next art style. Modernism started in the early 1900s but did not get famous until around the 1950s in Estonia. Estonia is well known for its modernist paintings and illustrations. Most of the post-independence art is modern and talks about the struggles of the past; some depict the most notable moment in Estonian art, the day of their fight for independence. After modern art, Estonia is going through the phase of contemporary art style as of this moment. Contemporary art is a style of art of the 20th and 21st century, it is an art style that does not have boundaries like other styles.
Tartu is the second largest city in Estonia after Tallinn. Tartu has a population of 97,435. It is 186 kilometres southeast of Tallinn and 245 kilometres northeast of Riga, Latvia. Tartu lies on the Emajõgi river, which connects the two largest lakes in Estonia, Lake Võrtsjärv and Lake Peipus. From the 13th century until the end of the 19th century, Tartu was known in most of the world by variants of its historical name Dorpat.
Tapa is a town in Tapa Parish, Lääne-Viru County, Estonia, located at the junction of the country's Tallinn–Narva (west–east) and Tallinn–Tartu–Valga (north–south) railway lines. Tapa has the Estonian Defense Forces nearby Keskpolügoon. The Valgejõgi River passes Tapa on its northeastern side. Tapa has been known as both a railway and a military town throughout its history.
Enn Tarto was an Estonian politician who was a leading dissident during the Soviet occupation of Estonia. He was imprisoned from 1956 to 1960, 1962 to 1967, and again from 1983 to 1988 for anti-Soviet activity.
Estonian Scout Association is the primary national Scouting organization of Estonia, became a member of the World Organization of the Scout Movement in 1996. The coeducational Eesti Skautide Ühing has 1,337 members as of 2011.
Evald Okas was an Estonian painter, probably best known for his portraits of nudes.
The history of Jews in Estonia starts with reports of the presence of individual Jews in what is now Estonia from as early as the 14th century.
Jaan Toomik is an Estonian video artist, painter and award-winning filmmaker, often described as the most widely acknowledged Estonian contemporary artist on the international scene.
This article covers the architecture of Estonia.
Leonhard Lapin, also known under the pseudonym Albert Trapeež, was an Estonian architect, artist, architecture historian, and poet.
Mait Metsanurk was an Estonian writer who led the neo-realist school of Estonian literature.
Liis Koger is an Estonian painter and poet based in Tallinn.
Ellen Alaküla was an Estonian stage, radio, television, and film actress and theatre teacher whose career spanned over forty years.
Aino Talvi was an Estonian stage, film, and radio actress and singer whose career spanned over sixty years.
Tiit Kaljundi was an Estonian architect and a member of the Tallinn School. He became well known in the later part of the 1970s as a part of a new movement of Estonian architects that was led by Leonhard Lapin and Vilen Künnapu. The majority of the architects in this movement were graduates from the State Art Institute in the early 1970s. This group included Kaljundi, Avo-Himm Looveer, Ain Padrik, Jüri Okas, and Ignar Fjuk, as well as Veljo Kaasik and Toomas Rein from an older generation of architects. After the 1983 exhibition in the Tallinn Art Salon, they became known as the “Tallinn Ten" or the "Tallinn School," a broader term to describe the group used by the Finnish architect Markku Komonen.
Olav Maran is an Estonian artist.
Aino Bach was an Estonian artist known for her engravings and her portrayals of Soviet-era femininity.
The Summer War was the occupation of Estonia during the Second World War. It was fought between the Forest Brothers (Metsavennad), the Omakaitse, and the Wehrmacht's 18th Army against the forces of the 8th Army of the USSR and the NKVD.
Jüri Lina is an Estonian journalist, writer, paranormal investigator, music producer, radio host, film director and ufologist.
Helmi Üprus was an Estonian architectural and art historian. She trained in romance languages, studied English and ethnography, and earned a master's degree in art history from the University of Tartu in 1936. She worked her way up to head the cultural history department of the Estonian National Museum, where she researched folk art. In 1947, she began working at the Institute of History of the Academy of Sciences of the Estonian SSR. Persecuted by Stalinism she lost her job in 1950 and worked in a factory until Stalin's death. From 1953, she was the chief specialist in architecture and history for the government monument restoration service.
Rudolf Sirge was an Estonian writer.