- Elk's Head on a 1964 Finnish stamp
- Stone age axe head with a human figure, Kiuruvesi
- Stone age bear head cudgel, Paltamo
- Moose head figurine
- Astuvansalmi rock paintings (moose, human figures and a boat)
- Saraakallio rock paintings (moose)
Finnish art started to form its individual characteristics in the 19th century, when romantic nationalism began to rise in the autonomous Grand Duchy of Finland.
Marks of human activity in Finland has found in Susiluola, Kristinestad. Some excavation has been considered as a man-made over 100,000 years ago. [1] After the Ice Age, area of Finland was resettled at around 9,000 years ago and first known sculpture Elk's Head of Huittinen (picture in stamp) has been dated about 5–7000 BCE. [1]
The most important products of medieval architecture in Finland are the medieval stone churches. More than a hundred of them were built during 15th and 16th centuries. Neoclassical architecture arrived in late 18th century, but important building projects started after 1808 when Finland was an autonomic part of Russia. Alexander II of Russia commissioned Carl Ludvig Engel to plan the new Senate and University for Helsinki. [2]
The Finnish academic drawing tradition began at Royal Academy of Turku in 1707 when first instructions of drawing was given. In 1824 The School moves with the University to Helsinki and first Finland’s art exhibition was organised at the Drawing School in the autumn of 1845. Painting was rising in Golden era of Finnish art in 1880s, when romantic nationalism was the spirit of art. Akseli Gallen-Kallela started in naturalism but moved to national romanticism. [2]
In 1950s the Finnish artists looked for foreign influence: first in Paris, then in United States but also in Stockholm, where modern art exhibitions were organized in Moderna museet. Abstract art made its breakthrough first in concrete art. Early concretists included Birger Carlstedt and Sam Vanni. When Vanni's monumental painting Contrapunctus (1959) won competition for mural in Helsinki, abstract art was considered to be accepted and established in Finland. [3]
Informalism spread quickly in 1950s and 1960s, when it was considered a new approach to landscape painting. It was also building on strong tradition of expressionism. It spread even outside of large cities. [3]
In the late 20th century, the homoerotic art of Touko Valio Laaksonen, pseudonym Tom of Finland, found a worldwide audience, with his works entering the collection of the Museum of Modern Art in New York [4] and appearing on Finnish postage stamps. [5]
The Finnish contemporary art scene became much more visible than before with the establishment of Kiasma, the Museum of Contemporary Art in Helsinki in 1998. [6]
Akseli Gallen-Kallela was a Finnish painter who is best known for his illustrations of the Kalevala, the Finnish national epic. His work is considered a very important aspect of the Finnish national identity. He changed his name from Gallén to Gallen-Kallela in 1907.
Hugo Gerhard Simberg was a Finnish symbolist painter and graphic artist.
Ateneum is an art museum in Helsinki, Finland and one of the three museums forming the Finnish National Gallery. It is located in the centre of Helsinki on the south side of Rautatientori square close to Helsinki Central railway station. It has the biggest collections of classical art in Finland. Before 1991 the Ateneum building also housed the Finnish Academy of Fine Arts and University of Art and Design Helsinki.
The National Romantic style was a Nordic architectural style that was part of the National Romantic movement during the late 19th and early 20th centuries. It is often considered to be a form of Art Nouveau.
The National Museum of Finland is a museum in Helsinki presenting Finnish history from the Stone Age to the present day, through objects and cultural history. The Finnish National Romantic style building is located at Mannerheimintie 34 in central Helsinki and is a part of the Finnish Heritage Agency, under the Ministry of Culture and Education.
Finnish National Gallery is the largest art museum institution of Finland. It consists of the Ateneum, an art museum; Kiasma, a contemporary art museum; and the Sinebrychoff Art Museum, a historic house and art museum.
Vartiovuori Observatory is a former observatory in Turku, Finland. The observatory, designed by Carl Ludvig Engel, was originally built for the Royal Academy of Turku. The neoclassical building was completed in 1819. The observatory is situated atop the Vartiovuori hill, and it is clearly visible from different sides of the city centre.
Keitele is a large lake located in Central Finland. With the area of 493.59 km2 it is the 9th largest lake in the country. The lake is divided into three regions, Ylä-, Keski-, and Ala-Keitele, of which Keski-Keitele is the largest. Water in the lake is clear and in excellent condition. The towns of Äänekoski and Viitasaari are located on the shores of Keitele.
Adolf von Becker was a Finnish genre painter and art professor of German descent. He was one of the first Finnish artists to study in Paris, who taught many of the young artists of the Golden Age of Finnish Art.
The Old Student House is the former student house of the Student Union of the University of Helsinki, located in central Helsinki, Finland, near the crossing of Aleksanterinkatu and Mannerheimintie.
The Defense of the Sampo is a tempera-on-canvas Romantic national painting created in 1896 by Finnish painter Akseli Gallen-Kallela. The painting illustrates a passage from the Kalevala, the Finnish national epic compiled by Elias Lönnrot in the 19th century.
Hilda Flodin was a Finnish artist. She worked in a variety of media, but in the first part of her career primarily sculpture and etchings, later primarily painting, especially portraits.
Onni Okkonen was a Finnish art historian based at the University of Helsinki.
Kullervo Sets Off for War is a painting by Akseli Gallen-Kallela from the year 1901. He painted the subject in tempera painting and as a fresco which is located in the music hall of Old Student House of Helsinki University.
David Jackson is professor of Russian and Scandinavian art histories at the University of Leeds. He is a specialist in the art of Ilya Repin on whom he wrote his PhD thesis.
Janne Sirén is a Finnish art historian and the Peggy Pierce Elfvin Director of the Buffalo AKG Art Museum, formerly known as the Albright–Knox Art Gallery in Buffalo, New York. Before joining the Buffalo AKG Art Museum, Sirén served as Director and City of Helsinki Department Chief at the Helsinki Art Museum from 2007 to 2013. Prior to that, he served as Director of the Tampere Art Museum from 2004 to 2007.
Tyrvää was a municipality in the Satakunta region, Turku and Pori Province, Finland. It was established in 1439 when the Tyrvää parish was separated from the parish of Karkku. In 1915, the market town of Vammala was separated from Tyrvää, and in 1973, Tyrvää was consolidated with Vammala. In 2009, Vammala became a part of the newly established town Sastamala.
Parisian Backyard is an oil-on-canvas painting executed in 1884 by Finnish artist Akseli Gallen-Kallela. The work is 28 × 23 cm in size and belongs to the Ateneum, part of the Finnish National Gallery in Helsinki, where it was donated in 1945.
The Kalevala House was a planned huge building designed by Eliel Saarinen for the Kalevala Society in Helsinki, Finland in 1921, which was never built. It was to be built at the top of Munkkiniemi, close to the current Hotel Kalastajatorppa. The Kalevala House was to become not only the premises of the Kalevala Society, but also a center of Finnish culture: it would have included a Finnish cultural research institute, exhibition spaces, artists' workspaces and "research chambers". In addition, Finnish great men and Fennomen would have been buried in the crypt at the foot of the 80-meter-high main tower.