In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin. These paintings were often created by Homo sapiens, but also Denisovans and Neanderthals; other species in the same Homo genus. Discussion around prehistoric art is important in understanding the history of the Homo sapiens species and how Homo sapiens have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.
In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
Laukaa is a municipality of Finland. It is located next to Jyväskylä and is part of the Central Finland region. The municipality has a population of 18,813 and covers an area of 825.59 square kilometres (318.76 sq mi) of which 177.09 km2 (68.37 sq mi) is water. The population density is 29.01 inhabitants per square kilometre (75.1/sq mi).
The Bhimbetka rock shelters are an archaeological site in central India that spans the Paleolithic and Mesolithic periods, as well as the historic period. It exhibits the earliest traces of human life in India and evidence of the Stone Age starting at the site in Acheulian times. It is located in the Raisen District in the Indian state of Madhya Pradesh, about 45 kilometres (28 mi) south-east of Bhopal. It is a UNESCO World Heritage Site that consists of seven hills and over 750 rock shelters distributed over 10 km (6.2 mi). At least some of the shelters were inhabited more than 100,000 years ago.
In archaeology, rock art is human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also may be called cave art or parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history. In terms of technique, the four main groups are:
Tassili n'Ajjer is a national park in the Sahara desert, located on a vast plateau in southeastern Algeria. Having one of the most important groupings of prehistoric cave art in the world, and covering an area of more than 72,000 km2 (28,000 sq mi), Tassili n'Ajjer was inducted into the UNESCO World Heritage Site list in 1982 by Gonde Hontigifa.
Central Norway is a region in Norway, comprising Trøndelag as well as parts of the Nordland and Møre og Romsdal counties.
Font-de-Gaume is a cave near Les Eyzies-de-Tayac-Sireuil in the Dordogne department of south-west France. The cave contains prehistoric polychrome cave paintings and engravings dating to the Magdalenian period. Discovered in 1901, more than 200 images have been identified in Font-de-Gaume. Along with other nearby prehistoric archeological sites, Font-de-Gaume was inscribed on the UNESCO World Heritage List in 1979 as the Prehistoric Sites and Decorated Caves of the Vézère Valley.
Gobustan State Historical and Cultural Reserve is located west of the settlement of Gobustan, about 40 miles (64 km) southwest of the centre of Baku. It was established in 1966, when the area was declared a national historical landmark of Azerbaijan in an attempt to preserve the prehistoric rock carvings, mud volcanoes and musical stones in the region.
The Prehistoric Rock-Art Site of the Côa Valley is an open-air Paleolithic archaeological site located in northeastern Portugal, near the border with Spain.
The Subneolithic is an archaeological period sometimes used to distinguish cultures that are transitional between the Mesolithic and the Neolithic. Subneolithic societies typically adopted some secondary elements of the Neolithic package, but retained economies based on hunting and gathering and fishing instead of agriculture. For the most part they were sedentary. The Subneolithic dates to the period 5000/4000–3200/2700 BCE in Scandinavia, north and north-eastern Europe.
The Astuvansalmi rock paintings are located in Ristiina, Mikkeli, Southern Savonia, Finland at the shores of the lake Yövesi, which is a part of the large lake Saimaa. The paintings are 7.7 to 11.8 metres above the water-level of lake Saimaa. The lake level was much higher at the time the rock paintings were made. There are about 70 paintings in the area.
The group of over 700 sites of prehistoric Rock art of the Iberian Mediterranean Basin, also known as Levantine art, were collectively declared a World Heritage Site by UNESCO in 1998. The sites are in the eastern part of Spain and contain rock art dating to the Upper Paleolithic or Mesolithic periods of the Stone Age. The art consists of small painted figures of humans and animals, which are the most advanced and widespread surviving from this period, certainly in Europe, and arguably in the world, at least in the earlier works. It is notable for the number of places included, the largest concentration of such art in Europe. Its name refers to the Mediterranean Basin; however, while some sites are located near the sea, many of them are inland in Aragon and Castilla–La Mancha; it is also often referred to as Levantine Art.
The history of cave paintings in India or rock art range from drawings and paintings from prehistoric times, beginning in the caves of Central India, typified by those at the Bhimbetka rock shelters from around 10,000 BP, to elaborate frescoes at sites such as the rock-cut artificial caves at Ajanta and Ellora, extending as late as 6th–10th century CE.
The Cantabrian caves' unique location make them an ideal place to observe the settlements of early humans thousands of years ago. The magnificent art in the caves includes figures of various animals of the time such as bison, horses, goats, deer, cattle, hands and other paintings. Archaeologists have found remains of animals such as bears, the remains of arrows and other material indicating a human presence; these artifacts are now found mostly in the Regional Museum of Prehistory and Archaeology of Cantabria.
The Roca dels Moros or Caves of El Cogul is a rock shelter containing paintings of prehistoric Levantine rock art and Iberian schematic art. The site is in El Cogul, in the autonomous community of Catalonia, Spain. Since 1998 the paintings have been protected as part of the Rock art of the Iberian Mediterranean Basin, a UNESCO World Heritage Site. Inscriptions in Northeastern Iberian script and in Latin alphabet indicate that the place was used as a sanctuary into Iberian and Roman times.
The Zuojiang Huashan Rock Art Cultural Landscape is an extensive assembly of historical rock art that were painted on limestone cliff faces in Guangxi, southern China. The paintings are located on the west bank of the Ming River which is a tributary of the Zuo River. The area of the paintings is part of the Nonggang Nature Reserve and belongs to Ningming County. On July 15, 2016, Zuojiang Huashan Rock Art Cultural Landscape was listed as the 49th UNESCO World Heritage Site in China.
Finnish art started to form its individual characteristics in the 19th century, when romantic nationalism began to rise in the autonomous Grand Duchy of Finland.
Lubang Jeriji Saleh is a limestone cave complex in Indonesia in the Sangkulirang-Mangkalihat Karst located in the remote jungle of Bengalon district in East Kutai, East Kalimantan province on Borneo island. In a 2018 publication a team of researchers announced to have found the then-oldest known work of figurative art in the world among the cave paintings, at 40,000 years old. However, the same team has since found and dated an elaborate therianthrope rock art panel in the Leang Bulu’ Sipong 4 cave in Sulawesi's Maros-Pangkep karst to around 44,000 years old, older than the figurative art in Lubang Jeriji Saleh.
