A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire.
Daphni or Dafni is an eleventh-century Byzantine monastery eleven kilometers northwest of central Athens in the suburb of Chaidari, south of Athinon Avenue (GR-8A). It is situated near the forest of the same name, on the Sacred Way that led to Eleusis. The forest covers about 18 km2 (7 sq mi), and surrounds a laurel grove. "Daphni" is the modern Greek name that means "laurel grove", derived from Daphneion (Lauretum).
Byzantine Greece has a history that mainly coincides with that of the Byzantine Empire itself.
Gelati is a medieval monastic complex near Kutaisi in the Imereti region of western Georgia. One of the first monasteries in Georgia, it was founded in 1106 by King David IV of Georgia as a monastic and educational center.
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward.
A templon is a feature of Byzantine churches consisting of a barrier separating the nave from the sanctuary near the altar.
The Chora Church or Chora Mosque, full former name the Church of the Holy Saviour in Chora, is a medieval Greek Orthodox church building, mostly used as a mosque since the 1500s, in the Edirnekapı neighborhood of Istanbul, Turkey. It is mainly famous for its outstanding Late Byzantine mosaics and frescos.
Macedonian Renaissance is a historiographical term used for the blossoming of Byzantine culture in the 9th–11th centuries, under the eponymous Macedonian dynasty (867–1056), following the upheavals and transformations of the 7th–8th centuries, also known as the "Byzantine Dark Ages". The period is also known as the era of Byzantine encyclopedism, because of the attempts to systematically organize and codify knowledge, exemplified by the works of the scholar-emperor Constantine VII Porphyrogennetos.
Hosios Loukas is a historic walled monastery situated near the town of Distomo, in Boeotia, Greece. Founded in the mid-10th century, the monastery is one of the most important monuments of Middle Byzantine architecture and art, and has been listed on UNESCO's World Heritage Sites since 1990, along with the monasteries of Nea Moni and Daphnion.
The Harbaville Triptych is a Byzantine ivory triptych of the middle of the 10th century with a Deesis and other saints, now in the Louvre. Traces of colouring can still be seen on some figures. It is regarded as the finest, and best-preserved, of the "Romanos group" of ivories from a workshop in Constantinople, probably closely connected with the Imperial Court.
Kalenderhane Mosque is a former Eastern Orthodox church in Istanbul, converted into a mosque by the Ottomans. With high probability the church was originally dedicated to the Theotokos Kyriotissa. The building is sometimes referred to as Kalender Haneh Jamissi and St. Mary Diaconissa. This building represents one among the few extant examples of a Byzantine church with domed Greek cross plan.
Nea Moni is an 11th-century monastery on the island of Chios that has been recognized as a UNESCO World Heritage Site. It is located on the Provateio Oros Mt. in the island's interior, about 15 km from Chios town. It is well known for its mosaics, which, together with those at Daphni and Hosios Loukas, are among the finest examples of "Macedonian Renaissance" art in Greece.
The Nea Ekklēsia was a church built by Byzantine Emperor Basil I the Macedonian in Constantinople between 876 and 880. It was the first monumental church built in the Byzantine capital after the Hagia Sophia in the 6th century, and marks the beginning of the middle period of Byzantine architecture. It continued in use until the Palaiologan period. Used as a gunpowder magazine by the Ottomans, the building was destroyed in 1490 after being struck by lightning. No traces of it survive, and information about it derives from historical accounts and depictions.
Saint George of Samatya or Surp Kevork is an Armenian church in Istanbul, Turkey.
The Peribleptos Monastery is a late Byzantine-era monastery in Mystras, Greece. It was probably built in the mid-14th century by the first Despot of the Morea, Manuel Kantakouzenos, and named after one of the most celebrated monasteries of Byzantine Constantinople. The frescos in the main church, dating between 1348 and 1380, are a very rare surviving late Byzantine cycle, crucial for the understanding of Byzantine art. It is named after St. Mary of Peribleptos, of Byzantine, Constantinople (Istanbul). The Monastery is built into the side of a cliff with a cave supporting the structure. This architectural style is known as the Mystras style and is prevalent in several churches and monasteries in the area, this style is typified by a resemblance to a castle. It is constructed of squared stones with inlaid tiles. The complexity and unique variations of the shape of the structure of the exterior create an interior surface inside the monastery that lends itself to the ethereal quality of the frescoes covering the walls. These have been described as "delicate and subdued" in Byzantine Architecture and Decoration
The Church of Hosios David is a late 5th-century church in Thessaloniki, Greece. During the Byzantine times, it functioned as the katholikon of the Latomos Monastery, and was adorned with rich mosaic and fresco decoration, which was renewed in the 12th–14th centuries. Today, the surviving examples are of high artistic quality, especially the apse mosaic Icon of Christ of Latomos. Under Ottoman rule, the building was converted into a mosque, until it was reconsecrated as a Greek Orthodox church in 1921, thus receiving its present name. In 1988, this monument was included among the Paleochristian and Byzantine monuments of Thessaloniki on the list of World Heritage Sites by UNESCO.
Doula Mouriki was a Greek Byzantinologist and art historian. She made important contributions to the study of Byzantine art in Greece.
Byzantine mosaics are mosaics produced from the 4th to 15th centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular and historically significant art forms produced in the empire, and they are still studied extensively by art historians. Although Byzantine mosaics evolved out of earlier Hellenistic and Roman practices and styles, craftspeople within the Byzantine Empire made important technical advances and developed mosaic art into a unique and powerful form of personal and religious expression that exerted significant influence on Islamic art produced in Umayyad and Abbasid Caliphates and the Ottoman Empire. In addition, Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well as their beauty.
Charalambos Bouras was a major Greek restoration architect, engineer and professor of architectural history. Amongst his most notable contributions are his restoration work on the Acropolis of Athens, in the ancient city of Brauron and on the monastery of Hosios Loukas, as well as his many books and scientific articles.
