Modern Greek art is art from the period between the emergence of the new independent Greek state and the 20th century. As Mainland Greece was under Ottoman rule for all four centuries, it was not a part of the Renaissance and artistic movements that followed in Western Europe. However, Greek islands such as Crete, and the Ionian islands in particular were for large periods under Venetian or other European powers' rule and thus were able to better assimilate the radical artistic changes that were occurring in Europe during the 14th-18th century.
The Cretan School and in particular the Heptanese School of art are two important artistic movements in Greece that followed parallel routes to Western Europe.[1]
Modern Greek art can be said to have been predominantly shaped by the particular socioeconomic conditions of Greece, the large Greek diaspora across Europe, and the new Greek social elite, as well as external artistic influences, predominantly from Germany and France.
Modern Greek art began to be developed around the time of Romanticism. Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art, inspired by revolutionary ideals as well as the country's geography and history. After centuries of Ottoman rule, few opportunities for an education in the arts existed in the newly independent Greece, so studying abroad was imperative for artists. Munich, as an important international center for the arts at that time, was the place where the majority of the Greek artists of the 19th century chose to study. In the school of Munich, led by Karl von Piloty, true fresco was taught for mural paintings on fresh wet lime plaster. During this period much of the art was emotional and theatrical in tone. The most prominent themes of the school of Munich were urban life, rural life, still life, and landscape.
Later on, they would return to Greece and pass on their knowledge. Some of them remained in Munich, the so-called Athens on the Isar. Both academic and personal bonds developed between early Greek painters and Munich artistry giving birth to the Greek "Munich School" of painting. Nikolaos Gysis was an important teacher and artist at the Munich Academy and he soon became a leading figure among Greek artists. Academism, realism, genre painting, upper middle class portraiture, still life and landscape painting, often representing impressionist features, will be replaced in the end of the 19th century by Symbolism, Jugendstil, Art Nouveau, which are mainly traced in the work of Nikolaos Gysis, Aristeas and others.[2] Early-20th-century modernism is also represented by significant Greek artists in Munich. Many of these Munich School artists chose subjects such as everyday Greek life, local customs, and living conditions. Several important painters emerged at this time. Theodoros Vryzakis specialized in historical painting and especially inspired by the 1821 Greek War of Independence. Nikiphoros Lytras concentrated on realistic depictions of Greek life. Georgios Jakobides devoted his attention to infants and children and he would later become the first Director of the new National Gallery of Athens. Georgios Roilos was another leading painter of the period closely associated with the Munich School, especially in his early career. Konstantinos Volanakis was inspired mostly by the Greek sea.[3]
A few Greek painters studied in Paris. Despite residing in the French capital and following the guidelines of the French Art Academy, they invariably had their own interpretations. Jacob Rizos was involved with the rendering of female grace, Theodoros Rallis with scenes from the Orthodox East and Nikolaos Xydias Typaldos with portraiture, still life and genre painting. During this period in Paris the avant-garde Impressionist movement developed, but most Greek painters remained faithful to the precepts of their teachers with only some nebulous thrusts in the direction of this movement. The first Greek impressionist was Périclès Pantazis who, after Paris, settled in Belgium and became a part of the avant-garde group Circle de la pâte.
Themes-artistic depictions
Many Greek artists of this period also drew upon El Greco's style for inspiration, particularly when creating art based on religious themes. This tied in with the idea of modern secular Greek art of the period referencing more classical styles, while religious art referenced Byzantine, or Byzantine inspired art. Moreover, an important and often pioneering role was played by artists from Ionian islands in the 18th century and the beginning of the 19th century, who exploited conquests of the Italian Renaissance and baroque ateliers. As efforts persisted with new directions and objectives, Greek artists emerging in the world during the first decades of the 19th century reconnected Greek art with its ancient tradition, as well as with the quests of the European ateliers, especially those of the Munich School, with defining examples of the Greek contemporary art of the period including the works of Theodoros Vryzakis and Nikiphoros Lytras.
At the beginning of the 20th century landscape painting held sway and the interest of painters turned toward the study of light and color.[3] The dependence of Munich slackened and Paris became the pole of attraction for the artists of the period. In the early 20th century Demetrios Galanis, a contemporary and friend of Picasso, achieved wide recognition in France and lifelong membership of the Académie française following his acclaim by the critic Andre Malreaux as an artist capable "of stirring emotions as powerful as those of Giotto". Later in the century Nikos Engonopoulos achieved international recognition with his surrealist conceptions both of painting and poetry, while in the late 1960s Dimitris Mytaras and Yiannis Psychopedis became associated with European critical realism. Impressionism was the original influence on the leading figures of the art of the first half of the 20th century, Konstantinos Parthenis and Konstantinos Maleas, while Nikiphoros Lytras associated himself with the avant-garde groups of Munich constituting the last known link with the series of painters in the great tradition of Munich in Greek art . The further development of these painters led to other roads, but always within the framework of the avantgarde movement albeit with a Greek dimension.
Gradually the impressionists and other modern schools increased their influence. In the early 20th century Greek artists turned from Munich to Paris. The interest of Greek painters, artists changes from historical representations to Greek landscapes with an emphasis on light and colours so abundant in Greece. Representatives of this artistic change are Konstantinos Parthenis, Konstantinos Maleas, Nikiphoros Lytras and Georgios Bouzianis. Konstantinos Parthenis, in particular, introduces historical, religious and mythological elements that allow the classification of Greek painting into modern art. The same is true with the landscapes of Konstantinos Maleas and the expressionism of Georgios Bouzianis. The period of the 1930s was a landmark for the Greek painters, with Yiannis Tsarouchis, Yiannis Moralis, Nikos Hadjikyriakos-Ghikas, Spyros Vassiliou, Alekos Kontopoulos (introduced abstraction in Greek paintings) and Spyros Papaloukas coming into the limelight of Greek Art. These painters tried mainly to link leading European trends with Greek tradition.[4]
Greek art began in the Cycladic and Minoan civilization, and gave birth to Western classical art in the subsequent Geometric, Archaic and Classical periods. It absorbed influences of Eastern civilizations, of Roman art and its patrons, and the new religion of Orthodox Christianity in the Byzantine era and absorbed Italian and European ideas during the period of Romanticism, until the Modernist and Postmodernist. Greek art is mainly five forms: architecture, sculpture, painting, pottery and jewelry making.
Konstantinos Volanakis was a Greek painter who became known as the "father of Greek seascape painting".
The Athens School of Fine Arts, is Greece's premier Art school whose main objective is to develop the artistic talents of its students.
Nikos Hadjikyriakos-Ghikas, also known as Niko Ghika, was a leading Greek painter, sculptor, engraver, writer and academic. He was a founding member of the Association of Greek Art Critics, AICA-Hellas, International Association of Art Critics.
Nikiforos Lytras was a Greek painter. He was born in Tinos and trained in Athens at the School of Arts. In 1860, he won a scholarship to Royal Academy of Fine Arts of Munich. After completing these studies, he became a professor at the School of Arts in 1866, a position he held for the rest of his life. He remained faithful to the precepts and principles of the Munich School, while paying greatest attention both to ethnographic themes and portraiture. His most famous portrait was of the royal couple, Otto and Amalia, and his most well-known landscape a depiction of the region of Lavrio.
Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements; the most famous product of the school, El Greco, was the most successful of the many artists who tried to build a career in Western Europe, and also the one who left the Byzantine style farthest behind him in his later career.
The National Gallery is an art museum located on Vasilissis Sofias avenue in the Pangrati district, Athens, Greece. It is devoted to Greek and European art from the 14th century to the 20th century.
Theodoros Vryzakis was a Greek painter, known mostly for his historical scenes. He was one of the founders of the "Munich School", composed of Greek artists who had studied in that city.
George Bouzianis was a major Greek expressionist painter.
The Heptanese School of painting succeeded the Cretan School as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence and also saw the first significant depiction of secular subjects. The school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. The center of Greek art migrated urgently to the Ionian islands but countless Greek artists were influenced by the school including the ones living throughout the Greek communities in the Ottoman Empire and elsewhere in the world.
The most important artistic movement of Greek art in the 19th century was academic realism, often called in Greece "the Munich School" because of the strong influence from the Royal Academy of Fine Arts of Munich, where many Greek artists trained. The Munich School painted the same sort of scenes in the same sort of style as Western European academic painters in several countries, and did generally not attempt to incorporate Byzantine stylistic elements into their work.
Ioannis Altamouras was a Greek painter of the 19th century famous for his paintings of seascapes.
Konstantinos Maleas was one of the most important Post-impressionist Greek painters of the 20th century. Along with Konstantinos Parthenis, he is sometimes considered Greece's most important modern artist.
The Emfietzoglou Gallery Museum is an art gallery in Athens, Greece. It is sited in Marousi near the Athens Metro station. Its founder Prodromos Emfietzoglou gave his private art collection of over 500 works to the public.
The Municipal Art Gallery of Ioannina is an art museum in Ioannina, Greece that has been open in its current building since 2000. The collection of over 500 items ranges from classical to modern paintings and sculptures.
Munich School is the name given to a group of painters who worked in Munich or were trained at the Royal Academy of Fine Arts of Munich between 1850 and 1918. In the second half of the 19th century the Academy became one of the most important institutions in Europe for training artists and attracted students from across Europe and the United States.
Nikolaos Lytras was a Greek modernist painter who specialized in portraits, still-lifes and landscapes.
Sophia Laskaridou was a Greek artist who was well known for her impressionist paintings in the early part of the 20th century. Later she became better known for her life than for her work.
References
"Characteristics of Romanticism". www.bluffton.edu. Retrieved 2022-04-26.[6]
"The so-called Munich School, and the Greek painting of the 19th century".USEUM. Retrieved 2022-04-26.[7]
"5 Greek Female Artists You Should Know".DailyArt Magazine. 2020-07-08. Retrieved 2022-04-26.[8]
References
↑ Nano Chatzidakis, in From Byzantium to El Greco, p.49, Athens 1987, Byzantine Museum of Arts
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