Electros Vekris (born 1960), also known as Babis Vekris, is a Greek-born American artist renowned for incorporating LEDs (light-emitting diodes) that move in rhythmic motion and in sequence into his sculptures, installation art, and other artwork. He adopted the name Electros professionally in 1990.
Born in Arcadia, Greece, Electros moved to New York City in 1979 and studied at the New York Studio School. In 1990, he began creating kinetic artwork with LEDs electronic components, black sintra board (PVC foam board), aluminum sheet, Fresnel lens, and stainless steel, assembling them into concepts of art generating light, sound and motion.
Established as an artist involved with art and technology, (Kinetics) .
Speaks English and Greek
"The Binary Era," 1995
(3) "Electronic Rain," 1995
(4) "Scientific Remedy," 2007
(5) "Fractal Landscape II," 2007
2022 Hellenic Diaspora Foundation, Rio, Patra, Greece. Public Project installation of the "Intuitive Navigator".
2021 HAP Art Center, Queens College New York. "Cyber Symbols"
2019 Discovery Museum, Bridgeport CT, USA. "The Ocular Illusion in Art"
2017 Makedoniko Museum of Contemporary Art, Thessaloniki Greece, "The Binary Era". Displayed at the Permanent collection.
2015 Competition for Public Sculpture, Bridgeport Connecticut, USA. "Double DNA Helix" by the Municipality of the City of Bridgeport, CT.
2010-2015 Construction of the "Dome House". Architectural Sculpture prototype home, Norwalk Connecticut, USA.
2012 Corporate Commission, commissioned by RT, TV Station, "Boom Bust". Kinetic Animation Background for the broadcasting room.
2009 "Techno Rituals ", Thessaloniki Biennale 2, State Museum of Contemporary Art, Thessaloniki, Greece
2008 "Transmitted Frequencies", The Discovery Museum, Bridgeport, Connecticut, U.S.A.
2007 "Technology and Art Rituals", The Butler Institute of American Art, Youngstown, Ohio.
2005 "Art Works from 1983-1987", at Sani Resort Festival, Khalkidhiki, Greece.
2004 "Art Works from 1983–1987", Sani Festival, Cassandra Khalkidhiki, Greece
2001 Millennial Synergy, SCI+Art+Tech, Hunterdon Museum of Art, Clinton, N.J., U.S.
2000 "Time Timeless", Egon Schiele Art Centrum, Krumlov, Czech Republic
1999 "The Kinetic Spectrum", Museum Moderner Kunst, Passau, Germany
1998 Osaka Triennial, 9th International Art Competition, MYDOME, Osaka, Japan
1997 "Forces", Contemporary Art Museum of Virginia, Virginia Beach, Virginia, U.S.A.
1997 "Electros at the Project Room", Newark Museum, Newark, New Jersey, U.S.A.
1997 "Electros", Gazi Art Center, Athens, Greece
1995 "Art for the end of the 20th Century", Reading Public Museum, Reading, PA, U.S.A.
1995 ARTEC ’95, International Biennale, "The Binary Era," Installation, Nagoya City Science Museum, Nagoya, Japan
1995 "Less Green More Machine", ACP Galerie, Salzburg, Austria
1993 "The Binary Era", Museum Junge Kunst, Frankfurt (O), Germany
1992 "The Digital Series", Jansen-Perez Gallery, San Antonio, Texas, U.S.A.
1991 "The Digital Series", Museo del Chopo, Mexico City, Mexico
1990 " The Silicone Season", William Paterson Museum, Wayne, New Jersey, U.S.A.
1988 " WIthout Gravity", East Hampton Center for Contemporary Art, East Hampton, NY, US
1986 "Cosmotopia", Rosenberg & Kaufman Fine Arts, New York City
1984 "Luminal Objects", Kara Gallery, Geneva, Switzerland
1982 "The Nuclear Age", New York University, 80 Washington Square, East Gallery, New York City
Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates."
Don Gummer is an American sculptor. His early work concentrated on table-top and wall-mounted sculpture. In the mid-1980s, he shifted his focus to large free-standing works, often in bronze. In the 1990s, he added a variety of other materials, such as stainless steel, aluminum and stained glass. His interest in large outdoor works also led him to an interest in public art. He is the husband of actress Meryl Streep.
Audrey L. Flack is an American artist. Her work pioneered the art genre of photorealism and encompasses painting, sculpture, and photography.
Modern Greek art is art from the period between the emergence of the new independent Greek state and the 20th century. As Mainland Greece was under Ottoman rule for all four centuries, it was not a part of the Renaissance and artistic movements that followed in Western Europe. However, Greek islands such as Crete, and the Ionian islands in particular were for large periods under Venetian or other European powers' rule and thus were able to better assimilate the radical artistic changes that were occurring in Europe during the 14th-18th century.
Tim Prentice is a kinetic sculptor. He received a master's degree in architecture from the Yale School of Architecture in 1960 and founded the award-winning company of Prentice & Chan in 1965. He resides in Cornwall, Connecticut.
Contemporary Greek Art is defined as the art produced by Greek artists after World War II.
James Seawright (1936-2022) was an American modernist sculptor.
Judith Brown was an American dancer and a sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crushed automobile scrap metal into energetic moving torsos, horses, and flying draperies. "One of the things that made Judy stand out as an artist was her ability to work in many different mediums. Some of this was by choice, and sometimes it was by necessity. Her surroundings often dictated what medium she could work with at any given time. After all, you can't bring you're welding gear with you to Rome."
MOMus Contemporary, in full MOMus–Museum of Contemporary Art–Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections, is a contemporary art museum in Thessaloniki, Central Macedonia, Greece, located in the area of the Thessaloniki International Fair. It was formerly known as the Macedonian Museum of Contemporary Art.
Joachim Sauter was a German media artist, designer and technology entrepreneur. He was appointed Professor for New Media Art and Design at the Universität der Künste Berlin, UdK in 1991, and in 1993 he created Terravision, before pursuing a lawsuit against Google for infringing the patent. He became an adjunct professor at UCLA, Los Angeles in 2001.
Joseph Wolins was an American painter whose influences included Piero della Francesca, Mantegna and Giotto. He studied at the National Academy of Design between 1935 and 1941 with Leon Kroll and held his first solo exhibition in 1947 at the New York Contemporary Arts Gallery. His work is in public collections including those of the Smithsonian American Art Museum and the Butler Institute of American Art.
Yorgos Kypris, born 1954, is a Cypriot sculptor who lives and works between Athens and Santorini in Greece. He continues to take part in numerous solo and group exhibitions, commissions work, designs jewelry and permanently exhibits his work through MATI, his personal art gallery. His work has been published in a number of books, articles and magazines. His best known works include the "Entrapped Fish" installation, at the Lobby of the World Bank Building, Washington D.C., commissioned in 1997, the "Gate of Knowledge" - a sculptural steel gate, erected in 1998 in the yard of St. Paul High school, Pafos, Cyprus, the body of works "Fish" (1993-), the "Parallel Notions" body of works (2001) and the "Observers", an installation of four sited figures on poles, 4,5m high each, commissioned (2002) at Fabrica Commercial Center, Fira, Santorini, Greece.
George Sherwood is an American kinetic and environmental sculptor.
Venia Bechrakis is a visual artist who lives and works in Athens and New York City.
Robert Perless is an American artist whose particular focus is kinetic art sculptures.
Wen-Ying Tsai was a Chinese-American pioneer cybernetic sculptor and kinetic artist best known for creating sculptures using electric motors, stainless steel rods, stroboscopic light, and audio feedback control. As one of the first Chinese-born artists to achieve international recognition in the 1960s, Tsai was an inspiration to generations of Chinese artists around the world.
George Rhoads was a contemporary American painter, sculptor, and origami master. He was best known for his whimsical audiokinetic sculptures in airports, science museums, shopping malls, children’s hospitals, and other public places throughout the world.
Paul Friedlander is a light artist who first trained as a physicist. Friedlander obtained a bachelor's degree in Physics and Mathematics at the University of Sussex and was tutored by Sir Anthony Leggett who later was awarded a Nobel Prize for his work on superfluidity. In 1976 he graduated with a B.A. in Fine Art at Exeter College of Art, UK. Friedlander worked as a lighting and stage designer for theatrical productions and avant-garde music before devoting himself to kinetic art at the age of 36. He lives and works in London, United Kingdom (UK).
Tobi Kahn is an American painter and sculptor. Kahn lives and works in New York City and is on the faculty at the School of Visual Arts.
Jonathan Silver was an American figurative sculptor, and visual artist "known for infusing classical forms with an extreme, implicitly modern sense of emotion." His work draws from the hellenistic tradition, as well as Rodin, Giacometti and Freudian psychoanalysis.
(1) Evangelos Andreou Babis Vekris. The Art (Techni) Magazine, iss. 3 – Athens Greece 1983
(2) "Babis Vekris Exposiciones en el Museo del Chopo," Gazeta Unam, June 17, 1991
(3) Karin Otto, "Das Innenleben eines Computer," Frankfurter Stadtbote,
January 16–17, 1993
(4) Marilyn J. Fox, "Playing with Art," Reading Eagle, July 30, 1995
(5) Technology and Art Rituals, 2007, Butler Institute of American Art, Youngstown, Ohio
(6) Technology and Art Rituals, 2007, Butler Institute of American Art, Youngstown, Ohio
(7) Michelle Mercadal, "Electros Millennial Synergy," Sculpture Magazine, March 2001
(8) Julia Cassim, "ARTEC Continues," Japan Sunday Times, May 14, 1995
(9) "Electrifying the World of Art" http://www.neomagazine.com/ [ permanent dead link ], October 2007