Outline of classical architecture

Last updated
The Acropolis of Athens, a World Heritage Site in Athens, Greece E Akropole apo ten Pnuka.jpg
The Acropolis of Athens, a World Heritage Site in Athens, Greece

The following outline is provided as an overview of and topical guide to classical architecture:

Contents

Classical architecture architecture of classical antiquity, that is, ancient Greek architecture and the architecture of ancient Rome. It also refers to the style or styles of architecture influenced by those. For example, most of the styles originating in post-Renaissance Europe can be described as classical architecture. This broad use of the term is employed by Sir John Summerson in The Classical Language of Architecture .

What type of thing is classical architecture?

Classical architecture can be described as all of the following:

Classical architectural structures

Ancient Greek architectural structures

Ancient Greek architecture architecture produced by the Greek-speaking people (Hellenic people) whose culture flourished on the Greek mainland and Peloponnesus, the Aegean Islands, and in colonies in Asia Minor and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC. Ancient Greek architecture is best known from its temples, and the Parthenon is a prime example.

Types of temple

Ancient Roman architectural structures

Ancient Roman architecture the Roman architectural revolution, also known as the concrete revolution, was the widespread use in Roman architecture of the previously little-used architectural forms of the arch, vault, and dome. A crucial factor in this development that saw a trend to monumental architecture was the invention of Roman concrete (also called opus caementicium ).

Architectural styles

Architectural style

Architectural elements

Building elements

Building materials

Classical orders

Classical orders

Greek orders
Roman orders

Types of buildings and structures

Classical architecture organizations

Classical architecture publications

Persons influential in classical architecture

See also

Related Research Articles

<span class="mw-page-title-main">Corinthian order</span> Order of classical architecture

The Corinthian order is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture.

<span class="mw-page-title-main">Ancient Roman architecture</span> Ancient architectural style

Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today.

<span class="mw-page-title-main">Classical architecture</span> Architectural style, inspired by classical Greco-Roman architectural principles

Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes more specifically, from the works of the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until World War II. Classical architecture continues to inform many architects.

<span class="mw-page-title-main">Doric order</span> Order of classical architecture

The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above.

<span class="mw-page-title-main">Ionic order</span> Order of classical architecture

The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan, and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns.

<span class="mw-page-title-main">Classicism</span> Art movement and architectural style

Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Clark noted, implies a canon of widely accepted ideal forms, whether in the Western canon that he was examining in The Nude (1956).

<span class="mw-page-title-main">Pediment</span> Element in classical, neoclassical and baroque architecture

Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice, or entablature if supported by columns. In ancient architecture, a wide and low triangular pediment typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances.

<span class="mw-page-title-main">Portico</span> Type of porch

A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures.

<span class="mw-page-title-main">Rotunda (architecture)</span> Building with a circular ground plan

A rotunda is any roofed building with a circular ground plan, and sometimes covered by a dome. It may also refer to a round room within a building. The Pantheon in Rome is perhaps the most famous, and is the most influential rotunda. A band rotunda is a circular bandstand, usually with a dome.

<span class="mw-page-title-main">Roman temple</span> Temples of the Roman Republic and Empire

Ancient Roman temples were among the most important buildings in Roman culture, and some of the richest buildings in Roman architecture, though only a few survive in any sort of complete state. Today they remain "the most obvious symbol of Roman architecture". Their construction and maintenance was a major part of ancient Roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. The main room (cella) housed the cult image of the deity to whom the temple was dedicated, and often a table for supplementary offerings or libations and a small altar for incense. Behind the cella was a room or rooms used by temple attendants for storage of equipment and offerings. The ordinary worshiper rarely entered the cella, and most public ceremonies were performed outside where the sacrificial altar was located, on the portico, with a crowd gathered in the temple precinct.

<span class="mw-page-title-main">Italian art</span>

Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek colonies at Paestum, Agrigento and elsewhere. Ancient Rome finally emerged as the dominant Italian and European power. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites. Following the fall of the Roman Empire, in the Middle Ages Italy remained an important centre, not only of the Carolingian art, Ottonian art of the Holy Roman Emperors, Norman art, but for the Byzantine art of Ravenna and other sites.

<span class="mw-page-title-main">Neoclassical architecture</span> 18th–19th-century European classical revivalist architectural style

Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy, France and Germany. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes.

<span class="mw-page-title-main">Acanthus (ornament)</span> Ornamental motif

The acanthus is one of the most common plant forms to make foliage ornament and decoration in the architectural tradition emanating from Greece and Rome.

<span class="mw-page-title-main">Architecture of Italy</span> Overview of the architecture in Italy

Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states until 1861. This has created a highly diverse and eclectic range in architectural designs. Italy is known for its considerable architectural achievements, such as the construction of aqueducts, temples and similar structures during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th century, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the United Kingdom, Australia and the United States of America during the late-17th to early 20th centuries.

<span class="mw-page-title-main">Fluting (architecture)</span> Architectural practice of cutting grooves through an otherwise plain surface

Fluting in architecture and the decorative arts consists of shallow grooves running along a surface. The term typically refers to the curved grooves (flutes) running vertically on a column shaft or a pilaster, but is not restricted to those two applications. If the hollowing out of material meets in a point, the point is called an arris. If the raised ridge between two flutes appears flat, the ridge is a fillet.

The architecture of Rome over the centuries has greatly developed from Ancient Roman architecture to Italian modern and contemporary architecture. Rome was once the world's main epicentres of Classical architecture, developing new forms such as the arch, the dome and the vault. The Romanesque style in the 11th, 12th and 13th centuries was also widely used in Roman architecture, and later the city became one of the main centres of Renaissance and Baroque architecture. Rome's cityscape is also widely Neoclassical and Fascist in style.

<span class="mw-page-title-main">Timeline of Italian architecture</span>

This timeline shows the periods of various architectural styles in the architecture of Italy. Italy's architecture spans almost 3,500 years, from Etruscan and Ancient Roman architecture to Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, Art Nouveau, Fascist, and Italian modern and contemporary architecture.

<span class="mw-page-title-main">Frontispiece (architecture)</span>

In architecture, the term frontispiece is used to describe the principal face of the building, usually referring to a combination of elements that frame and decorate the main or front entrance of a building. The earliest and most notable variation of frontispieces can be seen in Ancient Greek Architecture which features a large triangular gable, known as a pediment, usually supported by a collection of columns. However, some architectural authors have often used the term "frontispiece" and "pediment" interchangeably in reference to both large frontispieces decorating the main entrances, as well as smaller frontispieces framing windows which is traditionally known as a pediment.

<span class="mw-page-title-main">Tholos (architecture)</span> Circular roofed building in classical architecture

A tholos, in Latin tholus, is a form of building that was widely used in the classical world. It is a round structure with a circular wall and a roof, usually built upon a couple of steps, and often with a ring of columns supporting a conical or domed roof.

This is an alphabetical index of articles related to architecture.

References

  1. Cecil Grayson, in Kunstkronik213 (1960:359ff, and Münchener Jahrbuch der Bildenden Kunst11 (1960), demonstrated that the bulk of the composition was carried out between these dates.