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In architecture, post and lintel is a building system where strong horizontal elements are held up by strong vertical elements with large spaces between them. This is usually used to hold up a roof, creating a largely open space beneath, for whatever use the building is designed. The horizontal elements are called by a variety of names including lintel, header, architrave or beam, and the supporting vertical elements may be called columns, pillars, or posts. The use of wider elements at the top of the post, called capitals, to help spread the load, is common to many traditions.
The Corinthian order is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns, though this changed in Roman architecture.
Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes more specifically, from the works of the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until the World War II. Classical architecture continues to inform many architects.
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above.
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice, or entablature if supported by columns. In ancient architecture, a wide and low triangular pediment typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances.
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure. A piece of timber projecting in the same way was called a "tassel" or a "bragger" in England.
In classical architecture, a giant order, also known as colossal order, is an order whose columns or pilasters span two storeys. At the same time, smaller orders may feature in arcades or window and door framings within the storeys that are embraced by the giant order.
Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism.
Ancient Roman temples were among the most important buildings in Roman culture, and some of the richest buildings in Roman architecture, though only a few survive in any sort of complete state. Today they remain "the most obvious symbol of Roman architecture". Their construction and maintenance was a major part of ancient Roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. The main room (cella) housed the cult image of the deity to whom the temple was dedicated, and often a table for supplementary offerings or libations and a small altar for incense. Behind the cella was a room or rooms used by temple attendants for storage of equipment and offerings. The ordinary worshiper rarely entered the cella, and most public ceremonies were performed outside where the sacrificial altar was located, on the portico, with a crowd gathered in the temple precinct.
Palazzo del Te or Palazzo Te is a palace in the suburbs of Mantua, Italy. It is a fine example of the mannerist style of architecture, and the acknowledged masterpiece of Giulio Romano. Although formed in Italian, the usual name in English of Palazzo del Te is not that now used by Italians. The official modern name, and by far the most common name in Italian, is Palazzo Te. The English name arises because the art historian, Vasari, calls it the "Palazzo Del T", and English-speaking writers, especially art historians, still most often call it "Palazzo del Te".
A Venetian window is a large tripartite window which is a key element in Palladian architecture. Although Sebastiano Serlio (1475–1554) did not invent it, the window features largely in the work of the Italian architect Andrea Palladio (1508–1580) and is almost a trademark of his early career. The true Palladian window is an elaborated version.
Sir Ernst Hans Josef Gombrich was an Austrian-born art historian who, after settling in England in 1936, became a naturalised British citizen in 1947 and spent most of his working life in the United Kingdom.
Sir John Newenham Summerson was one of the leading British architectural historians of the 20th century.
A gutta is a small water-repelling, cone-shaped projection used near the top of the architrave of the Doric order in classical architecture. At the top of the architrave blocks, a row of six guttae below the narrow projection of the taenia (fillet) formed an element called a regula. A regula was aligned under each triglyph of the Doric frieze. In addition, the underside of the projecting geison above the frieze had rectangular protrusions termed mutules that each had three rows of six guttae. These mutules were aligned above each triglyph and each metope.
Thames & Hudson is a publisher of illustrated books in all visually creative categories: art, architecture, design, photography, fashion, film, and the performing arts. It also publishes books on archaeology, history, and popular culture.
A cavetto is a concave moulding with a regular curved profile that is part of a circle, widely used in architecture as well as furniture, picture frames, metalwork and other decorative arts. In describing vessels and similar shapes in pottery, metalwork and related fields, "cavetto" may be used of a variety of concave curves running round objects. The word comes from Italian, as a diminutive of cave, from the Latin for "hollow". A vernacular alternative is "cove", most often used where interior walls curve at the top to make a transition to the roof, or for "upside down" cavettos at the bases of elements.
Prodigy houses are large and showy English country houses built by courtiers and other wealthy families, either "noble palaces of an awesome scale" or "proud, ambitious heaps" according to taste. The prodigy houses stretch over the periods of Tudor, Elizabethan, and Jacobean architecture, though the term may be restricted to a core period of roughly 1570 to 1620. Many of the grandest were built with a view to housing Elizabeth I and her large retinue as they made their annual royal progress around her realm. Many are therefore close to major roads, often in the English Midlands.
Palazzo Caprini was a Renaissance palazzo in Rome, Italy, in the Borgo rione between Piazza Scossacavalli and via Alessandrina. It was designed by Donato Bramante around 1510, or a few years before.
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented.
A tholos, from Ancient Greek θόλος, meaning "conical roof", or dome), in Latin tholus, is a form of building that was widely used in the classical world. It is a round structure with a circular wall and a roof, usually built upon a couple of steps, and often with a ring of columns supporting a conical or domed roof.
References
- Summerson, John, The Classical Language of Architecture, 1980 edition, Thames and Hudson World of Art series, ISBN 0500201773
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