The Roman Empire was the post-Republican state of ancient Rome and is generally understood to mean the period and territory ruled by the Romans following Octavian's assumption of sole rule under the Principate in 31 BC. It included territory in Europe, North Africa, and Western Asia, and was ruled by emperors. The fall of the Western Roman Empire in 476 conventionally marks the end of classical antiquity and the beginning of the Middle Ages.
Lullingstone Roman Villa is a villa built during the Roman occupation of Britain, situated in Lullingstone near the village of Eynsford in Kent, south-eastern England. The villa is located in the Darent Valley, along with six others, including those at Crofton, Crayford and Dartford. Constructed in the 1st century, perhaps around 80–90 AD, the house was repeatedly expanded and occupied until it was destroyed by fire in the 4th or 5th century. The villa was occupied over various periods within the Romano-British period, but after its destruction, it is only thought to have been reoccupied during the medieval period. The occupants were most likely wealthy Romans or native Britons who had adopted Roman customs.
Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today.
Erotic art in Pompeii and Herculaneum has been both exhibited as art and censored as pornography. The Roman cities around the bay of Naples were destroyed by the eruption of Mount Vesuvius in 79 AD, thereby preserving their buildings and artefacts until extensive archaeological excavations began in the 18th century. These digs revealed the cities to be rich in erotic artefacts such as statues, frescoes, and household items decorated with sexual themes. The ubiquity of such imagery and items indicates that the treatment of sexuality in ancient Rome was more relaxed than in current Western culture. However, much of what might strike modern viewers as erotic imagery, such as oversized phalluses, could arguably be fertility imagery. Depictions of the phallus, for example, could be used in gardens to encourage the production of fertile plants. This clash of cultures led to many erotic artefacts from Pompeii being locked away from the public for nearly 200 years.
The Catacombs of Rome are ancient catacombs, underground burial places in and around Rome, of which there are at least forty, some rediscovered only in recent decades.
The Alexander Mosaic, also known as the Battle of Issus Mosaic, is a Roman floor mosaic originally from the House of the Faun in Pompeii. It is typically dated between c. 120 and 100 B.C. It depicts a battle between the armies of Alexander the Great and Darius III of Persia and measures 2.72 by 5.13 metres. This work of art is a combination of different artistic traditions such as Italic, Hellenistic, and Roman. The mosaic is considered "Roman" based on the broader context of its time and location in relation to the later Roman Republic. The original is preserved in the Naples National Archaeological Museum. The mosaic is believed to be a copy of a late 4th or early 3rd-century BC Hellenistic painting, perhaps by Philoxenus of Eretria or Apelles.
Christianization is a term for the specific type of change that occurs when someone or something has been or is being converted to Christianity. Christianization has, for the most part, spread through missions by individual conversions but has also, in some instances, been the result of coercion from governments or military leaders. Christianization is also the term used to designate the conversion of previously non-Christian practices, spaces and places to Christian uses and names. In a third manner, the term has been used to describe the changes that naturally emerge in a nation when sufficient numbers of individuals convert, or when secular leaders require those changes. Christianization of a nation is an ongoing process.
The Via Latina was a Roman road of Italy, running southeast from Rome for about 200 kilometers.
The megaron, plural megara, was the great hall in very early Mycenean and ancient Greek palace complexes. Architecturally, it was a rectangular hall that was surrounded by four columns, fronted by an open, two-columned portico, and had a central, open hearth that vented though an oculus in the roof.
The House of the Vettii is a domus located in the Roman town Pompeii, which was preserved by the eruption of Mount Vesuvius in 79 AD. The house is named for its owners, two successful freedmen: Aulus Vettius Conviva, an Augustalis, and Aulus Vettius Restitutus. Its careful excavation has preserved almost all of the wall frescos, which were completed following the earthquake of 62 AD, in the manner art historians term the Pompeiian Fourth Style. The House of Vetti is located in region VI, near the Vesuvian Gate, bordered by the Vicolo di Mercurio and the Vicolo dei Vettii. The house is one of the largest domus in Pompeii, spanning the entire southern section of block 15. The plan is fashioned in a typical Roman domus with the exception of a tablinum, which is not included. There are twelve mythological scenes across four cubiculum and one triclinium. The house was reopened to tourists in January 2023 after two decades of restoration.
The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting. They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BCE and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends.
The Gardens of Maecenas, or Horti Maecenatis, constituted the luxurious ancient Roman estate of Gaius Maecenas, an Augustan-era imperial advisor and patron of the arts. The property was among the first in Italy to emulate the style of Persian gardens. The walled villa, buildings, and gardens were located on the Esquiline Hill, atop the agger of the Servian Wall and its adjoining necropolis, as well as near the Horti Lamiani.
The growth of Christianity from its obscure origin c. 40 AD, with fewer than 1,000 followers, to being the majority religion of the entire Roman Empire by AD 350, has been examined through a wide variety of historiographical approaches.
Villa Boscoreale is a name given to any of several Roman villas discovered in the district of Boscoreale, Italy. They were all buried and preserved by the eruption of Mount Vesuvius in 79 AD, along with Pompeii and Herculaneum. The only one visible in situ today is the Villa Regina, the others being reburied soon after their discovery. Although these villas can be classified as "rustic" rather than of otium due to their agricultural sections and sometimes lack of the most luxurious amenities, they were often embellished with extremely luxurious decorations such as frescoes, testifying to the wealth of the owners. Among the most important finds are the exquisite frescoes from the Villa of Publius Fannius Synistor and the sumptuous Boscoreale Treasure of the Villa della Pisanella, which is now displayed in several major museums.
The House of Sallust was an elite residence (domus) in the ancient Roman city of Pompeii and among the most sumptuous of the city.
A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, on both floors and walls, though they competed with cheaper frescos for the latter. They were highly influenced by earlier and contemporary Hellenistic Greek mosaics, and often included famous figures from history and mythology, such as Alexander the Great in the Alexander Mosaic.
The Carolingian Cross is but one variation in the vast historical imagery of Christian symbolic representations of the Crucifixion of Jesus, going back to at least the ninth century. All crosses and Christian symbols have an inherent meaning arising from a multitude of sources and distinct features that set them apart from other religions. From both a design aspect and a theological perspective, the Carolingian Cross consists of a mixture of Christian and pre-Christian concepts built over a long history of cultural adaptation, religious iconography, liturgical practices and theological premises. German graphic designer Rudolf Koch in 1932 published a collection of 158 plates of drawings of Christian symbols. Under the heading of "Cross", this includes twelve drawings of Christian cross variants. One of these, the "Carolingian Cross" shows a cross of four triquetras.
Agrippa Postumus had a villa on the slopes of Mount Vesuvius, which was buried in the eruption of 79 AD. The villa lies within the current comune of Boscotrecase, Campania, Italy. The villa is best known for its ancient Roman works of art, especially its frescoes. Because the ash from Mount Vesuvius's eruption preserved the frescoes, they were able to be excavated between 1903 and 1905. The frescoes come from various cubicula, or bedrooms that served as places of sociability and business, along the villa's southern hallway that overlooks the bay of Naples.
