Campanilleros

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A campanillero (Spanish pronunciation:  [kampaniˈʝeɾo] ) is a flamenco cante or song form. It is in couplets of six verses. It has its origin in sacred songs of Andalusia which were chanted during the early morning procession known as Rosario de la Aurora. [1]

Flamenco genre of Spanish music; UNESCO intangible cultural heritage

Flamenco, in its strictest sense, is a professionalized art-form based on the various folkloric music traditions of southern Spain in the autonomous communities of Andalusia, Extremadura and Murcia. In a wider sense, it refers to these musical traditions and more modern musical styles which have themselves been deeply influenced by and become blurred with the development of flamenco over the past two centuries. It includes cante (singing), toque, baile (dance), jaleo, palmas (handclapping) and pitos.

The cante flamenco, meaning "flamenco singing", is one of the three main components of flamenco, along with toque and baile (dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form - but in fact, it is the cante which is the heart and soul of the genre. A cante singer is a cantaor or cantaora.

A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on couplet, the meaning of the first line continues to the second.

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History

The oldest extant examples of this song form are those of Manuel Torre. The most popular of these is La Niña de la Puebla (The Village Child). Other composers were Juan Varea, and El Agujeta. Today, these songs are sung by José Mercé and José Menese, among others.

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References

  1. Jose Blas Vega and Manuel Rios Ruiz Cinterco (1985) Diccionario Flamenco ("Flamenco Dictionary")