Cuplé

Last updated • 1 min readFrom Wikipedia, The Free Encyclopedia
Aurora Purificacion Mananos Jauffret (1891-1950), <<La Goya>>, in 1914 La Goya 01.png
Aurora Purificación Mañanós Jauffret (1891–1950), «La Goya», in 1914

The cuplé was a popular risqué Spanish theatre song style in the late years of the 19th century. From 1893 to 1911 the songs were a feature of the "género ínfimo" (lowest type) cabaret theatre sung by solo female singers, or men in drag, and attended mainly by men. But in the second decade of the 20th century the cuplé, in a more respectable form, became more family-friendly and was associated with the makings of stars of the Spanish theatre such as Aurora Jauffret, "La Goya", [1] [2] and Lola Montes, who sang the cuplé El novio de la muerte, which, after adaptation, became the official hymn of the Spanish Legion. [3] [4]

The term comes from French couplet, but the poetic form couplet in Spanish is a pareado or dístico. The cuplé prefigured the copla of the 1930s.

Notable cupletistas

Related Research Articles

<i>Zarzuela</i> Spanish lyric-dramatic genre

Zarzuela is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of a royal hunting lodge, the Palace of Zarzuela, near Madrid, where that type of entertainment was allegedly first presented to the court. The palace in turn was named after the brambles that grew there.

<span class="mw-page-title-main">Yolanda Montes</span> American dancer, actress and vedette

Yolanda Yvonne Montes Farrington, better known by her stage-name Tongolele, is an American dancer, actress and vedette.

<span class="mw-page-title-main">Lyn May</span> Mexican actress and vedette

Lilia Guadalupe Mendiola Mayares, better known by her stage name Lyn May, is a Mexican vedette, exotic dancer and actress. She was one of the most popular Mexican vedettes during the 1970s and 1980s, a popular sex symbol, and one of the main stars of Ficheras cinema.

<span class="mw-page-title-main">Tonadilla</span>

Tonadilla was a Spanish musical song form of theatrical origin; not danced. The genre was a type of short, satirical musical comedy popular in 18th-century Spain, and later in Cuba and other Spanish colonial countries.

<span class="mw-page-title-main">Meche Barba</span> Mexican actress (1922–2000)

Meche Barba was a Mexican film actress and dancer of the Golden age of Mexican cinema in the 1940s and 1950s. She was considered one of the icons of the "Rumberas film".

The Rumberas film was a film genre that flourished in Mexico's Golden Age of Mexican cinema in the 1940s and 1950s. Its major stars were the so-called rumberas, dancers of Afro-Caribbean musical rhythms. The genre is a film curiosity, one of the most fascinating hybrids of the international cinema.

The copla, copla andaluza, canción andaluza, canción española, tonadilla or canción folklórica is a form of Spanish popular song, deriving from the poetic form of the same name. Although the genre has a long heritage, it flourished in the 1930s and 1940s, and is epitomized by songwriters Antonio Quintero, Rafael de León and Manuel Quiroga.

<span class="mw-page-title-main">Couplets (cabaret)</span> Specializing in satirical songs performed in cabaret settings.

Couplets were wittily ambiguous, political, or satirical songs in an number of European countries, usually performed in cabaret settings, usually with refrains, often used as a transition between two cabaret numbers. Couplets could also be independent stage numbers. A coupletist is a poet, singer, or actor who specializes in couplets.

Excitante is an Argentine musical & theatre show that acted in the theatre of Mar del Plata and later Villa Carlos Paz. The show was presented and let by the creators Miguel Ángel Cherutti and Nito Artaza, and also led by vedette, Adabel Guerrero and singer Estela Raval. The show debuted in Mar del Plata, Buenos Aires on 2 December 2010, ending in September. The musical's third musical cycle debuted in Villa Carlos Paz, Córdoba in December. It has recently finished its fourth and last cycle in the months of April and May, with the death of its lead woman, Raval, on 6 June 2012 in Buenos Aires.

A vedette is the main female artist of a show derived from cabaret and its subcategories of revue, vaudeville, music hall or burlesque. The purpose of the vedette is to entertain and captivate the public. Vedettes are expected to sing, dance and act on stage. Particularly accomplished artistes are considered super vedettes or first vedettes. Vedettes often appear alongside groups of dancers, flashy and revealing costumes, magicians, comedians, jugglers, or even performing animals. Vedettes specializing in burlesque generally do striptease and may also perform nude on stage.

Claudia Ciardone is an Argentine model, theatre actress and vedette who started her career after being the first person to be eliminated in Big Brother season 4 in Argentina, she had a relationship with Ricardo "El comandante" Fort. She was born in Loma Hermosa, Argentina.

<span class="mw-page-title-main">Paquita Escribano</span> Spanish singer

Paquita Escribano was a popular Spanish singer. A cupletista and tonadillera, she recorded 39 albums. Among her most popular songs were Ven y ven , El polichinela, El apache moderno, La mariposa, Tirana del Tripilí, La foot-balista, Mimosa, ¿Solo o con leche?, La cucaracha, Zulina, la esclava, Bella samaritana and La guitarra agarena. She retired to Valencia with her husband where she died in 1970.

<span class="mw-page-title-main">María Antinea</span>

María Antinea was a Spanish actress, vedette, dancer, cupletista and tonadillera.

<span class="mw-page-title-main">Rossy Mendoza</span> Mexican actress and dancer (1945–2023)

María del Rosario Mendoza Chávez was a Mexican vedette, actress, dancer, and singer. During the 1970s–1980s, she was one of the highest grossing artists in the Mexican sex comedy film genre.

Juana Amanda Seux Ramírez, better known as Wanda Seux, was a Paraguayan-Mexican vedette, dancer, and actress, who enjoyed a long career in film, television, and theatre in Mexico.

Thelma Delia Suklenik Snopik, better known by her stage name Thelma Tixou, was a Mexican vedette and actress of Argentine origin. She was one of the most popular Mexican vedettes during the 1970s and 1980s, and she became famous worldwide for her role as The Tattooed Woman in Alejandro Jodorowsky's cult classic film Santa Sangre (1989).

<span class="mw-page-title-main">Teatro Maipo</span>

Teatro Maipo is a historic theatre in downtown Buenos Aires, Argentina. It was founded in 1908 by entrepreneur Charles Seguin, and was first called the Scala Theater. It later changed its name to the Esmerelda Theatre and eventually to the Maipo theatre. It has closed and reopened several times, most recently in 1994. The history of the Maipo theatre is the subject of a novel by historian Carlos Schwarzer.

<span class="mw-page-title-main">Lola Montes (singer)</span> Musical artist

Lola Montes was a Spanish singer whose real name was Mercedes Fernández. She began in the artistic world as a dancer at the Teatro Real in Madrid. Later, she performed as a singer in different Zarzuela performances and still later, she was an interpreter of cuplés. On July 20, 1921, she premiered the cuplé El novio de la muerte at the Teatro Vital in Málaga, with lyrics by Fidel Prado Duque and music by Juan Costa Casals, obtaining enormous success. Shortly after, she performed it in Melilla and the song, after being adapted, became the official hymn of the Spanish Legion.

<span class="mw-page-title-main">Rosita Rodrigo</span>

Rosita Rodrigo was a Spanish actress, vedette, dancer and songwriter, highly successful in Spain, Mexico, Cuba, and Argentina. Among her most popular songs are the Valencian zarzuela, "Les barraques" and "Muñequita de trapo." She was also linked to politics, such as her relationship with Alfonso XIII.

<span class="mw-page-title-main">Teresita Zazá</span> Spanish singer (1893–1980)

Teresa Juliana Lucía Maraval Torres was a Spanish tonadillera, cupletista, and actress who also made a career in Argentina. In Spain, she performed in the Teatre Principal, Teatro Romea, and Teatro Maravillas. In Argentina, she was a performer at the Odeon Theater, Teatro Splendid, Teatro Marconi, Teatro Avenida, Teatro Comedia, Teatro Empire, Teatro Nuevo, Teatro Nacional, and Teatro Florida/Galería Güemes. Her film debut occurred in 1929, in La del Soto del Parral.

References

  1. Eva Woods Peiró White Gypsies: Race and Stardom in Spanish Musicals Page 70 2012 "A bastardization of the French couplet, the cuplé was a popular narrative song of approximately two to three minutes that most often recounted stories of prostitutes, lost love, sexual escapades, or the trials of a poverty-stricken life. ...The cupletista was the female or male transvestite singer who usually performed cuplés in cafés, lyric theaters, and lowbrow theaters.5 According to Serge Salaün a cultural historian of the cuplé, the growing vogue for the cuplé in Spain developed alongside, within, and around the star system and, by extension, the cinema (El cuplé, 86, ..."
  2. Bradley S. Epps, Despina Kakoudaki All about Almodóvar: A Passion for Cinema 2009 "Even the cuplé, the song with which Montiel becomes identified, derives from a tradition of risqué musical numbers filled with sexual innuendo performed by women."
  3. Villatoro, Manuel P. (19 March 2014). ""El novio de la muerte", el himno de la Legión española que nació en un cabaret". Diario ABC (in Spanish). Retrieved 12 June 2023.
  4. Retana, Álvaro (1964). Historia del género frívolo (in Spanish). Madrid: Tesoro.