Romantic guitar

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Romantic guitar
Jean-Nicolas Grobert - Early Romantic Guitar, Paris around 1830.jpg
Early Romantic guitar (c.1830, Paris) by Jean-Nicolas Grobert (1794–1869)
String instrument
Classification String instrument (plucked)
Hornbostel–Sachs classification 321.322
(Composite chordophone)
Inventor(s)Ferdinando Gagliano (first known) [1]
Developed18th century [1]
Attack Fast
Related instruments
Builders

The early romantic guitar, the guitar of the Classical and Romantic period, shows remarkable consistency from 1790 to 1830. [1] Guitars had six or more single courses of strings while the Baroque guitar usually had five double courses (though the highest string might be single). The romantic guitar eventually led to Antonio de Torres Jurado's fan-braced Spanish guitars, the immediate precursors of the modern classical guitar.

Contents

From the late 18th century the guitar achieved considerable general popularity though, as Ruggero Chiesa stated, subsequent scholars have largely ignored its place in classical music. [2] It was the era of guitarist-composers such as Fernando Sor, Ferdinando Carulli, Mauro Giuliani and Matteo Carcassi. In addition several well-known composers not generally linked with the guitar played or wrote for it: Luigi Boccherini and Franz Schubert wrote for it in several pieces, [3] Hector Berlioz was a proficient guitarist who neither played keyboards nor received an academic education in music, [4] the violin virtuoso Niccolò Paganini played guitar informally and Anton Diabelli produced a quantity of guitar compositions (see List of compositions by Anton Diabelli ).

History

Guitare Musikmuseum Basel 24102013 1.jpg
Stauffer Martin (c.1838), Christian Frederick Martin, New York - Viennese Stauffer style early C. F. Martin guitar (vertical).jpg
Martin Renaissance model (c.1843-52) - C.F. Martin Guitar Factory 2012-08-06 - 004 (clip).jpg
(Left): Guitar made by "Pons" in London, 1819. Musikmuseum, Basel; (middle): C.F. Martin guitar made in New York, c.1838; (right): C.F. Martin Renaissance model, c.1843–52

The first known guitar built to be strung with single strings rather than pairs of strings was built in 1774 by Ferdinando Gagliano in Naples. This guitar, which was displayed in the Heyer Museum, Cologne before that museum was dispersed, showed some important differences from the modern classical guitar. It had 5 single strings, inlaid brass frets, a long neck relative to string length (the fretboard meeting the body at the 11th fret), a pegged bridge and a characteristic figure-8 shaped tuning head. It lacked only a sixth string to make it identical with the early romantic guitar. [1]

The earliest extant six-string guitar was built in 1779 by Gaetano Vinaccia (1759 – after 1831) [5] [6] [7] in Naples, Italy. The Vinaccia family of luthiers is also known for developing the mandolin. This guitar shows no sign of modification from a double-course guitar. [1] The authenticity of guitars before the 1790s is often in question. Moretti's 6-string method appeared in 1792.[ citation needed ]

Around the same time France also began to produce guitars with six single courses and Spain soon followed. Italian, French, and Spanish six-string guitars differed from the baroque guitar in similar ways. In addition to the advances already mentioned the guitar was gradually given more pronounced curves and a larger body while ornamentation was more restrained, remaining mostly around the edges of the body and the sound hole, which lacked a decorative rose to allow more volume. Frets were no longer of tied gut but fixed strips of some harder material, first ebony or ivory then metal. Wooden pegs were later replaced by metal tuning machines. [1] [8] [9]

Technique

Guitarist by Tropinin 1832.jpg
Guitarist playing, painted by Vasily Tropinin, 1832
139 Museu de la Musica, guitarra.jpg
Romantic guitar exhibited at Museu de la Música de Barcelona

The many instructional books of the time show no standard playing technique but rather a reliance upon earlier traditions. For example, they often recommend that the right hand be supported on the guitar's table although the Spanish guitarist Nicario Juaralde took the modern view, warning against a loss of right-hand freedom. The thumb and first two fingers were mainly used for plucking with, in the 19th century, a free stroke ( tirando ) more commonly than the rest stroke ( apoyando ) that was favoured in the 20th century. Unlike most classical guitarists today, players were divided as to whether or not use fingernails. Fernando Sor, for example, did not use them while his compatriot Dionisio Aguado did. [8] [10]

The narrower fretboard of the romantic guitar allowed the left-hand thumb to be used by some guitarists to fret the sixth string although Fernando Sor deprecates this in his method, recommending that the left-hand thumb remain at the rear centre of the neck and noting that the "high" thumb position aids neither bass-string fingering nor support of the guitar. Romantic guitars often had a neck-strap around the player's neck while Dionisio Aguado invented a "tripodion" for holding the instrument. Aguado also advocated a relaxed posture, leaning back in a chair with both feet solidly on the ground rather than using a footstool to achieve the later conventional posture, the edge of the chair being used to keep the guitar from sliding down to the right, bringing the neck upward, closer to the player's torso, rather than projecting to the left. [11]

Composers

Luthiers

Further reading

Related Research Articles

<span class="mw-page-title-main">Classical guitar</span> Member of the guitar family used in classical music

The classical guitar is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern steel-string acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the 15th and 16th century. Those instruments evolved into the 17th and 18th-century baroque guitar—and by the mid-19th century, early forms of the modern classical guitar. Today's modern classical guitar was established by the late designs of the 19th-century Spanish luthier, Antonio Torres Jurado.

<span class="mw-page-title-main">Guitar</span> Fretted string instrument

The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier.

<span class="mw-page-title-main">Guitarist</span> Musician who plays the guitar

A guitarist is a person who plays the guitar. Guitarists may play a variety of guitar family instruments such as classical guitars, acoustic guitars, electric guitars, and bass guitars. Some guitarists accompany themselves on the guitar by singing or playing the harmonica, or both.

<span class="mw-page-title-main">Fernando Sor</span> Spanish classical guitarist and composer (1778–1839)

Fernando Sor was a Spanish classical guitarist and composer of the early Romantic era. Best known for writing solo classical guitar music, he also composed an opera, three symphonies, guitar duos, piano music, songs, a Mass, and at least two successful ballets: Cinderella, which received over one hundred performances, and Hercule et Omphale.

<span class="mw-page-title-main">Guitar solo</span> Passage or section of music designated for a guitar

A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written to be played on a classical, electric, or acoustic guitar. In 20th and 21st century traditional music and popular music such as blues, swing, jazz, jazz fusion, rock and heavy metal, guitar solos often contain virtuoso techniques and varying degrees of improvisation. Guitar solos on classical guitar, which are typically written in musical notation, are also used in classical music forms such as chamber music and concertos.

<span class="mw-page-title-main">Dionisio Aguado y García</span> Spanish classical guitarist and composer

Dionisio Aguado y García was a Spanish classical guitarist and composer of the late Classical and early Romantic periods.

<span class="mw-page-title-main">Ferdinando Carulli</span> Italian composer

Ferdinando Maria Meinrado Francesco Pascale Rosario Carulli was an Italian composer for classical guitar and the author of the influential Méthode complète pour guitare ou lyre, op. 27 (1810), which contains music still used by student guitarists today. He wrote a variety of works for classical guitar, including numerous solo and chamber works and several concertos. He was an extremely prolific writer, composing over 400 works for the instrument.

<span class="mw-page-title-main">Roland Dyens</span>

Roland Dyens was a French classical guitarist, composer, and arranger.

<span class="mw-page-title-main">Barre chord</span> Guitar performance technique

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<span class="mw-page-title-main">Harp guitar</span> Guitar-based string instrument

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<span class="mw-page-title-main">Classical guitar technique</span>

In classical guitar, the right hand is developed in such a way that it can sustain two, three, and four voice harmonies while also paying special attention to tone production. The index (i), middle (m), and ring (a) fingers are generally used to play the melody, while the thumb (p) accompanies in the bass register adding harmony and produces a comparable texture and effect to that of the piano. The classical guitar is a solo polyphonic instrument, and it is difficult to master.

A person who is specialized in the making of stringed instruments such as guitars, lutes and violins is called a luthier.

Lucio Matarazzo is an Italian classical guitarist. Along with successful guitarists Julian Bream, Alirio Diaz and Alexandre Lagoya, he is a recipient of the prestigious Chitarra d'Oro in the category of Una Vita per la Chitarra awarded by the International Guitar Convention of Alessandria.

Antoine de Lhoyer [L'Hoyer] was a French virtuoso classical guitarist and an eminent early romantic composer of mainly chamber music featuring the classical guitar. Lhoyer also had a notable military career; he was an elite member of the Gardes du Corps du Roi, a Knight of the Order of St John and a Knight of the Order of St Louis. His music fell into obscurity even before his impoverished death at the age of 83 in Paris.

<span class="mw-page-title-main">Pierre Jean Porro</span> French guitarist, composer and music publisher

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<span class="mw-page-title-main">Lyre-guitar</span> Guitar shaped to look like a lyre

A musical instrument of the chordophone family, the lyre-guitar was a type of guitar shaped to look like a lyre, popular as a fad-instrument in the late 1800s. It had six single courses, with a fretboard located between two curved arms recalling the shape of the ancient Greek kithara. It was tuned and played like the conventional guitar.

<span class="mw-page-title-main">Classical guitar repertoire</span> Set of available musical works for classical guitar

To a greater extent than most other instruments and ensembles, it is difficult to compose music for the guitar without either proficiency in the instrument or close collaboration with a guitarist. As a result, a large part of the guitar repertoire consists of works by guitarists who did not compose extensively for other instruments. Music prior to the classical era was often composed for performance on various combinations of instruments, and could be adapted by the performer to keyboard instruments, the lute, or the guitar. Since the beginning of the 20th century, however, a significant amount of music has been written for the guitar by non-guitarist composers.

Antoine Marcel Lemoine was the founder of the music publishing establishment in Paris and a guitar virtuoso and skilful performer on the violin and viola. He was also the father of Henry Lemoine, who took over his publishing business.

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René François Lacôte (1785–1871) was a Romantic guitar luthier from Paris, France. His guitars were played by guitarists such as Fernando Sor, Ferdinando Carulli, Dionisio Aguado, Napoléon Coste, and Marco Aurelio Zani de Ferranti. Musicologist René Vannes referred to Lacôte as the "Stradivarius of the guitar" in his book Universal Dictionary of Luthiers. Lacôte apprenticed to the luthier Joseph Pons. Ferndando Sor mentioned in his book Méthode pour la Guitare that "M. Lacote, a French maker, the only person who, besides his talents, has proved to me that he possesses the quality of not being inflexible to reasoning".

References

  1. 1 2 3 4 5 6 Stalking the Oldest Six String Guitar
  2. Quoted at the "Early Romantic Guitar" website
  3. See Ars Classical website
  4. "EssentialsOfMusic.com". EssentialsOfMusic.com. Archived from the original on 11 April 2009. Retrieved 13 March 2010.
  5. The Classical Mandolin by Paul Sparks (1995), page 225, quote: "Vinaccia, Gaetano (1759–after 1831)"
  6. "Early Romantic Guitar Homepage". earlyromanticguitar.com. Retrieved 15 April 2018. [Page showing guitars, the oldest saying "1779 Italy Vinaccia TH Looks right for 1779"; at the bottom of the page TH refers to a linked article "Dr. Heck - Stalking the Earliest 6-String" in which the author Thomas F. Heck concludes " the guitar with six single strings is probably of French or Italian origin, definitely not of Spanish origin...I do not consider the matter closed..."]{{cite web}}: External link in |quote= (help)
  7. "Gaetano Vinaccia Biography". guitarhistoryfacts.com. Retrieved 26 April 2019. ...According to the current historical records, Gaetano Vinaccia and his brother Gennaro were responsible for the creation of the first six string guitar sometimes around 1776 in Naples...Authenticity of his surviving guitar was often placed in question by modern historians...
  8. 1 2 Harvey Turnbull, P. Sparks. "The Early Six String Guitar." from the Groves Online Dictionary article: "Guitar", last updated December 2009
  9. "Early Six String Guitars" from Darcy Kuronen, Dangerous Curves: The Art of the Guitar, Boston: The Museum of Fine Arts, 2000.
  10. See also Neil Caulkins, "Flesh or Nails: An Historical Issue," Guitar International, October 1987: 11-12.
  11. Thomas Heck, "A Relaxing Way to Hold the Guitar: Variation on a Theme by Aguado?" from Soundboard magazine, 2004. Vol. XXX No. 3 2004: 31 – 34.