Medieval metal is a subgenre of folk metal that blends heavy metal music with medieval folk music. Medieval metal is mostly restricted to Germany where it is known as Mittelalter-Metal or Mittelalter-Rock. The genre emerged from the middle of the 1990s with contributions from Subway to Sally, In Extremo and Schandmaul. The style is characterised by the prominent use of a wide variety of traditional folk and medieval instruments.
The United States' multi-ethnic population is reflected through a diverse array of styles of music. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip-hop/rap, soul, funk, religious, disco, house, techno, ragtime, doo-wop, folk, americana, boogaloo, tejano, surf, and salsa, amongst many others. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience.
A roots revival is a trend which includes young performers popularizing the traditional musical styles of their ancestors. Often, roots revivals include an addition of newly composed songs with socially and politically aware lyrics, as well as a general modernization of the folk sound.
Much has been learned about early music in Norway from physical artifacts found during archaeological digs. These include instruments such as the lur. Viking and medieval sagas also describe musical activity, as do the accounts of priests and pilgrims from all over Europe coming to visit St Olav's grave in Trondheim.
Throughout the history of the British Isles, the land that is now the United Kingdom has been a major music producer, drawing inspiration from church music and traditional folk music, using instruments from England, Scotland, Northern Ireland, and Wales. Each of the four countries of the United Kingdom has its own diverse and distinctive folk music forms, which flourished until the era of industrialisation when they began to be replaced by new forms of popular music, including music hall and brass bands. Many British musicians have influenced modern music on a global scale, and the UK has one of the world's largest music industries. English, Scottish, Irish, and Welsh folk music as well as other British styles of music heavily influenced American music such as American folk music, American march music, old-time, ragtime, blues, country, and bluegrass. The UK has birthed many popular music genres such as beat music, psychedelic music, progressive rock/pop, heavy metal, new wave, and industrial music.
The music of Sweden shares roots with its neighbouring countries in Scandinavia, as well as Eastern Europe, including polka, schottische, waltz, polska and mazurka. The Swedish fiddle and nyckelharpa are among the most common Swedish folk instruments. The instrumental genre is the biggest one in Sweden. In the 1960s, Swedish youth sparked a roots revival in Swedish folk culture. Many joined Spelmanslag and performed on mainstream radio and TV. They focused on instrumental polska music, with vocals and influences from other traditional genres becoming more prominent since the 1990s. By 1970, the "dansband" culture also began. Music in Sweden is a vital part of Swedish culture, as evidenced by the national success of musical shows like Allsång på Skansen and Melodifestivalen.
The music of Finland can be roughly divided into folk music, classical and contemporary art music, and contemporary popular music.
Germany claims some of the most renowned composers, singers, producers and performers of the world. Germany is the largest music market in Europe, and third largest in the world.
Hungary has made many contributions to the fields of folk, popular and classical music. Hungarian folk music is a prominent part of the national identity and continues to play a major part in Hungarian music. The Busójárás carnival in Mohács is a major folk music event in Hungary, formerly featuring the long-established and well-regarded Bogyiszló orchestra. Instruments traditionally used in Hungarian folk music include the citera, cimbalom, cobza, doromb, duda, kanászkürt, tárogató, tambura, tekero and ütőgardon. Traditional Hungarian music has been found to bear resemblances to the musical traditions of neighbouring Balkan countries and Central Asia.
Portuguese music includes many different styles and genres, as a result of its history. These can be broadly divided into classical music, traditional/folk music and popular music and all of them have produced internationally successful acts, with the country seeing a recent expansion in musical styles, especially in popular music.
The Music of Wales, particularly singing, is a significant part of Welsh national identity, and the country is traditionally referred to as "the land of song".
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
German rock music (Deutschrock) came into its own only by the late 1960s, but spawned many bands spanning genres such as krautrock, Neue Deutsche Welle, heavy metal, punk, and industrial.
British folk rock is a form of folk rock which developed in the United Kingdom from the mid 1960s, and was at its most significant in the 1970s. Though the merging of folk and rock music came from several sources, it is widely regarded that the success of "The House of the Rising Sun" by British band the Animals in 1964 was a catalyst, prompting Bob Dylan to "go electric", in which, like the Animals, he brought folk and rock music together, from which other musicians followed. In the same year, the Beatles began incorporating overt folk influences into their music, most noticeably on their Beatles for Sale album. The Beatles and other British Invasion bands, in turn, influenced the American band the Byrds, who released their recording of Dylan's "Mr. Tambourine Man" in April 1965, setting off the mid-1960s American folk rock movement. A number of British groups, usually those associated with the British folk revival, moved into folk rock in the mid-1960s, including the Strawbs, Pentangle, and Fairport Convention.
Corvus Corax is a German band known for playing neo-Medieval music using authentic instruments. Their name is the Latin name for the common raven. The band was formed in 1989 by Castus Rabensang, Wim (Venustus) and Meister Selbfried in East Germany. The band often uses bagpipes as the solo instrument; their live performances attract attention with the bizarre look of the musicians being reminiscent of ancient Greek myths: half-naked, dressed in unusual clothes, wearing primitive tribal decorations, often tattooed.
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
Medieval folk rock, medieval rock or medieval folk is a musical subgenre that emerged in the early 1970s in England and Germany which combined elements of early music with rock music. It grew out of the British folk rock and progressive folk movements of the late 1960s. Despite the name, the term was used indiscriminately to categorise performers who incorporated elements of medieval, renaissance and baroque music into their work and sometimes to describe groups who used few, or no, electric instruments. This subgenre reached its height towards the middle of the 1970s when it achieved some mainstream success in Britain, but within a few years most groups had either disbanded, or were absorbed into the wider movements of progressive folk and progressive rock. Nevertheless, the genre had a considerable impact within progressive rock where early music, and medievalism in general, was a major influence and through that in the development of heavy metal. More recently medieval folk rock has revived in popularity along with other forms of medieval inspired music such as Dark Wave orientated neo-Medieval music and medieval metal.
Canadian music genres identifies musical sounds as belonging to a particular category and type of music that can be distinguished from other types of music made by Canadians. The music of Canada has reflected the multi-cultural influences that have shaped the country. First Nations people, the French, the British, the Americans and many others nationalities have all made unique contributions to the musical genres of Canada. During the swing boom of the late 1930s and early 1940s, Canada produced such notable bandleaders as Ellis McLintock, Bert Niosi, Jimmy Davidson, and Mart Kenney. In the 1940s, Bert Niosi and Oscar Peterson became widely known. Canada has also produced a number of respected classical music ensembles, including the Montreal Symphony Orchestra and the Toronto Symphony Orchestra. Canadian rock describes a wide and diverse variety of music produced by Canadians, with the most notable Canadian rock band being Rush, who currently place fifth behind The Beatles, The Rolling Stones, KISS and Aerosmith for the most consecutive gold and platinum albums by a rock band. The Canadian hip hop scene was first established in the 1980s. Some of the most well known Canadian rappers and hip-hop artists include Drake and Maestro Fresh-Wes.
Modern pagan music or neopagan music is music created for or influenced by modern Paganism. Music produced in the interwar period include efforts from the Latvian Dievturība movement and the Norwegian composer Geirr Tveitt. The counterculture of the 1960s established British folk revival and world music as influences for American neopagan music. Second-wave feminism created women's music which includes influences from feminist versions of neopaganism. The United States also produced Moondog, a Norse neopagan street musician and composer. The postwar neopagan organisations Ásatrúarfélagið in Iceland and Romuva in Lithuania have been led by musicians.
