Celtic music is a broad grouping of music genres that evolved out of the folk music traditions of the Celtic people of Northwestern Europe. It refers to both orally-transmitted traditional music and recorded music and the styles vary considerably to include everything from traditional music to a wide range of hybrids.
Vocal music is a type of singing performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment, in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered to be instrumental music as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as a cappella.
The modern Celts are a related group of ethnicities who share similar Celtic languages, cultures and artistic histories, and who live in or descend from one of the regions on the western extremities of Europe populated by the Celts.
Cape Breton fiddling is a regional violin style which falls within the Celtic music idiom. Cape Breton Island's fiddle music was brought to North America by Scottish immigrants during the Highland Clearances. These Scottish immigrants were primarily from Gaelic-speaking regions in the Scottish Highlands and the Outer Hebrides. Although fiddling has changed considerably since this time in Scotland, it is widely held that the tradition of Scottish fiddle music has been better preserved in Cape Breton.
Celtic music is primarily associated with the folk traditions of Ireland, Scotland, Brittany and Wales, as well as the popular styles derived from folk culture. In addition, a number of other areas of the world are known for the use of Celtic musical styles and techniques, including Newfoundland, and much of the folk music of Canada's Maritimes, especially on Cape Breton Island and Prince Edward Island.
Puirt à beul is a traditional form of song native to Scotland that sets Gaelic lyrics to instrumental tune melodies. Historically, they were used to accompany dancing in the absence of instruments and to transmit instrumental tunes orally.
Mouth Music is a Scottish-inspired musical project founded in 1988, whose combination of traditional Gaelic songs and music with contemporary instrumental and technological settings led them to international fame in the early 1990s.
Talitha MacKenzie is a Scottish-American world music recording artist, and historical dance and music teacher and performer. Initially known as a vocalist in the original duo Mouth Music, she has maintained a solo career. Although most associated with Celtic and Gaelic music, she performs a wide range of early music and dance, as well as her own compositions.
Non-lexical vocables, which may be mixed with meaningful text, are a form of nonsense syllable used in a wide variety of music. Common English examples are "la la la", "na na na" and "da da da".
Irish traditional music is a genre of folk music that developed in Ireland.
Celtic Folkweave is a studio album by Mick Hanly and Mícheál Ó Domhnaill, released in 1974 by Polydor Records. Considered a seminal album in the traditional Irish music genre, the musicians involved in the recording would go on to found some of the most innovative and important groups to perform traditional Irish music.
Traditional Irish singing is the singing of traditional songs in the native styles such as sean nós. Though some people consider sean nós to particularly refer to singing in the Irish language, the term 'traditional singing' is more universally understood to encompass singing in any language, as well as lilting.
Bodega was a Scottish band based in Glasgow, formed in March 2005. Its members met while they were studying together at the National Centre of Excellence in Traditional Music in Plockton, Scotland, from which they all graduated. The group was originally called Fiddle Dee Fiddle Dum. They disbanded at the end of 2011, citing the changing musical trajectories of the band's principal founding members.
Mary Ann Kennedy, is a Scottish musician, singer, choral director, composer, radio and television presenter, and music producer.
Sean-nós singing is unaccompanied traditional Irish vocal music usually performed in the Irish language. Sean-nós singing usually involves very long melodic phrases with highly ornamented and melismatic melodic lines, differing greatly from traditional folk singing elsewhere in Ireland, although there is significant regional variation within Ireland. Sean-nós songs cover a range of genres, from love song to lament to lullaby, traditionally with a strong focus on conveying the relevant emotion of the given song. The term sean-nós, which simply means "in the old way", is a vague term that can also refer to various other traditional activities, musical and non-musical.
Joy Dunlop is a Scottish broadcaster, singer, step dancer and educator from the village of Connel in Argyll, who now lives in Glasgow, Scotland. Singing predominantly in Scottish Gaelic, she performs folk music, song and dance in a contemporary style rooted in the tradition. She is a weather presenter for BBC Scotland and BBC ALBA and formerly a volunteer radio presenter with Oban FM
Gaelic music is an umbrella term for any music written in the Gaelic languages of Irish and Scottish Gaelic. To differentiate between the two, the Irish language is typically just referred to as "Irish", or sometimes as "Gaeilge" ; Scottish Gaelic is referred to as "Gàdhealach". Gaelic music is also classified under "Celtic music".
"Brochan Lom" is a Scottish Gaelic nonsense song about porridge. The tune is popular and appears frequently at Scottish country dances and ceilidhs. It falls into the category of "mouth music", used to create music for dancing in the absence of instruments. It is a strathspey song and is commonly sung or played for the Highland Schottische, and for the Highland Fling.
Gaelic folk music or Gaelic traditional music is the folk music of Goidelic-speaking communities in Ireland, Scotland, and the Isle of Man, often including lyrics in those languages. Characteristic forms of Gaelic music include sean-nós and puirt à beul singing, piobaireachd, jigs, reels, and strathspeys.
Canadian fiddle is the aggregate body of tunes, styles and musicians engaging the traditional folk music of Canada on the fiddle. It is an integral extension of the Anglo-Celtic and Québécois French folk music tradition but has distinct features found only in the Western hemisphere.
