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The Attractions | |
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Background information | |
Origin | UK |
Genres | New wave |
Years active | 1977–1986, 1994–1996 |
Labels | |
Past members | Elvis Costello Steve Nieve Bruce Thomas Pete Thomas |
The Attractions were an English backing band for the English new wave musician Elvis Costello between 1977 and 1986, and again from 1994 to 1996. They consisted of Steve Nieve (keyboards), Bruce Thomas (bass guitar), and Pete Thomas (drums). They also released one album (and two associated singles) as an independent entity, without Costello, in 1980.
They have been called one of the best backing bands in rock history. [1] [2] [3]
Backing for Costello's 1977 debut album was provided by the American West Coast band Clover. [4] On the eve of that album's release, Costello formed his own permanent backing band, the Attractions, consisting of Steve Nieve (born Steve Nason; keyboards) from London, Bruce Thomas (bass guitar) from Stockton-on-Tees, and Pete Thomas (drums) from Sheffield. [5] The two Thomases are unrelated. [6]
Bruce Thomas was the oldest group member (29 when he joined), with the most professional experience prior to being an Attraction. He had previously been a member of the band Quiver, who had released two albums on their own in 1971/72, as well as functioning as the backing band for several albums by the Sutherland Brothers. [5] These albums were credited to "The Sutherland Brothers and Quiver"; Thomas played on the early recordings credited to this group, including the minor American hit "(I Don't Want to Love You But) You Got Me Anyway", which peaked at No. 48 in 1973. He left the group before their biggest success, 1976's "Arms of Mary", a No. 5 UK hit and a No. 1 hit in many European countries. Thomas was also a member of Moonrider for their lone album in 1975, and recorded as a session musician for Al Stewart in the early to mid-1970.
Pete Thomas, who was born the same month as Costello, had recorded one album as a member of Chilli Willi and the Red Hot Peppers. [5]
Only Nason, who had classical training, had never recorded or played with a rock band before. [7] Just 19 when he joined the group, Nason was given the stage name "Steve Nieve" (pronounced as "naive") by Ian Dury; [8] while Elvis Costello & The Attractions were playing a series of concerts with Dury before they recorded their first single, Nason innocently asked Dury "What's a groupie?" Dury immediately dubbed Nason "Steve Naive", and the name stuck (although the spelling was altered.)
According to Pitchfork 's Tyler Wilcox, the band replaced the "middle-of-the-road elements" of Clover to create a "minimal, hard-edged sound befitting the burgeoning punk scene in England at the time". [9]
Costello and the Attractions made their live debut on 14 July 1977, shortly before the release of My Aim Is True (1977). [10] [11] A few live tracks were appended to the B-side of Costello's single "Watching the Detectives", issued in October 1977, which Nieve performed on. [6] [7] In December 1977, the Attractions appeared with Costello on Saturday Night Live as a last-minute replacement for the Sex Pistols. They played "Watching the Detectives" and began "Less Than Zero" before Costello abruptly cut the band off and counted them into the then-unreleased "Radio Radio". The impromptu stunt angered producer Lorne Michaels and resulted in Costello's banning from Saturday Night Live until 1989. [9] [12] [13]
The Attractions' first album with Costello was This Year's Model (1978), [6] but the band did not officially receive co-billing credit until 1979's Armed Forces . [14] Costello later stated that he and the Attractions reached a level of musical agreement during the recording of Armed Forces that would never be matched again. [15] From there, the Attractions backed Costello on all of his albums and singles until 1984, [5] [9] with the exception of "New Amsterdam" (1980), a solo single recorded by Costello. On 1984's Goodbye Cruel World and its associated tour, Nieve was billed as "Maurice Worm".
In 1980, the Attractions recorded an album of their own, entitled Mad About the Wrong Boy. [5] The album features original compositions by all three group members, and was produced by Roger Bechirian. Steve Nieve wrote the music for several songs under the pseudonym "Norman Brain"; for these songs, his then-girlfriend Fay Hart provided lyrics, leading to a writing credit of "Brain/Hart". The Brain/Hart composition "Single Girl" was released as the first single from the album, followed by the Nieve-composed "Arms Race" as the second single. Neither single charted.
Due to their frequent use of pseudonyms and their associations with Bechirian, the Attractions were widely – but erroneously – rumoured to have been behind Blanket of Secrecy (BoS), a synthpop trio recognised at the time only by the pseudonyms 'Tinker', 'Tailor' and 'Soldier'. The group's lone album, Walls Have Ears, was produced by Bechirian and issued in 1982.
Guitarist Martin Belmont was briefly added to Attractions live line-up in 1981, but never recorded as an official member of the band. He did, however, make a guest appearance on the 1981 Costello single "From A Whisper to a Scream", which was also included on the album, Trust . [16]
In early 1986, Costello released King of America , billed to the Costello Show and made largely without the Attractions, who played on only one track, as well as the non-LP B-side "Baby's Got A Brand New Hairdo", billed to 'The Costello Show Featuring The Attractions'.
Later that same year Costello reunited with The Attractions to record the album Blood & Chocolate , [17] the final Attractions release for several years. The original group reunited for several tracks on Costello's 1994 album Brutal Youth and toured together over the next two years. They recorded one further album as a group (1996's All This Useless Beauty ) but split for good in 1996.
Nieve and Pete Thomas continued to back Costello through various touring and recording line-ups, and are still members of his current backing group the Imposters. The split between Costello and Bruce Thomas, however, appears permanent. Bruce Thomas made a brief appearance with his former bandmates when the group was inducted into the Rock & Roll Hall of Fame in 2003. When asked by Rolling Stone why Thomas did not play with them at the event, he replied, "I only work with professional musicians." He then went on to add "I have absolute respect for his playing on the records when he cared. He was certainly one of the best bass players around." [18]
For Elvis Costello solo material, please see the Elvis Costello discography.
Declan Patrick MacManus, better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to Rolling Stone, Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles." His first album, My Aim Is True (1977), spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "Alison". Costello's next two albums, This Year's Model (1978) and Armed Forces (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the Village Voice Pazz & Jop critics' poll, with This Year's Model and Imperial Bedroom (1982) voted the best album of their respective years. His biggest US hit single, "Veronica" (1989), reached number 19 on the Billboard Hot 100.
Almost Blue is the sixth studio album by the English singer-songwriter Elvis Costello, and his fifth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was recorded in May 1981 in Nashville, Tennessee, and released in October the same year. A departure from Costello's previous works, it is a covers album composed entirely of country music songs, including works written by Hank Williams and George Jones. The project originated with Costello's desire to record a collection of covers after his two previous studio albums commercially underperformed following Armed Forces (1979).
This Year's Model is the second studio album by the English singer-songwriter Elvis Costello, released on 17 March 1978 through Radar Records. After being backed by Clover for his debut album My Aim Is True (1977), Costello formed the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —as his permanent backing band. Recording sessions took place at London's Eden Studios in eleven days between late 1977 and early 1978. Nick Lowe returned as producer, and Roger Béchirian acted as engineer. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977.
Armed Forces is the third studio album by the English singer-songwriter Elvis Costello, released on 5 January 1979 in the United Kingdom through Radar Records. It was his second album with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas —and the first to officially credit them on the cover. The album was recorded in six weeks from August to September 1978 in London under the working title Emotional Fascism. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions saw Costello exert more control over production compared to This Year's Model, while Nieve contributed more to song arrangements.
Get Happy!! is the fourth studio album by the English singer-songwriter Elvis Costello, and his third with the Attractions — keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 15 February 1980 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Nick Lowe and engineered by Roger Béchirian, the sessions began in London but moved to the Netherlands after Costello found the material derivative of his previous album, Armed Forces (1979). The sessions were problematic but resulted in a large number of songs; the final album contains 20 tracks across a single LP.
Trust is the fifth studio album by the English singer-songwriter Elvis Costello, and his fourth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 23 January 1981 through F-Beat Records in the United Kingdom. Produced by Nick Lowe, with assistance by the engineer Roger Béchirian, the album was recorded in London from October to November 1980 between DJM and Eden Studios. The sessions were riddled with alcohol and drug issues and tensions were high between the band members. Squeeze's vocalist Glenn Tilbrook and the Rumour's guitarist Martin Belmont made guest appearances on "From a Whisper to a Scream".
Blood & Chocolate is the eleventh studio album by the English singer-songwriter Elvis Costello, and his ninth album with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 15 September 1986 through Demon and Columbia Records. After mostly using outside musicians for his previous album King of America, Costello reunited the Attractions and his former producer Nick Lowe for Blood & Chocolate. Recorded in London during a period of heightened tensions between Costello and the Attractions, the tracks were recorded quickly, mostly live in first takes, while the band were set up simultaneously in the same room at Olympic Studios. The Pogues' bassist Cait O'Riordan guested on multiple tracks.
Steve Nieve is an English musician and composer. In a career spanning more than 40 years, Nieve has been a member of Elvis Costello's backing bands the Attractions and the Imposters, as well as Madness. He has also experienced success as a prolific session musician, featured on a wide array of other artists' recordings.
Peter Michael Thomas is an English rock drummer best known for his collaboration with singer Elvis Costello, both as a member of his band the Attractions and with Costello as a solo artist. Besides his lengthy career as a studio musician and touring drummer, he has been a member of the band Squeeze during the 1990s and a member of the supergroup Works Progress Administration during the early 2000s.
Bruce Thomas is an English bass guitarist, best known as bassist for the Attractions; the band formed in 1977 to back Elvis Costello in concert and on record.
Goodbye Cruel World is the ninth studio album by the English singer-songwriter Elvis Costello, and his eighth with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas. It was released on 18 June 1984 through F-Beat Records in the United Kingdom and Columbia Records in the United States. Produced by Clive Langer and Alan Winstanley, who returned from 1983's Punch the Clock, the album was recorded at London's Sarm West Studios in March 1984 during a period of turmoil for the artist. The problematic sessions included disagreements between Costello and the producers over the album's direction and high tensions amongst the Attractions.
Brutal Youth is an album by English musician Elvis Costello, released in 1994. It contains the first recordings Costello made with his band the Attractions since Blood and Chocolate (1986). Brutal Youth was the third, and most recent of Costello's albums, to peak at number two in the UK Albums Chart, following on from Armed Forces (1979) and Get Happy!! (1980).
The Best of Elvis Costello and the Attractions is a compilation album by English musician Elvis Costello and his backing band the Attractions, released in 1985. It was the first of what would be many career-spanning compilation albums of previously released material for Costello.
"Pump It Up" is a 1978 song by Elvis Costello and the Attractions. It originally appeared on Costello's second album This Year's Model, which was the first he recorded with the backing group the Attractions. Written as an ironic response to his time during the Stiffs Live Tour and inspired by "Subterranean Homesick Blues" by Bob Dylan, "Pump It Up" features a stomping rhythm and ironic lyrics.
Blanket of Secrecy (BoS) was a short-lived English new wave band formed in 1982. The band was notable for the fact that its band members, true to their band name, were never officially identified at the time - only the pseudonyms Tinker, Tailor and Soldier were disclosed to refer to the main members - as well as mention of Spy. This led to some speculation in the music press regarding the true identity of the members, with rumours that they might be the Attractions and speculation that the lead singer was Jack Hues of Wang Chung. However, they were eventually revealed to be Peter Marsh, Andy Howell (Tailor), Roger Bechirian (Soldier) and Phil McWalter (Spy).
"Watching the Detectives" is a 1977 single by English singer-songwriter Elvis Costello. Inspired by the Clash and Bernard Herrmann, the song features a reggae beat and cynical lyrics.
Live Stiffs Live is a live album released in 1978 by Stiff Records. It compiles concert performances by several of the record label's artists recorded during the "Live Stiffs Tour", which ran from 3 October to 5 November 1977.
Live at Hollywood High is a recording by Elvis Costello and the Attractions from a 1978 concert at Hollywood High School in Los Angeles, California. Three songs from the concert were originally included as a bonus 7" vinyl EP that sold with initial pressings of the Armed Forces album in 1979. A 2002 re-issue of Armed Forces added six tracks to the three from the EP and placed them in proper running order. In 2010, the Hip-O Select label released a full version of Live at Hollywood High with all 20 tracks from the concert on one CD.
"(I Don't Want to Go to) Chelsea" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1978 second album, This Year's Model. Written by Costello while working as a computer programmer, the song was lyrically inspired by films Costello had been watching as well as childhood trips to Chelsea. Musically the song featured influence from bands such as the Who and the Kinks and is notable for Bruce Thomas's prominent bassline.
"The Other End (Of the Telescope)" is a song by American band 'Til Tuesday, which was released in 1988 on their third and final studio album Everything's Different Now. The song was written by Aimee Mann and Elvis Costello. Costello recorded his own version of the song for his 1996 album All This Useless Beauty.